Awesome photos and thanks a lot for sharing your experience! I really like that you emphasize technique and artistic expression over gear and provide some useful tips. Exactly what I was looking for to learn how to improve my concert photography. I immediately subscribed.
Wonderful presentation! It is one thing to have the gear, but it is important to know how and when to use it… Your presentation just put me one step closer.
@@FlemmingBoJensen Thanks to you! i'm learning about this camera because want to buy it and your photos and videos helped me a lot, even because i'm musician too. Once again, thank you!
Thank you for this. I am a hobby concert photographer and normally shoot Sony FE but this year switched to Fujifilm. I will be using the 16mm , 56mm and 90mm. Keep sharing your work. Awesome website and photos. Really inspirational
@@PaulTakesPhotos I use a lot of different film sims depending on the style of the light of the concert, daylight, outdoors, indoors etc. Often Classic Chrome, sometimes Classic Neg, and then I have a bunch of Mastin Labs presets I use too. It all depends on the light in the given concert. Obviously it's all shot in RAW, cameras are often set to Classic Chrome or Eterna if it's super dark and I can't see anything in the EVF :)
Totally agree, I personally have the 16 1.4 but thats the only AF lens I have ... I love my Super Takumars lenses (24, 35, 50 1.4, 50 macro) paired to my XT3 and not to mention the honorable Fujinon EBC 200 F4.5 💕 Even my 16 1.4 I use it manual focus clutch only 💕
That sounds awesome! I like AF for concerts, it really helps a lot in the dark where it is super hard to manual focus and see any kind of focus peaking.
Hello! Like many comments here, I'm also fairly new to your channel, but you've got a subscribe from me! I'm super glad to see someone using the fuji system for concert photography. I love to shoot live music, but in a world of A7iii's, i didn't think fuji ever had a place in the scene. Something about how physical fuji is really draws me into using their equipment. But, I also think there are different styles of shooting. the sony full frames can get super crisp and nice low light shots, but I think something about the fuji, while maybe not being nearly as "crisp" or "noiseless" in lower light situations, has its own bit of character to it, and i absolutely love that character
thank you so much for your comment, and for subscribing! I know a fair amount of people using Fujis, but yes also Sony, Nikon etc...like you say, you pick the system that fits your style, the system is a tool so whatever tool you like the most, go with that :) I love grain, I like the organic look you get from Fujifilm sensors!
Just found out your channel while I was researching about X-T30 and X-T3 to prepare myself camera-wise(I have a very old Pentax K-30 with a manual focus Helios Lens for 7 years )for after pandemic-music-photography and THANK YOU SO MUCH!! I love that you're not a person who pushes people to spend more and more money on gear. By the way I'm a HUUGEE Amelie Lens fan ( I even traveled solo to another country for her Cercle set ) and one of my biggest dream is getting a photo pass to one of her concerts in Istanbul/Turkey. The moment I saw Amelie's shot of yours I was like : okay this is the sign that universe is giving me that this camera is the way to go :D Thank you again for this very detailed and fun video. I'll be forwarding your channel to all of my friends and they'll love it !
Thank you so much for your comment and kind words! I really appreciate it, and how cool that you also like Amelie Lens! Did you end up deciding on a camera?
