@@ashleyabbott5396Whenever I've seen a live performance of ballet, one can always hear the toe shoe blocks on the stage floor, no matter who is dancing!
Extraordinary dancer 'Maria Khoreva' leaves a unique, favourable impression on many people and I am one of them. Listen to her play the piano, of her playing Frédéric François Chopin's Fantaise Impromptu in C Minor Op 66 and you will be captivated, too, definitely. I quite admire Maria Khoreva ❤️ 😍 💖 ❣️ 💕 💘 ! Thank you always to @ DanceLine Ballet for sharing ❤️ 😊.
Correction: It's actually Frédéric François Chopin's Fantaise Impromptu in C Sharp Minor Op 66. Btw to @ DanceLine Ballet we're so glad that you're back ❤ 😊!
Она реально гораздо тоньше Севенард и лучше сложена, но танцуют они одинаково плохо, к сожалению Уровень 4 лебедь во втором ряду слева при чем во втором составе кордебалета. Площадок у них много в Мариинском и кто то хоть как нибудь да должен танцевать Типа на безрыбье Но это не тот рак из которого получится рыба
@@elenamikh3503 Танцуют они по разному с Севенард ну скажем Хорева просто плохо, а Севенард очень плохо К сожалению Нет таланта , старается она очень но это не уровень для Мариинки Смотрится это все как на утреннике Севинард разумеется гораздо хуже Но как говорят англичане из 2 зол нечего и выбирать . Очень жаль
может кто-нибудь объяснить, почему классический балет должен включать элементы гимнастики и цирка? Насколько я понимаю, в балете речь шла о красивых позах, которые можно сфотографировать, и движениях. Сегодня балерина должна выполнять гимнастические трюки, подняв ногу как можно выше. Зачем? конечно, не для красоты. Сегодня все о конкуренции , повсюду. Это губит все хорошее, достигнутое в искусстве.
Just another Maria Khoreva hater. She’s technically outstanding yet only just recently 23 years old. Her acting and artistry will continue to improve as she matures in life.
Ballet fortunately is about talent and hard work. This doesn’t include good ESL and lots of followers, as an aspiring influencer, on English language social media.😃
@@Faramondo_4733.She has incredible lines … which can’t be taught. She’s technically outstanding … a product of hard work. Only just 23 years old … so give her a little time to improve her acting and bring emotion to her characters. She’ll figure it out.
Another Khoreva hater. She’s still so young …. so has a ways to go. Give her time. Please search UA-cam … there are WAY WORSE Odalisque’s posted. There is an aesthetic component to ballet which can’t be taught and Khoreva has. If you’re a chunky butt people will not come to the theater.
Someone, anyone, please explain why these ballerinas of today cannot keep those toe shoes quiet. The ballerinas of the years before the end of the 80s and 90s were known for not making a sound on stage. Natasha Makarova, Gelsey Kirkland, Cynthia Gregory, Cynthia Harvey, Virginia Johnson, Rebecca Wright, Francesca Corkle, Ann Marie DeAngelo, divas all and there where others. Susan Farrel, Merrill Ashley...too many to be named but they all had one thing in common which this new breed of so - called Ballerinas know nothing about. They understood what it meant to dance on pointe without making the slightest sound. So what's going on? This is a must for conversation question. They could but these can't? What gives?
Not true. I've been at live professional ballet performances since the 1970s, both modern and classical. There is always sound from the pointe shoes, even with a dance floor laid down. It's the reality of gravity. What you hear in this video is both normal and inevitable. I also danced on pointe myself in my youth and was never quiet even when my shoes were becoming too soft.
@@heatherjones6647 There is a very big difference between dancing professionally on pointe and in the studio, which I'm assuming you did. The women I mentioned, the true ballerinas I mentioned, never made a sound because they knew how to break their shoes in before each performance and would never have been caught dead in shoes which made that clucking sound that these new breed of who cares dancers make. The Ballerinas I mentioned, either I know personally or I was at their performance always. I know what I am talking about because that was the case. I actually went on to perform professional myself with 4 different dance companies in New York. Where did you perform other than in a class? Ballerinas were taught in the past to never make a peep on stage while dancing. I guess that isn't being taught any more. Tricks have taken over what once was artistry and quality.
