This is the most well done video of its kind out there, thankyou! I do however find it odd that people find the need to comment that they don't like the music, because it exists, it takes a ton of skill technically, and this is a post about production not songwriting...just following suit, putting in my negative 2 cents lol
i guess Im randomly asking but does anybody know of a method to log back into an Instagram account?? I stupidly forgot the login password. I would appreciate any assistance you can give me
@Dangelo Odin thanks so much for your reply. I got to the site on google and im trying it out now. Takes a while so I will get back to you later with my results.
I recorded samples of my drumskit because I wanted my signature sound and wanted to use them just like midi (placing everything perfectely on time)...the sound I achieved is great if I listen to each part of my kit separately but It doesn't work when I listen all together, especially with the other tracks of the songs (Guitar, bass, keyboard, voice)...why? It's just a matter of equalization? Pre-amp? Cymbals sound good, snare and tom/floor tom not so much, they have no punch and clarity... Sorry for my english and my no knowledge. Thank you.
Weird that you got a message about blending acoustic and midi drums while filming, this has been my stuck point for the past week or so, and the reaper tutorials do a great job, but this was definitely more in depth. Thanks!
The main problem with hitpoints is, that they are not perfectly accurate timing wise. They could start before the hit, or in the middle of it. So, the only way is to manually edit each hitpoint to start right at the beginning of the drum hit, or we will get flams between live hits and samples and phase betwenn different hits is going to be all over the place. Slate Trigger works better, but even it makes such mistakes sometimes.
I'm having a try at adapting recorded live drums to fit exactly with the MIDI track they are based on, all the hits are pretty well the same most of the time ;-) So far I'm trying flextime to quantise the live drums - and the MIDI drums, so far they are still flamming a bit
I’m gonna go out on a limb and assume the reason for recording the kick separate from the rest of the kit had less to do with the sonic impact in the overheads and more to do with the drummer’s performance. Much easier to fix a drummers bad performance in midi than it is to get a decent take live. Classic “fix it in the mix” drum track.
Cool video. Does someone have the problem in Trigger that the hits aren't sync properly? This is not due when syncing the midi file, it happens with all the hits.
yes.. never trust it fully. this video is fantastic but I believe this does not show the complete proccess of making records like this. when dealing with two transients and unique hits everytime in real snare you have to print to audio all samples and phase align them manually. trigger is based on audio peak, and the detection in cubase to create midi is based on transient detection and unfortunatly neither of them are perfect. but u can manually edit the transients before printing the midi.
This right here is the problem with modern rock. Zero feel. Everything is just lined to a grid and on top of that you add samples. So boring and generic.
People have been saying this kind of thing for years.... The problem with modern music is digital recording. 24 track recording is the end of music. Distorted guitars spell the end of good music. And yet people continue to listen and be moved after all this time. The real problem isn't the music, it's becoming old, intolerant and judgemental. You might not like a style, you might prefer the stuff that came out years ago but that's not proof that there is a problem with modern music.
budget is way smaller these days. even the best engineers I know miss things when you only have the cash for one tracking session, so being able to repair mistakes to remain competitive is super important.
Please get Jay Maas to do more videos! This video was super helpful!
This is the most well done video of its kind out there, thankyou! I do however find it odd that people find the need to comment that they don't like the music, because it exists, it takes a ton of skill technically, and this is a post about production not songwriting...just following suit, putting in my negative 2 cents lol
Jay is a real champion. This is a killer run through.
Well put-together and extremely useful. Thanks!
great video jay, any tips on replacing drums with hanna barbera samples
i guess Im randomly asking but does anybody know of a method to log back into an Instagram account??
I stupidly forgot the login password. I would appreciate any assistance you can give me
@Anthony Judah instablaster :)
@Dangelo Odin thanks so much for your reply. I got to the site on google and im trying it out now.
Takes a while so I will get back to you later with my results.
@Dangelo Odin It did the trick and I now got access to my account again. Im so happy!
Thank you so much you saved my ass :D
@Anthony Judah happy to help :D
Cool! I'm a big fan of Roland drum samples myself. They seem to be very usably voiced from the get go.
