Double Indemnity (9/9) Movie CLIP - I Love You Too (1944) HD
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- Опубліковано 28 тра 2011
- Double Indemnity movie clips: j.mp/1BcRm39
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CLIP DESCRIPTION:
Walter (Fred MacMurray) tries to convince Keyes (Edward G. Robinson) to not call the cops and let him escape, but he doesn't have the strength to get out the door.
FILM DESCRIPTION:
Directed by Billy Wilder and adapted from a James M. Cain novel by Wilder and Raymond Chandler, Double Indemnity represents the high-water mark of 1940s film noir urban crime dramas in which a greedy, weak man is seduced and trapped by a cold, evil woman amidst the dark shadows and Expressionist lighting of modern cities. Phyllis Dietrichson (Barbara Stanwyck) seduces insurance agent Walter Neff (Fred MacMurray) into murdering her husband to collect his accident policy. The murder goes as planned, but after the couple's passion cools, each becomes suspicious of the other's motives. The plan is further complicated when Neff's boss Barton Keyes (Edward G. Robinson), a brilliant insurance investigator, takes over the investigation. Told in flashbacks from Neff's perspective, the film moves with ruthless determinism as each character meets what seems to be a preordained fate. Movie veterans Stanwyck, MacMurray, and Robinson give some of their best performances, and Wilder's cynical sensibility finds a perfect match in the story's unsentimental perspective, heightened by John Seitz's hard-edged cinematography. Double Indemnity ranks with the classics of mainstream Hollywood movie-making.
CREDITS:
TM & © Universal (1944)
Cast: Edward G. Robinson
Director: Billy Wilder
Producers: Buddy G. DeSylva, Joseph Sistrom
Screenwriters: Raymond Chandler, James M. Cain, Billy Wilder
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One of the great endings in cinematic history.
It was Walter who was giving Keyes lights throughout the whole film... that is, until the ending.
What a scene. Edward G's "Closer than that" could have been sentimental but he nailed the wry irony and regret so perfectly.
That's as close as the old grump could get to saying Walter's line (and one the latter repeats in the film, as with his lighting of his boss's cigarette), "I love you too....". They meant the same, though. Wonderful close, I agree.
This ending broke my heart. Even though Keyes is not an emotional man, you see how much he truly cared about Walter. The pain of the disappointment is so visceral.
Can't say I feel the same. I think every time I watch this, I'm smiling at the end, because I know that I just watched a masterpiece.
Somehow having Walter barely clinging to life at the end just makes it hurt worse. He's got no future, no hope, and not even death will take him.
Keyes is emotional, he simply doesn't show it. Walter described him as having a "heart as big as house."
Edward G’s best role ever, and his finest moment here
In the novel, after Walter admits he killed Dietrichson (Nirdlinger in the book), Keyes comes into Walter's hospital room with a company lawyer and the president Pacific All Risk, and says "It's a terrible thing you've done, Neff "(Huff in the book). They didn't have the close relationship that Wilder developed in the screenplay.
“Closer than that Walter” Aw keyes
That's one of the best lines of all times.
@@maxcady6915 Nowadays there would be the temptation to read more into it....
The reversal of the cigarette lighting is one of the best subtle scenes ever.
Whenever the situation merits, I'll slip in a "something like that" as a response with this scene in mind, for some reason that is my favorite line in this movie.
Billy Wilder himself said that the real love story in the movie was not Walter and Phyllis but Walter and Keyes.
lol ikr
The final shot is IMO one of the best shots in all of cinema. Incredible imagery, symbolism, acting, music... it has it all. Nothing beats that final shot.
Very true up there with the endings of Citizen Kane, Seven Samurai and many more.
Everyone goes in thinking the love story of the film is between him and Barbara Stanwyck, only to find it’s actually between Neff and Keys.
"Closer than that, Walter." What a great line w/o saying much definition. Billy Wilder was a bomb!!
The great Billy Wilder. Excellent screenwriting. When Robinson says "Closer that that, Walter." The whole movie is set up and all the inner thoughts and feelings are out there. The greatest screen noir ever made outside of Wilder's Sunset Boulevard.
austin teutsch This is better than Sunset IMO.
+austin teutsch This is a better story but Sunset is definitely true noir. And it is very good.
+Brooke Hanley Both movie are the epitome of film noir. Wilder is one of the greatest screenwriters in the hisotyr of film. You and I are film lovers of such a genre.
austin teutsch Love them! The 1940's were a special time for movies. I know Sunset was 1950 :) close enough!
Brooke Hanley
"Better than Sunset Blvd"
Hmm. That would make a spirited debate..
