this was extremely informative, and for once im glad the algorithm has put something completely unrelated to what i was looking for in my search results also, 11:00, the "reverse of byeah" raven's cry clip, good to know there's others out there who have been watching the legend as long as i have... thank you for the educational video!
I appreciate the use of Mahler's 6th, my favourite symphony ❤ Quite a good analysis, could use even more explaining about roman numeral analysis and chord functions
Nice video, I did some analysis myself and I'm kind of inclined to disagree but the harmony is kinda wacky and ambiguous in the first couple of bars. To my ears it sounds like the first bar is a full bar of IV, mainly because of the bass, but the melody also outlines the third with its highest note. In this case, Jerma would certainly be foolish in his note choice, as the Cb over Gb sounds really bad. HOWEVER looking at the rest of the song, the second bar sounds like Db/F which makes a nice plagal cadence with good bass movement to go into a very obvious ii-V in the 3rd bar. Then, to go back to the top of the progression, there is a CLEAR I7 secondary dominant in the fourth bar going into the IV. So maybe Jerma is still a genius, just with really shit timing. This song has some fun harmony, and secondary dominants are definitely a theme (like the second time around the progression goes IV | III7 - VImaj7 (!!!) tonicising the VI, which is really bright with the D natural in the VI chord) and is another example of Nintendo's composers making insane music for random ass games.
I knew it was only a matter of time before someone pointed out that the first bar is all IV! Figured I could make my point better fudging the harmony a bit and leaving out the subsequent measures though, and I was mostly expecting a non-musical audience, but I appreciate your analysis.
Mythical homepage pull
the musicological community was in remiss
they'd never seen a secondary dominant like this
Great artists rarely live to see their genius appreciated. Jerma will be missed.
You single-handedly saved Jerald’s career
Bro, you're him, the zenis genius
@@hisodoyuhus that’s the jerm himself- I’m only a messenger
jerma is actually a blues singer
this was extremely informative, and for once im glad the algorithm has put something completely unrelated to what i was looking for in my search results
also, 11:00, the "reverse of byeah" raven's cry clip, good to know there's others out there who have been watching the legend as long as i have...
thank you for the educational video!
blink twice if he has your family hostage
my eyes are taped open
I appreciate the use of Mahler's 6th, my favourite symphony ❤
Quite a good analysis, could use even more explaining about roman numeral analysis and chord functions
@@stevepot good symphony indeed. I wanted to keep it surface level for the sake of simplicity, but I agree, there’s a lot more to explain here.
beautiful video
beautiful comment
when the dark souls scale item popped up, i lost my shit a lil bit
I hope you find it again soon
+2
Youre mad but convincing
blessings to the algorithm gods for bringing me to this video~
Piano andy
@@redirmer760 terrible technique piano andy
Nice video, I did some analysis myself and I'm kind of inclined to disagree but the harmony is kinda wacky and ambiguous in the first couple of bars. To my ears it sounds like the first bar is a full bar of IV, mainly because of the bass, but the melody also outlines the third with its highest note. In this case, Jerma would certainly be foolish in his note choice, as the Cb over Gb sounds really bad. HOWEVER looking at the rest of the song, the second bar sounds like Db/F which makes a nice plagal cadence with good bass movement to go into a very obvious ii-V in the 3rd bar. Then, to go back to the top of the progression, there is a CLEAR I7 secondary dominant in the fourth bar going into the IV. So maybe Jerma is still a genius, just with really shit timing. This song has some fun harmony, and secondary dominants are definitely a theme (like the second time around the progression goes IV | III7 - VImaj7 (!!!) tonicising the VI, which is really bright with the D natural in the VI chord) and is another example of Nintendo's composers making insane music for random ass games.
I knew it was only a matter of time before someone pointed out that the first bar is all IV! Figured I could make my point better fudging the harmony a bit and leaving out the subsequent measures though, and I was mostly expecting a non-musical audience, but I appreciate your analysis.
Garcia Carol Thompson Thomas Clark Eric
Oh god why am I here
that, detective spooner, is the right question
would love to see you react to Jerma's cover of Imagine Dragons' Enemy
lol this is awesome
no u
+2