Keeping your loved ones close: a Kota reliquary figure

Kota reliquary figure (mbulu ngulu), late 19th to early 20th century, Gabon, wood, copper, brass, and bone, 59.69 cm high (Museum of Fine Arts, Boston)
Speakers: Dr. Kathryn Gunsch, Teel Curator of African and Oceanic Art, Museum of Fine Arts, Boston and Dr. Steven Zucker

[@Sasha0927]

A soothing and interesting Smarthistory video is just what I need and deserve after a long night. 🥺❤
As is standard so far of the African playlist, this video was full of intriguing, unexpected details. I loved seeing the dual sides, the info about the staple and how this was made, the distinct colors of the metals used, etc. It was humbling to hear about how the Western world playing catch up on how sophisticated these objects (and their intended uses) are.
I can't wait to learn more when I wake up. 😴

[@smarthistory-art-history]

The Kotas are just astonishing.

[@Sasha0927]

Yes, "the Kotas." 😛@@smarthistory-art-history

[@user-vd1ku4kn3w]

Wonderful explanation of Kota reliquaries.

[@smarthistory-art-history]

Thank you.

[@quadenstein5500]

This is my favorite Smarthistory article. I would love to hear further expert informations about African tribal art!

[@smarthistory-art-history]

smarthistory.org/the-art-of-africa/

[@jojobizadTRASH]

There can be one strong possibility for the double sided reliquary; this was a reliquary that contained two dead bodies (wife/husband, mother/son). It would be strange if one them was still alive and had their image used, unless it was like a grave stele which simply contained someone the dead person knew.

[@mattnewhouse1781]

I was thinking if i had both parents dead, i might want to keep them together, hence female and male face, 2 bodies seems likely