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Alla Marcia
Приєднався 11 лис 2021
Bach Prelude in C major (with Synesthetic Musicsheet Art)
Bach Prelude in C major (with Synesthetic Musicsheet Art)
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Відео
Bach Prelude in C major (with Synesthetic Musicsheet Art)
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Pianist: Paulo Elpidio A. Sampaio
Brahms Intermezzo Op. 117 No. 2 with Music Sheet Artwork (Horowitz)
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Artwork: "Music Sheet Collage. Op. 117 No. 2", by Alla Marcia. Pianist: Vladimir Horowitz
Brahms Intermezzo Op. 117 No. 2 with Music Sheet Artwork
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Artwork: "Music Sheet Collage. Op. 117 No. 2", by Alla Marcia. Pianist: Ivan Ilić.
François - Chopin Etudes op 25 (Legendary recording)
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Samson François, piano EMI Classics, La Voix de son Maître - 1959 00:01 1) A flat major 02:54 2) F minor 04:48 3) F major 06:33 4) A minor 08:24 5) E minor 11:37 6) G sharp minor 13:51 7) C sharp minor 19:08 8) D flat major 20:17 9) G flat major 21:27 10) B minor 25:32 11) A minor 28:53 12) C minor
Chopin Etudes difficulty ranking (the definitive list)
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Pianists: Cecile Licad - Op 10 Etudes Samson François - Op 25 Etudes Based on my own experience as a player of most of them and on many great pianists comments about them. Feel free to share your opinion. 0:00 Intro 0:09 Op 10 nº 6 Number 24 0:32 Op 25 nº 2 Number 23 0:59 Op 25 n° 7 Number 22 1:28 Op 10 n° 9 Number 21 1:49 Op 25 n° 1 Number 20 2:22 Op 25 nº 9 Number 19 2:57 Op 10 nº 5 Number 18...
you have a bad carpian tunel the op 10 no 2 is in the same level of op 10 no 1
25 no 6 is number 1, and 10 no 2 is number 2.
Wtf 25 10 was one of easiest Chopin Etudes for me, and I learned 10 3 and 10 4 in the same semester of the College. For me 10 4 was a little bit harder, but only a little bit
how about 10-1?
In my opinion, I do think people overrate Op. 10 No.1 just by looking at it. Sure it looks absolutely insane but honestly its just Chopin testing whether you can contort your hands while expanding and contracting them. One day I sat down and thought 'how hard could it be' and to my surprise it wasn't actually difficult. Discipline yourself into sitting there like a robot and going over and over each run and soon enough you'll get it right. Took me 2 months to learn. Of course the real difficulty is performing it because everyone in a 2 mile radius will hear if you mess up. But after a while of going over and over it again I almost found it difficulty to make mistakes just because the runs felt so right under my fingers. I would be quite surprised if nobody else had the same experience with Op. 10 No. 1 as me becasue don't get me wrong i am no virtuoso. But IMO there are much harder etudes in the Chopin etudes book, and personally Torrent goes above Waterfall for me, along with Sixths and Op. 10 No. 7. Not sure if anyone can relate but it would be interesting if anyone that had the same experience as me or even a different one could reply.
Trust me thirds is not the hardest!!!
Every single etude is the most difficult one.
Concierto en general Cambiaría posiciones del op 25/10 y 25/8. Sextas es más incómodo que octavas Op 25 no 3 y op 25/1 casi al mismo nivel Op 10/5 me parece mas difícil que el revolucionario
I'll rank the ones I've been playing so far (hardest to easiest): Op25no11 Op10no12 Op25no12 Op25no10 Op10no2 Op10no9 Yep, it wasn't a typo: Revolutionary comes 2nd hardest and Chromatic 2nd "easiest". I think my left hand is very weak (e.g. I still struggle a lot to play accurately the middle section of 10-9) compared to the right hand, that may be why I didn't find those 3-4-5 finger rallies in Op10no2 especially challenging. If Chromatic was about doing the same with the left hand, then it would definitely be on the top lol
It's impossible not to consider "Op. 10 n 4" the most difficult one!
I will put it as the 3, the 10 2 the 2 and the 25 6 the 1
You overrate No. 23 as so many do, especially putting it ahead of No. 1 and you massively overrated No. 4. If people put anything above 1, 2, 18, and 22, they are either being dishonestly contrarian or ignorant. Keep in mind if you aren't sustaining sans pedal the inner voices of 22, you are playing it wrongly, as most, even virtuosos do.
22 is octaves right? Yeah that Étude wasn't too bad for me and I played it correctly too. But maybe octaves are just natural for me. The thing is, the difficulty of all of these Études heavily depend on the player, for Rachmaninoff and me, 3rds is the hardest, for Arthur Rubinstein Winter Wind was the hardest etc.
@@thenotsookayguy Did you keep the inner voices independent? Did you not rely on the pedal to sustain the inner invoices? If you did either, you didn’t play it right.
@@Manx123I did.
