Ours For The Making
Ours For The Making
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Greatest watchmaker of all time? With Rebecca Struthers
This is an extract from the full interview with Dr Rebecca Struthers 👉 ua-cam.com/video/6ccwX0gA9ds/v-deo.html
In this extract, Dr Rebecca Struthers tells us about the watchmaker she considers to be the most influential of all time. She discusses it more in her new book, The Hands of Time: A Watchmaker's History (of time).
👉 Get Rebecca's book: www.amazon.com/Hands-Time-Wat...
Dr Rebecca Struthers is a multi-award-winning designer, watchmaker, and historian;
she is half of the founding husband and wife team behind Struthers Watchmakers studio and workshops. Rebecca uses traditional methods, materials and techniques in the restoration of vintage and antique watches as well as the production of her own. She is also the first watchmaker in British history to earn a PhD in horology (which is the study and measurement of time).
Rebecca is also an active campaigner in the preservation of endangered heritage skills in the watch, clock, and jewellery trades along with the improvement of diversity within her discipline.
And on top of all that, she’s written a fabulously engrossing book entitled, “The Hands of Time, a watchmaker’s history”.
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Відео

The curious thing about "Longtermism" (with Richard Fisher)
Переглядів 749Рік тому
👉Watch the full interview with Richard Fisher: ua-cam.com/video/ubTLwXj-zOM/v-deo.html One of the most controversial areas of long term thinking is a set of ideas known as Longtermism. Longtermism is founded on three pillars: people in the future matter; it’s likely there’ll be a lot of them; and it’s in our gift to make their existence nicer or nastier. A longtermist might even say it’s a mora...
What a watchmaker can teach us about time: The Rebecca Struthers Interview
Переглядів 4 тис.Рік тому
In this episode, Dr Rebecca Struthers tells us about her new book, The Hands of Time: A Watchmaker's History (of time). In this interview, Rebecca discusses her work and how it connects to our understanding of time. 👉 Get Rebecca's book: www.amazon.com/Hands-Time-Watchmakers-Rebecca-Struthers/dp/0063048701 Dr Rebecca Struthers is a multi-award-winning designer, watchmaker, and historian; she is...
How to see the long view in a short-term world (with Richard Fisher)
Переглядів 929Рік тому
How can we take the long view in a short-term world? In a world awash with short term pressures hiding all around us in plain sight - in our systems of government, commerce and ways of thinking - how should we respond and rise to solve the 'slow burn' challenges the world faces today? Richard Fisher is a senior journalist at the BBC. His latest book, The Long View: Why we need to transform how ...
What you need to know about the Global Risks Report 2023
Переглядів 940Рік тому
What does the World Economic Forum's Global Risks Report tell us about the world we live in and the shape of the short-term (2 year) and long-term (10 year) global outlook? Read the full report here: www.weforum.org/reports/global-risks-report-2023/ Each year, The World Economic Forum publishes it’s global outlook for risk. It has published 18 editions to date, with the first published back in ...
What ChatGPT means for data and statistics
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ChatGPT doesn't just serve up text. It also serves up statistics and data, gathered at unprecedented speed. But are they accurate or is ChatGPT a recipe for misinformation? I interview (more like interrogate) ChatGPT to find out what it thinks and consider how worried we should be about trust in statistics and data... TIMESTAMPS 00:00 INTRO AI generating stats the future or a recipe for misinfo...
What the James Webb Space Telescope is really showing us
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What the James Webb Space Telescope is really showing us
Will DALL-E Mini change how you see AI?
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Will DALL-E Mini change how you see AI?
What we're getting wrong about the future of music
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What we're getting wrong about the future of music
How the ABBA Voyage Concert changes live music, forever
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How the ABBA Voyage Concert changes live music, forever
Why flying taxis are coming to a city near you. Soon.
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Why flying taxis are coming to a city near you. Soon.
Why our roads are terribly prepared for the future
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Why our roads are terribly prepared for the future
What we're getting wrong about the future
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What we're getting wrong about the future
How to create amazing graphics and animation in Keynote | Full tutorial & worked examples
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How to create amazing graphics and animation in Keynote | Full tutorial & worked examples

КОМЕНТАРІ

  • @ElderPinto254
    @ElderPinto254 2 місяці тому

    wauw i trying to become a watchmaker in Holland and its so difficult it broke me a little! i need help ???

