Music Lesson - How and What To Practice On Your Instrument
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- Опубліковано 4 тра 2024
- In this episode I discuss how and what to practice on your instrument. I break it down into categories.:
Technique:
Scales and Arpeggios in all interval combinations 3rds, 4ths, 5ths, 6ths, 7ths/ Odd groupings like triplets, 5, 7 note groupings. All Triads and Seventh chords of the Major, Melodic Minor and Harmonic Minor Scale followed by misc. scales like Tonic and Dominant Diminished, Whole Tone, Pentatonic and Chromatic Scales.
Repertoire:
Working on any new or old repertoire. Pieces for concerts or recitals or and music that you have performed in the past or are performing in the future.
Ear Training:
Intervals, Solfege, Dictation and Transcription. Check out some of my ear training videos on my channel.
Music Theory:
Work on what you don’t know fluently. Counterpoint, Melodic and Harmonic Linear studies for musical analysis. Harmonic movement like Secondary Dominants and Diminished 7th chords. Common and Unusual Resolutions and Cadences and forms like Sonata, Variation, Fugal Writing etc. Chord spelling and added note, suspended and any non chord tones.
Sight Reading:
Everyday!! You need to be able to read to be able to write!!!
Links To Follow:
If you are interested in purchasing The Beato Book please with me at rickbeato1@gmail.com.com
Patreon - patreon.com/user?u=3400819
UA-cam - / rickbeato
Facebook - / rickbeatoproduction
Instagram - / rickbeato1
Twitter - @rickbeato
www.nuryl.com
www.rickbeato.com
When I was a teenager (more than 40 years ago) I asked a musician how he made his playing look so easy. His reply of 'just practice until it is easy' is some of the best advice that I have ever had. I just wish that he's also told me to steer clear of crazy women.
How do you know they are crazy until it's too late? Hope you had fun with the craziest ones while it lasted. 🤗
@@beeonthyme5760 The crazy ones can hide it very well. They were great fun, until they break into your home and are waiting in your bed for you.. The craziest one hung herself from a lamp post outside a house where I had lived for a while, the sad thing about her is that I'd never slept with her, probably because by then I'd learned how to spot the craziness.
Question: How do you get to Carnegie Hall? Reply: Practice, baby. Practice.
My junior high band director told me, among other great musical advise gems, that crazy women would be my downfall. He was correct...
Well, at least you know to steer clear of them now; some people never learn
Also, don't skip leg day.
I'm gonna work on that.
I make it a point to walk and play my guitar most days, does that count?
Damn 🤣🤣🤣🤣🤣.
Do pedalboards count?
Chandan Acharya yess they may 😆
Disclaimer: Only practice polytonal arpeggios if you are willing to loose loved ones.
seriously though lol i cringed during that part and begged for mercy
Fantastic observation. Especially c maj and f# maj together 😂
I would like to add that at the end of your practice session play something you enjoy, maybe one of your favourite songs. It's not really practice as you already know the piece but it help keeps the major element of why you play your instrument, because its fun :)
Yes keep it fun. We’re not accountants! We’re artists. But I agree with everything Rick says. Awesome stuff
My advice- do both! Play what you like then work on something new.
yes i think that’s what way too many people forget
jingitbaby I thought so too :)
I didn't do that and that's one of the reasons I almost quit.
My practice routine:
- Watch youtube video
- Sadly look at guitar
-read this comment
-try not to make eye contact with the guitar
This hurt my soul
It’s a big part of our job as music teachers to teach people “how to practice”
It’s often overlooked. I’ve been teaching for 15 years but I’m always looking to improve my methods. You’ve helped me a ton Rick. I’m happy to say that you and I have a similar method and philosophy on “how to practice” and it’s given me more confidence as a teacher.
I respect you a ton and to see that I do this similarity to you, helps me feel like I’m doing it correctly. You know, as a teacher yourself, that you have days you doubt yourself. With so many students needs on the table, sometimes we can beat ourselves up and thjnk we aren’t serving our students needs, but this is often just imposter syndrome and not real.
Your videos help me either remember that I know what I’m doing…. Or give me new perspective and helps me improve.
Thank you so much.
man, now I consider you my teacher, I'm writting while watching your videos, I feel like I'm in a classroom, thank you very much
lionofzion1 I feel the same way!
Same but in Google while I watch, just looked up altered chords.