Maria has a very charming stage presence and dances with joy. Thank you for the great selection. ❤❤❤
Maria is one of the best young ballerinas. She dances with so much lightness and her moves are seemed to be perfect. Furthermore She is beautiful. ❤
Such a delight. Beautiful costumes and wonderful dancing.
Wow, the Queen of the Dryads was beautiful 👏.
I love her arms and posture, but her leaps are tiny and very far from 180 degrees. Too bad, because she clearly is an excellent dancer.
I love Maria her lines are beautiful ❤
I find her to be atrocious you’re not supposed to hear your toe shoe hit the floor anywhere he was trade with know that as a fact
@@ashleyabbott5396Whenever I've seen a live performance of ballet, one can always hear the toe shoe blocks on the stage floor, no matter who is dancing!
Yes and what about her feet ! So beautiful.
i agree with you She is so beautiful!
Extraordinary dancer 'Maria Khoreva' leaves a unique, favourable impression on many people and I am one of them. Listen to her play the piano, of her playing Frédéric François Chopin's Fantaise Impromptu in C Minor Op 66 and you will be captivated, too, definitely. I quite admire Maria Khoreva ❤️ 😍 💖 ❣️ 💕 💘 ! Thank you always to @ DanceLine Ballet for sharing ❤️ 😊.
Correction: It's actually Frédéric François Chopin's Fantaise Impromptu in C Sharp Minor Op 66. Btw to @ DanceLine Ballet we're so glad that you're back ❤ 😊!
В Академии имени Вагановой уроки фортепиано уже давно -давно - это обязательная учебная дисциплина.
Ayeee new vid, seriously though I hope she becomes a principal soon❤
She’s an incredible ballerina! I am so impressed!
Недавно узнала о ней.Очень нравится. Успехов ей всегда.
Just gorgeous!
Es puro virtuosismo y pasión por la danza. Una gran artista, sin duda. Enhorabuena, gracias por tanta belleza y gracia en cada movimiento.
Bravo!!! Marvellous! Superb❤!💖🌺👏
Какая Мария замечательная балерина!
Maria&arounders are beautiful!
Solo milacle Maria are unbelievable & wonderful！!
SHE IS BEAUTIFULL
I liked the second variation better than the first and last…I enjoy watching in a lower speed..0.75 works for me
Maria already has the look of a Prima Ballerina.
🌹
I just can't! As small as she is, she can never come on stage without sounding like an elephant! Too bad because otherwise she is lovely.
БРАВА ❤️
😍😍👏👏👏👏👏👏👏👏👏👏
Не цепляет. Нет "душой исполненного полёта". Возможно, ещё будет. Но девушку слишком рано начали пиарить.
Может быть , но старание вознаграждается , у нее все впереди .
Очень легко танцует
Согласна. У Марии блестящая техника, но нет внутренней энергии, эмоциональной наполненности. Может, с возрастом придёт, посмотрим.
Чего нет - уже не будет.
Если бы она танцевала так же хорошо как болтает ей бы цены не было
Как-то уж очень тяжко танцует..
Я бы сказала старательно танцует.
👏👏👏❤️❤️❤️
Насколько же лучше Севенард она танцует! Пушинка!
Согласна. Причём на экране она почему то полнее выглядит. Летом "Лебединое озеро"" в её исполнении прсещала. Тоненькая. По сцене как стрекоза порхает.
Она и здесь как стрекозка❤❤❤
Она реально гораздо тоньше Севенард и лучше сложена, но танцуют они одинаково плохо, к сожалению Уровень 4 лебедь во втором ряду слева при чем во втором составе кордебалета. Площадок у них много в Мариинском и кто то хоть как нибудь да должен танцевать Типа на безрыбье Но это не тот рак из которого получится рыба
@@olgak3964 она прекрасно танцует в отличие от Севенард
@@elenamikh3503 Танцуют они по разному с Севенард ну скажем Хорева просто плохо, а Севенард очень плохо К сожалению Нет таланта , старается она очень но это не уровень для Мариинки Смотрится это все как на утреннике Севинард разумеется гораздо хуже Но как говорят англичане из 2 зол нечего и выбирать . Очень жаль
может кто-нибудь объяснить, почему классический балет должен включать элементы гимнастики и цирка? Насколько я понимаю, в балете речь шла о красивых позах, которые можно сфотографировать, и движениях. Сегодня балерина должна выполнять гимнастические трюки, подняв ногу как можно выше. Зачем? конечно, не для красоты. Сегодня все о конкуренции , повсюду. Это губит все хорошее, достигнутое в искусстве.