  • @jeff11oo
    @jeff11oo 2 місяці тому

    Fantastic interview what an interesting lady superb viewing great history lesson 😊😊

    • @OursForTheMaking
      @OursForTheMaking Місяць тому

      Thanks for watching and for taking the time to leave a comment, glad you enjoyed it!

  • @RestorationWatch
    @RestorationWatch 2 місяці тому

    Somehow the Tourbillon got overlooked in that collection of achievements.

  • @RollaArtis
    @RollaArtis 3 місяці тому

    As Rebecca mentions, in the 1780s Breguet came to London. But not generally known is that he met John Arnold who gave him information about:- Watch jewelling Compenation balances Floating balances Detent escapements Non ferrous balance springs ie those of gold The overcoil, enabling isochronal adjustment in watches The idea of theTourbillon None of the above were invented by Breguet, so IMHO it was Arnold who made the greatest contribution to watchmaking.

  • @iandeare1
    @iandeare1 3 місяці тому

    My father was a Watchmaker to trade; I chose Musical Instruments 😉

  • @markrichardson1389
    @markrichardson1389 3 місяці тому

    Time can be seen as a perception to articulate the world of a watchmaker with all its complexities and abstraction I question the viability of the pursuit the result of one's effort has to do the talking I feel

  • @RealMilester1
    @RealMilester1 3 місяці тому

    A possible use would also be for an Artist to perform at multiple different Locations at once, his real body would be performing live in America and his copies would perform at the same time as him all over the world or just all over amerika

  • @0raj0
    @0raj0 3 місяці тому

    It doesn't change the live music, because it's NOT LIVE MUSIC. Live music is, by definition, where actual musicians play on stage. Even when an actual musician "performs" by lip-syncing to prerecorded audio being played, it's not live music. While it may be an interesting experience, it's just a sophisticated form of a music video being played in 3D. You can emphasize the difference between "video" and "digital avatars", but this doesn't change the fact that it's pre-designed and prerecorded. There's nothing "live" (ie. happening spontaneously right at the very moment) about this.

    • @OursForTheMaking
      @OursForTheMaking Місяць тому

      Thanks for watching. It's an interesting point: what is live? 100% of the music or a majority of it? This features a live band and pre-recorded elements, so it's neither 100% nor 0%. But, more generally, what about samples and loops...? Are they live because they are triggered live or not? Thanks for your comment.

    • @0raj0
      @0raj0 Місяць тому

      @@OursForTheMaking Of course you cannot set an exact border: from here on it is live, up to here it isn't. The border is fluid, it's a bit like the definition in copyright law that a copyrighted work must involve "significant amount" of human creativity. Nobody can define exactly what "significant amount" is, but copyright law includes some examples what can be considered copyrighted work and what cannot (eg. road signs), to help you understand. In my opinion, the samples, or even pre-recorded tracks, can be a part of a live performance as long as it depends on a human where and when will he/she trigger that particular part. The important part of something being "live" is the artist's ability to change it "on the fly" during the performance. If for example an artist uses a synth with a library of samples, and triggers them manually during performance, it is live, because at any given moment he/she chooses in real time to trigger that particular sample. However, if the artist preprograms a sequence of samples in the same synth, puts the synth on the stage and just presses "play" to trigger that preprogrammed sequence, it's not live - it's preprogrammed. From what I understand, "Voyage" is closer to the second case - a synth with preprogrammed sequence of samples and just pressing "play" to start the sequence - than to manually triggering the samples one by one in real time.

  • @glasshalffull8471
    @glasshalffull8471 3 місяці тому

    You could dig up deceased artists and measure their craniums, best to get permission first though, I've heard KISS mention they are planning to do this also and I would believe that of them

  • @DizzyBusy
    @DizzyBusy 4 місяці тому

    I'm still not clear on the line between longtermism and utilitarianism. I understand that longtermists use utilitarianism to argue their points, so why call it something else?

  • @stefan6860
    @stefan6860 4 місяці тому

    It is "Industrial Light & Magic", please.

  • @mananparekh_
    @mananparekh_ 6 місяців тому

    wow I had no idea keynote was so powerful thank you so much for this video. Cheers!

    • @OursForTheMaking
      @OursForTheMaking 6 місяців тому

      You’re very welcome! It’s my go-to tool for animation because the next step up is both pricey and time intensive to learn.

