Body And Soul - Jazz Backing Track - played on a Selmer 1938 Balanced Action Tenor Saxophone
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- Опубліковано 24 сер 2024
- backing track to download from Jazzbacks - jazzbacks.com/...
Jazzbacks Backing Tracks team up with Woodwind Exchange once again bringing you vintage saxophones playing over jazz backing tracks.
The saxophone is a Selmer 1936 Balanced Action.
Stuart MacDonald on Tenor Sax.
Beyer Dynamic M260 N (C) Ribbon Microphone
Apogee Quartet Audio Interface
Backing Track Musicians:
Piero Tucci - Piano
Phil Johnson - Drums
Larry Van Kriedt - Bass
Backing Track produced by Jazzbacks.
Lots of vintage saxophones available at Woodwind Exchange - Bradford (UK) - shipping to anywhere in the world.
There it is,Body and soul,played beautifully and soulfully
Fantastic warm tone, but I was actually equally mesmerized by the economy of his finger movements. Looks so effortless and smooth. Really one with the horn. Nicely done!
Mouthpiece & Reed Setup:
Selmer Soloist D Refaced by CDH
Vandoren Traditional 3
My wife enjoyed listening to this music with her Beyerdynamic 250 headphones
If this isn't heaven, i can take this as second best. You and your sound are "bad" man. Have mercy on my musical soul.
Thank you so much...a real ear opener...wonderful musicality and technique...and what would this renowned instrument be without its musician?
Thank you so much. You are such an inspiration. Beautiful laid back tone and melodic playing and improvisation. You’ve helped my playing enormously and cant thank you enough 🎶🎷🎧🌺
Love your sound and your technique!!! Thank you very much for sharing!
Nice Solo... well done...great instrument... you made it speak.... Bravo I say !
La mia passione per il jazz e' iniziata proprio con il meraviglioso Body And Soul Grazie
Bro you’re a beast!!! I love your tone and your musical ideas
I dont mean to be off topic but does any of you know of a tool to log back into an instagram account??
I was dumb lost my account password. I love any tips you can give me
@Aldo Princeton Instablaster ;)
@Mateo Leonardo i really appreciate your reply. I found the site through google and I'm trying it out atm.
Looks like it's gonna take quite some time so I will reply here later when my account password hopefully is recovered.
@Mateo Leonardo it did the trick and I now got access to my account again. I am so happy!
Thanks so much, you saved my account!
@Aldo Princeton Happy to help :)
Love the sound , dark,warm, cool breez..
That oxymoron makes 0 sense
This guy is so good !
Juste formidable
As beautifully relaxing as it is enjoyably entertaining.
Saxofone tem para escolher. Oh! Glória!
O mais fraco dali eh esse selmer. Tem king tem naked lady. Isso é vida
I think this is your best cover you sound great man
fantastic!
that sound reminds me of Chris potter
Get ready pretty soon we’ll se his shoes too...lol Very nice playing
Warmness!!! 👏👏👏
Maravilloso sonido, gracias
Impressionnant....
Thank you. Very enjoyable.
👏👏👏👏👏👏
très bon sax mais aussi excellente interprétation ! .Que serait ce beau Selmer sans son musicien ???!!!
Show
🎷🔥🎶👏👍🔝
Great playing and a lovely tune! This Selmer BA does not play the tune as nicely as a Buescher Aristocrat from the same era, but still nice.
Beautiful playing Stuart! I know your using apogee and beyerdynamics m260...are you using a preamp with the mic?
Wauuuu
Great saxophones ! Have you played or have some video with The Martin tenor ? What you think about that vintage horns?
You can't get a better sounding tenor. I compared the sound of my YTS 62 purple logo to a Martin stencil and the yamaha was sold. The yama felt like it it was missing something compared to the martin, I feel like if the Martin resonates a lot more. It has a spreader sound.
