Відео

Trash

48:22 so damn fast 😰

I regard him the greatest pianist ever !

🌚🖤🖤🖤🖤🖤

46:20 Der schönste Liebeswalzer den ich kenne - nur ein großer Liebender kann ihn so spielen.

If Superman was a musician and could play the piano would not be able to play the Liszt Transcendental no. 10 like Pogorelich did in this concert. It took me three days to believe that was real. My guts found the truth of the bigbang listening that.

New York should built a Pogorelich’ satatue-monument for this concert.

Who are the the sons of a bitch who believe with the right to destroy for posterity a masterpiece like this concert with their stupid cough in every worst moment possible? It’s f***n outrageous.

22:53 - 23:10 impossibly, violently beautiful. the only one who could ever read that score, and from that score discover this sound, is pogorelich

GRACIAAASGRAXIEEE..MARAVILLOSO..

SUBLIME Y SIN MEZQUINDADES SATÁNICS..LA FÁBRICA DE IDEALES D FAUSTOMARGARITA GOETHE..HERÓICO MAESTRO Y MARGARITA DE BULGAKOV..

Это не земное.Он ангел во плоти.Чист и великолепен!!!❤❤❤❤

e suona a memoria, cribbio!

Incredible - only person I ever heard who can top Lazar Berman in some of the transcendentals...... sheer imagination and recreation.... agree with those who said this was a moment in performance art......

His chopin mazurkas are probably the best in this set

Wilde jagd rubbish compared to berezovsky

The piano is shockingly out of tune. And though much of the playing is masterful, I find his little cat feet pianissimos in the Brahms Intermezzi precious beyond all endurance. He willfully distends the musical line of these pieces and falsifies them with hemming and hawing rubatos and faux gravity. Just my opinion, others no doubt will differ. I agree that the Liszt etudes are great. But personally I cannot abide these Brahms Intermezzi performances.

oh my, the climax of the scriabin sonata..

Grazie Mille, Maestro Ivo.

Da quando ho conosciuto Ivo Pogorelélic ho iniziato a pensare che sia veramente il più grande interprete di tutti i tempi. Ogni nota è caratterizzata da un peso, da una precisione e da una sicurezza che lo contraddistinguono da tutte le altre, seppur grandi interpretazioni. Pur avendo un'interpretazione particolare, dovuta alla sua forte personalità, il contatto che le sue mani hanno con la tastiera è la testimonianza di uno studio approfondito dello spirito del compositore. Anche i suoi ritmi, rappresentano una comprensione profonda della partitura: Pur avendo grandi doti virtuosistiche, non ha mai fretta, ne tanto meno mostra tentennamenti su nessun passaggio. Dalle sue memorabili interpretazioni si evince una statura artistica enorme: non per egocentrismo, ma, proprio per questi motivi, egli riveste i panni della "prima donna". Credo che difficilmente conosceremo un altro artista di questo calibro.

Pogorelich at his prime. Listen how he builds everything in prelude n.17 for the lasts cords which explain his thoughts. Someone can admire, hate or reject his musical angle. But, this is a recital of a genius. In the DG recordings is focusing to the most demanding technique that only him could pay the price of practicing. Maestro, thank you for your pianistic lessons.

incomparable. Impresionante. Everything from Scarlatti to Balakirev. Without words,

These Messianic artists appear on the human plane, the 4th kingdom, every so often per every thousand years. Some every 150 years, other times every 200 years, whatever is the Divine Plan to keep our human evolution moving forward to its eventual destination to the 7th Round, 7th root-race, millions of years from now, when humans , humanity, would have evolved to be Dhyan Chohans, Dhyan Buddhas. Every step forward has a messiah, a saviour to show us, the unwashed, the ignorant, the defiled, the way of forgiveness, the way of brotherly love, the way of humility and loving-kindness always immanent in our sacred hearts, where the Jewel in The Lotus resides eternally. ❤❤❤

A great !! Messianic Artist !! ❤❤❤

Thing is, okay, if Yundi Li had played like this in his year's Chopin competition, no one would have given him the time of day. What pissed me off is this boy genius myth surrounding Pogorelich was rooted in his privileged cultural background. I'm sorry, I respect his interpretation, but I wish he had had the technique to have nailed it perfectly. This sounds like he had the idea, but the execution was lacking.

Its an amazing performance for his age, ❤ but overall not that great

genius

A TOWERING performance!

Why din't he recording the 12 transcendals

Браво, Маэстро!!! Незабываемая соната из того конкурса исполнена так обнаженно-пронзительно. ИВО ПОГОРЕЛИЧ НАВСЕГДА!

