Utterly gorgeous. Dear David Dawson, every sensibility expressed in your choreography totally resonates with my own and the passionate and soulful engagement that you inspire and elicit from your dancers down to the authentically embodied and expressed nuance of the hands and fingers leaves me satisfied and inspired in ways that I rarely feel except when dancing myself. I am sure that the dancers must be transformed by the experience of working with you and touching into themselves and all so deeply. The last time I felt as moved by the totality of ballet choreography and its expression was in Stuttgart (where I think you are now setting something on the dancers!). There are choreographers such as Cranko and Kylian and those that followed them through their influence who have also moved me and whose work I love. However, I think I was soul touched in a way that went beyond anything when I heard and saw Mahler's Das Lied Von Der Erde choreographed by MacMillan for the first time and not even understanding the words or narrative cried uncontrollably for an hour afterwards - and cried for years after when ever hearing the last movement (Der Abscheid - The Farewell). Since recently feeling similarly touched when seeing your exceptionally moving trailer of your absolutely exquisite Four Last Songs, (the music of which deeply touched me when, circa 1971, Lorca Massine choreographed to it on some of the students in the advanced class I was in at S.A.B), I have been looking for complete works by you here at youtube. I have been savoring every snippet found and am so glad to see this more complete expression. I just subscribed to your channel and look forward to seeing more here and hopefully in person some day. Thank you so much. Deep bows of admiration and appreciation💗🙏
What is the Maine difference between David and the other choreographers? The difference is that David knows the classical ballet very well, and he is probably the only one who does he’s works based on ballet, using any paints of the contemporary dances , don’t hide luck of the knowledge by substituting choreography by the only contemporary dance language. I personally like every new way in dance, every new music including artificial language by robots, but when it comes to the real people with deep immersion into the depths of the souls , the ballet base language is certainly out of any competition, because it is richest concentration of centuries experience of many cultures, hundreds an extraordinary talented choreographers, musicians, poets, artists, philosophers. But I think David’s productions not always successful, and I like it, because he is a human being, but very special.
Utterly gorgeous. Dear David Dawson, every sensibility expressed in your choreography totally resonates with my own and the passionate and soulful engagement that you inspire and elicit from your dancers down to the authentically embodied and expressed nuance of the hands and fingers leaves me satisfied and inspired in ways that I rarely feel except when dancing myself. I am sure that the dancers must be transformed by the experience of working with you and touching into themselves and all so deeply. The last time I felt as moved by the totality of ballet choreography and its expression was in Stuttgart (where I think you are now setting something on the dancers!). There are choreographers such as Cranko and Kylian and those that followed them through their influence who have also moved me and whose work I love. However, I think I was soul touched in a way that went beyond anything when I heard and saw Mahler's Das Lied Von Der Erde choreographed by MacMillan for the first time and not even understanding the words or narrative cried uncontrollably for an hour afterwards - and cried for years after when ever hearing the last movement (Der Abscheid - The Farewell). Since recently feeling similarly touched when seeing your exceptionally moving trailer of your absolutely exquisite Four Last Songs, (the music of which deeply touched me when, circa 1971, Lorca Massine choreographed to it on some of the students in the advanced class I was in at S.A.B), I have been looking for complete works by you here at youtube. I have been savoring every snippet found and am so glad to see this more complete expression. I just subscribed to your channel and look forward to seeing more here and hopefully in person some day. Thank you so much. Deep bows of admiration and appreciation💗🙏
wonderful. Your sliding legato style is stunning and with such a musicality. Can't wait to see it soon at la Scala
Wow, another beautiful piece!!! I’m becoming a big fan of your work.
What is the Maine difference between David and the other choreographers? The difference is that David knows the classical ballet very well, and he is probably the only one who does he’s works based on ballet, using any paints of the contemporary dances , don’t hide luck of the knowledge by substituting choreography by the only contemporary dance language. I personally like every new way in dance, every new music including artificial language by robots, but when it comes to the real people with deep immersion into the depths of the souls , the ballet base language is certainly out of any competition, because it is richest concentration of centuries experience of many cultures, hundreds an extraordinary talented choreographers, musicians, poets, artists, philosophers. But I think David’s productions not always successful, and I like it, because he is a human being, but very special.
Im a huge fan now..
Beautiful. Just a bit dark to watch on screen. Thanks for sharing , very generous of you so people can learn more about your work.
Sublime!
Lindíssimo!🙏❤️💐👏👏👏🇧🇷🖖
❤❤❤
you dance beautiful together :-). like ice cream. so smooth :-)
Sto piangendo...
Pubblicane ancora!!!!!!!