Isn't it a bit strange to put in first position the name of Hélène Grimaud, and to write the name of the solist in brackets, as if it were less important ? It's a pity that the star system is everywhere, even in the world of classical music.
Meh. Thinking that the order really even matters is a personal thing and is only given power if you believe it is. :) I see your argument and just don’t think it matters. Just enjoy this for its artistry.
Aren’t these the Romances for oboe and piano transcribed for clarinet? Super exciting playing. Schumann deserves to be approached in this way more often.
@ “tempo nominal” Le tempo indiqué est Nich Schnell, etla partition est entrecoupée de riterdando (pas ritenuto).Leur interprétation est beaucoup trop vive pour une musique nocturne telle que cette 3ème romance (quant à la validité des indications métronomiques, nombreux sont les experts qui y placent un large bémol…)
When you are pianist and playing with another instrumentist for this kind of music, you need to follow your duo's part and yours at the same time, to make sure that you still playing together, the right part, and to understand what your duo is doing to adapt yourself. Sorry for my bad english.
Isn't it a bit strange to put in first position the name of Hélène Grimaud, and to write the name of the solist in brackets, as if it were less important ? It's a pity that the star system is everywhere, even in the world of classical music.
🌟 🌎 🌐 🌍
Yes but its also strange her name is in front of schumann's. The real maestro is the person who wrote the piece, he should be in front.
This is a collaborative piece. Both are important.
Meh. Thinking that the order really even matters is a personal thing and is only given power if you believe it is. :)
I see your argument and just don’t think it matters. Just enjoy this for its artistry.
Let's not forget -- Helene Grimaud is not accompanying the clarinetist. This is a duet between piano and clarinet! So they're both important
0:01 I
3:32 II
7:25 III
Really the best version of 3 Romances by Schumann BRAVO MAESTRO !!
truly brilliant, both deeply embedded
in the music
Are you Admiral Lalkaka's grand daughter?
No, I'm afraid not.....
見事だ。ピアノもクラリネットも。
Helene Grimaud: Another sample of your art,this time a duet with clarinet.Wonderful really.
Aren’t these the Romances for oboe and piano transcribed for clarinet? Super exciting playing. Schumann deserves to be approached in this way more often.
Le choix de cadrage de la photo est décevant. Les initiatives cherchant l'originalité ne sont pas toutes réussies
amazing
Super
BRAVO 🙏👏🙌
Happy birthday dear Helena Grimaud.
I don't know how many times repeated watch this beautiful video
SUPER
👍🏻👏🏼👏🏼
Blabo！Blaba for her dedicated accompaniment!
Hélène, seu cabelo fica melhor assim, mais curto.
Bravo 👏 👏 👏 👏
He’s good but she’s gorgeous!
С ФАГОТОМ ЛУ'ЧШЕ ❣️
I believe it's just because he is the soloist, and she is not ...
sono oassatu 22 anni
Brilliant😍😍😍😍
And once again: The beautiful Helene Grimaud, body & soul.
Vraiment sublime - sauf pour le 3eme mouvement! Beaucoup trop agité, ce devrait être plus méditatif.
Question de goût bien sûr, mais c'est le tempo nominal habituellement pratiqué pour cette 3eme romance
@ “tempo nominal” Le tempo indiqué est Nich Schnell, etla partition est entrecoupée de riterdando (pas ritenuto).Leur interprétation est beaucoup trop vive pour une musique nocturne telle que cette 3ème romance (quant à la validité des indications métronomiques, nombreux sont les experts qui y placent un large bémol…)
It is not fair that she can read the music, and he has had to memorise it. Nevertheless, the end result is beautiful.
Let's remember she is reading possibly 8 to 10 notes simultaneously. He only reads one. What does that say about complexity.
What does it matter, if a musician wants to have the music on the stand or not? The great Sviatoslav Richter did that sometimes.
@@aegeanbo Relax! I was only joking.
When you are pianist and playing with another instrumentist for this kind of music, you need to follow your duo's part and yours at the same time, to make sure that you still playing together, the right part, and to understand what your duo is doing to adapt yourself.
Sorry for my bad english.
@@nacre2927 As I already mentioned, my comment was just a joke, but thank you for your explanation; it was very helpful.