This tune is an essential one to know. Let me know if you have any questions and check out the link to my Patreon page for more materials on this standard. Best wishes, Andy
Hello Andy, thank you again for sharing your knowledge with us. May I recommand "Rose Room" for a future analysis ? A typical song where first chord is not the I, and there are many cool ideas from CC. With deep respect,
Hello great lesson. I have exactly your guitar, Gibson Super V. I see in the first sections that you use something to stop the strings, I suppose, near the bridge. What is that? Thanks and compliments.
Hi Andy, I'm learning jazz guitar alone (I'm 24 y.o.) without any teacher so that's why I'm asking you this. I didn't understand how the d diminished chord leads as a dominant chord to Ebmin7, in the AA section. Can you told me which topics I have to learn better for understanding that reason? Thank you in advance for all your videos. They are really well made.
Good question! Well diminished chords often act like dominant chords. If you D dim 7 it has D, F, Ab and Cb/B. Those notes happen to also be the 3rd, 5th, b7 and b9 of a Bb7 chord. So Ddim7 actually sounds like a rootless Bb7b9. Now Bb7 is the dominant of Eb, hence why it leads us there.
@@jazzguitarwithandy now it's more clear but how and when can I knoe that which chord can be see as another rootless chord? I mean it seems like everything can be anything else. So is there an "istinct" to follow for knowing when to see certain chords as one another for understanding harmony behind a chord progression? Thank you again!
@@FrancisL-5CES I think it comes down to learning the repertoire and getting use to how chords are used. Learn loads of songs and you soon spot these kind of moves.
I love and appreciate the effort you are putting into these lessons, but it is really difficult to follow the changes you are teaching without the melody. If you would just hum the melody while going through the chords your lessons would wastly improve. anyway, just my two cents.
Thanks for the feedback. I’d love to cover that in these videos but think it would often get blocked. I’ve done it before and had to edit out sections of videos. Very frustrating!
@@jazzguitarwithandy Oh, I wasn’t aware that would be a problem even for a teaching video. Thanks for clarifying. Nevertheless, love your videos, keep ‘em coming in 2024! All the best!
This tune is an essential one to know. Let me know if you have any questions and check out the link to my Patreon page for more materials on this standard. Best wishes, Andy
Happy New Year ! Great lesson to start ‘24 .
Cheers David. Happy new year to you too.
Excellent lesson!
Thanks! 😃
Really great tune!
One of my favourite swing tunes!
Happy new year! Thanks for your work!
Happy new year!
Great lesson thanks
Cheers Mark
Great tune to learn mate! 🙏❤️🎸
Cheer Robin. Happy new year 🎉
@@jazzguitarwithandy HNY Andy!
Feliz Año
Muchas gracias 🙏 Happy new year 🥳
Hello Andy, thank you again for sharing your knowledge with us. May I recommand "Rose Room" for a future analysis ? A typical song where first chord is not the I, and there are many cool ideas from CC. With deep respect,
Hi, that would be a good one to look at one day! I love the CC recordings.
Happy New Year! Great lesson on a great tune! Is that gorgeous guitar a super 400?
Thanks 🙏 It’s a Super V. A hybrid of an L5 and a Super 400
Hello great lesson. I have exactly your guitar, Gibson Super V. I see in the first sections that you use something to stop the strings, I suppose, near the bridge. What is that? Thanks and compliments.
Nice! What year is yours? I just use a piece of foam to stop the strings from ringing.
Hi Andy, I'm learning jazz guitar alone (I'm 24 y.o.) without any teacher so that's why I'm asking you this. I didn't understand how the d diminished chord leads as a dominant chord to Ebmin7, in the AA section. Can you told me which topics I have to learn better for understanding that reason? Thank you in advance for all your videos. They are really well made.
Good question! Well diminished chords often act like dominant chords. If you D dim 7 it has D, F, Ab and Cb/B. Those notes happen to also be the 3rd, 5th, b7 and b9 of a Bb7 chord. So Ddim7 actually sounds like a rootless Bb7b9. Now Bb7 is the dominant of Eb, hence why it leads us there.
@@jazzguitarwithandy now it's more clear but how and when can I knoe that which chord can be see as another rootless chord? I mean it seems like everything can be anything else. So is there an "istinct" to follow for knowing when to see certain chords as one another for understanding harmony behind a chord progression? Thank you again!
@@FrancisL-5CES I think it comes down to learning the repertoire and getting use to how chords are used. Learn loads of songs and you soon spot these kind of moves.
I love and appreciate the effort you are putting into these lessons, but it is really difficult to follow the changes you are teaching without the melody. If you would just hum the melody while going through the chords your lessons would wastly improve. anyway, just my two cents.
Thanks for the feedback. I’d love to cover that in these videos but think it would often get blocked. I’ve done it before and had to edit out sections of videos. Very frustrating!
@@jazzguitarwithandy Oh, I wasn’t aware that would be a problem even for a teaching video. Thanks for clarifying. Nevertheless, love your videos, keep ‘em coming in 2024! All the best!
@@ekredel thanks for understanding. I’d love to cover it. I remember making a video about learning a melody by ear and it just became futile!