@@selinsuvarol6181 Wow that really sucks with the exchange rate! Yes, on a tight budget, the X-S10 does give you so much for your money so that would be a very very good choice, and you get stabilization too, great for video. And thank you, glad you like my IG feed :)
@@FlemmingBoJensen After a year I wanted to give an update and thank you . I finally purchased a X-T30 with a AF Viltrox 23mm 1.4 last month 🎊I couldnt go with the xs10 since it got a price increase due to the exchange rate. Then, I contacted an event organization firm for a techno concert and since they are small they accepted my offer for a volunteer 2nd photographer for Milo Spykers !!! Im so excited, I will watch the rest of your videos to get more tips. Thank you for your guidance, I'm getting close to my dreams. Maybe if I get nice results they might actually book me for the next one
A year ago I got into this channel looking for opinions on how X-system performs in concert photography and how people utilise it for such use. To anyone new out there that has a limited budget and is considering to do the leap, you can do pretty much everything with just three lenses.Personally I started with the 23mm, the 35mm and with a 50-140mm f2.8 that I usually had to rent,to the point that i bought it myself.I do know another X-shooter that goes for three lenses in most events and he has a simillar set up with the only difference that he doesn't use 35mm instead he goes for the 56mm f1.2 that he uses as his main lens for most he does. I am just saying this because the cost of the lenses listed in the video might look overwhelming for some and the reality is that outside of the 50-140mm f2.8 lens that is kind of must have lens for concert photography eveything else is relatively approachable even with the 35mm and 21mm of f2.0 you can do stuff and personally I will get most of my keepers on a prime lens,it's just that the zoom lens offers me the safety that I can do things even if I get stuck in the crowd. Great video overall and pretty informative,it was the reason that i transitioned to fuji system and I love it!
Thank you so much, I love your comment and totally agree. I have shot a lot of events with just 1 camera and 2-3 affordable prime lenses. You definitely do not at all need all the gear I show in this video, but that is just the setup I use now. 2 cameras is a really nice thing to have too for concerts.
@@FlemmingBoJensen I do shoot with both film and digital in concerts and I can say myself,having two cameras on you ready to shoot can save you some great keepers.But for anyone that is tight in budget I would insist on investing on lenses rather than bodies,or at least if two bodies is important for anyone don't be afraid to save some bucks by choosing an older model.I shoot on X-Pro 1 and I had never any complaint for the quality of the image even though most people shooting in the same event as I do have gear with much better specs. We are at the technological point where numbers don't matter as much.
@@gaarakabuto1 totally agree with everything. It is only now I have the luxury of 2 or more cameras. I shot for years with just 1 camera, and if adding a second camera, a cheap used X-T2 for example is still outstanding
Thanks Jensen for the tips on the gear! I used to have X-t4 and some prime lens awhile ago, however, due to some finantial mustakes I had to get rid of everything and now basically start from scratch. I own X-T2, Fujifilm 18-55 and 23mm f2. So, at the moment my budget lets me buy used X-T3 or Zoom loo lens, like Fuji 16-55 or Tamron 17-70. What would you suggest me to inverst into first?
Thank you, I am glad you like my videos. I think really only you can answer that question. A new zoom lens might give you a faster aperture like 2.8. A new camera like the awesome X-T3 will be so much faster in operation, AF, and better image quality (like your old X-T4) - what's more important for you to go gain first?
Great video, thanks. Just moved from Nikon to Fujifilm for live music and loving not having to carry around all that weight for three day festivals. Out of interest how high are you pushing iso ?
Hi and thank you so much! I will shoot at the iso necessary to do the job for my client! I have shot many events at ISO 12800 and I am totally fine with that, and so are the clients, it was in super dark environments so no choice but to go as high as possible!
@@FlemmingBoJensen Sorry I should have been more specific! Do the scratches have any different color underneath the paint or are they the same silver color through the body?
@@Hellsong26 Ah okay. The body is not actually made of solid silver - it is a coating. So if the scratch is deep enough to go through the entire coating, there is a darker body colour visible underneath.
Do you typically shoot wide open? Or Do you like to put your iso at a certain spot and not go above? I have an XT3 and kinda want to know a baseline setting that you use to eliminate the thinking in the moment
Yes, I practically always shoot completely wide open during concerts. With 1.4 lenses I rarely have to go over ISO 6400. I will if I have to, of course, better to shoot at ISO 12,800 than not make the picture! But above ISO 6400 is where the image quality and dynamic range falls off quite a bit. I also shoot wide open because I just really like that shallow DOF look. The best baseline setting for an X-T3 at concerts I can give is, use aperture mode, shoot wide open, and then just adjust the ISO up and down depending on the light in the venue during the show.
