01:36 build your own presets. 05:04 Use global EQ controls 05:45 use your input impedance 07:23 try Line 6 power cab 10:18 level your presets 12:18 blend IRs
you all probably dont give a damn but does anyone know of a tool to log back into an instagram account?? I was stupid forgot the account password. I would appreciate any tricks you can offer me
Great video Chris. You seem very honest about struggles with using this new to you gear. We’re all learning and you’re particularly good at sharing it.
Hi Chris - The impedance problem with the fuzz pedals in the Helix have been a bone of contention for some time. There are only one or two of them that are sensitive, but they will not sound right with a high input impedance. Unfortunately, pedals and amps further down the chain will suffer if the impedance is set low and the fuzz is off. The stomp foot switches on the Helix can be set to do more than one single action, such as switching on an effect. Indeed they can do several things at once if required. My solution is to set the stomp switch for the fuzz to also switch the impedance to low when the pedal is turned on. Conversely, when the fuzz is stomped again to switch it off, the switch also turns the impedance back to high. You can also set up snapshots with FuzzOn/Low Impedance, and another with FuzzOff/High Impedance, but I prefer to use the snapshots for other purposes.
This tips video is amazing @Chris. Minimal EQ and compression after the amp blocks and utilizing power amp sag shows the beauty of the modelling the helix can do
Haha it’s funny so many people go on and on about IRs (probably trying to sell theirs) and I never realized what I hated about playing through modelers. That makes so much sense. Glad you pointed that out. I totally agree. Great vid!
Another tip is learning the frequency range of the cabs themselves in the real world. Alot if cab freq range is between 75hz and 5.0hz. Also boosting the cabs up to +4.0 increases the cab characterstics. Also my favorite is boosting reflections up to 66% and when doing two amps have one amp be the room mic amp with a 87 condenser between 10 and 12 inches and match the volume with the primary amp with a 121 or 57 for a studio style mixing. Also when using two amps never use mixing for the splitting but the Split block itself.
Thanks for sharing. I bought youre preset and would recommend it big time. Inspiring to hear such tones from the helix. No doubt well worth the money. Watching chris channel is a privilege that does not cost a dime; not the best time for live-artists: support!
I have found input impendence on "auto" just handles the over input artifact nicely, global EQ for me is just bumping the the high cut from off to 19.7khz really smooths out the high end on the B & high E string. If you want to use a pretty good cab on with no IR try the 2x12 Double CN12 cab, it's got the pro cab tone and I always match the low and high cut with a legacy selection room reverb, mono for all the rest in that way you use way less DSP, of course I do these things because I have the HX Stomp which has a single 450mHz DSP and a single parallel 8 block chain.
The Powercab is awesome because you can take out the MIC model and get the “amp in the room” tone/vibe wilst sending the traditional IR/cab block to FOH.
I love throwing the LA comp at the end of my chain, or at least after my amp, first it really can make the amp feel great to play, and secondly because it lets me use my coil split to still clean up my amp, but not drop overall volume
Regarding the PowerCab speaker emulation vs IRs/Helix internal cabinet modelling: The big difference that I believe Chris is probably hearing is that when you hear the speaker modelling coming out of the PowerCab, you are only hearing the *speaker* being modelled. Since the PowerCab is a physical cabinet, it isn’t modelling the tone of a cabinet. Nor is it modelling the tone of the microphone in front of the cabinet. With IRs or the Helix’s default cabinet modelling, you are hearing a virtual speaker AND a virtual cabinet AND a virtual microphone. In my opinion, this is why the Helix (and other amp modellers’) tones often sound great when listening back in a mix or from the audience’s perspective at a live show, but can often *feel* slightly disconnected to the player. It would be like playing your guitar while your amp is mic’d up in an isolation booth and listening to the audio through a pair of studio monitors. With the PowerCab, it sounds and feels more “natural” to the player because the virtual mic is out of the equation completely.
Absolutely spot on tips and I just have to say you're hell of a guitar player as well! Amazing playing and tones! 👏 Thoroughly enjoyed the video and subbed as well.
I've learned so much from your channel, not to mention just being all around entertained -- I just purchased your preset and incorporating many of the elements you've crafted into my setup -- look forward to trying it all out this weekend at a gig. Your an amazing guitar player, such beautiful touch -- keep inspiring people brother, your doing a great job!
