Festival Te Deum - Britten

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  • Опубліковано 19 гру 2024

КОМЕНТАРІ • 10

  • @Juliaflo
    @Juliaflo 7 років тому +2

    From memory-----Yahooooooo!

  • @xEmoxPandax18
    @xEmoxPandax18 11 років тому +1

    We are doing this piece in our chamber choir here at SOU, and I love it. So much. I really love 2:15 to 2:25 ish. My favorite part.

  • @frankalisantoro8935
    @frankalisantoro8935 6 років тому +1

    May this be the background music in paradise?

  • @cshargeit
    @cshargeit 11 років тому

    let me never be confound - cut!

  • @Shopvac555
    @Shopvac555 13 років тому

    the term "a cappella" has been skewed in modern day, to mean all vocal music without instruments. However, the actual Italian translation is "in the manner of the church," which almost always included organ. The term you are looking for is "unaccompanied."

  • @kreeezle
    @kreeezle 13 років тому

    @Shopvac555 actually you are wrong. It means without instruments, even though the translation in the manner of the church. That 'manner' was without instruments.

  • @Skyttles
    @Skyttles 15 років тому

    OMGSH we are so pro, it's ridiculous^-^

  • @lrufusmusica
    @lrufusmusica 11 років тому

    Soprano soloist has nice tone. Sounds like she has a cold because her consonants are not all clear, especially "m" & "n."

  • @solpaul5686
    @solpaul5686 5 років тому

    They were flat on the higher notes

  • @imrighturwrongdealwithit
    @imrighturwrongdealwithit Рік тому

    This Te Deum has absolutely zero sense of phrasing and relies on one mildly interesting period in the middle of the piece. Other than that, it is frankly quite terrible. If you want interesting dissonance, there are plenty of better examples by the likes of Kenneth Leighton and - albeit in the orchestral form - Stravinsky