Endeed
Wow ! I have been a full time saxophonist for 40 years and I never had the chance to go to school because of life circumstances, but I always stole from my alto gods Phil Woods and Cannonball Adderley and my tenor gods of Stan Getz, John Coltrane, Sonny Stitt, (on both), and my all time favourite Dexter Gordon. I studied classical clarinet, but where I grew up, great knowledgeable jazz teachers didn't exist. I think of my playing as being able to speak a language without being able to read and write it. I play a lot of the things you explain, in my vocabulary, but didn't know the technical and theory part of it. I have learned more about theory in your videos in the last week then I have had in the last 40 years. Your enthusiasm and energy have me practicing like crazy, and I can't believe how you have inspired me. Keep up the great work Rick. I thank you from the bottom of my heart and soul. I teach privately to young people and have used a lot of your techniques of listening and transcribing because in the 60 and 70s that is all I had. Stealing ideas is not stealing, it is research and development and I tell all my students that if you want to play you must listen for 10 hours for every hour you play.
Cheers and keep them coming, you are an inspiration to thousands. We must keep this music going and developing new talent all the time.
Robin Habermehl well said. I steal get tired of it rephrase it my way and now it’s mine! That’s the trick I think
Oh damn, I love the "stealing is not stealing, its RnD". The other day I was going to learn a new bassline, and 5 minutes into it, I drifted towards just noodling in the key. I ended up discovering a really cool sounding lick and made my own bassline around it. More or less similar rhythm, totally different sounding. Very true statement!
Yes, Robin. The man is inspiring.
Really cool!! I learned a lot from this video, it's the best video on all around practicing I have ever seen!!
Rick has completely inspired my playing and songwriting. best channel ever .
Story of my life
You prolly dont care at all but does someone know a trick to get back into an Instagram account??
I was dumb lost the password. I would appreciate any assistance you can offer me
@Kaiden Kyler Instablaster ;)
You Sir deserve a medal for this video!
this reminds me of the old joke , ''who's the guy that hangs out with with musicians? ...the drummer''
drumming for 38 years and still have so much to learn... thanx Rick
It is totally insanse how much information you pack in every single one of your videos you are talking about things in a 17 Minute Video that can take you easily 5-10 years or even your whole life. Keep up that good work ;)
I've been searching UA-cam a lot for videos about the psychology and technique of practicing a musical instrument (since it can be a very lonesome and discipline affording job as we all know) and where do I land? At the good old Rick Beato. Thank you for this very dedicated and authentic and heartfelt lesson. I especially like the fact that you're not hooked to a certain genre or era or even instrument but combine them without prejudice but with naturalness. Just the way it should be. Things coexist. :-) Thanx again.
Practice what you don't know! The problem also is not having a teacher tell you your doing it wrong and how to do it correctly and what you should work on! Thanks! My girlfriend started playing piano with some app. She likes it and is learning notes, rhythm, chords, keys, chord building etc... i'm impressed. She played a bit of guitar when in high school but i SEE THE LIGHT IN HER EYES! I'll send her this way soon!!!
Thank you so much Rick. I'm 56 years old and trying to take on a new instrument. I'm 4 months in on the piano. It's a struggle sometimes and this info really helps.
I feel like practicing new things upskills what I already knew, especially when it comes to technique. It's like the old stuff grows in the background while I practice some new things. And general progress is faster this way, rather then if focusing too much on stuff I already know. Thank you for the video!
All great advice! Thank you, Rick!
I recently discovered your vids and I must say thank you! for sharing you knowledge of music, recording, practice, and insights!
I tell my students to have a very specific achievable goal or goals with each practice session. Broadly defined, it is to be able to do something you weren't able to do before. It can be as straight forward as playing all the right notes or it can be a little more nuanced like improving your phrasing & tone or learning a new piece or really anything to improve yourself as a musician.
Practice is a habit building activity. So I also emphasize playing things accurately since your body will get more used to whatever you do more of. If you play a piece 10 times & mess it up 9 times, you'll get very good at messing up (usually happens at same location for most students). It takes some discipline & patience to have focus to zero in on trouble spots to improve but the reward is so worth the effort. At least that's my approach to my own practicing & also what I try to teach my students.
Thanks for great contents!
Thank you so much Rick, for your awesome gift of knowledge - you are a treasure!!!! Your musicianship & completely generous spirit has answered numerous questions. The best formula for success is taking your experience, & putting it in action. Best to you always.
I just want to express my gratitude to you Rick for taking the time to lay this out and express a concept, that I know took years to develop, in such a concise and digestible way.