I’ve found with my Stomp copying other professional’s presets don’t sound the same because everyone has a different touch. More often for me reducing the gains or mix on the delay is necessary. Modulation is a whole different animal to contend with. Although other people’s preset ideas get you in the ball park as mentioned you must personalize it. This is the magic of the Helix products. I love my Stomp and the sky is the limit as you demonstrate. Thanks for your guidance and sharing. Cheers from American 🎸🎶🎼
I'm a little late to the game. I was a die hard tube amp/cab guitar player but I'm 58 now and just tired of lugging a big ol' heavy amp to church or a gig. I downsized to a 2x12 comba and a HX FX. I love the tone. But even this is somewhat of a pain to lug around. So, ultimately, I'll pull the trigger on Helix. I love the videos like this that really give you an in depth view of the ins and outs of Helix. I think because I've used the HX now for several months and I'm figuring things out, the jump to Helix won't be that much of a task. Our church doesn't have adequate monitoring on the stage yet, and we are talking with the pastor about some changes for the better. So until that happens, I just use my 2x12 combo as a stage monitor for my guitar by pulling one channel from the Helix and sending the other channel to the house. I think, too, that I'll get that slight stereo effect from hearing the mains and the amp. But as soon as we get in ears, I'll have the sound guy do 2 channels through the house panned left and right. I use a lot of ethereal tones so that is gonna sound awesome!
IEMs are going to be awesome. We've had Roland M-48s for the past 5 or so years. We're upgrading to something else, not sure what yet but being able to tailor your personal mix levels makes it so much easier to focus on playing. I can't imagine not having IEMs now. When I first started playing in church, I had my Fender Pro Chorus turned around away from the congregation to cut the volume and to use as a monitor. It was miked to the house. I now have a 60W SuperSonic in an Isocab in a separate room and have it set on volume of 4. It goes out to the board via a Radial DI box. It's truly amazing, standing next to the Iso, you can barely hear it!
I kinda get what your saying about Ir`s, but Its really just another tool in the old toolbelt in my upinion.. I like using both, mix and match stock cabs and IR`s. I find that the stock cabs have a mid focused drive about them that i like, and Ir`s tend to sound a bit more opened up and complex if that makes any sense... Really depends on what im using it for. Dig the sounds you are getting out of your helix man!
I like having a HX Stomp with a Pedal Board, Real Overdrive Pedals sound so much better than digital ones, The Clean Amps sound good, Vox, Fender,Dr Z,etc.. Also Good Quality IR'S, Celestion , Ownhammer, 3 Sigma,etc Running it in Stereo sounds Great, The Delays and Reverbs are Good, there are better out there, And you can plug them into the Stomp, hard to do with a Helix as its so Big..
I can't wait for my Nuerel dsp quad cortex mod to come. I pre ordered it. ( but it is killing me to wait) ugh....... And have two new cabs , and everything I need to go stereo .
I have a very bright strat. If I cut the impedance for the strat, would you need different presets for a humbucker guitar? Or would most people's ears not notice the difference?
Just got a Pod Go and I watched Rhett's video before this one. I tried his high and low cut setting and they seemed too drastic, especially the high cut. So I played around and got it set the way I liked. Saw your video and saw your recommendations and they were just like mine. 50 and 15k. I guess my ear matches yours!
@@Nicky-T agree 100% Jason Sadites is the Helix master. watch ALL of his "Dialing in..." and "How to make a great tone xxx" videos to get the best out of your Helix.
Excellent as always. When hearing you talk about levels and Helix presets, it occurred to me that someone should create a set of the Helix presets, only tweaked to sound as good as some of the better tones on Customtone sound.
Great Comments Chris...Ive chosen Helix Rack + Board as opposed to Kemper for my home Studio set up.....How is the Looper function with Rack + Board...have you used this ?
speaking of sag.... the Deez-1 guitar which was supposed to work like DS-1 had awful sag. Like you play a note or chord, and it dies on you and then gets louder. Impedance... with the auto setting, the very first block controls the overall impedance. So if you have a volume pedal followed by 10 fuzz pedals that are not engaged will sound the same as if they are not in the chain.
Honestly I came to hear and see you play more than anything else ! By the way is it tweaking the impedance has any incidence on the gain going out of this block ?! Or it deals only with the frequencies ?! Which (obviously) is almost the same (cutting or lowering some frequencies automatically affect the whole gain).. but anyway would like to know your opinion .. thanks Chris..
When you're talking about IRs I think you are actually referring to the cab simulations built into the Helix. At 13:01 you're adjusting the Cab Sim and there's no IR loaded into the preset. The cab sim and IRs are very different. Not trying to be coy, I'm wondering if you simply mixed up the names in this instance, I'm sure you know what IRs are. Do you blend actual IRs ever? Are you talking in stereo or dual mono? Or differently somehow? Thanks Chris! Fantastic playing as always!