Браво, Маэстро!!!Какое пронзительно-трогательное исполнение сонаты, так напоминающее иные времена и тот конкурс... ИВО ПОГОРЕЛИЧ НАВСЕГДА!!!

Our Buddhic plane of spirituality is so much finer and far above our lower mind of existence in which we live our everyday lives, including those irredeemable music critics who constantly disparage the Maestro Pogorelich. Hence when a great artist through his good karma and advanced evolution appears on the world scene as a classical artist and pianist, is given the karmic opportunities to bring down into his musical interpretations in performances where the public or listener can hear these magnificent sounds, harmonies, tempi, the artist is accepting the musical interpretations from his Buddhic Plane mind because they are truth and musical reality at that point in time.

Браво, Маэстро!!! Лист просто на разрыв аорты!! Скрябин и Балакирев волшебны!

What ever, Mozart's duos for violin and alto are much better. K.424 is the most important piece ever composed.

Ivo Pogorelich in his seniors years as a pianist reminds me of Beethoven when he was totally deaf in his later years, yet composing some of his greatest music, with the inner musical ears so open to hear the mystical overtones and expressions and the meaning of sounds that totally escape those who are not deaf, or have any auditory impediments. The piano sounds coming from Pogorelichs playing hands seem to be building architectural structures out of sound, silence and tempi. How marvelous to find a great virtuoso who has evolved so dramatically from an artist of sheer virtuosity displayed in his earlier years to a great spiritual artist displaying his artistic insights through sonorities. Sound structures and skillful interpretations far beyond the commercial rituals of performance.

Thank you so much !

I knew M. Pogorelich well when he lived in London in the late 80's and 90's. I went to many of his concerts with him and witnessed possibly the most brilliant pianism I've ever seen (the Carnegie Hall 1990 and 1992 examples stand out as utter perfection where one was pushed back into the seat by the sheer power). These videos do him no justice at all. In this one he can certainly still play all the notes well, but the musicality and thread is nowhere to be seen. Compare this to the 1992 Carnegie Hall video and it is quite appalling. People are going to see him for the spectacle of a pianist who is a shadow of his former self rather than a complete artist now

He sustained the mood of atomized desolation over 24 different miniatures and almost an hour of playing. In stark contrast to the demonic Belgrade performance and the 'abstract' DG recording, but I agree with the commenters below, this one's (subtly) the best.

Yes, gentlemen, the imbecile judges and jury members of the competitions where this singular genius was rejected, yes, gentlemen, the hateful and jealous critics, yes, gentlemen, the narrow-minded purists who say that music is like that and not like that.. All those who have much maligned M Pogorelitch this artist who suffered so much in his personal life know that the ovations and the love of the public certainly erase a lot your stupidity and can a little the blows of fate suffered by this man with such a generous heart

Ghastly

To nije sviranje nego udaranje po klaviru. Pogorelic nije u stanju normalno svirat.

奈良のお寺でのコンサート、畳の上にピアノを置いてステージにしたのは良いけれども、ピアニストが靴を脱がないので、敷物を敷いたのですね。とはいえペダルを裸足で踏むのも感が狂いそう。日本人にとってピアノは、宝物みたいな部分がありますから、私自身はペダルを素足で踏むことには抵抗がありませんけれども。畳の上にピアノを置くと、畳が擦り切れそうで心配になるのも日本人。出入りの際に敷物以外の所には足を踏み入れていないだろうか…などピアノのセッティングが気になって悲しいかな音楽に集中できません…。それにしても音楽評論家の方はピアノで音楽を作る過程について熟知されていて、アーティスト自身のこともとても良く理解していて、凄い。

Дорогой Иво, ты такой большой художник фортепиано, так выразительно играешь и так проникаешь в душу своим неповторимым видением музыкального образа! Спасибо, что ты есть, ты даришь такую огромную радость своим исполнением! Браво, Маэстро!❤🎉🙏

Lord, he was an ASTOUNDING pianist in his 1980s peak years. Has anyone ever played Chopin's 16th prelude with this fire and accuracy?

please: complete cast??????

Он играет сердцем и душой, а не волосами. Его интерпретации завораживают воображение. Они глубки и прекрасны! 🎉👌🙏

Pretentious and eccentric, more Pogorelich than Balakirew, more Pogorelich than annythin else. But still phenomenal...

Its quite impressing, how fast and loud he can play...

Люблю просто ❤❤ Настоящий Музыкант, Человек , Мужчина .❤❤

Very happy to have heard this recording, thank you.