I’ve been doing a deep dive into the study of practice and this is a video that hits on all the major points: self assessment, practicing what you aren’t good at, analyzing the makeup of your craft, expanding your perspective or scope, implementing what you’ve learned, and repeating the process.
So thank you for taking the time to make this video. You are certainly contributing to a future filled with well rounded badass musicians, and that’s a world I want to live in!
Awesome tips, Rick. Thank you!
Hi Rick, great video! Definitely a lot for me to take away here.
I wanted to add slow practice, and mental practice. I find that if I can visualize every single note perfectly in my head, I never make a mistake when playing. However, if I can't do that, then I make mistakes exactly where my mental game is weak. So when I'm away from my piano, I can just "practice in my head."
For slow practice, I play at like half tempo, or even a third tempo to test my memory. (For others reading - it's surprisingly difficult!)
Honestly this video doesn’t just apply to music. It’s a guide to efficient improvement. Really awesome!
i enjoy your videos.
dedicated rhythm practice is what I feel you left out. exercises dedicated to developing a strong sense of pulse and syncopation. using the metronome as a gauge of time and not the time keeper when practicing.
Derrick Benford shut up. He knows what he's teaching just listen 👂🏽
+Santucci Pontarelli Dude, chill out. Rick specifically asks for comments at the end of the video.
He asked for comments, douchebag
Phrasing and rhythm is #1 for me
@@1mataleo1☺️
Thank you very much! This is the best instruction about how to practice i’ve ever heard, by far.
Been in a bit of a musical slump the last few years and just found your videos. Really inspiring. Thank you so much for giving all this information for free.
This guy has incredible knowledge about EVERYTHING MUSIC. Never ceases to amaze me. He must have tremendous discipline.....
Some people have a confluence of characteristics that mean huge success. You can 't be missing any of the factors, it's the aggregate. Talent, physical stamina to work many hours at what they love, a favorable environment. If you want to be a movie star, extraordinary beauty. There are probably many poor children in India who have huge musical talent and may not even know it due to extreme poverty.
The tricky thing for us mediocrities is that these greatly talented people are often NOT AWARE of their talent, but they are, of course, VERY aware of the work the put in. So they try to be helpful or humble and say if you just work a lot you can do it too, which only a few can.
This has been a great video Rick. I will definitely mention it to all my guitar students. The music history analysis, music theory and transcribing are very important components to a practice regime. As a guitar teacher, I sometimes forget to implement these aspects as I'm so busy focusing on the students techniques, tunes and sight-reading so much, for an upcoming music exam. Thanks once again.
Hey you are such a great Example of an AWSOME TEACHER
i can't believe you're making such good content for Free, You really help me in my journey as a musician Thank You so much Rick, Keep on the Good Work
I have learned more about you professionally in this one video. Amazing. Plus, I am now inspired to organize my own practice time. Thank you for that Rick!
Grazie Maestro! Thank you for sharing your Knowledge.
Thanks so much - I wish I had you as a teacher growing up.
Awesome!
I've seen many videos on "how to practice". This one is by far the best! Thank you, Rick!!!
I wish that I had heard this when I was a clarinet major. I was so ignorant. No one ever explained to me how to practice and how to get the most out of practice time. You are such an inspiration. I'm in my sixties and I want to really learn how to play piano. Thank you for sharing your vast knowledge. I really appreciate it.
I love this channel, I learn so much! Thank you for all of the great information!
Hi Rick Thanks for doing this video! I'm so glad that I found your channel a few weeks ago. Wish I found it sooner.
One thing that I think is important to ad to the practice work routine is rhythmic practice. Good rhythm as you know is essential to being a great musician and lack of can make any player sound bad.
this is awesome! I'm gonna start my practice log with notes from this video. Thanks Rick
Serious, brilliant, great!
Thank you very much for your help. You are an amazing musician/teacher. Always thought I had a good ear as I can hear chord changes pretty well but I struggle w/ melody leaps. Now I'm going to practice identifying intervals on a daily basis.
I might add, tis lifetime learning that never ends until you quit, take your time, enjoy the ride! . thank you for sharing good reminders! good onya!
Great vids Sir, I love them as a Bass and Guitar player. Excellent! Thank You!
This guy is a gold mine of musical knowledge.
thank you thank you for the lesson that was very inspirational and makes me want to go practice right now. I love to practice.
I love your advice Rick. Thanks again and again ... great lesson!
Awesome Rick! Your lectures are very inspirational!!
Excellent Teacher 👨🏫 and Great Father ❤️🎶
Great stuff. Was doing quite a few of these ideas but your additions are brill.
