Shostakovich, 24 Preludes op.34 - Elisso Wirssaladze
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- Опубліковано 8 лют 2017
- 00:00:01 No. 1.in C major
00:01:08 No. 2.in A minor
00:01:59 No. 3.in G major
00:03:53 No. 4.in E minor
00:05:42 No. 5.in D major
00:06:11 No. 6.in B minor
00:07:23 No. 7.in A major
00:08:35 No. 8.in F sharp minor
00:09:26 No. 9.in E major
00:10:06 No.10.in C sharp minor
00:11:45 No.11.in B major
00:12:36 No.12.in G sharp minor
00:14:04 No.13.in F sharp major
00:14:56 No.14.in E flat minor
00:16:56 No.15.in D flat major
00:17:50 No.16.in B flat minor
00:18:52 No.17.in A flat major
00:20:29 No.18.in F minor
00:21:18 No.19.in E flat major
00:22:47 No.20.in C minor
00:23:24 No.21.in B flat major
00:24:00 No.22.in G minor
00:25:59 No.23.in F major
00:26:54 No.24.in D minor
the moment it ends, you hear the claps and realize it was not a studio recording. just superb!
The sneeze in the middle made me realize that 😂
Don‘t worry! It could all very well have been edited in afterwards.
Bruh you spoile it
These preludes are much more difficult than they sound
Indeed, especially because of the polyphony.
Obviously , that's Shostakovich , is a genius , were you wanting for easy music like today's music ?
@@alejandromunoz2046 he made a remark not a complaint.
@@realykid I have been trying to play some o those preludes and they're really hard
i’m doing no 3 and no 11 for my diploma and wow it’s interesting
thank you! it is great that you synchronized the score with the music. My 13-year old is learning it - very helpful!
I can hear echoes of Shostie's First Piano Concerto in some of these.
There is an attempt to not be disjointed in thematic development as he is in his First Piano Concerto and allow the themes to develop logically, but then "the dog runs after its tail" which only
Shostie does so eloquently.
Shostie and Prokofiev were the greatest composers of the 20th century!!!
24 preludes op 34 Dimitri Shostakovich
No.1 0:01
No.2 1:08
No.3 1:59
No.4 3:53
No.5 5:42
No.6 6:11
No.7 7:23
No.8 8:35
No.9 9:26
No.10 10:06
No.11 11:45
No.12 12:36
No.13 14:04
No.14 14:56
No.15 16:56
No.16 17:50
No.17 18:52
No.18 20:29
No.19 21:18
No.20 22:47
No.21 23:24
No.22 24:00
No.23 25:59
No.24 26:54
Thank you so much for taking the trouble to sychronize the score with the music! Very much appreciated!
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I was stupid lost the login password. I would love any tricks you can give me.
@Milo Bentlee Instablaster ;)
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EXCELLENT! Loved the playing!
A WONDERFUL performance!
16:56 Ever Decreasing Circles
No 15 was used as the theme tune to a BBC television comedy series, 'Ever Decreasing Circles'.
I " Never Cease To Marvel " At The Delicacy And Precision " Of Shostakovich " A Brilliant Composer It Goes Without Saying " !!! From Adrian Browne 1965
I love that 2nd prelude for some reason
A wonderful interpretation !🙂😊
The ending of no. 16 is the funniest thing I ever heard
Wonderful! a place to find the sheet music?
the E minor reminds me quite a bit of the Fugue from that suite by Ravel, Tombeau de Couperin or however it's spelled
Le Tombeau de Couperin
It reminds of the fugue e major from TWC book 2.
Graceful and witty.
Une très grande pianiste !!
I think these preludes are a satire of Chopin's, or, more broadly, the romantic style.
Shostakovich never needed to stoop to parody
@@alexandertoth2697 of course he did, just listen to his 9th symphony. Full of gags
And piano concerto 1 last movement...
Alexander Toth why do you think you need to "stoop" in order to parody?
I know I'm charmed by them.😉
Shostakovich's first prelude wasn't written in 1933. He wrote it until 1920 because we read in Fay's book that he was playing this prelude already in 1920. Probably in 1933 he catalogued it as "no.1"
26:53
これもライブだし❗いーなー生で聴けて
That chord!!! 16:17
When you’re playing no. 5 and hear this.
Cryyyyyyyyyyyyyyyyyy
Ikr I'm trying really hard and still play no.5 like 10 times slower ;--;
Great playing,I can do it half the speed!
No. 17 is as precious and as hidden as treasure can get.
I'm sooo hooked with no. 24!!!!!!!!!!!
