It’s enthusiasm. I think he especially enjoyed playing this song, as well as shoot to thrill. You can see his enthusiasm in the donington video. It’s a shame the song wasn’t popular enough to make it into their live set after the Razers Edge tour.
@@zackstaa7826it's not enthusiasm, it's a way to keep timing. 'Enthusiasm' is not completely wrong either. It's a way to dissipate energy, while remaining accurate. These are called ghost notes. Your hand keeps a steady flow of 1/8th note/triplet/1/4th whatever rythm that is the base of your riff. And then, during this steady movement, you either strum a note, strum a ghost note, or ''air'' strum even sometimes. It can also be used to add attack to the sound, or when the note begins on an upstroke (the ghost note is then a downstroke played right before the note). This specific technique I actually learned by trying to play Malcolm parts, and it improved my whole rythmic play a lot. It is something completely infused in Mal's playing. If you listen closely it's even present in some of his album recordings.
i love how you can hear his picking hand bouncing on the strings.
Sounds like John Lee Hooker.
It’s enthusiasm. I think he especially enjoyed playing this song, as well as shoot to thrill. You can see his enthusiasm in the donington video. It’s a shame the song wasn’t popular enough to make it into their live set after the Razers Edge tour.
@@zackstaa7826it's not enthusiasm, it's a way to keep timing.
'Enthusiasm' is not completely wrong either. It's a way to dissipate energy, while remaining accurate.
These are called ghost notes.
Your hand keeps a steady flow of 1/8th note/triplet/1/4th whatever rythm that is the base of your riff.
And then, during this steady movement, you either strum a note, strum a ghost note, or ''air'' strum even sometimes.
It can also be used to add attack to the sound, or when the note begins on an upstroke (the ghost note is then a downstroke played right before the note).
This specific technique I actually learned by trying to play Malcolm parts, and it improved my whole rythmic play a lot.
It is something completely infused in Mal's playing. If you listen closely it's even present in some of his album recordings.
@@etienne1062his playing has inspired me to play rhythm and work on my timing as hard as I can.
@@etienne1062ok professor, if you say so
I think I have this as the music at my funeral, bit of blah balh about what a great bloke I was then Malcom isolated from Donington. Wicked heh?
Invite me
Me 2
What precision!, Malcolm Young (R.I.P), great rhythm guitarist ever.
Raw Precision!
So tight and spot on!
Malcolm the Magnificent!
This is nuts. Consistent and perfect. 💕💕
Wow! Pure Malcolm attitude right there.
.... _CAPTAIN_ Malcolm Young!
Amazing skill there. Unbelievable
The best
The best. Always and forever Malcolm Young!
Awesome! The best rhythm guitar player ever.
AC/DC didn't need a drummer, just Malcolm alone is enough rythym
Thanks for sharing 👍🏿👍🏿👍🏿🤘🏿🤘🏿🤘🏿🤘🏿🤘🏿
Malcolm the drummer
Best rhythm player
That was AMAZING.
Amazing ! Mal the atomic clock 🤘
IT SO A FUCKING MACHINEGUN
The BEAST
HELL YEAH
Thank you for uploading this
⚡Excellent ⚡
BOSS
really enjoyed this
Это высший пилотаж!!!
рок н ролл.и он суко жив.диси навсегда Чувак!
Sounds like a Wizard amp.
This is taken from Castle Donington, they were using Mesa Boogie at that era.
@@leandroromerocavagnola messa boggie cabs and Marshall heads
@@danielpetrucci8952 No totally wrong. They used a rack with a mesa boogie studio preamp and a mesa boogie 295 power amp. That is documented.
@@rikodzn oh okay thank you 👍
yeah
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!🤟
🥃🥃🥃🥃🤟🤘
Yeah … AC/DC is so “easy”. 😂😂😂
😂😂😂🙌🏽💥💯😅
THE TRIAD
Wow bro angus young is sooooooooo gooooooooooood :D Rip angus young
Ummm, Angus didn't pass away.
Dude wtf:D
It was actually Malcolm Young who passed away.
@@hankdysert20 Yeah man, rip Angus Young :(
@@gitaarmovies2003 Angus is still alive but it’s his older brother Malcolm Young is the one who passed away. RIP Malcolm Young.