I think you have put in far more than 10,000 hours into your practice, you may be a master!!
Playing along to really great tunes will cover: transcription, technique, sound, FEEL!!!, style, music history,...
this is the only video ive seen on yours but you are a great teacher.... I feel super inspired to practice!!!
This advice is golden!
Love this stuff, Rick. Not everyone is this way, but while we’re talking about time spent on each pursuit, I always work better under a time constraint. It sharpens my focus to know that I have exactly X amount of time to work on something and it seems to bolster the quality of the practice.
It is a pleasure to practice & have the excitement, hunger & satisfaction of pure joy. You gave me some great practice hygiene & I've finally noticed that my classical piano (royal conservatory) with the coupling of your theory & downright genius has got me actually composing hard rock songs on my baby grand, her name is Mauve. Thanks for the chops & I'd love to see a video dissecting any one of Evanescences many brilliant compositions. Battle on Xena .......
You packed a lot of useful information into 20 minutes. Very awesome.
6:00 minutes in, you're teaching me about early child development. I have always enjoyed all of your teachings and always look forward to more, even when I'm rewatching videos I've seen before, like today. Cheers, now I know how many times my old ass should be playing through without mistakes before moving on...
Wow, super subscribing right now! This video has more honest knowledge than many other music channels combined!
Thanks for all your practice tips. For me, as an interested amateur, it really gave me some structure around which I can execute my practice. I play (at) both piano and guitar. I had begun lessons in classical piano in the 1990s but stopped. Now that I'm retired and have time I want to get back into it. My guitar playing is all self-taught. I started with a wheel with the circle of fifths and all the chords in the first position and I used that to play along with the radio or my record player. This was in the late 1960s. I find guitar to be easier to join in and play a song. But I have a very, very long way to go before I could ever approach your level, if ever. I thoroughly enjoy all your videos. Pl3ase keep them coming!
Thank you for the practice outline. Now it is up to me.
I use quite a lot of time for practicing. Not 10 hours like Rick did in high school, but still I practice piano 60-75 minutes a day and guitar 30-60 minutes a day. I also compose music and study music theory almost daily. All in all I spend at least 3 hours a day focusing on my musicianship.
I'd also add, that recording yourself is a great way of practicing! It helps your timing, and you hear your playing from a more critical point of view, since recordings reveal your mistakes.
Thank you for the videos, they're all really interesting and inspirational
Thank you very much for your advices. They help me alot to find motivation.
Hello Mr. Beato, I just wanted to say I really enjoy your videos. As a guitarist and artist, they really inspire me to be the best version of myself. Thank you.
Just what I needed to hear...!!! Wow...here I thought I was doing the best I could as a songwriter...but you have humbled me to dig a lot deeper...I am in Nashville and see these songwriters who can barely play and do the cookie cutter formulas...but I want more from myself...even If I dont write a hit song...I want to satisfy my soul...That is why I started playing music as a child...Thank you....
This was very informative and helpful - thank you! I also feel intimidated and overwhelmed. I am a singer that does not play an instrument, but I do want to learn to play piano. I have taken lessons as a child and in my early adult years and no one ever gave me an overview like this, which is probably why I never made it past Grade 3 piano (we have a grading system in Canada for learning instruments). I will be practicing as if l was eating an elephant - one bite at a time!
Thanks, Rick. Important point... You can practice/study/advance by listening, but you have to listen INTENSIVELY (jotting things down, dissecting, learning and digesting) in order to move forward. It DOESN'T happen by osmosis. (Great 'two cents worth' from someone who actually hasn't applied it very well....)
Amazing video and amazing channel! Thank you!
I'm having problems with my practicing, since there's so much to study and I end up without knowing how to make better use of my time practicing... this video really helped.
What is really putting me down is my ear quality as a musician. I even bought a Hal Leonards ear training book for contemporary musicians, but it seems take a eternity to develop a better ear...
You sir are incredible a true OG I have learned so much thank you!
Hey Rick, your obvious generosity and concern, and respect for your audience (pupils) is exemplary! This lesson is head and shoulders above anything l’ve ever experienced or come across. And too valuable not to build on, in my humble opinion. I was hoping you would consider showing us just how you go about doing the various components of this wonderful lesson of yours. Perhaps you wouldn’t mind sharing some of your notes with us as you go along, for example. Judging by the great number of comments, this lesson was very well received-to say the least. And it stands to reason that there are those of us who are more deliberate in how we acquire information. And though we enjoy a great banquet, we prefer to chew well and savor each bite!
this is helpful. I sometimes forget to do all of the things because some aren't as obvious as others (music history or sight singing as an instrumentalist).