How does an IR differ from a Cab block in the Helix? Whilst I am an IR fan and use them for simplicity, I thought that the in-built cabs were just another way of adjusting frequency response (a bit like an impulse response loader where you can graphically adjust mic placement etc.). I'm not challenging your viewpoint, just interested in the technical difference between impulse responses and in-built cabs in the Helix. - thanks!
@@waynejames2014 I'm not an expert on the built in cab responses, but my understanding is that they are more like you've described... a way of digitally simulating a sound/space/frequency. Where as an impulse is a digital recreation of an actual hardware setup. So it was made using specific mic(s), cabinet, speaker, the room/space it was shot in, and even what interface/mixing console it was recorded on is a part of the equation. For example - my favourite impulses are from TheAmpFactory.com which were shot on a Neve console, using Neve 1073 pre amps, a tube EQ, and each cabinet has multiple microphone packs, and each microphone pack has multiple mic placements. So they actually shot an IR of each microphone, and physically moved the microphone to a different location and shot another IR. You end up with a ton of files to sift through and try out, but they do sound so different from one to the next. I like to blend some of the IRs which I guess is like using multiple microphones on a cabinet. I like the quote from Steve Stevens on their website, it was something like "they sound like the real thing because they are the real thing". Hope that helps.
@@countstoneula thanks for that. I must admit I find the whole subject rather like a minefield. Once I've hooked up my own preamp and reverbs/delays etc I'm not sure I'm hearing what the guy who created the IR was hearing but I know the ones I like and tend to stick with them. I also find it rather puzzling that after dialling in an amp and loading up an IR I then have to use EQ to alter the "authentic" sound of the IR 😕
I had my Helix LT for about a month, I have the Line 6 PowerCab 112 (single speaker). I’m using my YJM strat (single coils, but not really) and I’m having a hard time getting the bass strings to sound clear and defined under gain. When hitting chords or playing rhythm… it just sound muddy, and undefined.. “wooly” Is there any area I should focus my attention on? There are a lot of positive reviews for this cab, I just wish I could get a clearer, defined bottom end! Help!!
Great Tips! Have you noticed the note definition getting lost when the Input Impedance is lower? I tried to tame the fuzzy highs that way but I keep losing the note definition.
Hi Chris. Have you used HX Effects at all. It’s currently on my pedal board. Guess it’s antiquated now after stomp. Should’ve waited another year I guess
Hey Chad. Yes, I have! I spent a few days using one in Germany last year and really liked it. Line 6 have always absolutely nailed effects in particular!
Amazingly useful tips. And very inspiring guitar playing as well. Really wish i had the budget to get myself a Powercab 212 plus as well. 😎👍 Nice content man.
Something I would have liked on the helix is the ability to see the signal on the eq blocks. I find for making tones I record into cubase and then do any cuts and boosts as it’s easier to find them annoying frequencies . I just think it would have been a better feature rather than a list of frequencies and bars
Hello Chris thanks for all the work and sharing your preset its exactly what im looking for. Question, for your Helix Preset do I just turn off the cabinet in the chain to run it through the Powercab?
I've owned several Heli and getting good sound wasn't impossible. I will say there are plenty of tips to make it easier. What I just wasn't willing to live with was always the feel. I felt like no matter what I did to my presets it just didn't feel good to me. On occasion I found a few paid presets that felt ok, but after owning a Kemper and now a Fm9 I just don't think I'd be happy enough coming back. The Helix is a crazy good unit and super easy to navigate from the unit itself. Not trying to bash it in any way here, just stating my personal experience with this platform. In a mix nobody knows what you are playing, but as the player It just wasn't pleasing. And for me It deters me from wanting to play more. Not sure if many others feel this way or if I'm just weird lol
Power-cab aside would you rather use the FX return of a tube amp instead of IRs? Just curious how you'd get past that issue of the line6 cab wasnt an option. Thank you 👍🏻👍🏻
Hi chris I see your using the Fullerton jump. What drives are you using in front of the amp block? I usually make all my own presets just curious on those parts! Thank you!
At 5:27, if you are using an acoustic guitar or one of the many acoustic and wider frequency range instruments a Variax can produce, be careful with that global EQ!
You're absolutely right, when you make your own presets from scratch, the factory ones sounds very weak... I think it's because Line6 made generic presets for everyones which sounds "correct" with most for the guitar models in their differences. I understand and don't blame them for that. Make your own.
Thank you! I love Guthrie's playing but I can't honestly say that he's been an influence on me as such, so I guess it's more a case of having been influenced by the same people :)
Amazing stuff but in the 60's all we had was reverb, tremolo and if you got lucky a Maestro fuzz box. We just plugged in and played. Now all of these machines are trying to emulate that!?