Great video of a peek into mix processes and techniques!
I recorded samples of my drumskit because I wanted my signature sound and wanted to use them just like midi (placing everything perfectely on time)...the sound I achieved is great if I listen to each part of my kit separately but It doesn't work when I listen all together, especially with the other tracks of the songs (Guitar, bass, keyboard, voice)...why? It's just a matter of equalization? Pre-amp? Cymbals sound good, snare and tom/floor tom not so much, they have no punch and clarity...
Sorry for my english and my no knowledge. Thank you.
Now that's called learning ❤ great teaching 👌👌👌❤
Weird that you got a message about blending acoustic and midi drums while filming, this has been my stuck point for the past week or so, and the reaper tutorials do a great job, but this was definitely more in depth. Thanks!
Plus like if you’re going to make a video you’re going to tell people about it, especially if you work for reverb lol.
Pavacachi on the Trail can confirm it came in as the video was being filmed and it was spooky as heck
Sarcasm’s cool
The main problem with hitpoints is, that they are not perfectly accurate timing wise. They could start before the hit, or in the middle of it. So, the only way is to manually edit each hitpoint to start right at the beginning of the drum hit, or we will get flams between live hits and samples and phase betwenn different hits is going to be all over the place. Slate Trigger works better, but even it makes such mistakes sometimes.
I'm having a try at adapting recorded live drums to fit exactly with the MIDI track they are based on, all the hits are pretty well the same most of the time ;-) So far I'm trying flextime to quantise the live drums - and the MIDI drums, so far they are still flamming a bit
just get a trigger plugin like slate trigger or drumagog
I’m gonna go out on a limb and assume the reason for recording the kick separate from the rest of the kit had less to do with the sonic impact in the overheads and more to do with the drummer’s performance.
Much easier to fix a drummers bad performance in midi than it is to get a decent take live.
Classic “fix it in the mix” drum track.
Cool video. Does someone have the problem in Trigger that the hits aren't sync properly? This is not due when syncing the midi file, it happens with all the hits.
yes.. never trust it fully. this video is fantastic but I believe this does not show the complete proccess of making records like this. when dealing with two transients and unique hits everytime in real snare you have to print to audio all samples and phase align them manually. trigger is based on audio peak, and the detection in cubase to create midi is based on transient detection and unfortunatly neither of them are perfect. but u can manually edit the transients before printing the midi.
Super useful info..Big time Thanks
Rock n Roll turned in its grave when you published this video
Craig Terris thank you for this comment 👏🏽 👏🏽 👏🏽
10:17 What are horribly distorted sound!
Hated the music, but the information was useful. Thanks
Great video, but I can't get over on the "ad vibe to sell me something" this have
awesome
tut makers would do well to at least volume balance their sample demos with their speaking voice.
Noice!
🤘🤘🤘🤘🤘
This right here is the problem with modern rock. Zero feel. Everything is just lined to a grid and on top of that you add samples. So boring and generic.
Way to be ignorant.
People have been saying this kind of thing for years.... The problem with modern music is digital recording. 24 track recording is the end of music. Distorted guitars spell the end of good music. And yet people continue to listen and be moved after all this time. The real problem isn't the music, it's becoming old, intolerant and judgemental. You might not like a style, you might prefer the stuff that came out years ago but that's not proof that there is a problem with modern music.
Dude they been making this since the 80s when drum machines became popular. This isn’t new.
I hate that kind of dull repetitive bland metal.
sound dark like shit...
this right here is the problem with modern music. Learn to record live drums properly so you don't have to fix them like this in the mix
If you dont have a big room you cant record live drums properly
the internet today sucks too.. I miss dialing it in.
budget is way smaller these days. even the best engineers I know miss things when you only have the cash for one tracking session, so being able to repair mistakes to remain competitive is super important.
How many albums have you mixed?
@@drinkinouttacups2665 several. how about yourself
I'm not a rock or metal hater but these are quite painful to listen to, no dynamics left. Go further, and you have a big white noise..