Georges Delerue - Thème de Camille | Le Mépris · Contempt

Georges Delerue - Thème de Camille (Arr. for Cello & Piano)
Thème de Camille is the main leitmotif from Le Mépris (Contempt) - a 1963 New Wave drama film written and directed by Jean-Luc Godard, based on the 1954 Italian novel Il disprezzo (A Ghost at Noon) by Alberto Moravia.
Jean-Luc Godard commissioned this iconic film score from George Delerue, for his tragic - erotic film Le Mépris (1963), adapted from the 1954 novel Le Mépris by Alberto Moravia, a great story of love and happy life, between Paul and his wife Camille, who gradually, painfully, and tragically sinks into tearing and contempt, carried by the melancholy film music of Georges Delerue.
This classic masterpiece, emblematic of French cinema, is shot with the French stars of the time Brigitte Bardot (Camille) and Michel Piccoli (Paul) largely against the blue background of the Mediterranean Sea of the famous Villa Malaparte, in Capri, Italy.
*This music is also used by the Italian-American director Martin Scorsese, in his 1995 film Casino, with Robert De Niro and Sharon Stone.
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Le thème de Camille est un célèbre thème de musique de film du compositeur Georges Delerue, du film franco-italien Le Mépris de Jean-Luc Godard, de 1963. Il est édité sur un 45 tours collector Philips en 1963.
Jean-Luc Godard commande cette musique emblématique de film à George Delerue, pour son film tragique-érotique Le Mépris de 1963, adapté du roman Le Mépris de 1954 d’Alberto Moravia, grande histoire d'amour et de vie heureuse, entre Paul et de son épouse Camille, qui sombre progressivement, douloureusement, et tragiquement dans la déchirure et le mépris, porté par la musique de film mélancolique de Georges Delerue.
Ce chef-d’œuvre classique, emblématique du cinéma français, est tourné avec les stars françaises de l'époque Brigitte Bardot (Camille) et Michel Piccoli (Paul) en grande partie sur le fond bleu de la mer Méditerranée de la célèbre villa Malaparte, à Capri en Italie.
Cette musique est reprise par le réalisateur italo-américain Martin Scorsese, dans son film Casino de 1995, avec Robert De Niro et Sharon Stone.
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#Coversart #LeMépris #Contempt

[@天地無用-y9e]

私は映画ではこの音楽が流れるだけで涙が溢れます。

[@eushband]

Masterful. Has such an innate sense of tragedy. The descending bass line and odd rhythmic measures. And such a simple melody. Deliberately understated. Almost apathetic if not for the gravity of the harmonic progression that it so gracefully ornaments. So much tension and yearning with no real resolution. Delerue is one of my favourites.

[@2brazy4ubitch]

“no resolution” - spot on

[@sibionic]

beautifully put.

[@micmarcla]

Eternel , il reste à mes oreilles , le plus bel Hymne ... à la tragédie de l' Amour !

[@stevefranklin5714]

First time I heard this was when I saw the 1995 film Casino
Wonderful

[@pb897]

Magiqueeeee

[@LorisCastagnini]

Bellissima!!

[@davidevitale3641]

Musica dolcemente struggente.

[@pikepeakcos2164]

Quelle merveille !

[@ivysioux4945]

Un grand cinéaste s’en est allé pour rejoindre les vraies, seules et uniques étoiles!😔

[@decrooscathy2025]

Oui musique de la fin ……. Triste mais si belle

[@jerryf.stewart2319]

So beautiful! One of my favorite movie themes ever! Thank you!

[@ClaudiaSainz]

J'adore

[@olibrius06]

thanks...merci....

[@PhilippeClin]

Sublime
Merci

[@marialuisaarcesaccatuma9555]

Cómo me dueles amor ❤️
Parece que las noches serán largas .........

[@Tdetortuga]

Una maravilla de obra y de interpretación. ¡Enhorabuena!

[@josepmariafreixestrujillo2740]

Meravellós!

[@benedicteflieller5615]

Tellement magnifique🙏

[@j.victor3474]

Beautiful!

[@misfitstargazer9695]

Great!

[@ainsleyameerali7622]

Sensual

[@michaelwolff3156]

❤

[@coversart]

🙏

[@LozVegas]

Beautiful ❤❤❤❤

[@RichAcocellaProject]

Great work. Really great work. Never fails to move me. I posted a version of that piece on my channel.

[@cacciato69]

Does the movie really deserve the beauty of this, or is it the performance here! Thanks for sharing!

[@2brazy4ubitch]

don’t disagree - the score and especially this piece transcends the actual film in terms of maturity, maybe. does that make sense?

[@iluvj00]

@@2brazy4ubitch well, music has centuries of practice over film. It is natural that Godard's movie might seem overwhelmed by the score, cinema had only around 60 years of existance when Le Mepris was filmed.

[@Marceaugu.71]

​@@2brazy4ubitchc'est renversant

[@Marceaugu.71]

​@@iluvj00on dirait du Mahler

[@victoriahaas9364]

You are right it’s too beautiful for that film. I could see for a major movie. It’s soooo gut wrenching!

[@studiosaifi]

Incredible thank you !

[@kobalye-lyeblind6576]

😍

[@민지은-v3q]

💜💜💜

[@MrVioloncelliste]

Est-ce que vous avez la partition au violoncelle ??? Merci

[@daisyduke4640]

🌟🏆🌟

[@paco3385]

merci . vaut bien la version orchestrale

[@lexo30]

Beautifully played, but I think the music needs the weight of a full orchestra. It just doesn't sound as tragic arranged for cello and piano, even with a bit of skilful overdubbing.

[@Marceaugu.71]

Ça devrait remplacé ka marseillaise