21:18 😍
Thank you!
no.4 three is a fugue not a prelude! thanks for the upload, i love it all
Rebecca2001 oh, yes I did mean 4, I know they are all preludes, I just found it humorous that one was in the style of a fugue
No.22.in G minor simpatoche
Did Shostakovich compose more than 48 preludes ?
In addition to Op.34 and Op.87, he has "8 preludes" as his Op.2.
5:43
17.50 12.30 25.59 7.23 10,6
ОН ИГРАЕТ НА МОИХ НЕРВАХ
Is it just me, or does No. 4 in E minor sound like it comes from the Baroque era?
9:27
22:49
When you realize they are all just preludes for Shostakovich 💀
😮 wow
Can I get a copy of the sheet music for No.10? Thank you!!!
i know that i'm late for about two years, but
drive.google.com/file/d/1eY8mDh_grGuY7BHV6AAsKFqLCQ5yWWIx/view?usp=sharing
here, the entire set of these preludes
@@unnamed_boi Hi can i also get a copy of these preludes? The link you posted doesn't work :(
@@chelsea7813 en.scorser.com/Out/300542396.html
@@unnamed_boi thanks so much!
0:00
1:09
2:00
3:54
When Bach start with LSD?
The 4. Is golden
Is Mozart detuned.
Downtuned
Great master, for sure !!!...
are we listening to the same music? all i hear is autistic dissonance
Bronk Tug ur not alone (:
I’m playing these pieces. No fun trying to play random notes put in some pattern.
Where is number 3rd prelude
After no. 2
5:45 5
6:11
.
16:57
Anyone else notice the pianist straight up drop a whole beat in the third bar of the G Minor?
Dark5t0rm Yes... She plays a 2/4 instead of 3/4 there
In no. 19 there is a mistake bar 19-20 l.h. I do wonder if she isn't sight-reading some if the 'easier' ones. She a great pianist and pedagogue but some of the errors are rather surprising.
... still, it's live. Didn't realise until the very end.
Ох, узнаю свои фортепианные импровизации, именуемы близкими местами приятной какофонией
"Ленин очень любил Аппассионату, нет-нет да и поигрывал её"
не обольщайтесь.
There’s a mistake at 27:49. Should be e natural.
Also at 4:30, should be a G in the bass.
23.24 - наездница.
23:24 - rider
14 😢
No 10 is much less abstract than then rest
the piano is detuned
I can't believe you cared to say that focus on the music instead.
No it isn’t you silly sod
@@jancowell actually just a few cents down.
sorry my perfect pitch I'll shut up
1:08
10:08
זה Prelude מלשון פנינה 1 להשם, 2 לעם ישראל, 3 לאבות, 4 לשבת, 5 לרבנים, 7 למי שלא חוטא, 8 למלך, 9 לאמת, 10 לעם ישראל, 11 למשיח אם שחרזו גם ב8, 12 לארץ ישראל, 13 לנוער עם מוסיקה קלה יחסית, 14 לעולם, 15 להשם, 16 להשם, 17 להומואים עם מוסיקה גרועה וקלה, 18 לצדיקים, 19 לקדושים, 20 לרשעים עם מוסיקה גרועה מאוד וקלה, 21 למשיח, 22 לתשובה, לפשוט והכסיל ביותר בעם ישראל אך שאינו חוטא ונאמן לרבנים עם מוסיקה רוסית עממית קדומה, 24 לגוג ומגוג עם מוסיקה בומבסטית וסיום פאר ו1.
23:24 Never thought he brought Mozart in this part
16:00
16:58
Playing has some very dubious rhythmic liberties. Makes me kind of “seasick” listening to this interpretation. Also not sure why so many notes are not played together when they should. I assume it’s on purpose, but very odd. Sometimes left hand drowns upper melodies. Not a lot of dynamic range makes performance kind of flat.
I know what you mean, seasick is a good way to describe it, it’s like being cut adrift from the rhythmic drive suddenly. I think there’s a Russian performance technique where you sometimes offset notes to highlight different layers of counterpoint. It can works great in rachmaninoff etc where you have a lot of rubato, but it doesn’t work as well for me here. But what do I know? She’s a fabulous pianist and has made her strong choices. I would also at least partly blame the audio compression for lack of dynamic range - UA-cam is terrible for it in general, but this is particularly bad. I’m sure it’ll be vastly different on CD.
Sometimes lack nuance and finesse. Some bad tempo choices. Still good overall.
I assume you mean Shostakovich
0:02
Sounds like when my little little brother TRIES to play the piano
its like he shat on bach
Мерзость, а не музыка.
Иосиф Виссарионович Your icon has just turned "UA-cam" into "UsTube"
Bolei Wang 😅😅
Сумбур, товарищ!
So musically meaningless. Complete nonsense for the sake of being "weird" and "forward looking".
kid
22:48
16:56