Yes, so many yellows, and I love this warm color. Gamboge is also my favorite. It can be confusing. I use aureolin as a cool yellow. Thanks Teoh for all you do,..
I also like it, but it is a bit on the cool side (you can see the green) so I was going to get a warm yellow. But Have you stuck to Nickel Azo Yellow for your warm mixes? Maybe I should be satisfied and just try to stick it out a little more as my only yellow.
@@surveyguyor8958 It’s whatever works for you. I do sometimes use a warmer yellow. But I’m also happy just to have Azo Yellow in my travel kit. Hope that helps!
I really appreciate the color comparison videos. If I ever paint enough to use something up, these will help me decide if I want to buy it again or try something else instead. I am mostly having fun doing color mixing charts still so I don't have a favorite yellow yet. I do like yellow Sophie so far from Sennelier. This was a bright spot in my day thanks! I hope you are fully recovered from the Symposium & getting ill.
Thanks for sharing some of the Daniel Smith yellows! My go-to warm yellow is New Gamboge by Winsor & Newton. It's a mix of PY150 & PR209 so it has the glow almost like a Quin Gold but less earthy. I just bought a tube of Yellow Sophie by Sennelier and I'm really liking the warm clean hue it has.
Like you, I started using New Gamboge at the start of my painting career as I fell madly in love with it and it is still my all-time favorite warm yellow.
I'm using azo yellow medium presently from a student brands, but I am going to upgrade sometime soon. My really liked the new gamboge. The single pigment color right next to it was also a winner (permanent yellow deep, I think).
Right up my alley! My current warm yellow is Golden from White Nights (Nevskaya Palitra). I also really love Schmincke’s Indian Yellow. Can’t wait to compare them to the Daniel Smith colours I bought from you! As always thank you for the video Teoh!
Thanks for another great video. I'm currently using Hansa Yellow Medium and Turner's Yellow (from Winsor & Newton) in my palette. I like what that Hansa does for me and the Turner's is part of a very flexible fleshtone combination I really love using.
I just adore ds gamboche or hansa yellow -each variation of hansa is pretty and i prefer those over cadmiums - i have a bit of a yellow feitish with schmincke, white nights, ds and my beloved sennelier happening now. Its ridiculous; i don't like opacity much so i love raw sienna, if i want an ochre i just mix with my gouache, then there is my hansa yellow light, a gambouche and quin gold,noone needs that many in one palette, but i just couldn't resist :P
Hey Teoh! Great comparison! I'm using New Gamboge and also sometimes Monte Amiata Natural Sienna. New Gamboge is such a beautiful warm yellow orange color.
I love your pigment knowledge. Recently I painted along with you the “turnip tutorial” you created and it came out so beautiful I ask you if you are willing to give us another subject, or still-life, type of painting? I enjoy your urban scapes and I love painting buildings and elaborate houses too...however, those turnips came out so good I’d love that peaceful break of an easy and successful painting. Thank you!!
I can't get Iso yellow py139 to mix nicely. I think I got it confused with py110 so I've stayed away from warm yellows. I think I want to try hansa yellow deep though. I love the greens you mix with it :)
Hansa deep from DS makes slightly better (in my opinion) landscape greens and flesh tones . It is lightfast and a tinge brighter than DS New Gamboge. The true test is really doing the small swatches on each usual palatte color. No offense but the swatches weren’t convincing enough to know anything and most want to see it. The opaque and Indian yellow might be useful to someone somehow but not on my palette. It is also notable that Schminke and DaVinci dark arlyde are not as bright.
How simply miraculous! You made this video at the same I was wanting to know the difference between DS indian Yellow and Mayan yellow, to the point I was going to buy both just to find out. Thank you so much for saving me money :)
Hii, loved this video, helped a lot with earm yellows choosing! and if you don't mind asking, did you made the orange comparison video? oh thank you for the great videos
i like the indian yellow because its a warm yellow when thick that turns lemon when thinned... but after seeing azo yellow i may have to try it, it seems like a larger contrast between its thick gold and thin lemon
It is interesting that new gamboge is series 1 and indian yellow is series 3 but they have the same pigments :/ . I use new gamboge usually for my warm yellow.
I think that's weird, too. Maybe it's because DS Indian Yellow used to be single pigment PY108 and when they changed the formula, they kept the same series? Anyway, more economical to just add PY97 or any mid yellow to New Gamboge. I mix my own New Gamboge from PY110 and PY97 because I have plenty of those colors, but in the future will probably buy it in the tube since it's S1.