One of the disappointing things about the Helix is that as soon as you start using it you realize it doesn't feel complete without one of those Variax guitars and powercabs Line 6 gently suggests you try with it. You can dial in passable tones but they're never as good as those in the Yamaha artists videos. It just never works the way it does in the promotional videos. With my Helix, for example, I can't get a good tone unless I apply global EQ, aggressive cuts on the cab, aggressive cuts on the EQ behind the cab, AND aggressive cuts on the output block. This eats my sustain so I need to add more gain, which in turn adds more noise so I have to throw a noise gate in, which in turn ruins my sustain again. The folks in UA-cam demos seem to never have any of those issues. There's hardly ever any noise or digital sizzle in their tones. They just plug and play, making it seem so easy! Sometimes I wonder if Kemper or Fractal wouldn't be the better option for me, but then I think it would be exactly the same story.
Rusty James nothing is as great as a great tube amp and a few great dirt, overdrive and or fuzz pedals. The Kemper with a pedal or without would be my choice but Chris makes the helix sound great. I have to definitely use a dirt pedal in front of an amp block. Lots of tweaking with the helix. They’re all kindve the same except the overlooked Yamaha 100hd sounds and feels great and simple. Plug into a guitar and a cabinet that’s it. And I like the iridium too and then add your pedals. Just my opinion. FYI Yamaha bought line6 btw.
It might actually be your guitar or cables. I get some amazing tones. In thing I learned however is that Helix and both Kemper is that you are not listening to the amps but the mics in front of the amp and even then if you mix a good mic tone by yourself it will sound different in a band mix. Try using the Nashville mic combo of 121 and a 57 on two of the same amps and boost reflections up to 60%.
01:36 build your own presets.
05:04 Use global EQ controls
05:45 use your input impedance
07:23 try Line 6 power cab
10:18 level your presets
12:18 blend IRs
Patrick Stefurak: thanks for the timeline;) 👍
@@BCTGuitarPlayer 👍
Doing God's work.
you all probably dont give a damn but does anyone know of a tool to log back into an instagram account??
I was stupid forgot the account password. I would appreciate any tricks you can offer me
@Leo Eden instablaster ;)
That intro alone was worth the price of admission! Love it
Great video Chris. You seem very honest about struggles with using this new to you gear. We’re all learning and you’re particularly good at sharing it.
Hear, hear!
I think it’s great that you don’t just mechanically demonstrate the sounds, you play your heart out, tone and feel for days!
Cheers Chris
Hi Chris - The impedance problem with the fuzz pedals in the Helix have been a bone of contention for some time. There are only one or two of them that are sensitive, but they will not sound right with a high input impedance. Unfortunately, pedals and amps further down the chain will suffer if the impedance is set low and the fuzz is off. The stomp foot switches on the Helix can be set to do more than one single action, such as switching on an effect. Indeed they can do several things at once if required. My solution is to set the stomp switch for the fuzz to also switch the impedance to low when the pedal is turned on. Conversely, when the fuzz is stomped again to switch it off, the switch also turns the impedance back to high. You can also set up snapshots with FuzzOn/Low Impedance, and another with FuzzOff/High Impedance, but I prefer to use the snapshots for other purposes.
This tips video is amazing @Chris. Minimal EQ and compression after the amp blocks and utilizing power amp sag shows the beauty of the modelling the helix can do
Haha it’s funny so many people go on and on about IRs (probably trying to sell theirs) and I never realized what I hated about playing through modelers. That makes so much sense. Glad you pointed that out. I totally agree. Great vid!
That solo from Going Home is 🔥🔥🔥!
Came for the tips and tricks and hit like in the first 20 seconds because I really enjoyed your playing!
Another tip is learning the frequency range of the cabs themselves in the real world. Alot if cab freq range is between 75hz and 5.0hz. Also boosting the cabs up to +4.0 increases the cab characterstics. Also my favorite is boosting reflections up to 66% and when doing two amps have one amp be the room mic amp with a 87 condenser between 10 and 12 inches and match the volume with the primary amp with a 121 or 57 for a studio style mixing. Also when using two amps never use mixing for the splitting but the Split block itself.
Great, very tasteful playing, as always, Chris.
Thanks for sharing. I bought youre preset and would recommend it big time. Inspiring to hear such tones from the helix. No doubt well worth the money. Watching chris channel is a privilege that does not cost a dime; not the best time for live-artists: support!