  • @andyjenkinson5070
    @andyjenkinson5070 7 місяців тому

    All you need for an equivalent of ABBA Voyage for existing groups/singers is a clone of ABBA Arena. Film the group or singer giving a “concert” in a studio with a green screen backdrop. Use a fixed camera for a front view and several others for close-ups on the big side screens. Use a suitable “green screen “ “backdrop” for the theatre concerned. Select various synchronised views during the show for the large side screens. The on-stage ABBAtars are convincing because they are so far from the audience. The images on the large screens are less convincingly ABBA. With actual footage of real group members the effect is even more convincing. Why will this work? I call it the “football” effect. If you enjoy football on the telly you enjoy it more when watching with a like-minded mate. With fifty like minded blokes down the pub you enjoy it even more. With a few thousand in a theatre you enjoy it even more. That applies even if the match is a recording. Proof of that is “ABBA The Movie”. The film was a success not because of the mundane plot or the ABBA clips but mainly because it was watched by full film theatres of like-minded fans. Millions of fans cannot physically get to a live concert by their favourite group or even afford to. This is a way for musicians to reach more fans and is a hundred times better than watching a DVD. The theatre need not be limited to a single singer or group. There could be differen performers on a daily basis. It could also double as an excellent cinema. I hope the above ha given you something to think about - and maybe even argue about.

    • @OursForTheMaking
      @OursForTheMaking 7 місяців тому

      Certainly plenty of interesting ideas there - thanks for sharing!

  • @AlfCalson
    @AlfCalson 8 місяців тому

    ᗅᗺᗷᗅ Voyage

    • @OursForTheMaking
      @OursForTheMaking 6 місяців тому

      Nice font there! Thanks for watching 😊

  • @fdevore12
    @fdevore12 8 місяців тому

    This was excellent. I thought I was a power Keynote user until I watched this. Have you ever created a splash effect on a slide?

    • @OursForTheMaking
      @OursForTheMaking 8 місяців тому

      Glad you found it helpful 😊. Regarding a splash effect, I tend to import a layer from another graphics program that can better create splash effects. (I use Affinity Photo.) That can then be added as a PNG layer (which allows transparent backgrounds) to a slide and even animated to scale in or out to give some grit and depth to an image. Thanks for watching and for taking the time to comment.

  • @ryanwhite4770
    @ryanwhite4770 8 місяців тому

    Could we hear a composition of the sonorific watches. Any DJ's into horology. 55:32

  • @ryanwhite4770
    @ryanwhite4770 8 місяців тому

    This blew me away. All I wanna do is study time now. Maybe a doctorate ? Thankyou Rebecca. You have given me direction now.

    • @OursForTheMaking
      @OursForTheMaking 8 місяців тому

      Glad you enjoyed the conversation and found it so inspiring!

  • @eyeofamon
    @eyeofamon 8 місяців тому

    Not many acts will be able to afford the mobile stadium, light show, and live support personnel to mask the fact it's a feckin movie. Go see the show again, you'll get the exact same performance.

    • @OursForTheMaking
      @OursForTheMaking 8 місяців тому

      Thanks for watching and taking the time to comment. Agree, the costs at the moment are out of reach for most acts. I understand that ABBA recorded more songs than they play in a single show in order to rotate the set. The idea being there’s some variation between ‘performances’.

  • @peanut422hb
    @peanut422hb 9 місяців тому

    Abba, kiss, etc .. like a 10 band concert. That would be cool. However, this is the future 😢 fake. Fake. Fake. Technology my arse, this us the beast system.

  • @joseavila7313
    @joseavila7313 9 місяців тому

    Well, it seems that KISS is going to “perform” as avatars too.

  • @D.S.-uy7rb
    @D.S.-uy7rb 9 місяців тому

    Ok, but there is absolutely, positively NO way, this digital stuff will ever replace the real deal. Nor will AI ever replace the demand for real books, movies, concerts, etc. They did this one-time avatar gig, for the sole purpose of delivering a unique experience for their fans to see them in their prime. But, there's no way this thing is going on a real tour, year after year!

  • @patyfreenam860
    @patyfreenam860 10 місяців тому

    They ensured their music a form of immortality, very clever people! 👏

    • @OursForTheMaking
      @OursForTheMaking 10 місяців тому

      Certainly a new form of immortality, yes! Thanks for watching and commenting.

  • @OursForTheMaking
    @OursForTheMaking 10 місяців тому

    Who is the most influential watchmaker of all time? Rebecca shares her thoughts drawing on her research for her recent book - and all in her signature warm and open style! You can check out the full interview here: ua-cam.com/video/6ccwX0gA9ds/v-deo.html

    • @RestorationWatch
      @RestorationWatch 2 місяці тому

      What about the Tourbillon? He made the first around 220 years ago.

