dont forget paloma and marienela nunez ive seen girls at pennsylvania ballet's the rock school do better. i am sure the girls at sab would put her to shame
this is the better version I've seen, because she fits the music perfectly and I can see how coreography flows through the music. Other dancers made it meaningless...
I don't like her fingers here. Don't get me wrong, Alina is amazing and I love her, but her fingers are a bit distracting and in ruins the purity and femininity.
That's a very personal opinion and I am not an expert in ballet at all.. But I personally consider this execution of the pas de deux the best I have ever seen. I find Alina divine in every part she dances.. My personal favourite!
The replay button must've called the police by now. Because i've been raping it in the last few days. My god, how do i even Forget Miss Cojocaru's perfection? The perfect rendition, fast and Sharp without looking rushed or slopppy (unlike the NYCB gymnasts!).
Wow, she is my favorite dancer of all time, but she can barely keep up with this music (and the tempo seems comparatively slow)! I have a DVD with Patty McBride dancing this, and another one with brief sections of Violette Verdy and Melissa Hayden dancing it, and the difference is clear.
'look, I can hit my ear three times in a row'; the first one should be less high so that there is some reason for the sequence. This is nowhere NEAR the level of Merrill Ashley, Kyra Nichols, or any other great NYCB dancer--to say nothing of Verdy, Hayden, and McBride.
A few things a tad off but overall I really like her dancing this as she has just the right lighthearted spirit for it. Some others may get all the t's crossed and i's dotted technically but Alina has what this Pas really takes to be a show stopper- stage presence! And that can not be taught or coached into a dancer. One must be born with it.
I have seen this variation performed better by at least ten past and present NYCB ballerinas, not to mention Anianashvili, Murphy, Wiles...The tempo is slow and Cojocaru is STILL off the music; the ridiculous nightgown for a costume does not help (no one wears a Juliet nightgown for this role); and she accommodates her inadeqaute technique frequently, not just in the backward hopping arabesques. the echappe/developpe sequence is supposed to GROW, not be an exhibiton of
watch this and do your best. also watch paloma's version. if you can find suzzane farrell's version watch that. on the echape develope the shoulders move with the leg. so shoulder back on echape shoulder forward on develope. hold the last one bring down slow. do not pause on gagliardgo straight through with the posse's . the chugs back are slightly faster then the music . it is all very syncopated. play games with the music but never get off the music.
Flailing arms! They look like they feel fabulous to her, but remind me of why teachers always say that arms must go through "the gateway" Marianela's variation is beyond perfect in both the art and the science. You can't compare it to this.
If this isn't the perfect video of this variation I don't know what is. She nailed it, as always.
Tiler Peck's version is amazing too. And Darcey's, of course
I think this is the best rendition I've seen of this piece. What a marvelous ballerina!
Love her charming fluid use of her upper body without it affecting her balance or technique.
Thanks for sharing. I thought it was beautiful and well done.
このチャイコフスキーパドドゥが一番好き！
Best dancer in the world.
she has performed this variation when she was fifteen.
she shows more power of expression than that time.
天使のようです。
thank you! Alina is gorgeous. When is this?
Does anybody have the the rest of the Pas De Deux?
her musicality and supremely tidy technique are mesmerizing.
This cute girl got me to go here
yes maam! now that is how you do tchai pas!
dont forget paloma and marienela nunez ive seen girls at pennsylvania ballet's the rock school do better. i am sure the girls at sab would put her to shame
I've seen umpteen dancers do this variation but Alinas sheer playfulness is hard to beat.
this is the better version I've seen, because she fits the music perfectly and I can see how coreography flows through the music. Other dancers made it meaningless...
I don't like her fingers here. Don't get me wrong, Alina is amazing and I love her, but her fingers are a bit distracting and in ruins the purity and femininity.
確かローザンヌの時？はこれ踊ってミスして泣きそうな顔して走って行っちゃったんだよね。
それはそれで可愛かったなぁ😃
her arms are so expressive!
I have never seen this variation performed better.
jawdropping excellence...
She`s simply the best of all!!!
That's a very personal opinion and I am not an expert in ballet at all.. But I personally consider this execution of the pas de deux the best I have ever seen. I find Alina divine in every part she dances.. My personal favourite!
Do you have the rest of the pas de deux? If so please post!
The replay button must've called the police by now. Because i've been raping it in the last few days. My god, how do i even Forget Miss Cojocaru's perfection? The perfect rendition, fast and Sharp without looking rushed or slopppy (unlike the NYCB gymnasts!).
You must not have ever seen Tiler Peck.
Wow, she is my favorite dancer of all time, but she can barely keep up with this music (and the tempo seems comparatively slow)! I have a DVD with Patty McBride dancing this, and another one with brief sections of Violette Verdy and Melissa Hayden dancing it, and the difference is clear.
'look, I can hit my ear three times in a row'; the first one should be less high so that there is some reason for the sequence. This is nowhere NEAR the level of Merrill Ashley, Kyra Nichols, or any other great NYCB dancer--to say nothing of Verdy, Hayden, and McBride.
Me no like the fingers. But that’s ok, she’s the BEST! Lol
Beautiful dance, lovely young girl
The tempo is a little bit slow
No it’s not. It’s absolutely spot on.
A few things a tad off but overall I really like her dancing this as she has just the right lighthearted spirit for it. Some others may get all the t's crossed and i's dotted technically but Alina has what this Pas really takes to be a show stopper- stage presence! And that can not be taught or coached into a dancer. One must be born with it.
Effortless!!
wow
her arms at the end..no.
briliant
I have seen this variation performed better by at least ten past and present NYCB ballerinas, not to mention Anianashvili, Murphy, Wiles...The tempo is slow and Cojocaru is STILL off the music; the ridiculous nightgown for a costume does not help (no one wears a Juliet nightgown for this role); and she accommodates her inadeqaute technique frequently, not just in the backward hopping arabesques. the echappe/developpe sequence is supposed to GROW, not be an exhibiton of
I ♥ this video...
this is just lovely!
So musical and lyrical, absolute grace!
watch this and do your best. also watch paloma's version. if you can find suzzane farrell's version watch that. on the echape develope the shoulders move with the leg. so shoulder back on echape shoulder forward on develope. hold the last one bring down slow. do not pause on gagliardgo straight through with the posse's . the chugs back are slightly faster then the music . it is all very syncopated. play games with the music but never get off the music.
전성기 알리나 코조카루
too much hands.... :-P too much......
Can you tell me how i can find that song??? thank you !!!
0:21あたりで失敗?してるのに30回くらい見てから気づいた。
ぜんぜんわかんなかった。さすがプロです｡
コジョカルさんの踊りは見るたびに好きになります！
動きが独特で軽くてすごく尊敬します
ターンアウトすごすぎてもはや意味がわからない笑
Whats the title of this composition?
Really? When I watch that video it sort of seems to me like Nela is throwing her legs around... difference of opinions :-)
is this a professional studio
Way to edit it faster
ずっと、何回も見てられる❣️
軽やかすぎる
disagree.....so freaking bad!!!
Flailing arms! They look like they feel fabulous to her, but remind me of why teachers always say that arms must go through "the gateway" Marianela's variation is beyond perfect in both the art and the science. You can't compare it to this.
Beautiful, light, airy..... but the echappes at the beginning??? Well, everyone likes a cheat!!! lol