Once in my life I had the chance to be with them in a concert. Never ever I will forget that. This Suite and these Déesses make us believe in miracles. Thank you for the chance to watch their hands so near and side by side! Wonderful video!
I am in my fifties, never heard this Suite before until recently. So beautiful, excellent performance. Movement I shows most hits by far. Don't be lazy, check out Movements II, III and IV, and you will be rewarded.....
Nobody, but NOBODY could write a barcarolle like Rachmaninoff. Fortunately, we have three...count 'em...THREE stunning barcarolles from which to choose: the duo from his Suite for 2 pianos Op 5, or the piano solo Op 10 No. 3 or the duet for 1 piano, 4 hands from Op 11. Or simply enjoy all three; they are all masterpieces...balm to sooth your soul when it is pining for something....or someone
I have long been a fan of Martha Argerich but this is the first time I've seen her relying on the manuscript. First time I've heard this music or the other lady, looking forward to the other 3 movements!
Gonna be honest, I didn't really care for these until I heard these brilliant women play it! I don't know Zilberstein, but I guess I shouldn't be surprised coming from Argerich.
Played this for my senior recital at Mills College growing up...such a beautiful and lovely piece to play especially b/c its with someone else that you are creating these sounds with
this is the absolute pinnacle, the top way of using the circle of 5ths.. at times this can be the soundtrack to get out some grieving out of you.. when played on loop forever.
Here's a good place to start. www.andersonroe.com/rachmaninoff-suite-1 The excerpts in Russian can be found in the score. I haven't found all poems in their entirety yet, though. It's probably easier if you speak and read Russian.
My apologies, but the #2 here to Martha's lead guitar or whatever you pros call it is not even REMOTELY as magical/enchanting, gorgeous/touching, or true/perfect as what INBAR ROTHSCHILD can do. I have lost all reason to sugarcoat the truth. I just want Martha and Inbar to give us a version of this together, for posterity.
Your opinion. I think the version with Rabinovitch is more mysterious, nocturnal and less "virtuosic into your face". Also the pacing here seems a tad hurried; the Rabinovitch version breathes a lot more.
What are they looking for in the scores ??? How much information can they get from the score , playing at such a speed ??? If sb knows , let me know please .
Often they are not looking at the notes specifically, but phrases or markings for tempo and any notes they left for themselves. Usually, the speed stops being of much importance when the piece is learnt properly, it becomes phrases, colours and emotions. You don't necessarily think about every single note, you thought about all of them individually and together when you were learning the piece. What we see here is how they have "slept on the piece" or intertwined it with their own emotions and stories. So the sheets often just serve as a visual reminder of the progression of the piece.
Once in my life I had the chance to be with them in a concert. Never ever I will forget that. This Suite and these Déesses make us believe in miracles. Thank you for the chance to watch their hands so near and side by side! Wonderful video!
Two of my favorite pianists playing a favorite so beautifully.
I wish Rachmaninoff gave us some more passages like 6:21 ... But thankfully I can just rewind and replay forever
This is a huge miracle! The composer and the artists.
I am in my fifties, never heard this Suite before until recently. So beautiful, excellent performance. Movement I shows most hits by far. Don't be lazy, check out Movements II, III and IV, and you will be rewarded.....
Nobody, but NOBODY could write a barcarolle like Rachmaninoff. Fortunately, we have three...count 'em...THREE stunning barcarolles from which to choose: the duo from his Suite for 2 pianos Op 5, or the piano solo Op 10 No. 3 or the duet for 1 piano, 4 hands from Op 11. Or simply enjoy all three; they are all masterpieces...balm to sooth your soul when it is pining for something....or someone
And his transcription of Tchaikovsky’s barcarolle
There used to be this guy named Frederic something. I forget his surname, but he also wrote one which was pretty well known.
This one though....the best of all three
I am listening this in the train to Paris 💙 I am a happy person
Precioso ,bellísimo
Fabuloso!
Wonderful!Never heard this piece before...
I have long been a fan of Martha Argerich but this is the first time I've seen her relying on the manuscript.
First time I've heard this music or the other lady, looking forward to the other 3 movements!
Gonna be honest, I didn't really care for these until I heard these brilliant women play it! I don't know Zilberstein, but I guess I shouldn't be surprised coming from Argerich.
Played this for my senior recital at Mills College growing up...such a beautiful and lovely piece to play especially b/c its with someone else that you are creating these sounds with
Maravillosas!!
Martha is just a wonder!
Extraordinary performance
如果這首曲子在描寫實景,那麼可能要考慮波浪的襲來、順水,以及天色光線的變化,除了船首破浪所製造出來的浪花 ! 我認為這個版本的好處在於快節奏(可能是描寫浪花的部分!？)與優美的慢節奏旋律能形成強烈的對比 ! 因為感覺比其他船歌曲要來得複雜一點,如蕭邦的船歌,故有些地方不易聽懂,但前述所提的優點使我認為這應該是詮釋很道地的版本吧 !
Very beautiful.
i would like to find a solo version of this gem
Waou ! Mozzafiato !
5:26 AHHHH. Absolutely beautiful performance regardless though :)
this is the absolute pinnacle, the top way of using the circle of 5ths.. at times this can be the soundtrack to get out some grieving out of you.. when played on loop forever.
Does anyone have further information on the poems that influenced Rachmaninov? I’d love to read them
Here's a good place to start.
www.andersonroe.com/rachmaninoff-suite-1
The excerpts in Russian can be found in the score. I haven't found all poems in their entirety yet, though. It's probably easier if you speak and read Russian.
Fat odds, but does this recording exist in stereo sound?
My apologies, but the #2 here to Martha's lead guitar or whatever you pros call it is not even REMOTELY as magical/enchanting, gorgeous/touching, or true/perfect as what INBAR ROTHSCHILD can do. I have lost all reason to sugarcoat the truth. I just want Martha and Inbar to give us a version of this together, for posterity.
@inbarrothschildpianist I'm sorry, but I feel no obligation to even slightly stifle my unfiltered view of the truth anymore.
Soooooooooooooooo much better than that recording with rabinovitch.
Your opinion. I think the version with Rabinovitch is more mysterious, nocturnal and less "virtuosic into your face". Also the pacing here seems a tad hurried; the Rabinovitch version breathes a lot more.
This is such a beautiful piece. But this is played way too fast.
Martha Argerich plays everything too fast
A little too fast.
In
What are they looking for in the scores ??? How much information can they get from the score , playing at such a speed ??? If sb knows , let me know please .
Often they are not looking at the notes specifically, but phrases or markings for tempo and any notes they left for themselves. Usually, the speed stops being of much importance when the piece is learnt properly, it becomes phrases, colours and emotions. You don't necessarily think about every single note, you thought about all of them individually and together when you were learning the piece. What we see here is how they have "slept on the piece" or intertwined it with their own emotions and stories. So the sheets often just serve as a visual reminder of the progression of the piece.
My apologies to the great Martha, but Inbar is better at that part. Of course.
I love Martha but she trips badly at 5:20 - 5:30 ruinning one of the best part of these piece :'(
Indeed, she has a hard time getting back on trail...
Great, the person who took the video should sit in prison. poor video quality. not even HD.
non mi piace troppi rubati e vanno in barca continuamente