Nahuel Di Pierro - Vi ravviso o luoghi ameni- LA SONNAMBULA V. Bellini

Vincenzo Bellini
La Sonnambula
« Vi ravviso o luoghi ameni… Tu non sai »
Nahuel Di Pierro, Conte Rodolfo
Luciano Acocella
Orchestre National de Montpellier
Coro di Parma/Opera de Montecarlo
Chorégies d’Orange
19/06/2023

[@Eerau]

Magnifica voz, hermosa aria e impresionante escenario!

Bravo!

[@Stratsiey]

Very impressive. Your tone is magnificent

[@nahueldipierro1073]

Thank you very much

[@armandonazarenocerutti9860]

Voz bella y sonora de un bajo-barítono , adecuada para el Conte Rodolfo, la interpretación fue bella, pero la cabaletta es cantabile (allegro moderato) y no allegro molto. Armando Cerutti - barítono

[@nahueldipierro1073]

Le agradezco su comentario. Veo que el tempo escogido para la cabaletta ha despertado mucha polémica!

[@giovannimancuso7974]

Fantasticame meraviglioso... Sublime interpretazione... Bravissimo Nahuel👏👏👏💙🙏

[@nahueldipierro1073]

Grazie!

[@vladimirz5993]

Ну и имячко))

[@mymusic-xi1bu]

Sublime!!!!!

[@FlavioFaberge]

Bravissimo, detto da basso baritono a basso baritono

[@никитаникитюк-ы4ф]

Абсолютно отсутствует грудное резонирование

[@Avto460]

Этому стоит научиться, красиво же

[@bigginok6916]

Phantastisch! Eine herrliche Stimme. Ein souveräner Auftritt.

[@nahueldipierro1073]

Danke schön

[@petertyrrell3391]

The Cabaletta is only marked Allegro Moderato, not Presto: the notated rhythm in the Aria is not respected.

[@nahueldipierro1073]

Thank you for your comment. If you take a Metronome, you can check for yourself that I sing the cabaletta at 112 BPM, which is Allegro and not Presto. Please, don't forget that we musicians and singers interpret the music... The notated rhythm in Bellini's times is merely a suggestion from the composer. The Italian melodramma form 18th Century also called The Bel canto era was characterized by giving a lot of freedom and flexibility to the singer; the orchestra, most of the time, is only accompanying the voice

[@petertyrrell3391]

Allegro moderato should probably be closer to tempo ordinario, as was Allegretto. At a faster tempo, the words are difficult to articulate, especially the Italian consonant clusters and the stopped consonants. The Count is an aristocrat, so some maestoso is called for - accurate dotted rhythms in the aria would help this. What evidence do you have that notated rhythm was normally a suggestion? In some contexts, yes, like recitativo and recitativo-like passages. Verdi wouldn't have approved of sloppy timing.@@nahueldipierro1073

[@nahueldipierro1073]

@@petertyrrell3391 The evidence I have is studying and more of twenty years working as a professional opera singer all around the world, performing this repertoire with all the best conductors of our time. That’s probably not enough for you, petertyrrel3391, but that’s an “EVIDENCE”. By the way, Verdi is not Bellini 😉

[@petertyrrell3391]

I didn't say Verdi was Bellini, but he started off close to the Bel Canto tradition. How you do things is not evidence as to how Bellini should be performed. Even Italian opera should be performed with some reference to the score.@@nahueldipierro1073

[@nahueldipierro1073]

You're right, next time I'll sing I will ask your opinion, just to be sure to do it like "it should be" @@petertyrrell3391

[@raynardi2326]

Ma che si battono ste mani !!! 😤😤😤😤😤😤

[@nahueldipierro1073]

Era un pubblico 80 per cento di adolescenti e bambini che attendevano un concerto lirico per la prima volta. Al primo ascolto de “La Sonnambula” la loro spontanea reazione fu battere le mani… mi dispiace che la infastidisca così tanto

[@raynardi2326]

@@nahueldipierro1073 ma no.... se erano bimbi tutto 👌

[@kid926]

Bravissimo un vero basso profondo

[@nahueldipierro1073]

Grazie mille

[@kid926]

@@nahueldipierro1073 grazie a te

[@elwachinmanda]

Bravo Nahuel, vozasa! Saludos del GBA

[@nahueldipierro1073]

Muchas gracias, saludos!