Thank you so much! Do you mean the vertical grip or just a bottom plate with a bigger grip? I do not use any of those, I love the X-T3 exactly as it is. I think it is very much a matter of ergonomics whether you want more and bigger grip or not. Hard to say, very individual I would think.
@@RodrigoBelfiore No never, the only straps I use are my Simplr Camera straps, which I absolutely love and recommend. I carry 2 x X-T3 on my shoulders and here is a bit more info on my blog: flemmingbojensen.com/2020/03/15/simplr-f1-camera-strap-simply-my-favourite-strap/
would you say that the 35mm f1.4 AF holds up in low light? I shoot on underground venues with very low light (usually on ISO 8000 with a lens that has f2.5 aperture) and people usually say that the autofocus on that one is starting to show its age, I shoot mainly on vintage glass so any autofocus is best than none, still wondering if it would be better to buy the 35mm F2 or even just get a 16-55 f2.8
Hi and thank you for watching. This gear video is close to 3 years old and yeah the 35mm 1.4 is excellent in low light - but you are correct, the autofocus is slow. It works, but it's slow. The new 33mm 1.4 is amazing, super fast and good autofocus, the 35mm F2 is an excellent choice too. So is the 16-55mm but then you are looking at F2.8, which can be a bit of a problem in super dark underground venues.
Hello! Thank you so much for the review! I'm trying to upgrade to x-T3 and often shoot in low light areas and the X-T20 often struggles to catch the focus. Is it true that Fuji's AF is not that great in low light? Should I switch to Sony or can I be assured that I'm making a good purchase? :')
No, Fujifilm's AF is not generally bad in low light. All cameras will struggle in low light and it has as much to do with the lens as the camera, you need light to focus a camera and an F4 lens in low light will focus so much worse than an F1.4 or even F2.8. If the sensor can't see, it can't focus. The X-T3 (with F2.8 or even better lenses) focus just fine in low-light, I have used it for so so many low light concerts during 4 years of extreme usage. But I cannot assure you that you are making a good purchase, only you can do that :) What I find to be ok, you may hate :) And without a doubt, Sony is the king of AF, nothing beats it. X-T3/4 is pretty good though (with the right lens) but I must also say there is a huge improvement with the X-T5 / X-H2 range of new cameras, they are so so much better at AF. I hope some of this helps.
Hi Chris. Quite often if I am shooting concerts I actually set it to Eterna because the light is so super contrasty that I use the most flat simulation - Eterna - so I can see highlights and shadows better in the viewfinder.
@@doogster07 It really varies because the lights at concerts will vary so greatly. I very often use Aperture mode and let my X-T3 choose exposure and I just control aperture and ISO. Sometimes I will do fully manual, mostly if I want to shoot some pictures on long exposure times.
Hello Bo! Did you ever had any problems regarding the lasers at a venue? Any damages caused to your cameras. I'm about to have a gig to photograph soon and I worry about that. I'm using the x100v with both the wide and tele conversions. Thanks🤘🏻
I have shot many laser shows with no damage but that is because I am super careful! If the sensor is hit by lasers there is a good chance you will damage it, so it is good to try and find out beforehand which songs have lasers and then during those songs, wait on shooting till you see where the beams are. Laser shows at venues will be under strict security too done by people who know what they are doing, as it not only damages cameras, it can damage your eye too :) So strong lasers will never fire directly into the crowd but be mapped into a safe area in the room or into the ceiling.
I use a lot of backbutton focus, meaning manual focus and triggering the focus by pressing AF-L on the back of the X-T3. Sometimes I will use continuous focus with zone tracking, sometimes even face detection if it's a really well lit singer shot from the front - otherwise it won't work. So I switch back and forth from manual to continuous during a concert, depending on the situation. I either use the matrix metering mode, or I use the center weighted metering mode if there are very strong spotlights on the musicians (making them so much brighter than the background).
@@FlemmingBoJensen thank you for taking the time to respond. That’s super helpful. I have the xt3 and I shot a concert using the 56 1.2 APD. The focusing wasn’t the greatest. Since then, I picked up the 16mm but haven’t used it in that setting yet. Can’t wait.