  • @alinaplotnikova
    @alinaplotnikova 10 місяців тому

    Thank you so much, that's so amazing! I'm increasing my online presence, and so long as I'm a one-woman band, getting creative royalty-free design solutions started becoming an issue...

    • @OursForTheMaking
      @OursForTheMaking 10 місяців тому

      Glad you found it helpful. Good luck with your upcoming projects!

  • @yatren5812
    @yatren5812 10 місяців тому

    Why are you calling it a live concert, they never did.

    • @OursForTheMaking
      @OursForTheMaking 10 місяців тому

      It’s a fair challenge - of course there is a live component (the band). Question is, does that constitute enough for the concert to be considered “live” - and does that even matter? Thanks for watching and for taking the time to leave a comment.

    • @yatren5812
      @yatren5812 10 місяців тому

      @@OursForTheMaking The oddity is that it is obviously not live, and yes, it is not a concert either. It is a show of outstanding brilliance.

  • @klausolekristiansen2960
    @klausolekristiansen2960 11 місяців тому

    One barrier to copying this is the need for 1000 animators working for several months. Few can afford this, and fewer would risk it. Of course if it gets more used, software will be developed that reduces the number of animators needed. But it will still be extremely expensive.

    • @OursForTheMaking
      @OursForTheMaking 10 місяців тому

      Thanks for your comment - yes, I agree the cost barriers to wider adoption are prohibitively high, for now. But we shall see...!

  • @btmontres1423
    @btmontres1423 11 місяців тому

    Fantastic interview with an interesting and thoughtful perspective on the history of learning how to tell time by our own creations…and in that act have fallen in love with our objects of timekeeping. So much heart from Ms. Struthers, and optimism for the future of watchmaking.

  • @RossetBespokeButlers
    @RossetBespokeButlers 11 місяців тому

    This is one of the best video/podcasts I have listened to for ages! I am very interested in horology and this is brilliant. I will be buying the book!

    • @OursForTheMaking
      @OursForTheMaking 11 місяців тому

      Thank you very much for your kind comment. So glad you enjoyed the conversation - and I hope you enjoy the book!

  • @pcch7831
    @pcch7831 Рік тому

    I just saw Voyage last week and it was insanely good. This will catch on no doubt

    • @OursForTheMaking
      @OursForTheMaking Рік тому

      Amazing stuff. Be interesting to see which act tries this next... Thanks for watching and for taking the time to comment!

  • @dirkthedaring6089
    @dirkthedaring6089 Рік тому

    I agree that music artists with a very unique way of playing their instrument would be tougher to replicate with avamusitars. I think that some of the premiere musical acts from the 70's and 80's when the lighting, visual effects, and costumes in concerts became more theatrical would be best suited for this technology. I would personally like to see Queen, Bee Gees, Pink Floyd, Van Halen, Blondie, or Genesis with this type of interesting technology. I will definitely go see this show when it comes across the pond hopefully to Las Vegas in the future.

    • @OursForTheMaking
      @OursForTheMaking Рік тому

      I think that the tech is advancing so rapidly that even the challenges I reference in the video may no longer be such barriers, but we shall no doubt see! Thanks for watching and taking the time to comment. I appreciate it.

  • @OhJodi69
    @OhJodi69 Рік тому

    Some day, these venues will be permanent in mid-to-large cities, and we will be able to go to "concerts" like we do the movies. I want to see ELVIS!

    • @OursForTheMaking
      @OursForTheMaking Рік тому

      I think you’re probably right! Thanks for watching and for taking the time to comment.

  • @disgruntledscotsman8733
    @disgruntledscotsman8733 Рік тому

    The real question is who owns this immortal act? Abba could now be removed from their careers as people have embraced this new performance. Esentially you are paying to see a video (movie), with currently live music.

    • @OursForTheMaking
      @OursForTheMaking Рік тому

      Interesting question. That will of course depend on the individual artist and the ownership structure of their catalogue, recordings and ‘estate’. A mixed picture I’d imagine for artists. Thanks for your comment.

  • @Chris_GSD
    @Chris_GSD Рік тому

    AI will transform this tech within 10 years

    • @OursForTheMaking
      @OursForTheMaking Рік тому

      perhaps within five...? Thanks for watching and for your comment.