Sunset is creepier. This is more understated irony--brilliantly so
One of the most iconic displays of bromance in Hollywood history.
If this isn't a bromance, I don't know what is.
Men can love each other it's okay.
You Want Bromance? Check Out Henry Fonda & Anthony Quinn In 'Warlock'. Bogart & Claude Rains In 'Casablanca' & Rod Taylor & Peter Duel In, 'The Hell With Heroes'!
One of the best movie endings, and this is probably my favourite film. 'The apartment' is right up there too.
The greatest cigarette commercial of all time!
John Hein Or at least the greatest match commercial of all time.
Sadly, Fred's heavy smoking got him in the end
@@dnasty312Wait, ending scenes is missing
I think this film is some of the best writing in cinematic history. Movies were meant to suspend reality; to give us something extraordinary. This takes place in the real world, but the characters interact as though they all took speech and debate at an Ivey League school. Movies, today, try too hard to be like the real world. The X factor is missing. Bring back films like this one.
This script is a polished gem. And that's just the words. Edward G. Robinson's monologues alone are a wonder. And of course Stanwyck and MacMurray's repartee. But MacMurray's voice-over is pure poetry. It is the best narration ever put to film in American cinema.
Not to mention plotting, pacing, suspense. The script is a masterpiece. Maybe equaled, never to be topped.
And get this: the script was written by someone whose first language was not English.
@@LassonDavid that’s awesome. Even better. Makes me think of Vladimir Nabokov.
@@smoothALOE The comparison is most apt, sir: both writers exhibit an affection for what English can do that we find in our best ESL students.
@@LassonDavid I appreciate the info and the compliment. Thank you
You're dying, but before you check out for good, you gotta have a last smoke. It was the Forties.
Walter recovered, changed his name to "Steve Douglas", and raised three sons, successfully hiding his past.
Under another alias, he created Flubber 🧪
Nope. He moved to NYC, changed his name to "Sheldrake" and was a philandering, abusive a-hole.
Twice Billy Wilder pushed Fred Macmurray into 'dark roles' - here and in The Apartment and they are the only two times you get the full range of his possibilities as an actor.
It may be the best ending in all of cinema. This is the first time Edward G lights Fred's cigarette in the whole movie. All through the film it's the other way around. Also, if Walter had just drove to the Mexico without stopping at the office and confessing the whole thing he might have made it. I guess he was too full of guilt to not confess.
Mr. Keyes also called his role as a "Insurance Investigator" a "Confessor" earlier in the film.
@@mattsharkey8437 He also compared himself to a surgeon.
@@alg11297 he almost surgically solved the case
One of the very few.
Double Indemnity... , Sunset Boulevard : Two Billy Wilder’s masterpieces !!
The kind of movies they don’t make anymore !!
And that’s too bad ...
Wilder was great. But he also did "The Fortune Cookie" and "Kiss Me, Stupid."
@@williamwingo4740it's the comedy
Closer than that, Walter
One of my favorite movie scenes, and movie friendships ever.
One of the best endings ever !
Maybe the greatest closing shot in film history
The hairs on the back of my neck stood up, what a fantastic film.
Man, that ending came so full circle! Love this movie!!!
Best final shot ever.
Walter: Give it to me straight, Keyes - and no big fancy words. Keyes: Walter, you're all washed up. Walter: Thanks, Keyes. Greatest line I ever heard in a movie.
You conveyed the meaning. The actual intercourse went closer to this.
Walter: "I suppose now I get the big fancy speech, the one with all the two dollar words in it."
Keys: "Walter, you're all washed up."
Walter: "Thanks, Keys. It was short at least."
-- This dialogue occurs immediately prior to the above scene. --
I absolutely love this scene. There are only few touching, emotional scenes in film noir, but this is one of them.
Both were consummate actors who knew exactly how to stress certain words for maximum effect. Listen for the inflections from Eddie - perfect pitch.
Fred MacMurray played another creep for Billy Wilder later in "The Apartment".
I've seen this movie at least a dozen times. For some reason, watching it today such sadness came over me with this final scene. MacMurray falling in the doorway as he tries to leave for the elevator is heartbreaking to me on some level. The waste of what could have been a promising life maybe. And of course the pain and disappointment of Edward G. Robinson. Such wonderful chemistry between these actors!!
I love this film...it's got everything ...
Robinson should have got the oscar for this film but, brilliant character actor that he was , was never nominated in a 50 years screen career. Shameful...
He was nominated and I believe he won one
@@legend9948 ...only a posthumous award in 1973.
