Either way, with scales or coding it this way you would essentially arrive at the chord shapes that we would end up memorizing visually and through feel, recalling these shapes through practice. Maybe for some this is more intuitive and more power to you, but I don't really see much of an actually shortcut when you are playing progressions and trying to stay in rhythm. Maybe starting out this is a great way to get some chords to sound right immediately, but if you want to communicate with other musicians you might need to learn the language a little bit to do that. Still fascinating though!
Its just two different ways of achieving the same thing. The 1-3-5 uses whole step intervals. Your 0-3-7 is counting in semitones. Either one works though.
This is how I got started. All that roman stuff was beyond my understanding, I just never got it. Thank-you brother, you're still teaching these codes to new producers, it's great 😍 After learning these codes, diminished, voicings all become really easy
What I did when I learned music theory was that I bought a note book googled the scales and wrote them down and practiced, this counting system doesn’t work and it will just confuse you even more, like if you have to count to make a C major chord you should honestly stop counting and practice the C major scale instead
That's what I did and I started off a little over 2 years ago and I didn't even know what the letter c was on the keyboard. So there's no excuse that u don't know music theory because I learned it on my own.
I think you are looking at the 1-3-5 code different. It’s confusing to you because your using semitones, when it’s suppose to be wholetones😂. So yes to get a minor triad it would be 1(the root note), Minor 3(wholetones up) and 5(wholetones ups)
ummm, if we start on C and go up 3 wholetones from C, that’s F#, then 5 wholetones from C, that’s A# lol. Not a minor chord at all. The 1-3-5 code is for when you know the notes in a scale. There’s 7 notes in a C minor scale for example, 1-3-5 means just take the 1st note in the scale (1), the 3rd note in the scale (3) and the 5th not in a scale (5) and that’s your minor triad. The C minir scale is C, D, D#, F, G, G#, and A#. The 1st note in that scale is C, the 3rd note is D#, and the 5th note is G and that gives you a C minor triad. However you have to know the notes in a scale to do it which is why 0-3-7 is more universal and easier.
@@r.i.psteez929 well yea after typing that I went to my keyboard and realized I was off alil but. The base of my statement was that 1-3-5 is not really confusing. If you use 0-5-7 then it would be way more confusing for someone who don’t know theory when they go to someone who uses theory and says 0-5-7.
@@FlyGuyLaFlare yea I get you, but that’s why he said musicians hate him for teaching the 0-3-7😂 but you have to admit it’s easier for a beginner who doesn’t know theory to make chords by using 0-3-7. Like I said, 1-3-5 is only effective when you know theory/ the notes in a scale.
@@r.i.psteez929 yea no lie. It is easy because it’s just counting without any context of key phrasing and what not. I think I should’ve said 1-3-5 in the context of what key you are in.
Either way, with scales or coding it this way you would essentially arrive at the chord shapes that we would end up memorizing visually and through feel, recalling these shapes through practice. Maybe for some this is more intuitive and more power to you, but I don't really see much of an actually shortcut when you are playing progressions and trying to stay in rhythm. Maybe starting out this is a great way to get some chords to sound right immediately, but if you want to communicate with other musicians you might need to learn the language a little bit to do that. Still fascinating though!
Its just two different ways of achieving the same thing. The 1-3-5 uses whole step intervals. Your 0-3-7 is counting in semitones. Either one works though.
Pls tell him again.‼️
Not really because 1-3-5 is a major chord in the key of C and a minor chord in the key of D for example
@@J.R.Swish1 major and minor triads are both made up of 1-3-5 the difference is whether you use a major third or minor third
lol somebody tell this man how to read it right busy work cheats lol
@@wilmomerino9604 factssssss
This helped me A LOT back in the days
People forget those that play instruments know this by hand.
This is how I got started. All that roman stuff was beyond my understanding, I just never got it.
Thank-you brother, you're still teaching these codes to new producers, it's great 😍
After learning these codes, diminished, voicings all become really easy
Just learn scales and practice them, it's not that hard.
i mean right!!??, people just wanna take the short way out these days
What I did when I learned music theory was that I bought a note book googled the scales and wrote them down and practiced, this counting system doesn’t work and it will just confuse you even more, like if you have to count to make a C major chord you should honestly stop counting and practice the C major scale instead
Or learn nothing and just have talent.
@@ajaciedenniettestoppen71 'talent's a fool's commodity, it means nothing.
What is talent but the passion to study something intently?
That's what I did and I started off a little over 2 years ago and I didn't even know what the letter c was on the keyboard. So there's no excuse that u don't know music theory because I learned it on my own.
I think you are looking at the 1-3-5 code different. It’s confusing to you because your using semitones, when it’s suppose to be wholetones😂. So yes to get a minor triad it would be 1(the root note), Minor 3(wholetones up) and 5(wholetones ups)
ummm, if we start on C and go up 3 wholetones from C, that’s F#, then 5 wholetones from C, that’s A# lol. Not a minor chord at all. The 1-3-5 code is for when you know the notes in a scale. There’s 7 notes in a C minor scale for example, 1-3-5 means just take the 1st note in the scale (1), the 3rd note in the scale (3) and the 5th not in a scale (5) and that’s your minor triad. The C minir scale is C, D, D#, F, G, G#, and A#. The 1st note in that scale is C, the 3rd note is D#, and the 5th note is G and that gives you a C minor triad. However you have to know the notes in a scale to do it which is why 0-3-7 is more universal and easier.
@@r.i.psteez929 well yea after typing that I went to my keyboard and realized I was off alil but. The base of my statement was that 1-3-5 is not really confusing. If you use 0-5-7 then it would be way more confusing for someone who don’t know theory when they go to someone who uses theory and says 0-5-7.
@@FlyGuyLaFlare yea I get you, but that’s why he said musicians hate him for teaching the 0-3-7😂 but you have to admit it’s easier for a beginner who doesn’t know theory to make chords by using 0-3-7. Like I said, 1-3-5 is only effective when you know theory/ the notes in a scale.
@@r.i.psteez929 yea no lie. It is easy because it’s just counting without any context of key phrasing and what not. I think I should’ve said 1-3-5 in the context of what key you are in.
I learned a lot from u through the years, keep droppin those gems
I'm a music theory person, but I love you for this
Thank you 😎😎
Hidden gems 👌🎹
1,3,5 in the scale
Which musicians specifically hate you for making this video? Appreesh the hints
Not a secret at all. But....useful.
Thanks gods of music 🔥🔥🔥 have learnt some thing
Apparently in most of my beats the most overused note type I just randomly found and kept reusing is called a minor
I can’t understand no matter how hard I try. It’s pretty amazing
I just play everything on the white keys
Does chord code work to play the piano or is it just for making melodies on your computer?
I just used a piano in the video 😎
A FLAT
No they dont hate you they dont gaf
How do I get access to the drum kits chat on the discord?
1 3 5 more easy for me
But this literally is music theory?
True and some musicians don’t consider it real theory which I found amazing lol
❤️❤️❤️
Dope I’m save can I share on Facebook?
Yes I posted on IG as well
This takes the fun and challenge away. Lame