This was the production that got me hooked on Cosi, particularly Hadley's performance. Un'aura amorosa is when the comedy up to this point suddenly becomes something more. Ferrando is a romantic who is not just playing at love. For him there is a deeper meaning. Beginning to open up all the bittersweet emotions coming in the second act. Brilliant Mozart. Brilliant production. Brilliant singing.
Un'aura amorosa del nostro tesoro Un dolce ristoro al cor porgerà Un'aura amorosa del nostro tesoro Un dolce ristoro al cor porgerà Un dolce ristoro al cor porgerà Al cor che nudrito da speme d'amore Da speme d'amore D'un esca migliore bisogno non ha D'un esca migliore bisogno non ha Bisogno non ha Bisogno non ha Un'aura amorosa del nostro tesoro Un dolce ristoro al cor porgerà Un'aura amorosa del nostro tesoro Un dolce ristoro al cor porgerà Un dolce ristoro al cor porgerà Al cor porgerà Al cor pogerà Un dolce ristoro al cor porgerà
interesting--hadley answers don al fonso's question conversationally (talky, fast) and then does the repeat (slower) as a personal reverie...ok, but the aria is among mozart's uniquely most beautiful tunes from beginning to end, and oh, how i wish hadley started it as a reverie instead of a smart conversational reply, cutting off half of mozart and turning it into flippancy--jerry, didn't you want to sing every 8-bar line as mozart's most beautiful 3/8?--and the extended cadences? aren't they the most exquisite extended over-repeated one-last-kiss? you didn't do that, pal--was it the gig--was it the director...well, now here you are immortalized on youtube
Jerry considered everything! Originally, he intended to be a CONDUCTOR and musically thought from that perspective. He sang it with the charm that was HIS choice always making strong bold choices.
Potente, corposo, con acuti squillanti e voce bella e brillante , solare! 💥🌹
This was the production that got me hooked on Cosi, particularly Hadley's performance. Un'aura amorosa is when the comedy up to this point suddenly becomes something more. Ferrando is a romantic who is not just playing at love. For him there is a deeper meaning. Beginning to open up all the bittersweet emotions coming in the second act. Brilliant Mozart. Brilliant production. Brilliant singing.
I can't stop listening to this!
Great voice!!! One of the best!
A voice like no other absolutely brilliant
He sings like a boss!
Full sound, no crooning or nasality.
One of the last great lyric tenors in the world
That's the right technique. Jerry Hadley was an underrated singer in my opinion.
Hadley could sing and act so marvellously, and in this video his acts with each note he sings while making gestures. A greatest singer and artist.
I don't have to understand the language to totally express how much Mozarts music touches me. He was and always will be the master.
I like this interpretation. Very Musical!
Best of the best!!!
God I miss him.
Super singing, Jerry...
one of M's most lovely, tender, moving arias....
Great copy of this Met performance.
Definitely slowed it down to show off. But I approve (Y)
Un'aura amorosa del nostro tesoro
Un dolce ristoro al cor porgerà
Un'aura amorosa del nostro tesoro
Un dolce ristoro al cor porgerà
Un dolce ristoro al cor porgerà
Al cor che nudrito da speme d'amore
Da speme d'amore
D'un esca migliore bisogno non ha
D'un esca migliore bisogno non ha
Bisogno non ha
Bisogno non ha
Un'aura amorosa del nostro tesoro
Un dolce ristoro al cor porgerà
Un'aura amorosa del nostro tesoro
Un dolce ristoro al cor porgerà
Un dolce ristoro al cor porgerà
Al cor porgerà
Al cor pogerà
Un dolce ristoro al cor porgerà
Prefer this rendition over the one he sang under M° Tate.
Spellbinding.
interesting--hadley answers don al fonso's question conversationally (talky, fast) and then does the repeat (slower) as a personal reverie...ok, but the aria is among mozart's uniquely most beautiful tunes from beginning to end, and oh, how i wish hadley started it as a reverie instead of a smart conversational reply, cutting off half of mozart and turning it into flippancy--jerry, didn't you want to sing every 8-bar line as mozart's most beautiful 3/8?--and the extended cadences? aren't they the most exquisite extended over-repeated one-last-kiss? you didn't do that, pal--was it the gig--was it the director...well, now here you are immortalized on youtube
Jerry considered everything! Originally, he intended to be a CONDUCTOR and musically thought from that perspective. He sang it with the charm that was HIS choice always making strong bold choices.