Так она только и может выполнять трюки Таланта и вдохновения у нее увы и ах Но хорошо сложена и очень старается
Paquita variation no2. Two words…Sylvie Guillem
Странно. А на сцене ноги короткие какие то
This dancing movie just showing old tango without more variation, neither as modern tango that has more variation
вариация Дриады создана для Алины Сомовой.
Она ещё при Царе создана, до 1917 года...
@@А-у1ъ2я почему вы воспринимаете комментарий в буквальном смысле слова?
Bah... non particolare aplomb, no sbalzo, ma soprattutto non danza. Solo UN PO' di tecnica
Rudlf Vallntin is th legend star of Hollywd was came frm Italy not frm Argntno
Гимнастика а не танец, много повторяються одно движение
Четко, технично и скучно. Нет образа, эмоции, пластики.
Just another Maria Khoreva hater. She’s technically outstanding yet only just recently 23 years old. Her acting and artistry will continue to improve as she matures in life.
Another Khoreva hater.
Прекрасно танцует, легко и грациозно
What's so special on her?
Khoreva has the “it factor”.
Good English😀
@@Faramondo_4733. Very articulate in her secondary language.
Ballet fortunately is about talent and hard work. This doesn’t include good ESL and lots of followers, as an aspiring influencer, on English language social media.😃
@@Faramondo_4733.She has incredible lines … which can’t be taught. She’s technically outstanding … a product of hard work. Only just 23 years old … so give her a little time to improve her acting and bring emotion to her characters. She’ll figure it out.
That Odalisque is embarrassing.
Another Khoreva hater. She’s still so young …. so has a ways to go. Give her time.
Please search UA-cam … there are WAY WORSE Odalisque’s posted. There is an aesthetic component to ballet which can’t be taught and Khoreva has. If you’re a chunky butt people will not come to the theater.
Тяжелая какая то . Скучная .
Someone, anyone, please explain why these ballerinas of today cannot keep those toe shoes quiet. The ballerinas of the years before the end of the 80s and 90s were known for not making a sound on stage. Natasha Makarova, Gelsey Kirkland, Cynthia Gregory, Cynthia Harvey, Virginia Johnson, Rebecca Wright, Francesca Corkle, Ann Marie DeAngelo, divas all and there where others. Susan Farrel, Merrill Ashley...too many to be named but they all had one thing in common which this new breed of so - called Ballerinas know nothing about. They understood what it meant to dance on pointe without making the slightest sound. So what's going on? This is a must for conversation question. They could but these can't? What gives?
Have you ever considered that the audio quality of the past is not the same as it is today?
Not true. I've been at live professional ballet performances since the 1970s, both modern and classical. There is always sound from the pointe shoes, even with a dance floor laid down. It's the reality of gravity. What you hear in this video is both normal and inevitable. I also danced on pointe myself in my youth and was never quiet even when my shoes were becoming too soft.
@@heatherjones6647 There is a very big difference between dancing professionally on pointe and in the studio, which I'm assuming you did. The women I mentioned, the true ballerinas I mentioned, never made a sound because they knew how to break their shoes in before each performance and would never have been caught dead in shoes which made that clucking sound that these new breed of who cares dancers make. The Ballerinas I mentioned, either I know personally or I was at their performance always. I know what I am talking about because that was the case. I actually went on to perform professional myself with 4 different dance companies in New York. Where did you perform other than in a class? Ballerinas were taught in the past to never make a peep on stage while dancing. I guess that isn't being taught any more. Tricks have taken over what once was artistry and quality.
And who said anything about modern anyway. The point being made was about the noise being made while dancing on pointe.
Oh...and my wife is a former international prima ballerina.
Приятно смотреть на настоящую балерину, а не на долговязых стропилин