Thank you so much. You have no idea how much i appreciate you teaching and how valuable it is. This kind of stuff here is exactly what people were dreaming about when we invented the internet. You are awesome.
No worries, mate. My pleasure. I've gotten more than enough free stuff from the internet, so it's only fair that I give a bit back :) Thanks for the comment.
Thank you for teaching one of the clearest demonstrations of how to use the permitted upper register notes (9s, 11s and 13s) along with the chord tones to create the magic of jazz in licks in the 2-5-1 progression. Its quite a breakthrough for me
I don't comment on tutorials often, but this approach to improv is pure gold. It cuts through all the guesswork, but still allows for plenty of personal creativity in the process. I thank you immensely.
This is a very significant and comprehensive lesson in jazz improvisation. Thank you very much. For others there is good summary available on site. (link above) You'll have to go a long way to find something as good as this if you are learning improvisation, just sayin'.
Gran video. Francamente tu canal merece muchas más visitas. Tus enseñanzas son muy funcionales. Un abrazo desde México. Continúa con este gran trabajo.
Accidentals count for the note before which they are placed. Unlike in classical notation, being within the measure. Where we would a restoration sign for repeated following note. As a precaution to avoid confusion. Thanks. Bon PASCO from ARUBA. That's Merry Christmas from ARUBA.
Are modes essentially the same concept but another vocabulary to describe playing the tensions over a chord progression? For the ii, you can play the dorian (9, 11, 13), V you can play the altered scale (b9, 9, #9, b13, 13) and I you can play the lydian (#11)? You go from a play of no tension, to tension and then release.
Really enjoy your stuff. (hopefully you don't get tired of hearing that). I'd like to some of the sheet music. Is there any way to do that without signing up for UA-cam premium? I'm assuming that if I sign up and pay, you are NOT getting any of that money. If you are then I'm happy to sign up.
Hi! Terrific stuff! I understand that it goes well to imp. in Dorian on a Dm7 chord in a C piece. But the feel of Dorian is mainly in the B, which is an Avoid Note. So it kind of contradicts... What's my mixup? Thanks!
I would try not to get too academic regarding "avoid notes ". The problem here is that it creates a sense of "right" and "wrong" etc.. if it sounds good, then play it
thanks! till now basically I played things with the diminished scale (HT) over the V7 (so principiant was I in all that... in my solipsistic solos :) ). Now, I think I'll go to see what is the relationship there... in this licks of yours... in the V7 parts (available tensions)... with the diabolic-great-homogeneus-diminished-scales over the V7's :) ... ...that "half tone - whole tone" stuff :)
Thanks this is very helpful but I find all the explaining and talking theory to melt my brain. I'd rather come to these assumptions myself through practice and not talking about it. I don't have a methodical mathmatical brain. Talking theory for me destroys me from wanting to learn. It can make it daunting and off putting.The theory makes it seem as complicated as the music sounds when in fact though, through practice it's not.I prefare as u do say to practice,memorise and most importantly produce your own licks. But I will go through this lesson slowly but I will never understand the theory. Thanks...
This has become one of my most valued youtube piano channels.
Thank you so much. You have no idea how much i appreciate you teaching and how valuable it is. This kind of stuff here is exactly what people were dreaming about when we invented the internet. You are awesome.
No worries, mate. My pleasure. I've gotten more than enough free stuff from the internet, so it's only fair that I give a bit back :) Thanks for the comment.
thanx for this beautiful tips
Thank you for teaching one of the clearest demonstrations of how to use the permitted upper register notes (9s, 11s and 13s) along with the chord tones to create the magic of jazz in licks in the 2-5-1 progression. Its quite a breakthrough for me
I don't comment on tutorials often, but this approach to improv is pure gold. It cuts through all the guesswork, but still allows for plenty of personal creativity in the process.
I thank you immensely.
perhaps the most underappreciated channel.
Appreciate your time in all of your videos.
Thanks, mate. Keeps me busy :)
Don’t we all?
This is a very significant and comprehensive lesson in jazz improvisation. Thank you very much. For others there is good summary available on site. (link above) You'll have to go a long way to find something as good as this if you are learning improvisation, just sayin'.
Gran video.
Francamente tu canal merece muchas más visitas. Tus enseñanzas son muy funcionales.
Un abrazo desde México. Continúa con este gran trabajo.