Thank you so much Åsmund , that's incredibly kind of you. I really appreciate it :)
I have found input impendence on "auto" just handles the over input artifact nicely, global EQ for me is just bumping the the high cut from off to 19.7khz really smooths out the high end on the B & high E string. If you want to use a pretty good cab on with no IR try the 2x12 Double CN12 cab, it's got the pro cab tone and I always match the low and high cut with a legacy selection room reverb, mono for all the rest in that way you use way less DSP, of course I do these things because I have the HX Stomp which has a single 450mHz DSP and a single parallel 8 block chain.
11:55 - 12 minutes you caught my eye love that lick.
The Powercab is awesome because you can take out the MIC model and get the “amp in the room” tone/vibe wilst sending the traditional IR/cab block to FOH.
I love throwing the LA comp at the end of my chain, or at least after my amp, first it really can make the amp feel great to play, and secondly because it lets me use my coil split to still clean up my amp, but not drop overall volume
this playing is on another level. wow.
Loving that Yamaha!!!!
GoFeesh 85 Which one ☝️🤣 He used several 😁😁
Revstar sounds incredible on the cream clean cab preset
never knew about these Paulo Dybala's guitar skills
Winner
Lol
Who is Paula?
😂😂😂👍👍👍
Hi Chris
Love the video
Great tips
Lovely playing
I can’t open the zip file from link though
Do want to try out your patches!
Thanks Chris. I'm looking into a Helix LT, and your 5 tips helped on the possibilities side of things. Be safe.
James
Regarding the PowerCab speaker emulation vs IRs/Helix internal cabinet modelling:
The big difference that I believe Chris is probably hearing is that when you hear the speaker modelling coming out of the PowerCab, you are only hearing the *speaker* being modelled. Since the PowerCab is a physical cabinet, it isn’t modelling the tone of a cabinet. Nor is it modelling the tone of the microphone in front of the cabinet. With IRs or the Helix’s default cabinet modelling, you are hearing a virtual speaker AND a virtual cabinet AND a virtual microphone. In my opinion, this is why the Helix (and other amp modellers’) tones often sound great when listening back in a mix or from the audience’s perspective at a live show, but can often *feel* slightly disconnected to the player. It would be like playing your guitar while your amp is mic’d up in an isolation booth and listening to the audio through a pair of studio monitors.
With the PowerCab, it sounds and feels more “natural” to the player because the virtual mic is out of the equation completely.
Man! you managed to find a way to connect chord voicings that's so unique and beautiful! Wow!
You play like an old soul bro!!! Awsome!!!!🙏
Absolutely spot on tips and I just have to say you're hell of a guitar player as well! Amazing playing and tones! 👏 Thoroughly enjoyed the video and subbed as well.
Dude this is a very helpful video and you're a fantastic guitarist! Keep it up!
Great playing and the sound on your guitars are amazing!
Love what your doing.
Like to see you in Michigan.
Lol
I've learned so much from your channel, not to mention just being all around entertained -- I just purchased your preset and incorporating many of the elements you've crafted into my setup -- look forward to trying it all out this weekend at a gig. Your an amazing guitar player, such beautiful touch -- keep inspiring people brother, your doing a great job!
Thanks for all the great tips. I just got my Helix LT and appreciate your tips smoothing out the steep learning curve.
I’ve found with my Stomp copying other professional’s presets don’t sound the same because everyone has a different touch. More often for me reducing the gains or mix on the delay is necessary. Modulation is a whole different animal to contend with. Although other people’s preset ideas get you in the ball park as mentioned you must personalize it. This is the magic of the Helix products. I love my Stomp and the sky is the limit as you demonstrate. Thanks for your guidance and sharing. Cheers from American 🎸🎶🎼
Diolch Chris. We all now have plenty of time to dive in deep with our Helixes..! Stay safe :-)
really nice man especially the licks near the end of the video any tutorials on how to play that?
I'm using the Helix Rack through a Rocktron 350 Watt Stereo Guitar Power Amp into a Bugera Turbo Sound 2x12 cab running in Stereo.
Nice one Chris.Had the Helix since day one.Love it 👌
What incredible playing! 👏
I'm a little late to the game. I was a die hard tube amp/cab guitar player but I'm 58 now and just tired of lugging a big ol' heavy amp to church or a gig. I downsized to a 2x12 comba and a HX FX. I love the tone. But even this is somewhat of a pain to lug around. So, ultimately, I'll pull the trigger on Helix. I love the videos like this that really give you an in depth view of the ins and outs of Helix. I think because I've used the HX now for several months and I'm figuring things out, the jump to Helix won't be that much of a task. Our church doesn't have adequate monitoring on the stage yet, and we are talking with the pastor about some changes for the better. So until that happens, I just use my 2x12 combo as a stage monitor for my guitar by pulling one channel from the Helix and sending the other channel to the house. I think, too, that I'll get that slight stereo effect from hearing the mains and the amp. But as soon as we get in ears, I'll have the sound guy do 2 channels through the house panned left and right. I use a lot of ethereal tones so that is gonna sound awesome!