@@jaeshellz Yeah the 56mm is a great lens but the autofocus is really slow unfortunately. The latest lenses from Fujinon, the 33mm, the 18mm etc have super fast autofocus and are really great for concerts. I love the 16mm but I do hope it also gets an update at some point with better autofocus and no clutch focus ring.
@@FlemmingBoJensen yes! I’ve had my eye on the 33 recently. I’m thinking of trading in my 35mm 2.0 and 23mm 2.0 (don’t rly use it often since I have the x100v) to get it.
Wow that last tip was dead on, “it’s just a tool, you need to use your eye” amazing thank you
Thank you so much!
Great content. A joy to watch your videos! Keep up the great work!
Thank you so much! Really glad you like my videos!
great video and even greater pics! Congrats!
Thank you!
Awesome photos and thanks a lot for sharing your experience! I really like that you emphasize technique and artistic expression over gear and provide some useful tips. Exactly what I was looking for to learn how to improve my concert photography. I immediately subscribed.
Thank you so much, that really means a lot - glad you like the video and could use some of my tips too!
Excellent video and even better images. Composition, your timing, grain, flare.....amazing shots
Thank you so so much! That really means a lot!
a refreshing kind of review. please keep going. awesome photos
Thank you!
Wonderful presentation!
It is one thing to have the gear, but it is important to know how and when to use it…
Your presentation just put me one step closer.
Thank you so much, really glad you liked my video!
This is a gem of a video thank you!
Thank you so much, glad you like it!
Great video and great insight! Hoping to see more videos!
Thank you!
Thanks!
Btw, awesome and artistic photos you make!
I hope you have a good and musical/photographic day every day.
Thank you so much, that really means a lot, glad you enjoyed the video and my photos!
@@FlemmingBoJensen Thanks to you!
i'm learning about this camera because want to buy it and your photos and videos helped me a lot, even because i'm musician too.
Once again, thank you!
That’s the second video from you that I look on your YT channel ..... and I like it very much. You have a new follower ..... 👍👍
Awesome! Thank you!
@@FlemmingBoJensen 👍
Thanks I’m shooting a small gig tomorrow and this was a good refresh.
Glad to hear it, hope it went well!
Thank you for this. I am a hobby concert photographer and normally shoot Sony FE but this year switched to Fujifilm. I will be using the 16mm , 56mm and 90mm. Keep sharing your work. Awesome website and photos. Really inspirational
Thank you so much Paul, that really means a lot!
@@FlemmingBoJensen quick question. Which Fujifilm Sim and/or recipes do you use for concert photography? I am torn between classic neg or eterna?
@@PaulTakesPhotos I use a lot of different film sims depending on the style of the light of the concert, daylight, outdoors, indoors etc. Often Classic Chrome, sometimes Classic Neg, and then I have a bunch of Mastin Labs presets I use too. It all depends on the light in the given concert. Obviously it's all shot in RAW, cameras are often set to Classic Chrome or Eterna if it's super dark and I can't see anything in the EVF :)
@@FlemmingBoJensen thanks for this. My concerts are mostly dead metal in small venues and the light is not as good as in big venues
Totally agree, I personally have the 16 1.4 but thats the only AF lens I have ... I love my Super Takumars lenses (24, 35, 50 1.4, 50 macro) paired to my XT3 and not to mention the honorable Fujinon EBC 200 F4.5 💕 Even my 16 1.4 I use it manual focus clutch only 💕
That sounds awesome! I like AF for concerts, it really helps a lot in the dark where it is super hard to manual focus and see any kind of focus peaking.
Hello! Like many comments here, I'm also fairly new to your channel, but you've got a subscribe from me! I'm super glad to see someone using the fuji system for concert photography. I love to shoot live music, but in a world of A7iii's, i didn't think fuji ever had a place in the scene. Something about how physical fuji is really draws me into using their equipment. But, I also think there are different styles of shooting. the sony full frames can get super crisp and nice low light shots, but I think something about the fuji, while maybe not being nearly as "crisp" or "noiseless" in lower light situations, has its own bit of character to it, and i absolutely love that character
thank you so much for your comment, and for subscribing! I know a fair amount of people using Fujis, but yes also Sony, Nikon etc...like you say, you pick the system that fits your style, the system is a tool so whatever tool you like the most, go with that :) I love grain, I like the organic look you get from Fujifilm sensors!