Most of the time I ignore the theory of these vids and focus on the verbatim notes, but this is a notable exception to that pattern. Well done sir!
Best jazz teacher
Thanks, mate.
Thank you.
It would also be nice if you demonstrated how one can use those licks in a free improvisation.
Excellent Video! - This is a topic rarely explained in such an understandable way.
Muy interesante esta clase maestro, gracias por publicarla. Un fuerte abrazo, Dios le bendiga
Amazing teaching! Thank you!
This is one of the best channels on YT!
Accidentals count for the note before which they are placed. Unlike in classical notation, being within the measure. Where we would a restoration sign for repeated following note. As a precaution to avoid confusion. Thanks. Bon PASCO from ARUBA. That's Merry Christmas from ARUBA.
Great vídeo. Instant subscription! Thank you
Thank You..........MASTER.....Excellent Video.
Wow this is SO good! It really helps a lot. THANKS!
Wow this video is amazing !!
Are modes essentially the same concept but another vocabulary to describe playing the tensions over a chord progression? For the ii, you can play the dorian (9, 11, 13), V you can play the altered scale (b9, 9, #9, b13, 13) and I you can play the lydian (#11)? You go from a play of no tension, to tension and then release.
Great licks. Thanks.
BEST UA-cam CHANEL!
Cheers, Alex :)
Really enjoy your stuff. (hopefully you don't get tired of hearing that). I'd like to some of the sheet music. Is there any way to do that without signing up for UA-cam premium? I'm assuming that if I sign up and pay, you are NOT getting any of that money. If you are then I'm happy to sign up.
Your vids are just so great. Really, really. Thank you so much.
the 4th sounds like Bobby Timmon, great job!
Thank you so much!
Greetings sir, this is very good, this is a very good temlet where a bigginer can build up on. Continue the good work. Bless up!
Excellent,thank you.
Amazing videos!
Phenomenal, subscribed
Hi!
Terrific stuff!
I understand that it goes well to imp. in Dorian on a Dm7 chord in a C piece. But the feel of Dorian is mainly in the B, which is an Avoid Note. So it kind of contradicts...
What's my mixup?
Thanks!
I would try not to get too academic regarding "avoid notes ". The problem here is that it creates a sense of "right" and "wrong" etc.. if it sounds good, then play it
@@S24W2 thanks for this... I do find that if something sounds good, there's always a good reason, a logic. So I'm always trying to figure it out...
@@eransolomonmusic you're not the only one, I am too 🙌I'm still learning every day
@@S24W2 good for us then😉
B is the 13, is an available tension over a minor chord
excellent!!!!
Nice, Nice, Nice!!!!
Thanks, Adrian.
best i've seen
Thank God for that keyboard jesus christ. You're as great a teacher as out of tune that piano was
This was so good
Wow!!! U r good Teacher
Could you make a video of "The Dolphin / Luiz Eca" Harmonic Analysis please?
F7 .... start on a semi tone below the third. . (a slip of the tongue )
this video triggered sooo many light bulb moments for me, thanks for this video.
Number 4 finishes on the downbeat 3 ! :-)
The end of Exercise 3 sounds like A Night in Tunisia. :-)
practicing my trills on the replay button
thanks!
till now basically I played things with the diminished scale (HT) over the V7
(so principiant was I in all that... in my solipsistic solos :) ).
Now, I think I'll go to see what is the relationship there... in this licks of yours... in the V7 parts (available tensions)... with the diabolic-great-homogeneus-diminished-scales over the V7's :) ...
...that "half tone - whole tone" stuff
:)
UnPlanDivino thanks Iam starting to understand what is Jazz
What happened to your upright?
It's gone, unfortunately. The convenience of having a volume knob, headphone jack and metronome/drum loop finally won me over.
Walk That Bass dont forget about the tuning ;D
It's nice. What model did you get?
Just in case he doesn't reply I believe it's a Kawai ES110
Yep, as stated, ES110.
#4 end`s on beat 3 !!! :-)
Thanks this is very helpful but I find all the explaining and talking theory to melt my brain. I'd rather come to these assumptions myself through practice and not talking about it. I don't have a methodical mathmatical brain. Talking theory for me destroys me from wanting to learn. It can make it daunting and off putting.The theory makes it seem as complicated as the music sounds when in fact though, through practice it's not.I prefare as u do say to practice,memorise and most importantly produce your own licks. But I will go through this lesson slowly but I will never understand the theory. Thanks...