SongStudio 2019: Piotr Beczała Master Class: Fauré’s "Chanson d’amour"
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- Опубліковано 6 жов 2024
- Acclaimed tenor Piotr Beczała coaches mezzo-soprano Ekaterina Chayka-Rubinstein and pianist Ana Mazaeva on Gabriel Fauré’s "Chanson d’amour," Op. 27, No. 1.
To watch more master class videos, visit: • SongStudio 2019
SongStudio is a program for young vocalists under the leadership of world-renowned soprano Renée Fleming. Designed to renew and refresh the presentation and experience of the vocal recital, SongStudio brings leading musicians and other performing artists together to mentor emerging vocalists and collaborative pianists, exploring innovative approaches to both classic and current song repertoire, and inviting new audiences to engage with the art form. SongStudio builds on the remarkable legacy of supporting young vocalists and the art of the vocal recital that Marilyn Horne sustained over the past two decades through The Song Continues. To learn more about workshops and master classes at Carnegie Hall, visit carnegiehall.org/workshops.
Very beautiful mezzo voice
Stunning.
Very talented young singer
I know Im asking randomly but does someone know a trick to get back into an Instagram account?
I was dumb lost the password. I love any help you can give me.
@Briar Mario Instablaster :)
i love this!
Thank you for watching!
Truly lovely!
Maureen soltar 🥳☺️
So beautiful! Bravo!
Those Carnegie hall patron credits! Is their any part of that building which isn’t sold to a billionaire? “The toilets are available because of a generous donation from the Sackler family foundation, and the air you breath is provided Charles Koch, additional oxygen has been provided by Mercedes T Bass and Mrs Donald D Harrington”
Классно!)
Хочу тоже там позаниматься, но без зрителей))
Wow❤️
Thank you! :)
Первое исполнение было очень хорошо) далее какая-то химия пошла
She has a lovely instrument. I wish they worked on getting her sound out of her throat. Her timbre is already warm and dark, but she is gilding the lily a bit by swallowing her sound a bit.
Согласен, звук надо вывести вперёд. У нее хороший музыкальный вкус , нужен педагог с идеальной техникой, остальное она сделает сама.
Sutherland?
He’s right about J’ai, she changes it every time. Because of inconsistency in her breath and support.
Piotr knows what he wants of her, but she isn't getting it. I think his pronunciation of French is more accurate than the audience member. It's j'ai, not je.
No the audience member is right it's j'ème, like when you say the letter M. The audience member said a clear è, not e.
turbofreddy I disagree. I think Piotr was initially correct, when it comes to keeping the vowel on the breath anyway.
@@peteradaniel It's like "ê", very open :) (I'm French)
Hannah Butterworth I agree. As opposed to a more closed jé
I think the confusion comes because Piotr might think the word is J'ai not J'aime - which will be chopped up in the underlay as J'ai--me - Maybe?
Where are the breaths????? Phrasing.
La déclamation on prononce en français c’est le plus important écouter Crespin ? 😅
Basically the “tempo” it is wrong . Then he is not very clear and respectful with the singer.
So much vibrato in every single note. This is Fauré not Verdi.
My thoughts exactly!!
I HATE when opera singers sing melodies like it's a dramatic aria 😡This is FAURÉ come on!!! If you wanna sing art song, drop the opera style thing PLEASE!!!!
Man soll wieder verstehen, was er meint. Piotr bitte überlege dir, wie du was erklärst. Ein Mann sollte nicht eine Frau coachen. Und das Publikum lacht halt blöd.
Learn how to make a french « r »without rolling it. In modern french, we dont roll the « r » it’s really awfull. We are living in the 21th century and not in the baroque times.
he's a horrible teacher!