Wolfgang Amadeus Mozart (1756-1791) The Violin Sonatas by Haskil & Grumiaux / Remastered. 🎧 Qobuz bit.ly/3HbFdlx Deezer bit.ly/3LWsczQ 🎧 Amazon Music amzn.to/3Q8sEOe Tidal bit.ly/3pbOBjc 🎧 Spotify spoti.fi/3sdrx5r Apple Music apple.co/35eYu8x 🎧 UA-cam Music bit.ly/3X3AA5l SoundCloud bit.ly/36zPjjL 🎧 Naspter, Pandora, Anghami, LineMusic日本, Awa日本, QQ音乐 … Click to activate the English subtitles for the presentation (00:00-02:45) 00:00 Violin Sonata in C Major K. 301 - l. Allegro con spirito (Remastered 2021) 05:38 Violin Sonata in C Major K. 301 - II. Allegro (Remastered 2021) Violin Sonata K. 304, K. 378, K. 376, K. 454, K. 526 also available. The remastered compilation of all the sonatas performed by Haskil/Grumiaux is available on youtube music ua-cam.com/video/O1LzqhWztok/v-deo.html or on the main platforms by clicking on the links above. Violin: Arthur Grumiaux Piano: Clara Haskil Recorded in 1958, at Basel New mastering in 2021 by AB for CMRR 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2 ❤ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr Most of Mozart's piano duets are sonatas for violin and piano, a genre that he gradually evolved to the point of establishing the standards of the modern sonata for violin and piano. He was the first to establish a true dialogue between the two instrumentalists. Moreover, he was one of the few composers to solve the delicate sound problems posed by the combination of a violin and a keyboard instrument. The Sonata for piano and violin n°18 is one of the sonatas begun in Mannheim, completed and published in Paris in 1778, dedicated to the Princess Palatine. This is the reason why the sonatas that make up Opus 1 are known as the "Palatine Sonatas". Playful and playful, the two instruments accompany each other in turn: each plays an equal role, which is new in Mozart's output. The tradition of writing the sonata for piano and violin, to which Mozart himself sacrificed until then, consisted in having the violin accompany the keyboard part in unison, thirds or octaves. This type of piece was generally published under the title of "keyboard sonata with violin accompaniment" when it was not added "ad libitum" specifying that the presence of the violin was not essential and that the keyboard part could be sufficient on its own. To use the violin as a concertante instrument, to have it accompanied by the keyboard, or to share the discourse between the two instrumentalists and let them dialogue as equals, are all factors that constitute an unusual musical balance and arouse Mozart's enthusiasm. It is not by chance that he uses the term "duetti" to refer to this distribution of roles, suddenly transforming the sonata for keyboard and violin into a true duo, opening up a whole new field of expression. He is so motivated that he interrupts the heavy and lucrative commission of quartets and concertos for flute from the Dutch amateur De Jean - the crossed-out autograph of two sonatas even shows that he had previously considered entrusting them to the flute. This is what he explains to his father in a letter: "For a change, I have composed from time to time something else, for example duets for piano and violin... At the moment, I am seriously working on the duets, in order to be able to give them to be engraved." Beethoven - Die Sonaten für Klavier und Violine (Century’s rec.: Clara Haskil, Arthur Grumiaux) 🎧 Qobuz bit.ly/3CRdBAq Deezer bit.ly/3lZ4Ttj 🎧 Amazon Music amzn.to/3IBFgMb Tidal bit.ly/2XTqkne 🎧 Spotify spoti.fi/3obXFEM Apple Music apple.co/3uh9DxS 🎧 UA-cam Music bit.ly/3WWLCtT SoundCloud bit.ly/3uebBzf 🎧 Naspter, Pandora, Anghami, LineMusic日本, Awa日本, QQ音乐 … Wolfgang Amadeus Mozart (1756-1791) PLAYLIST (references recordings): ua-cam.com/video/dCi2bMeYqTk/v-deo.html
Clara Haskil and Arthur Grumiaux allow us to listen in on their conversation, enhancing joy and warmth. Thank you for finding and restoring this version. Cheers
Most of Mozart's piano duets are sonatas for violin and piano, a genre that he gradually evolved to the point of establishing the standards of the modern sonata for violin and piano. He was the first to establish a true dialogue between the two instrumentalists. Moreover, he was one of the few composers to solve the delicate sound problems posed by the combination of a violin and a keyboard instrument. The Sonata for piano and violin n°18 is one of the sonatas begun in Mannheim, completed and published in Paris in 1778, dedicated to the Princess Palatine. This is the reason why the sonatas that make up Opus 1 are known as the "Palatine Sonatas". Playful and playful, the two instruments accompany each other in turn: each plays an equal role, which is new in Mozart's