IEMs are going to be awesome. We've had Roland M-48s for the past 5 or so years. We're upgrading to something else, not sure what yet but being able to tailor your personal mix levels makes it so much easier to focus on playing. I can't imagine not having IEMs now. When I first started playing in church, I had my Fender Pro Chorus turned around away from the congregation to cut the volume and to use as a monitor. It was miked to the house. I now have a 60W SuperSonic in an Isocab in a separate room and have it set on volume of 4. It goes out to the board via a Radial DI box. It's truly amazing, standing next to the Iso, you can barely hear it!
I definitely want to play with the sag control more after this. I'd be curious about your favorite amp models, and how you do your eq.
I'd be very interested to hear your thoughts on the HX Effects
Gorgeous tones and playing B&E. Keep it up
I kinda get what your saying about Ir`s, but Its really just another tool in the old toolbelt in my upinion.. I like using both, mix and match stock cabs and IR`s. I find that the stock cabs have a mid focused drive about them that i like, and Ir`s tend to sound a bit more opened up and complex if that makes any sense... Really depends on what im using it for. Dig the sounds you are getting out of your helix man!
Thanks for the info on input impedances. It made it more clear. It really works just like it would within the guitar wiring.
I like having a HX Stomp with a Pedal Board,
Real Overdrive Pedals sound so much better than digital ones,
The Clean Amps sound good, Vox, Fender,Dr Z,etc..
Also Good Quality IR'S, Celestion , Ownhammer, 3 Sigma,etc
Running it in Stereo sounds Great,
The Delays and Reverbs are Good, there are better out there,
And you can plug them into the Stomp, hard to do with a Helix as its so Big..
I agree. I only use the 'Simple EQ' as my up front boost pedal. All the dirt boxes in there sound off to my ears.
Very nice opening solo
Hey Chris! No worries, the dust on the headstock adds to the great tones. LoL!
I can't wait for my Nuerel dsp quad cortex mod to come. I pre ordered it.
( but it is killing me to wait) ugh....... And have two new cabs , and everything I need to go stereo .
I have a very bright strat. If I cut the impedance for the strat, would you need different presets for a humbucker guitar? Or would most people's ears not notice the difference?
Nice Revstar(I believe that’s the guitar in intro) I plan to buy a one of the new Left ones they released
Thank you...thank you...then you!!! Just for a Stomp! Can't wait to try these out! 😎🎸🐦🤘
Just got a Pod Go and I watched Rhett's video before this one. I tried his high and low cut setting and they seemed too drastic, especially the high cut. So I played around and got it set the way I liked. Saw your video and saw your recommendations and they were just like mine. 50 and 15k. I guess my ear matches yours!
Great tips on the helix and absolutely love your playing(and tone) 👍🙌
Great video. I am still trying to figure my Helix out.
@JasonSadites videos really helped me ua-cam.com/play/PLEshByA_Gqn7O0biVoepS0m9HLznPTPM5.html
Slawek Lesiuk Richie castellano too.
@@Nicky-T agree 100% Jason Sadites is the Helix master. watch ALL of his "Dialing in..." and "How to make a great tone xxx" videos to get the best out of your Helix.
@@andrewjackson9654 Agree Ritchie is amazing!
Which one do you prefer? Helix or old good pedalboard?
Sorry for my english,
From France🇨🇵
Pour ma part je ne reviendrais pas en arrière, j'ai acheté le Helix LT et j'en suis ravie !
Your playing is good.
Chris buck! Have you messed with the new Poly Sustain on helix v3.0? seems right up your alley!
Smooth playing brother!
Amazing playing, thank you for these helix tips.
Great playing and thanks for the tips
Excellent as always. When hearing you talk about levels and Helix presets, it occurred to me that someone should create a set of the Helix presets, only tweaked to sound as good as some of the better tones on Customtone sound.
What is a creamback powered cab? How are they different from FRFR cabs?
Great Comments Chris...Ive chosen Helix Rack + Board as opposed to Kemper for my home Studio set up.....How is the Looper function with Rack + Board...have you used this ?
speaking of sag.... the Deez-1 guitar which was supposed to work like DS-1 had awful sag. Like you play a note or chord, and it dies on you and then gets louder. Impedance... with the auto setting, the very first block controls the overall impedance. So if you have a volume pedal followed by 10 fuzz pedals that are not engaged will sound the same as if they are not in the chain.