This was the greatest flim noir crime movie of all time legendary
Thankyou movieclips i find these HD 'snippets' of movies very enjoyable- makes me want to go
out and buy the remastered movies for keeps. This one in particular. Cheers.
Great ending, I love them both. Great actors, good team. Very tragic, we all make mistakes, we all get to close, I lost a friend to
Great ending. I just finished watching The Stranger with Orson Welles and the last image is Robinson lighting a pipe and saying something witty. It recalled this so I came looking for it.
Another immortal thriller!
I would not be lying if I said I have seen this movie over 300 times
About 3 times myself, getting there...
This was never a brutally underrated movie to my knowledge whoever said so.
You really have to see this next to what Keyes is like in the rest of the film. I think clips four and five, he plays a large part.
U won't even make the elevator lol
omg this movie is a masterpiece
Walter is bleeding to death after getting shot, but there is NO BLOOD on his clothes lol
The dark spot on his shoulder does get larger, but not much.
@@williamwingo4740 right
@@steelers6titles there were restrictions on what could be shown
It’s amazing that he didn’t need to put a bucket of blood in we could still see it
AWESOME.
See if Walter had just went directly to the border without stopping off at the office and confessing he could have made it. Of course then there would be no movie. The ongoing bit in the movie is that Walter is always lighting Robinson's cigar but this time Edward G does Walter the favor.
Love that name Walter ...impressive name 😅
Uno de los finales más antológicos y sentidos de la historia del cine!
I can't imagine being friends with someone who ONLY talked in hypotheticals constantly, lol.
I agree wholeheartedly - Try as they might - Hollywood could never replicate a screenplay and acting like they could in the 40's and 50's . . .
"Fred McMurray gets shot and dies in the hallway " Ralph Malph. Happy day's circa, 1976..
2001: AFI's 100 Years…100 Thrills - #24
ONE OF THE MOST CLASSIC ENDING EVER
1:33 "Yeah...it's a police job." Sometimes, when a man falls in love with a woman, those are the very last words spoken in that relationship.
Brutally under-rated movie.
Under-rated? This movies is so well known You idiot.
@@alvarorojas5515
Always nice to hear the childish name-calling that you get from people behind the safety of the internet. Just because it is popular to YOU, doesn't mean the film has been appreciated on a large scale. In fact, Double Indemnity did NOT win a single Academy Award and Fred MacMurray and Edward G. Robinson weren't even nominated for one.
Um dude this film is considered by many to be one of if not the best film noir ever and one of the best films ever made
@@pajasa62 it’s very much appreciated
@@randywhite3947
I am just stating the facts that it did not win a single Academy Award, nor did Fred MacMurray or Edward G. Robinson even get nominated for one. NO ONE HERE is claiming this was not a terrific movie.
Masterpiece!
Great great film
U know why u couldn't figure this one out keys ?I'll tell ya because the guy u were looking for was to close to u.
Damn. I wonder how people back in the 1940s felt after seeing this film? It was such a wild ride even now in 2023.
He had to have that one last Chesterfield.
"I love you, too."
Not something you hear a lot between two men in a movie from the 40s!
Going to see this movie on Wday :) on TCM cool chl.
Frm Amelia
i think the let down of the bromance is heavyer than the murder-so it seems-Keys lost a friend and he seems to have few in the movie-injecture
Youre not smarter Walter just taller
So, it is the cigarettes what killed him
Wished they still made those matches you could light with your thumb. I don't smoke but I'd love to light one of them like they did through the whole movie.
You mean a lighter? If so, they very much still do make them
@@Chiller-pc1dv They used to make matches you could light by striking against your thumb, just like Neff does throughout this movie, and Keyes does for him in this perfect final scene.
@@ernestleong476 Oooohh, that sounds kinda painful in my opinion. Cool, but a lil painful, , because it scrapes against your thumb
@@Chiller-pc1dv Watch how Robinson does it in this scene -- nothing to it. ;)
God, they bred men tough back then. Lighting a match with your thumb nail? Urggghhh!
Check out Jack Lemmon lighting a match on his teeth in "The Great Race."
so does he die on the spot or go to the gas chamber?
+Scotch He dies on the spot in the original ending and goes to the gas chamber in the alternate.
Tywin Lannister I prefer the first one.
Scotch Who doesn't?
I too like to think the only toxins Walter inhales are the ones in his cigarette lit by his friend by his side.
+Scotch He's obviously alive as the film closes. It seems to me that the story unfolds afterwards as MacMurray thinks -- they patch him up, get him back on his feet, and he walks into the gas chamber under his own power.
Like the last 3 seconds of the film. I've seen the whole thing, hes overreacting really.