output. The tradition of writing the sonata for piano and violin, to which Mozart himself sacrificed until then, consisted in having the violin accompany the keyboard part in unison, thirds or octaves. This type of piece was generally published under the title of "keyboard sonata with violin accompaniment" when it was not added "ad libitum" specifying that the presence of the violin was not essential and that the keyboard part could be sufficient on its own. To use the violin as a concertante instrument, to have it accompanied by the keyboard, or to share the discourse between the two instrumentalists and let them dialogue as equals, are all factors that constitute an unusual musical balance and arouse Mozart's enthusiasm. It is not by chance that he uses the term "duetti" to refer to this distribution of roles, suddenly transforming the sonata for keyboard and violin into a true duo, opening up a whole new field of expression. He is so motivated that he interrupts the heavy and lucrative commission of quartets and concertos for flute from the Dutch amateur De Jean - the crossed-out autograph of two sonatas even shows that he had previously considered entrusting them to the flute. This is what he explains to his father in a letter: "For a change, I have composed from time to time something else, for example duets for piano and violin... At the moment, I am seriously working on the duets, in order to be able to give them to be engraved." 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2 ❤ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr
Clara Haskil was also a great violinist,an european competition winner,before being a great pianist.I love all Mozart and Beethoven violin-piano sonatas.
Wunderschöne und lebhafte Interpretation dieser kompakten und fein komponierten Sonate im veränderlichen Tempo mit seidigem doch gut phrasiertem Ton der unvergleichlichen Violine und klarem doch elegantem Klang des ebenso unvergleichlichen Klaviers. Der intime und perfekt entsprechende Dialog zwischen den beiden Virtuosen ist wahrlich ergreifend. Wunderbar vom Anfang bis zum Ende!
Wolfgang Amadeus Mozart (1756-1791) The Violin Sonatas by Haskil & Grumiaux / Remastered.
🎧 Qobuz bit.ly/3HbFdlx Deezer bit.ly/3LWsczQ
🎧 Amazon Music amzn.to/3Q8sEOe Tidal bit.ly/3pbOBjc
🎧 Spotify spoti.fi/3sdrx5r Apple Music apple.co/35eYu8x
🎧 UA-cam Music bit.ly/3X3AA5l SoundCloud bit.ly/36zPjjL
🎧 Naspter, Pandora, Anghami, LineMusic日本, Awa日本, QQ音乐 …
Click to activate the English subtitles for the presentation (00:00-02:45)
00:00 Violin Sonata in C Major K. 301 - l. Allegro con spirito (Remastered 2021)
05:38 Violin Sonata in C Major K. 301 - II. Allegro (Remastered 2021)
Violin Sonata K. 304, K. 378, K. 376, K. 454, K. 526 also available. The remastered compilation of all the sonatas performed by Haskil/Grumiaux is available on youtube music ua-cam.com/video/O1LzqhWztok/v-deo.html or on the main platforms by clicking on the links above.
Violin: Arthur Grumiaux
Piano: Clara Haskil
Recorded in 1958, at Basel
New mastering in 2021 by AB for CMRR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2
❤ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) www.patreon.com/cmrr
Most of Mozart's piano duets are sonatas for violin and piano, a genre that he gradually evolved to the point of establishing the standards of the modern sonata for violin and piano. He was the first to establish a true dialogue between the two instrumentalists. Moreover, he was one of the few composers to solve the delicate sound problems posed by the combination of a violin and a keyboard instrument. The Sonata for piano and violin n°18 is one of the sonatas begun in Mannheim, completed and published in Paris in 1778, dedicated to the Princess Palatine. This is the reason why the sonatas that make up Opus 1 are known as the "Palatine Sonatas". Playful and playful, the two instruments accompany each other in turn: each plays an equal role, which is new in Mozart's output.
The tradition of writing the sonata for piano and violin, to which Mozart himself sacrificed until then, consisted in having the violin accompany the keyboard part in unison, thirds or octaves. This type of piece was generally published under the title of "keyboard sonata with violin accompaniment" when it was not added "ad libitum" specifying that the presence of the violin was not essential and that the keyboard part could be sufficient on its own. To use the violin as a concertante instrument, to have it accompanied by the keyboard, or to share the discourse between the two instrumentalists and let them dialogue as equals, are all factors that constitute an unusual musical balance and arouse Mozart's enthusiasm.