Just found out your channel while I was researching about X-T30 and X-T3 to prepare myself camera-wise(I have a very old Pentax K-30 with a manual focus Helios Lens for 7 years )for after pandemic-music-photography and THANK YOU SO MUCH!! I love that you're not a person who pushes people to spend more and more money on gear.
By the way I'm a HUUGEE Amelie Lens fan ( I even traveled solo to another country for her Cercle set ) and one of my biggest dream is getting a photo pass to one of her concerts in Istanbul/Turkey. The moment I saw Amelie's shot of yours I was like : okay this is the sign that universe is giving me that this camera is the way to go :D Thank you again for this very detailed and fun video. I'll be forwarding your channel to all of my friends and they'll love it !
Thank you so much for your comment and kind words! I really appreciate it, and how cool that you also like Amelie Lens! Did you end up deciding on a camera?
@@FlemmingBoJensen Thank you for asking
@@selinsuvarol6181 Wow that really sucks with the exchange rate! Yes, on a tight budget, the X-S10 does give you so much for your money so that would be a very very good choice, and you get stabilization too, great for video. And thank you, glad you like my IG feed :)
@@FlemmingBoJensen After a year I wanted to give an update and thank you . I finally purchased a X-T30 with a AF Viltrox 23mm 1.4 last month 🎊I couldnt go with the xs10 since it got a price increase due to the exchange rate. Then, I contacted an event organization firm for a techno concert and since they are small they accepted my offer for a volunteer 2nd photographer for Milo Spykers !!! Im so excited, I will watch the rest of your videos to get more tips. Thank you for your guidance, I'm getting close to my dreams. Maybe if I get nice results they might actually book me for the next one
Amazing video. Thanks a lot
Glad you like it! Thank you!
A year ago I got into this channel looking for opinions on how X-system performs in concert photography and how people utilise it for such use.
To anyone new out there that has a limited budget and is considering to do the leap, you can do pretty much everything with just three lenses.Personally I started with the 23mm, the 35mm and with a 50-140mm f2.8 that I usually had to rent,to the point that i bought it myself.I do know another X-shooter that goes for three lenses in most events and he has a simillar set up with the only difference that he doesn't use 35mm instead he goes for the 56mm f1.2 that he uses as his main lens for most he does.
I am just saying this because the cost of the lenses listed in the video might look overwhelming for some and the reality is that outside of the 50-140mm f2.8 lens that is kind of must have lens for concert photography eveything else is relatively approachable even with the 35mm and 21mm of f2.0 you can do stuff and personally I will get most of my keepers on a prime lens,it's just that the zoom lens offers me the safety that I can do things even if I get stuck in the crowd.
Great video overall and pretty informative,it was the reason that i transitioned to fuji system and I love it!
Thank you so much, I love your comment and totally agree. I have shot a lot of events with just 1 camera and 2-3 affordable prime lenses. You definitely do not at all need all the gear I show in this video, but that is just the setup I use now. 2 cameras is a really nice thing to have too for concerts.
@@FlemmingBoJensen I do shoot with both film and digital in concerts and I can say myself,having two cameras on you ready to shoot can save you some great keepers.But for anyone that is tight in budget I would insist on investing on lenses rather than bodies,or at least if two bodies is important for anyone don't be afraid to save some bucks by choosing an older model.I shoot on X-Pro 1 and I had never any complaint for the quality of the image even though most people shooting in the same event as I do have gear with much better specs.
We are at the technological point where numbers don't matter as much.