My warm yellow was for a long time Lukas Gamboge which is the single pigment version made with PY153. Recently, I have been experimenting with Schmincke Horadam #222 Yellow Orange which is either PY153 or PY110 - probably the latter - and is very different: for once the marketing name seems appropriate.
I know it doesn't matter to some, but the yellows you depict here don't all have the same lightfastness rating. Since they're so similar, I'd always go for colors rated LF1 (the highest lightfastness rating.) If you're going to spend your time doing a painting AND buying the colors, why not go for the most permanent? Permanent Yellow Deep PY110, Indian Yellow (PY97 + PY150) & New Gamboge (PY97 +PY110) all have an LF1 rating.
Another good thing that's not often known (especially for newbies) is it's important to purchase by actual pigment, NOT by name. Different companies use different names on the same pigment and some companies do not put the pigment information on their tubes. (It took me awhile and some regrettable purchases to understand this.) Also, Hansa Yellow is often sited as a 'go-to' yellow for many people. Daniel Smith's Hansa Yellow Medium (PY97) + Hansa Yellow Light (PY3) have only an LFII lightfastness rating, whereas Daniel Smith's Azo Yellow (PY151) has the highest lightfastness rating of LF l. Some mixed pigments using multiple pigments can be more problematic, so it's best to try to use single pigmented colors when possible, so as to be sure they're as permanent as possible. Lightfastness ratings can be found both on the Daniel Smith website and on their paint tubes, but not all art store websites provide them or other companies provide them. If it's important to you, you need to do your own homework. If a company is not forthcoming, I say find a brand who is, who does their own testing and who stand behind their products.Your time, money and effort are worth spending on good products. Daniel Smith is one such company (and no I'm not affiliated.)
DS Hansa Yellow Medium is Lightfast 1, not 2. Either it’s changed since your post or you were mistakenly looking at the series and not the lightfastness because it’s a series 2.
I’m definitely getting new gamboge for my first Daniel smith 12 set. Do you have any recommendations for the other colours in an intermediate 12 set. Gamboge by winsor and Newton in the cotman line is my warm yellow as of now.
The colours I currently recommend are Lemon Yellow Hansa Yellow Medium New Gamboge Monte Amiata Natural Sienna Quin Red Quin Magenta Pyrrol Scarlet Sap Green Phthalo Blue Ultramarine Cerulean Blue Chromium Burnt Sienna
Hi Teoh, I have just completed a colour wheel with the QOR triad from the symposium goodie bag and actually got a decent green out of the ultramarine and nickel azo yellow. I guess this supports the assessment of NAY being more of a mid tone rather than warm. Or is this a QOR characteristic of this colour?
You forgot the link for your paint sale again. www.parkablogs.com/content/watercolour-paint-sale Also thanks for the note about the other video, I wondered what happened, but I thought maybe it was a Patreon video instead.
I use Turner brand Permanent Yellow Orange (PY110) and I've been very happy with it. BTW. How is the Little Princess? We haven't seen her in a while. She's probably running around every chance she gets! 😆😆😆😆 I'll bet your wife is so tired from trying to keep up with her. 😆
Ugh I bought and indian yellow from Van gogh and in my mind I was visualizing this Indian Yellow. It turns out that it's identical to new gamboge , I already have it. So disappointed
The Lanaquarelle video posted earlier was taken down for further edits. It will be up again tomorrow.
Yes, so many yellows, and I love this warm color. Gamboge is also my favorite. It can be confusing. I use aureolin as a cool yellow. Thanks Teoh for all you do,..
I love how Teoh has every color but always says, "Oh, whichever color is fine, it doesn't matter that much!" :-)
I love warm yellows, but my favorite is Isoindoline Yellow. It waters down to a lovely delicate peach.
Thank you for this warm yellows comparison! I just purchased New Gamboge and this video popped up as I was researching it.
Ever since I discovered Nickel Azo Yellow, there’s been no going back. It has such a beautiful glow.
I also like it, but it is a bit on the cool side (you can see the green) so I was going to get a warm yellow. But Have you stuck to Nickel Azo Yellow for your warm mixes? Maybe I should be satisfied and just try to stick it out a little more as my only yellow.
@@surveyguyor8958 It’s whatever works for you. I do sometimes use a warmer yellow. But I’m also happy just to have Azo Yellow in my travel kit. Hope that helps!
I really appreciate the color comparison videos. If I ever paint enough to use something up, these will help me decide if I want to buy it again or try something else instead. I am mostly having fun doing color mixing charts still so I don't have a favorite yellow yet. I do like yellow Sophie so far from Sennelier. This was a bright spot in my day thanks! I hope you are fully recovered from the Symposium & getting ill.