Ergonomics aren´t the best. Tone holes are soldered on with soft solder so if it needs to get solder or was in the past somewhere else, you can end up with leaks on the toneholes wich aren't easy to detect.
I would love to have a Frankenstein horn made out of a Martin Tube and modern keys. I also found hard to play in tune with any mouthpiece that wasnt a big chamber. As I like big chamber mouthpieces I don't care.
ua-cam.com/video/CSJnU-XEYJk/v-deo.html
What mouthpiece and reed combination are you using? I really like your tone and it would be helpful if you could add that to the video's description for all the sax players out there. You sound great on all the videos I've heard by the way.
These things are almost completely irrelevant. Instead ask him who he transcribes and listens to
Xavier You ask him. Asking about reed and mouthpiece is of course relevant.
Mouthpiece & Reed Setup: Selmer Soloist D Refaced by CDH Vandoren Traditional 3
andrea22213 I disagree, reed & mouthpiece selection depends on many variable factors that are pertinent to each individual player from their emboucher, amount of air they push through the instrument, the instrument itself etc etc. If you watch all of Stuart’s videos of him playing different saxes with different combinations of mouthpieces & reeds they all sound like Stuart McDonald. Someone else could play the exact same set up & it will sound like them not him. Xavier was merely making the point that if you want to sound like that it is more relevant asking him who he transcribes and listens to as that has shaped his sound, technique & ideas more than what Reed & mouthpiece he’s using.
I really really love ur sound sir! May I ask abou ur sax setup??
Panitan Daengruan he’s playing different saxophones in all these videos.
I met you now and immediately became a fan. I play for years in brassband but now fell in love with jazz. Already bought several aebersolds but when it comes to open solos unsure what to play, and the chords do not tell me anything. How do I practice on improvisation. The rest play well. Thanks
My advice would be, (this is what I did myself and it worked for me) is to get comfortable improvising on some really easy groovy music with little to no changes or something like So What by Miles Davis. Just get used to the different notes of that key and how they sound, just sit down and play for hours over top of the recording and a backing track, just getting used to the sounds of the scale( So what is D dorian then Eb Dorian). Also getting used to accenting the strong notes of the chord primarily 1-3-5. The key is to just play something easy until it is comfortable and confident, just get used to phrasing like you mean it. (Think of how confident Miles is on so what, he just plays one thing, one phrase with perfect confidence, no half assed notes or unsure notes) Basically, the simple stuff holds the keys to playing really complex stuff like this, it's just an expansion of the simpler stuff. The general idea is still the same, knowing what the different notes in the scale/ chord sound like and choosing the one you want. I think phrasing is the most important thing at the end of the day. Just be comfortable and confident (even though that's really hard at the beginning) and start with something easy that you can just loose yourself in. Hope that helps somewhat, Cheers.
Guy, thanks very much! Cheers! lol
MJS Lourenço
I also bought Aebersolds but did not really understand the chords so I now improvise on what I hear play anything and you will soon hear what notes not to play go with the key signature and use pentatonic scales and if for example a key is in Dm on tenor sax you can use F major as this is the relative minor to everything. If you are classically trained you learn scales up and down very regimented but with Jazz you have to be creative with each scale hope that helps
+Winston McJazz You are an Explainer-in-chief; an Encourager-in-Chief you are.
Improv. Introductory Method Approach 101
Thanks, sir, on behalf of the student-world of Jazz Improvisation and of me myself - a pupil as well.
Excellent lecture!
Haha Thanks, Heres a version of me playing body and soul at my first year recital if your interested ;)
êle é bom, mais precisa equilibrar mais a regiào grave com a região aguda. Ô instrumento é fantástico.
Wow .... Amazing sound. Surely a high priced instrument :-(
Not necessarily. Most of the amazing sound is from the player not the horn.
@@alanhowell3646 agree... insanely good player... not the instrument
i still dont know this guy...anyone?
Stuart MacDonald. Its in the description