@@gaarakabuto1 totally agree with everything. It is only now I have the luxury of 2 or more cameras. I shot for years with just 1 camera, and if adding a second camera, a cheap used X-T2 for example is still outstanding
Thanks Jensen for the tips on the gear! I used to have X-t4 and some prime lens awhile ago, however, due to some finantial mustakes I had to get rid of everything and now basically start from scratch. I own X-T2, Fujifilm 18-55 and 23mm f2. So, at the moment my budget lets me buy used X-T3 or Zoom loo lens, like Fuji 16-55 or Tamron 17-70. What would you suggest me to inverst into first?
Thank you, I am glad you like my videos. I think really only you can answer that question. A new zoom lens might give you a faster aperture like 2.8. A new camera like the awesome X-T3 will be so much faster in operation, AF, and better image quality (like your old X-T4) - what's more important for you to go gain first?
Great video, thanks. Just moved from Nikon to Fujifilm for live music and loving not having to carry around all that weight for three day festivals. Out of interest how high are you pushing iso ?
Hi and thank you so much! I will shoot at the iso necessary to do the job for my client! I have shot many events at ISO 12800 and I am totally fine with that, and so are the clients, it was in super dark environments so no choice but to go as high as possible!
Really informative video thanks Flemming! How do scratches look like on the silver part of your x-t3 btw?
Thank you so much! I am not quite sure I understand you, the scratches on my silver bodies look like scratches!
@@FlemmingBoJensen Sorry I should have been more specific! Do the scratches have any different color underneath the paint or are they the same silver color through the body?
@@Hellsong26 Ah okay. The body is not actually made of solid silver - it is a coating. So if the scratch is deep enough to go through the entire coating, there is a darker body colour visible underneath.
@@FlemmingBoJensen Thank you for checking!
Do you typically shoot wide open? Or Do you like to put your iso at a certain spot and not go above? I have an XT3 and kinda want to know a baseline setting that you use to eliminate the thinking in the moment
Yes, I practically always shoot completely wide open during concerts. With 1.4 lenses I rarely have to go over ISO 6400. I will if I have to, of course, better to shoot at ISO 12,800 than not make the picture! But above ISO 6400 is where the image quality and dynamic range falls off quite a bit. I also shoot wide open because I just really like that shallow DOF look.
The best baseline setting for an X-T3 at concerts I can give is, use aperture mode, shoot wide open, and then just adjust the ISO up and down depending on the light in the venue during the show.
Excellent video! What about hand grips for concerts? Do you recommend anyone?
Thank you so much! Do you mean the vertical grip or just a bottom plate with a bigger grip? I do not use any of those, I love the X-T3 exactly as it is. I think it is very much a matter of ergonomics whether you want more and bigger grip or not. Hard to say, very individual I would think.
@@FlemmingBoJensen thanks for the answer! I mean the hand wrist strap, do you use one for safety and to not stress your hand after hours of use?
@@RodrigoBelfiore No never, the only straps I use are my Simplr Camera straps, which I absolutely love and recommend. I carry 2 x X-T3 on my shoulders and here is a bit more info on my blog: flemmingbojensen.com/2020/03/15/simplr-f1-camera-strap-simply-my-favourite-strap/
would you say that the 35mm f1.4 AF holds up in low light? I shoot on underground venues with very low light (usually on ISO 8000 with a lens that has f2.5 aperture) and people usually say that the autofocus on that one is starting to show its age, I shoot mainly on vintage glass so any autofocus is best than none, still wondering if it would be better to buy the 35mm F2 or even just get a 16-55 f2.8
Hi and thank you for watching. This gear video is close to 3 years old and yeah the 35mm 1.4 is excellent in low light - but you are correct, the autofocus is slow. It works, but it's slow. The new 33mm 1.4 is amazing, super fast and good autofocus, the 35mm F2 is an excellent choice too. So is the 16-55mm but then you are looking at F2.8, which can be a bit of a problem in super dark underground venues.
Hello! Thank you so much for the review!
I'm trying to upgrade to x-T3 and often shoot in low light areas and the X-T20 often struggles to catch the focus.