It is not by chance that he uses the term "duetti" to refer to this distribution of roles, suddenly transforming the sonata for keyboard and violin into a true duo, opening up a whole new field of expression. He is so motivated that he interrupts the heavy and lucrative commission of quartets and concertos for flute from the Dutch amateur De Jean - the crossed-out autograph of two sonatas even shows that he had previously considered entrusting them to the flute. This is what he explains to his father in a letter: "For a change, I have composed from time to time something else, for example duets for piano and violin... At the moment, I am seriously working on the duets, in order to be able to give them to be engraved."
Beethoven - Die Sonaten für Klavier und Violine (Century’s rec.: Clara Haskil, Arthur Grumiaux)
🎧 Qobuz bit.ly/3CRdBAq Deezer bit.ly/3lZ4Ttj
🎧 Amazon Music amzn.to/3IBFgMb Tidal bit.ly/2XTqkne
🎧 Spotify spoti.fi/3obXFEM Apple Music apple.co/3uh9DxS
🎧 UA-cam Music bit.ly/3WWLCtT SoundCloud bit.ly/3uebBzf
🎧 Naspter, Pandora, Anghami, LineMusic日本, Awa日本, QQ音乐 …
Wolfgang Amadeus Mozart (1756-1791) PLAYLIST (references recordings): ua-cam.com/video/dCi2bMeYqTk/v-deo.html
Clara Haskil and Arthur Grumiaux allow us to listen in on their conversation, enhancing joy and warmth. Thank you for finding and restoring this version. Cheers
Most of Mozart's piano duets are sonatas for violin and piano, a genre that he gradually evolved to the point of establishing the standards of the modern sonata for violin and piano. He was the first to establish a true dialogue between the two instrumentalists. Moreover, he was one of the few composers to solve the delicate sound problems posed by the combination of a violin and a keyboard instrument. The Sonata for piano and violin n°18 is one of the sonatas begun in Mannheim, completed and published in Paris in 1778, dedicated to the Princess Palatine. This is the reason why the sonatas that make up Opus 1 are known as the "Palatine Sonatas". Playful and playful, the two instruments accompany each other in turn: each plays an equal role, which is new in Mozart's output.
The tradition of writing the sonata for piano and violin, to which Mozart himself sacrificed until then, consisted in having the violin accompany the keyboard part in unison, thirds or octaves. This type of piece was generally published under the title of "keyboard sonata with violin accompaniment" when it was not added "ad libitum" specifying that the presence of the violin was not essential and that the keyboard part could be sufficient on its own. To use the violin as a concertante instrument, to have it accompanied by the keyboard, or to share the discourse between the two instrumentalists and let them dialogue as equals, are all factors that constitute an unusual musical balance and arouse Mozart's enthusiasm.
It is not by chance that he uses the term "duetti" to refer to this distribution of roles, suddenly transforming the sonata for keyboard and violin into a true duo, opening up a whole new field of expression. He is so motivated that he interrupts the heavy and lucrative commission of quartets and concertos for flute from the Dutch amateur De Jean - the crossed-out autograph of two sonatas even shows that he had previously considered entrusting them to the flute. This is what he explains to his father in a letter: "For a change, I have composed from time to time something else, for example duets for piano and violin... At the moment, I am seriously working on the duets, in order to be able to give them to be engraved."
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2
❤ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) www.patreon.com/cmrr
Clara Haskil was also a great violinist,an european competition winner,before being a great pianist.I love all Mozart and Beethoven violin-piano sonatas.
아름다운 연주곡 잘 들었습니다~감사합니다~🎵🎻🎹🌿🍀☘🌹🌹☘🍀🌿❤❤수고 많으셨습니다~☕
Pur diamant. Merci infiniment.
Wunderschöne und lebhafte Interpretation dieser kompakten und fein komponierten Sonate im veränderlichen Tempo mit seidigem doch gut phrasiertem Ton der unvergleichlichen Violine und klarem doch elegantem Klang des ebenso unvergleichlichen Klaviers. Der intime und perfekt entsprechende Dialog zwischen den beiden Virtuosen ist wahrlich ergreifend. Wunderbar vom Anfang bis zum Ende!
🕊🌟🕊
This is
ABSOLUTELY BEAUTIFUL
🙏💜🙏
💜🎵💜
Yes 🕊
How wonderful it is!!! Thank you for the gift of beauty! Bravissimo!!!
❤❤❤👋👋👋💐💐💐
Magnificently
大好きな曲！心癒されました。感謝
Increíble!
Perfection.....BRAVI ad ENTRAMBI d'Acapulco!
Beautiful!!!!
❤️❤️❤️❤️❤️
The Sonata is in G Major...😅
大好きな曲！心癒されました。感謝