I have also been using New Gamboge. I got some sunflowers a few days ago and the New Gamboge was the perfect color for them, I did several studies!
Thank you Teoh. Everytime I am curious about a product and I see one of your videos, I know I will get a great answer to my questions :)
Thanks for sharing some of the Daniel Smith yellows! My go-to warm yellow is New Gamboge by Winsor & Newton. It's a mix of PY150 & PR209 so it has the glow almost like a Quin Gold but less earthy. I just bought a tube of Yellow Sophie by Sennelier and I'm really liking the warm clean hue it has.
Nice review. I enjoyed the color mixing process.
PY110 permanent yellow deep is labeled as isoindolinone yellow deep by holbein and is my favorite color in the world
I agree PY110 and PY150 (Nickel Azo) are commonly used in many mixes across all brands. These 2 warm yellows are beautiful!
Those are all nice in their own ways. Thanks for sharing them Teoh. 👍😀
Like you, I started using New Gamboge at the start of my painting career as I fell madly in love with it and it is still my all-time favorite warm yellow.
I'm using azo yellow medium presently from a student brands, but I am going to upgrade sometime soon. My really liked the new gamboge. The single pigment color right next to it was also a winner (permanent yellow deep, I think).
New gamboge and Indian yellow have always been in my paint mixes for oils and watercolor. Very informative video Teoh!!!
I'm using Daniel Smith's Hansa Yellow Deep as my warm yellow. Thanks for the video Teoh.
New Gamboge is my favorite warm yellow in most brands.
Right up my alley! My current warm yellow is Golden from White Nights (Nevskaya Palitra). I also really love Schmincke’s Indian Yellow. Can’t wait to compare them to the Daniel Smith colours I bought from you! As always thank you for the video Teoh!
As ever, very helpful. Thanks a lot
Thanks for another great video. I'm currently using Hansa Yellow Medium and Turner's Yellow (from Winsor & Newton) in my palette. I like what that Hansa does for me and the Turner's is part of a very flexible fleshtone combination I really love using.
I just adore ds gamboche or hansa yellow -each variation of hansa is pretty and i prefer those over cadmiums - i have a bit of a yellow feitish with schmincke, white nights, ds and my beloved sennelier happening now. Its ridiculous; i don't like opacity much so i love raw sienna, if i want an ochre i just mix with my gouache, then there is my hansa yellow light, a gambouche and quin gold,noone needs that many in one palette, but i just couldn't resist :P
Hey Teoh! Great comparison! I'm using New Gamboge and also sometimes Monte Amiata Natural Sienna. New Gamboge is such a beautiful warm yellow orange color.
I love your pigment knowledge. Recently I painted along with you the “turnip tutorial” you created and it came out so beautiful I ask you if you are willing to give us another subject, or still-life, type of painting? I enjoy your urban scapes and I love painting buildings and elaborate houses too...however, those turnips came out so good I’d love that peaceful break of an easy and successful painting. Thank you!!
Some beautiful yellows right there
I can't get Iso yellow py139 to mix nicely. I think I got it confused with py110 so I've stayed away from warm yellows. I think I want to try hansa yellow deep though. I love the greens you mix with it :)
i use yellow ochre for warm
Hansa deep from DS makes slightly better (in my opinion) landscape greens and flesh tones . It is lightfast and a tinge brighter than DS New Gamboge. The true test is really doing the small swatches on each usual palatte color. No offense but the swatches weren’t convincing enough to know anything and most want to see it. The opaque and Indian yellow might be useful to someone somehow but not on my palette. It is also notable that Schminke and DaVinci dark arlyde are not as bright.
How simply miraculous! You made this video at the same I was wanting to know the difference between DS indian Yellow and Mayan yellow, to the point I was going to buy both just to find out. Thank you so much for saving me money :)
I use W&N new gamboge most of the time! I also have Daniel Smith's one, but it's too orange for my taste
I love the colours, but most of them are more dark yellows. a light but warm yellow is more interesting :)
Hii, loved this video, helped a lot with earm yellows choosing! and if you don't mind asking, did you made the orange comparison video? oh thank you for the great videos
I've not done orange comparison yet.
i like the indian yellow because its a warm yellow when thick that turns lemon when thinned... but after seeing azo yellow i may have to try it, it seems like a larger contrast between its thick gold and thin lemon
This property is very reminiscent of curry, lol! The well-known turmeric based one, at least.
It is interesting that new gamboge is series 1 and indian yellow is series 3 but they have the same pigments :/ . I use new gamboge usually for my warm yellow.