Is it true that Fuji's AF is not that great in low light? Should I switch to Sony or can I be assured that I'm making a good purchase? :')
No, Fujifilm's AF is not generally bad in low light. All cameras will struggle in low light and it has as much to do with the lens as the camera, you need light to focus a camera and an F4 lens in low light will focus so much worse than an F1.4 or even F2.8. If the sensor can't see, it can't focus. The X-T3 (with F2.8 or even better lenses) focus just fine in low-light, I have used it for so so many low light concerts during 4 years of extreme usage.
But I cannot assure you that you are making a good purchase, only you can do that :) What I find to be ok, you may hate :) And without a doubt, Sony is the king of AF, nothing beats it. X-T3/4 is pretty good though (with the right lens) but I must also say there is a huge improvement with the X-T5 / X-H2 range of new cameras, they are so so much better at AF. I hope some of this helps.
Great video, did you used recipes for some of your work?
thank you! All my work is shot in RAW and edited in Lightroom.
@@FlemmingBoJensen thanks for the answer! Love your work
@@EppieGoytiaOlivares thank you so much! I recommend watching some of my newer X-T5 videos for more recent work, this video is a bit old now :)
Hey Flemming. Is there a certain film simulation that you prefer while shooting or do you use the natural view setting?
Hi Chris. Quite often if I am shooting concerts I actually set it to Eterna because the light is so super contrasty that I use the most flat simulation - Eterna - so I can see highlights and shadows better in the viewfinder.
@@FlemmingBoJensen is there a particular exposure setting that you use or does it vary from one shot to the next?
@@doogster07 It really varies because the lights at concerts will vary so greatly. I very often use Aperture mode and let my X-T3 choose exposure and I just control aperture and ISO. Sometimes I will do fully manual, mostly if I want to shoot some pictures on long exposure times.
Hello Bo! Did you ever had any problems regarding the lasers at a venue? Any damages caused to your cameras. I'm about to have a gig to photograph soon and I worry about that. I'm using the x100v with both the wide and tele conversions. Thanks🤘🏻
I have shot many laser shows with no damage but that is because I am super careful! If the sensor is hit by lasers there is a good chance you will damage it, so it is good to try and find out beforehand which songs have lasers and then during those songs, wait on shooting till you see where the beams are.
Laser shows at venues will be under strict security too done by people who know what they are doing, as it not only damages cameras, it can damage your eye too :) So strong lasers will never fire directly into the crowd but be mapped into a safe area in the room or into the ceiling.
@@FlemmingBoJensen thank you for your answer 😁
What focus mode do you use? Photometry?
I use a lot of backbutton focus, meaning manual focus and triggering the focus by pressing AF-L on the back of the X-T3. Sometimes I will use continuous focus with zone tracking, sometimes even face detection if it's a really well lit singer shot from the front - otherwise it won't work. So I switch back and forth from manual to continuous during a concert, depending on the situation.
I either use the matrix metering mode, or I use the center weighted metering mode if there are very strong spotlights on the musicians (making them so much brighter than the background).
@@FlemmingBoJensen thank you for taking the time to respond. That’s super helpful. I have the xt3 and I shot a concert using the 56 1.2 APD. The focusing wasn’t the greatest. Since then, I picked up the 16mm but haven’t used it in that setting yet. Can’t wait.
@@jaeshellz Yeah the 56mm is a great lens but the autofocus is really slow unfortunately. The latest lenses from Fujinon, the 33mm, the 18mm etc have super fast autofocus and are really great for concerts. I love the 16mm but I do hope it also gets an update at some point with better autofocus and no clutch focus ring.
@@FlemmingBoJensen yes! I’ve had my eye on the 33 recently. I’m thinking of trading in my 35mm 2.0 and 23mm 2.0 (don’t rly use it often since I have the x100v) to get it.
Do you use flash?
No never. Also, you are never allowed to use flash at concerts anyway. But I don't use nor even own a flash, I don't like them :)
8:33 HOLY MOLY JPEGMAFIAAA AAHHH
hehe yep :)
@@FlemmingBoJensen dhanks fr the detailed video ^^
@@oxiary Glad you liked it!