But it's actually more fun (and productive) than practicing technique for 5 hours and turning off your inner ear... but I want to be a musician, not just a piano player.
Thanks for the video!!
Wow!! Great job Rick, lessons are incredibly informative...
It's actually pretty cool starting off your practice session with improvisation, because among other things it warms you up before you even get into technique.
Thanks for sharing Rick.
Love the part about "focus". 20 repetitions for older guys like us. So important und a useful tool for those that are always playing the same licks. Great great video.
being a harpist that studied jazz, we had to transcribe mostly only from other instruments. I think this was very valuable and got me out of a lot of "automatic fingering playing" and focusing on what I was actually playing ! I think any instrumentalist or even vocalist could learn from other instruments!
Brilliant video, of course as music is a hobby for me I won’t be able to practice at this level, but I can draw some really useful guidelines from this that will help me make the most of the time I can afford.
I think another great thing to make sure you're practicing are other people's songs/music alongside your normal routine, because you can learn so much from them. Whether it's new musical ideas or maybe you just start to see how the things you've been practicing interact.
I wish I knew of you when I was younger... I'm 30 years old and I haven't played in a way that I want to be better. Just know whatever song I was digging and I wanna play it too. Besides that...man, I wish I expanded more than just learning other songs. I should watch your videos from the beginning. Thank you for spreading your knowledge.
Great video. Trouble with practicing is very few people actually teach you how to do it. Thanks for fixing that, Rick!
I am an older (61) intermediate player. I'm not gifted as a musician, but I am willing to work to get better. I play bass at church and guitar at home. I spend time working on playing, practicing, and studying. I've learned a good bit about the basics of music theory over the past year, and I'll continue working on that. On your suggestion from one of your other videos, I am practicing minor pentatonic patterns. I' just started that this week, so I am working on pattern 1 and 2. I'll add the other 3 patterns until I have them all down pat. I'm going to add the scale building (C,D,C, C,D,E,D,C, etc.) to my practice time as well. I also try to always be working on a piece that's beyond my current ability level.
My mindset is to control what I can and accept my limitations. I know theory much better than many guitarists that can play circles around me. (How do you get a guitar player to stop playing? Hand him some sheet music. LOL) But I have a mathematical mind and I use that part of my brain to understand theory. That's a strength that gives me a positive boost that will hopefully help offset the frustration I have with my fumbling fingers. Maybe one of the best pieces of advice I have received in the past year is to reduce tension in my mind and body when I'm playing. It amazes me how much that helps. Thanks for all your good advice, Rick.
Thanks, these are great points and I heartily agree! Growing up, I also would practice about 10 hrs per day. That wasn't even by design; I was just curious about every aspect of music, so I'd find myself naturally wanting to transcribe stuff. And that was long before I even knew what "transcribing" was. Plus, I'd read that Bach (my all-time fave) learned how to compose largely by transcribing pieces by Buxtehude and others. So I figured if it was good enough for Bach, it'd be good enough for me! All of this came in mighty handy by the time I studied conducting, which became my primary discipline. For one thing, it enabled me to "hear" orchestral scores simply by looking at them. At any rate, as you say, all these skills are indispensable. I always tell young players, "If you want to be a musician, you need to be in love with every aspect of music." I tell my guitar students (who seem to be particularly prone to not being able to see the Big Picture) that they shouldn't strive to become guitarists, but rather musicians who happen to play the guitar. World of a difference! Please keep these great videos coming.
also, a great thing I found is singing along with the piece you're practicing, or (even better, in fact) practicing two-voice pieces (like Bach inventions), playing one voice on your instrument, and singing the another one. then altering :) thank you for the great lesson!
Seeing this late but awesome inspiration for practice. 20 times no mistakes is my new rule!
I've been watching your videos for a while. I'm still kinda noob in guitar, been taking lesons for 2 years. My practice starts with warming up on artilations of my fingers (i'm 27 years old, its really slow improvement but ima get there), then I do some vamps, scales, arpeggios e odd licks (love those), then keep playing songs I wrote (the fun and chill part) It all takes around 4 hours everyday, and 10~16hours on weekends
thanks for your videos, its been a great help, I'm still trying to understand the uses for melodic minor scale. Love from Brazil
hey rick thx a lot for these videos. you're really helping me through a bit of a rough spot in my music and my career
To be honest this is probably the most helpful video you’ve done
Thanks Rick, I'm learning piano as an autodidact for 30 years. I play everyday and play in live with musicians for only 2 years, and i had to devellop a routine. The fact is that i have naturally a daily routine wich is very close!!! Expect the history of music (i saw it at the begining of a jazz method book and i was like "wow!" because the guy immediatly compared dozens of artists with just 1 to 4 mesures), so thanks to you i will incoporate this part in my routine. And globaly this video brings me help to organize my daily road on piano. Joy and music for all. Laurent.