Hi Chris...is the tuner light supposed to forever blink on the tuner pedal?? its a bit unnerving
Honestly I came to hear and see you play more than anything else !
By the way is it tweaking the impedance has any incidence on the gain going out of this block ?! Or it deals only with the frequencies ?! Which (obviously) is almost the same (cutting or lowering some frequencies automatically affect the whole gain).. but anyway would like to know your opinion ..
thanks Chris..
Got stuck learning the lick at 4:50 and I NEED THAT AMP TONE. Tired to buy your preset and it didn't work :(
I like your feels brother. Keep rocking
When you're talking about IRs I think you are actually referring to the cab simulations built into the Helix. At 13:01 you're adjusting the Cab Sim and there's no IR loaded into the preset. The cab sim and IRs are very different. Not trying to be coy, I'm wondering if you simply mixed up the names in this instance, I'm sure you know what IRs are. Do you blend actual IRs ever? Are you talking in stereo or dual mono? Or differently somehow?
Thanks Chris! Fantastic playing as always!
How does an IR differ from a Cab block in the Helix? Whilst I am an IR fan and use them for simplicity, I thought that the in-built cabs were just another way of adjusting frequency response (a bit like an impulse response loader where you can graphically adjust mic placement etc.). I'm not challenging your viewpoint, just interested in the technical difference between impulse responses and in-built cabs in the Helix. - thanks!
@@waynejames2014 I'm not an expert on the built in cab responses, but my understanding is that they are more like you've described... a way of digitally simulating a sound/space/frequency. Where as an impulse is a digital recreation of an actual hardware setup. So it was made using specific mic(s), cabinet, speaker, the room/space it was shot in, and even what interface/mixing console it was recorded on is a part of the equation. For example - my favourite impulses are from TheAmpFactory.com which were shot on a Neve console, using Neve 1073 pre amps, a tube EQ, and each cabinet has multiple microphone packs, and each microphone pack has multiple mic placements. So they actually shot an IR of each microphone, and physically moved the microphone to a different location and shot another IR. You end up with a ton of files to sift through and try out, but they do sound so different from one to the next.
I like to blend some of the IRs which I guess is like using multiple microphones on a cabinet.
I like the quote from Steve Stevens on their website, it was something like "they sound like the real thing because they are the real thing". Hope that helps.
@@countstoneula thanks for that. I must admit I find the whole subject rather like a minefield. Once I've hooked up my own preamp and reverbs/delays etc I'm not sure I'm hearing what the guy who created the IR was hearing but I know the ones I like and tend to stick with them. I also find it rather puzzling that after dialling in an amp and loading up an IR I then have to use EQ to alter the "authentic" sound of the IR 😕
I had my Helix LT for about a month, I have the Line 6 PowerCab 112 (single speaker).
I’m using my YJM strat (single coils, but not really) and I’m having a hard time getting
the bass strings to sound clear and defined under gain. When hitting chords or playing rhythm…
it just sound muddy, and undefined.. “wooly”
Is there any area I should focus my attention on? There are a lot of positive reviews for this cab, I just wish I could get a clearer, defined bottom end! Help!!
Perfect timing I’m literally in my room creating new tones
Really enjoying your content. Great touch and phrasing. Can you tell me if your Helix patch will work on my Helix LT? Thanks mate!!
Great Tips! Have you noticed the note definition getting lost when the Input Impedance is lower?
I tried to tame the fuzzy highs that way but I keep losing the note definition.
Hi Chris. Have you used HX Effects at all. It’s currently on my pedal board. Guess it’s antiquated now after stomp. Should’ve waited another year I guess
Hey Chad. Yes, I have! I spent a few days using one in Germany last year and really liked it. Line 6 have always absolutely nailed effects in particular!
Chris Buck!!👍
Amazingly useful tips. And very inspiring guitar playing as well. Really wish i had the budget to get myself a Powercab 212 plus as well. 😎👍 Nice content man.
Great playing man!!!
Hi Chris would love to get your tone on a katana ,maybe a video for the fiuture
Something I would have liked on the helix is the ability to see the signal on the eq blocks. I find for making tones I record into cubase and then do any cuts and boosts as it’s easier to find them annoying frequencies . I just think it would have been a better feature rather than a list of frequencies and bars
Hello Chris thanks for all the work and sharing your preset its exactly what im looking for. Question, for your Helix Preset do I just turn off the cabinet in the chain to run it through the Powercab?