  • @flea03
    @flea03 Рік тому

    Can someone explain, is it just a high fidelity cinema screen that you are watching them on?

    • @OursForTheMaking
      @OursForTheMaking Рік тому

      Hi, essentially it's a screen + live band that plays parts of the songs.

  • @wellsmarshall2297
    @wellsmarshall2297 Рік тому

    A fascinating and enchanting interview with Rebecca masterfully conducted by James. I thank you both. My own copy of Rebecca's book arrived this afternoon and I look forward to reading it. Thank you and I appreciate your efforts.

    • @OursForTheMaking
      @OursForTheMaking Рік тому

      Thank you very much @wellsmarshall2297 for watching and taking the time to leave such a kind comment. I'm so pleased you enjoyed the conversation and I hope you enjoy Rebecca's book! With best wishes, James.

    • @ryanwhite4770
      @ryanwhite4770 8 місяців тому

      Ordered it already. I can't wait. Hehe. Where's that time dilation when you need it. 😊

  • @katievarney9848
    @katievarney9848 Рік тому

    I think this is awesome. Many of us wasn't even born when they were popular but we grew up loving them all the same and we are teaching our kids too!! I love the idea that we can kind of play time travel and see groups or people who are gone now or are old and don't perform anymore. It's not the real deal. But it's still their music, they were involved and made it, I think it's amazing. If I was a old artist and people still wanted to hear my music, but I couldn't perform I'd do this in a heartbeat. It makes me cry and my heart happy to even see clips of it. I'd be a blubbering baby if I saw this in person. And that's how you know you are dealing with something special.

    • @OursForTheMaking
      @OursForTheMaking Рік тому

      Thanks for your comment Katie, I agree that for artists where there's not a realistic live option, this presents a new possibility to enjoy and share their music. Thanks for watching!

  • @alanmunch5779
    @alanmunch5779 Рік тому

    ABBA have pulled this off extremely well, and are pioneers. They have extremely high standards, and I’m sure would not have gone ahead otherwise. It’s an incredibly well put together show, with live band, amazing lighting effects… and of course numerous songs! It will be sad if others try to use this technology but do it poorly. And it is slightly scary how such technology could be misused to manipulate, not so much by musicians, but politicians or businesses.

    • @OursForTheMaking
      @OursForTheMaking Рік тому

      Agree that the implications for this type of technology go far wider than music. Thanks for taking the time to watch and comment, much appreciated.

  • @OursForTheMaking
    @OursForTheMaking Рік тому

    I thought this was a great summary introduction to the idea of longtermism, its origins and how it is different from other forms of long term thinking. To dive deeper into this fascinating area, check out the full interview with Richard here: 👉ua-cam.com/video/ubTLwXj-zOM/v-deo.html

  • @OursForTheMaking
    @OursForTheMaking Рік тому

    "It's a process and it takes time." Artisan watchmaker, Rebecca Struthers, shares some gentle wisdom about her creative process. Full interview here: ua-cam.com/video/6ccwX0gA9ds/v-deo.html

  • @OursForTheMaking
    @OursForTheMaking Рік тому

    👉 Watch the full interview with Rebecca here: ua-cam.com/video/6ccwX0gA9ds/v-deo.html where Rebeca talks about the ingenious contraptions invented to help us tell the time and how they have been used to help us navigate and map the world, as well as to squeeze more productivity out of weary factory workers, and how these timepieces shape our perceptions of time today. Fascinating stuff.

  • @OursForTheMaking
    @OursForTheMaking Рік тому

    Really enjoyed this wide-ranging conversation with Rebecca. Her love of what she does (making and restoring watches + watch history) shines through in so many ways. There's a lot of great advice for how to nurture your creativity, stories from history of watches and how they've shaped our perception and understanding of time and travel (think longitudinal prize for navigation, maps etc), plus a glimpse of how Rebecca sees our perception of time being transformed in the not too distant future (right at the end!). Hope you enjoy the conversation and pictures from the book, illustrated by Rebecca's husband, Craig.

  • @Kai0nTheMoon
    @Kai0nTheMoon Рік тому

    This is a great idea, but I think the mass appeal will definitely in 'resurrecting' artists from the past more than using artists that are still alive. One other idea I think would be cool would be using this technology for wrestling matches. Getting to see some of the greats from the 70s and 80s have dream matches with superstars of later decades would be an amazing sight.

    • @OursForTheMaking
      @OursForTheMaking Рік тому

      I agree with your 'resurrecting' artist point - thanks for watching and for your comment!