Incredible video!!!! Thank you for your help!!!!
I did Hanon in all 12 Major keys - helped a lot
Thanks a lot for your important information.
Thank you Rick. Giving us the breadth of understanding - at least challenging us to think about it, well - I will never make $ at thing - but myself and the loons will enjoy it! Cheers
5:39 I heard 10 times... as for arpeggios (and chords), I only do them to warm-up (which is essential on the keyboard - you could destroy your hands playing rock without warming-up, where the entire keyboard shudders if you're playing it 'properly'), then I get into the songs,
On the electronic keyboard, to develop my hearing sensitivity, I can choose a bad electronic voice to practice with (one that doesn't resonate, where I have to work harder (mentally) to make it sound good).
As for accuracy, when recording a new song on the keyboard, I record takes until I finally get it right (or right enough), and then I move on to the next track - on the theory that art does not have to be precise - it can be human, especially since computers actually exist now (back in the 1970's one wanted to sound as fast and precise as a machine, now you want to sound human again)...
As for mistakes while performing, it is how you handle them. For example, when improvising, there are no mistakes - you work off of whatever just happened. I also have a 'three mistake' rule - the audience will forgive up to three mistakes (I forgive many more - I look for the art between the mistakes, or what was intended)...
As for recording, what is curious is when I am learning a song, and I think I have it down (no mistakes), I hit the record button and... mistake mistake mistake mistake mistake - I'm making mistakes where I never made mistakes before (cursing helps cure it, I've noticed, as does pounding on the keyboard) - it is like they were all waiting until I hit the record button, and then my brain cells died, and I have to work them all out all over again... I think the record button interferes with the 'feeling' that memory works on, where memory works on 'feeling' passages, and then you are distracted by the record button and lose the feeling, and thus you butcher the passage, and you have to remember the feeling again in the 'new environment'.
On memory on the keyboard, after not playing a piece for a long time, which hand I was looking at when I first learned it is a factor in memory - sometimes I cannot remember a passage if I am looking at the other hand...
Finally, having a lead sheet is essential if you are going to play something that you recorded years ago and have not played since (and it will be a heavily-correct lead sheet if it was obtained off the Internet and it was created by a tone-deaf person, and none of the solos are present and parts of the song are missing), where you learned it just enough to lay down an acceptable track, and then you never played it again (Paul McCartney said he did that with Hey Jude)...
As for solos, if they are not iconic (and thus not worth repeating note for note - they were just a collection of tired clichés), then I just get the feeling, and create my own version, hitting on the essential moments, or just drop the lame solo altogether (I condense songs and move on), which goes for those horrible long introductions during the 1970's (when every rock artist thought he was also a great composer, and his great piece required a great long introduction) (they were torturous)...
Wow this is what i looking for.This information is for those who no time to practise.Thank you sir..
Hi Rick, love your channel! I've always been interested in how to practice efficiently and effectively, given that I've generally had to fit music around a 9-5 office job. The key thing I found when learning the violin was this: The "low hanging fruit" of any given exercise (or segment of music or whatever) is in the first 10 minutes of practice. Better to do 10 minutes each of 6 different exercises each day than, say, 30 minutes each of two exercises. And the thing is, when you go back to all those exercises the next day, you'll be better than where you left off the day before because they will have magically sunk in a bit overnight. So, a big part of the discipline of practice for me is knowing when to stop and move on.
Thank you!!! what a pity that such a video, I have not seen before (I mean - about 20 years ago) so missed ..... OK I'm ready to start again ... thanks again)))
How can someone give a thumbs down to this video? This man is giving great advice!!!
Thanks for this, Rick.
Awesome- thank you sensei - sharing with students
Been playing a while and got bored with diatonic scales and arps so now I practice scales and arps based on intervals more, chromatic, whole tone, diminished arp, augmented, 4ths, tritones, 5ths etc.
Opens your playing up, been using 5ths a lot more now.
Excellent. Thanks Rick.