Hey Kenny. Yeah, you’ve got it 🙂
Chris, do you run to FoH from the Helix or the Powercab?
Hey! From the Powercab outputs :)
I've owned several Heli and getting good sound wasn't impossible. I will say there are plenty of tips to make it easier. What I just wasn't willing to live with was always the feel. I felt like no matter what I did to my presets it just didn't feel good to me. On occasion I found a few paid presets that felt ok, but after owning a Kemper and now a Fm9 I just don't think I'd be happy enough coming back. The Helix is a crazy good unit and super easy to navigate from the unit itself. Not trying to bash it in any way here, just stating my personal experience with this platform. In a mix nobody knows what you are playing, but as the player It just wasn't pleasing. And for me It deters me from wanting to play more. Not sure if many others feel this way or if I'm just weird lol
Great! To get the "tube" feeling, do you think the compressor can be placed at the end of the signal chain, even after reverb and delay?
I think if it's at the end of the chain, you better give a limiter, hopefully that can help
Great video! Is it just me or are those lights on the board all pulsing??
Nice playing at 9:00, what was that?
Power-cab aside would you rather use the FX return of a tube amp instead of IRs? Just curious how you'd get past that issue of the line6 cab wasnt an option. Thank you 👍🏻👍🏻
Yeah, definitely. I’ve run the Helix info an amp’s Return on a few different occasions and it’s always sounded great 🙂
Hi chris I see your using the Fullerton jump. What drives are you using in front of the amp block? I usually make all my own presets just curious on those parts! Thank you!
Have you had a chance to try the Celestion FX12-200 speaker yet?
At 5:27, if you are using an acoustic guitar or one of the many acoustic and wider frequency range instruments a Variax can produce, be careful with that global EQ!
Im a long tome Line 6 and Helix user. This is a really useful video. And - awesome playing!!
If you’re combining IR’s check out mixIR3 from Redwirez.
Which yamaha revstar model you using in that LIVE performance?
It's a Custom Shop Yamaha made me a few months ago. More about it here: ua-cam.com/video/21ov-y51C0g/v-deo.html
what do you think of the line 6 pod go ?
You play beautifully
You're absolutely right, when you make your own presets from scratch, the factory ones sounds very weak... I think it's because Line6 made generic presets for everyones which sounds "correct" with most for the guitar models in their differences. I understand and don't blame them for that. Make your own.
11:20 WOW!!!
Dude your playing is insane, I hear a lot of Guthrie Govan-style licks in there !!
Thank you! I love Guthrie's playing but I can't honestly say that he's been an influence on me as such, so I guess it's more a case of having been influenced by the same people :)
Powercab is amazing and much much bettter than any FRFR or IR i have try it.
Amazing stuff but in the 60's all we had was reverb, tremolo and if you got lucky a Maestro fuzz box. We just plugged in and played. Now all of these machines are trying to emulate that!?
One of the disappointing things about the Helix is that as soon as you start using it you realize it doesn't feel complete without one of those Variax guitars and powercabs Line 6 gently suggests you try with it. You can dial in passable tones but they're never as good as those in the Yamaha artists videos. It just never works the way it does in the promotional videos. With my Helix, for example, I can't get a good tone unless I apply global EQ, aggressive cuts on the cab, aggressive cuts on the EQ behind the cab, AND aggressive cuts on the output block. This eats my sustain so I need to add more gain, which in turn adds more noise so I have to throw a noise gate in, which in turn ruins my sustain again. The folks in UA-cam demos seem to never have any of those issues. There's hardly ever any noise or digital sizzle in their tones. They just plug and play, making it seem so easy! Sometimes I wonder if Kemper or Fractal wouldn't be the better option for me, but then I think it would be exactly the same story.
Rusty James nothing is as great as a great tube amp and a few great dirt, overdrive and or fuzz pedals. The Kemper with a pedal or without would be my choice but Chris makes the helix sound great. I have to definitely use a dirt pedal in front of an amp block. Lots of tweaking with the helix. They’re all kindve the same except the overlooked Yamaha 100hd sounds and feels great and simple. Plug into a guitar and a cabinet that’s it. And I like the iridium too and then add your pedals. Just my opinion. FYI Yamaha bought line6 btw.
It might actually be your guitar or cables. I get some amazing tones. In thing I learned however is that Helix and both Kemper is that you are not listening to the amps but the mics in front of the amp and even then if you mix a good mic tone by yourself it will sound different in a band mix. Try using the Nashville mic combo of 121 and a 57 on two of the same amps and boost reflections up to 60%.
Will try these tips with my Headrush pedalboard. Cheers Chris!
12:02 wow