I think that's weird, too. Maybe it's because DS Indian Yellow used to be single pigment PY108 and when they changed the formula, they kept the same series? Anyway, more economical to just add PY97 or any mid yellow to New Gamboge. I mix my own New Gamboge from PY110 and PY97 because I have plenty of those colors, but in the future will probably buy it in the tube since it's S1.
I got new gamboge in the mixing set when I first started painting. I also have m Graham indian yellow that I love and use.
I use the M Graham version, too! I make my New Gamboge out of DS Hansa Medium and MG Indian Yellow PY110.
My warm yellow was for a long time Lukas Gamboge which is the single pigment version made with PY153. Recently, I have been experimenting with Schmincke Horadam #222 Yellow Orange which is either PY153 or PY110 - probably the latter - and is very different: for once the marketing name seems appropriate.
This was really informative! Very useful actually, thanks for sharing :)
So golden.
squares start off big end up a rectangle i used yello ocher for logest time water based oils
I know it doesn't matter to some, but the yellows you depict here don't all have the same lightfastness rating.
Since they're so similar, I'd always go for colors rated LF1 (the highest lightfastness rating.) If you're going to spend your time doing a painting AND buying the colors, why not go for the most permanent? Permanent Yellow Deep PY110, Indian Yellow (PY97 + PY150) & New Gamboge (PY97 +PY110) all have an LF1 rating.
Another good thing that's not often known (especially for newbies) is it's important to purchase by actual pigment, NOT by name. Different companies use different names on the same pigment and some companies do not put the pigment information on their tubes. (It took me awhile and some regrettable purchases to understand this.)
Also, Hansa Yellow is often sited as a 'go-to' yellow for many people. Daniel Smith's Hansa Yellow Medium (PY97) + Hansa Yellow Light (PY3) have only an LFII lightfastness rating, whereas Daniel Smith's Azo Yellow (PY151) has the highest lightfastness rating of LF l. Some mixed pigments using multiple pigments can be more problematic, so it's best to try to use single pigmented colors when possible, so as to be sure they're as permanent as possible. Lightfastness ratings can be found both on the Daniel Smith website and on their paint tubes, but not all art store websites provide them or other companies provide them. If it's important to you, you need to do your own homework. If a company is not forthcoming, I say find a brand who is, who does their own testing and who stand behind their products.Your time, money and effort are worth spending on good products. Daniel Smith is one such company (and no I'm not affiliated.)
DS Hansa Yellow Medium is Lightfast 1, not 2. Either it’s changed since your post or you were mistakenly looking at the series and not the lightfastness because it’s a series 2.
I’m definitely getting new gamboge for my first Daniel smith 12 set. Do you have any recommendations for the other colours in an intermediate 12 set. Gamboge by winsor and Newton in the cotman line is my warm yellow as of now.
The colours I currently recommend are Lemon Yellow
Hansa Yellow Medium
New Gamboge
Monte Amiata Natural Sienna
Quin Red
Quin Magenta
Pyrrol Scarlet
Sap Green
Phthalo Blue
Ultramarine
Cerulean Blue Chromium
Burnt Sienna
Hi Teoh, I have just completed a colour wheel with the QOR triad from the symposium goodie bag and actually got a decent green out of the ultramarine and nickel azo yellow. I guess this supports the assessment of NAY being more of a mid tone rather than warm. Or is this a QOR characteristic of this colour?
Yeah, Nickel Azo Yellow is more of a mid
What paper you used for this? in when you used py65 paper worked so nicely.
For colour swatches I usually use Daler Rowney Aquafine paper. I use better paper for painting
You forgot the link for your paint sale again. www.parkablogs.com/content/watercolour-paint-sale
Also thanks for the note about the other video, I wondered what happened, but I thought maybe it was a Patreon video instead.
I use Turner brand Permanent Yellow Orange (PY110) and I've been very happy with it. BTW. How is the Little Princess? We haven't seen her in a while. She's probably running around every chance she gets! 😆😆😆😆 I'll bet your wife is so tired from trying to keep up with her. 😆
Yeah, she's a big girl now who likes to play at playgrounds and would scream when we say "it's time to go home"
@@teohyc I sympathize. I'm sure her favorite word is "NO" right now. Lol
what paper were the tests painted on?
I can't remember. The sketchbook is using Indigo ArtPapers
Ugh I bought and indian yellow from Van gogh and in my mind I was visualizing this Indian Yellow. It turns out that it's identical to new gamboge , I already have it. So disappointed
Hi Teoh.
How are you?
I'm good?