  • @OursForTheMaking
    @OursForTheMaking Рік тому

    Here's the link to the full interview: ua-cam.com/video/ubTLwXj-zOM/v-deo.html

  • @JasenRobillard
    @JasenRobillard Рік тому

    Given your musical background, any cautionary instincts you might have about "data feedback", wherein you generally want to keep the mic away from the amplifying speaker?

    • @OursForTheMaking
      @OursForTheMaking Рік тому

      Hey Jasen! Interesting question. Some would say that feedback spawned rock 'n' roll - so I don't instinctively shy away from it! That said, your comment did spark a more cautionary thought about how 'negative feedback' could see a poor piece of information repeated ad nauseam, making it harder for the user to trace back to the original source and check validity. Chat Generative AI (or whatever this week's preferred term is) appears to place more noise between the user and the underlying source - making fact-checking more tiresome and laborious, perhaps too tiresome and laborious for most people. And the more convincingly that poor information is presented, the more problematic it becomes IMHO.

    • @JasenRobillard
      @JasenRobillard Рік тому

      @@OursForTheMaking I love a *just right* amount of reverb and feedback but there's definitely a Goldilocks zone. Having dabbled a bit as a sound tech, I wince whenever things go awry as a result of poor mic control, or lacklustre gains/clipping control. I tend to worry about apprentices being given the tools of masters, especially when the 2nd-nth order consequences aren't properly mapped out. Garbage data X infinity mirrors/amps seems like a bad idea to me...

    • @OursForTheMaking
      @OursForTheMaking Рік тому

      @@JasenRobillard I tend to agree - the focus has been on the technical (and commercial) possibilities rather than a sober consideration of the societal and moral concerns. If the latter aren't addressed the benefits will never been seen. They go together.

  • @michaelvojkovic671
    @michaelvojkovic671 Рік тому

    No doesn’t change is just something new and magic but real human stars will be most important

    • @OursForTheMaking
      @OursForTheMaking Рік тому

      Agree human stars will be most important - @rickbeato makes this point in a recent video ua-cam.com/video/IBCuZff5Vhk/v-deo.html thanks for watching and commenting.

  • @leopicqueur
    @leopicqueur Рік тому

    best music ever 🥰🥰

    • @OursForTheMaking
      @OursForTheMaking Рік тому

      Thanks for watching and for taking a moment to comment. Much appreciated!

  • @TroyKristoffer
    @TroyKristoffer Рік тому

    I think the most interesting and terrifying part of this video is the idea and likelihood that the rights to an artist's likeness are going to morph into weapons for record companies (or other corporations) owning the rights to artist's "digital avatars" and if artists aren't careful, companies will essentially own an artist's livelihood - record companies are already on their deathbed because of decades of abuse of artists. Yet at the same time, except for extreme superstars like ABBA, most artists won't be able to afford to do anything with their new virtual intellectual properties on their own, so they are valueless unless sold to a company that has the means to produce a show or otherwise exploit them. It's exciting and terrifying all at once.

    • @OursForTheMaking
      @OursForTheMaking Рік тому

      Thanks for your comment Troy. You raise some interesting points. The concept of 'digital essence' will likely become relevant for more than just artists, but for all of us with the advent of AI generations of ourselves that can be projected somewhere digitally that we can't be physically. If that's the case, I can well imagine some form of legislative basis to protect individual's rights to retain and safeguard the integrity of their own digital likeness, which perhaps could be licensed out in an artist's contracts with recording companies - if indeed they continue to exist! I also expect the costs for exploiting virtual intellectual properties will fall. Whether those costs fall enough for artists to put on a show like this is another matter.

  • @OursForTheMaking
    @OursForTheMaking Рік тому

    I really enjoyed speaking with Richard about his fascinating new book. We explore: how can we become more long-minded in our day-to-day lives? And how can we build institutions, norms and practices at a societal-level that take more of a long view? The book applies a fresh lens to some of the great challenges of our times and strikes a resoundingly hopeful note about the possible futures we can shape and create by becoming more long-minded and taking the long view. Richard is a great curator and coiner of long-terminology. Some favourites from our conversation included: ⏰ ’Temporal Stresses’ 🔥 ’Fast Fires’ and ‘Slow Burns’ 💥 'Fracture-critical' society - a term coined by Thomas Fisher, University of Minnesota. Which were yours? That just leaves me to say a big thank you to Richard for his time and to warmly recommend his book to you, The Long View!