@@thenotsookayguy I doubt it, lol
@@Manx123Na, my hands are really flexible, I can comfortably reach a 9th with just my thumb and index and a 7th with my pinky and middle, plus I spent some time on Liszt's 1st Technical Exercise with helps out with finger independence. Also I try to put some effort into getting good at voicing so I can play like Katsaris.
I’m I have study some etude but I I don’t think double third etude os that bad I feel like wrong note etude is prolly the hardest one I have done and ocean etude should be the first one on the list 😊
In my opinion, Op25 No 2 should be higher on the list. A lot of people forget that you should be playing two triplets, just two strong beats, not three strong beats that match the left hand notes. This make a HUGE rhythmic difference, and is very hard to execute well. I recommend this video to understand it better. ua-cam.com/video/j-EBKDX1x4o/v-deo.html
I feel like 10-4 is kind of like hitting a brick wall for people who don’t have really strong left hands. I’ve always felt like that’s no 4.
Jesus, that Black Key Etude is horrible. Too fast, sloppy, not worth a recording.
You must be a scary teacher
@@Offic139 Not a teacher. But scary.
That Op. 25 No. 2 is SUPER SLOW. I can even comfortably play it faster than that.
Found op 25 no 5 easier than op 25 no 2
Op 10 no 6 is always called "easy" when it is rated level 7 in Henle plus it I deceivingly easy because of it's slow tempo but the thing is it's harder than Op 10 no 9, Op 20 no. 2.
Personally I never play 1 Etude. I play @ minimum 1 opus or the other--but typically the whole set ,as they blend into each other quite well( especially after playing them all everyday for 3 years straight!) My current repertoire is many orders of magnitude harder than these Etudes. Gaspard de la nuit,Petroushka & Islamey + Busoni's Chachonne in d minor & Schubert's Fantasy,Liszt b minor sonata & Brahms Paganini Variations both books. Difficulties are all relative depending on time,experience, situation &circumstance. Everything you don't know is " hard" yet is "easy" once you know it right?
Ok buddy
As someone who had studied and performed all the 24 I don’t fully agree with everything and certainly not my definitive list. I believe each of the study presents its own unique challenge and the difficulties vary depending on the pianist, technical ability so the list of each pianist will be different depends on their technical preferences. For example I found op.10/8 much harder than 10/10 or 25/8 harder than octaves. But to each their own.
I can tell you have a great understanding of piano technique. Someone who doesn't know wouldn't have any clue of how hard those top 3 actually are.
Woah, agree with everything, exepct i would put op25 no 6 as number one. Also looks like i made a huge jump from op10 no5 to op10 no4. Idk what was my teacher thinking, but i am practicing it , and it is not as hard as it sounds. Good list overall!
As number one easiest or hardest?
@@nasirferguson4098 hardest of course :)
Alla Marcia, please do me a favor, will you? Listen to Wim Winters play Chopin’s opus 10 no 2. At the slow tempo, is he right, quote: «Like the ones who have trouble seeing the extreme technical difficulties in this recording. Anyway». I can not understand the «extreme technical difficulties» in his slow tempo. Am I right or not?
Un immense artiste ! inclassable..... Nous avons maintenant un escalier Samson François à Menton ( A.M ) où il s' est souvent produit et a séjourné
Oui! Vraiment magnifique
I’ll rank the etudes that I’ve played Highest to lowest Op 10 no 2 Op 25 no 5 Op 10 no 11 Op 25 no 7 Op 25 no 2 Op 25 no 1
That's a reasonable order for me
May I ask who’s performance is the chromatic the right hand only section is beautiful
00:01 1) A flat major 02:54 2) F minor 04:48 3) F major 06:33 4) A minor 08:24 5) E minor 11:37 6) G sharp minor 13:51 7) C sharp minor 19:08 8) D flat major 20:17 9) G flat major 21:27 10) B minor 25:32 11) A minor 28:53 12) C minor
Thank you!! I'll add the list to the description
@@Alla-Marcia excellent 😀🤗
I was sceptical when I saw this titled as the "definitive list", but after watching the video, I agree with pretty much every placing. So yeah, I would also call this the definitive list.
Thank you!!!
love how the first one Im learning is already at place 8
when i got to the harder etudes i had to check my settings to see if it was on normal playback they were so much faster than ive normally heard😭😭
In my personal experience, Op. 10 no. 2 is not too bad. I found my worst difficulties in ones such as op 10 no.1 and no. 8.
That’s the beauty of Chopin etudes, you will struggle the most on those you require to have a deeper understanding on what you should do. Finding the best way to overcome technical issues sometimes requires to unlearn what you have learnt. this is one of the reasons Chopin etudes are the most difficult of all.
LOL
For me personally, I totaly agree with you. I think op.10 no.2 was actually quite easy. I had the hardest time with op.10 no.9
@@AdrenalineLegends that makes sense if you have small hands
@@igo.spekkyjarvonvreich like I have realyyyyyyyyyyyyy small hands
I think that this is mostly very acurate but i wonder where you would put the "méthode des méthodes" etudes? For some reason everyone forgets about these 3 Chopin etudes
Whi plays it? 0:12
Cecile Licad
nice video
Thanks!!
Very impressive, but can you do now a list of Chopin-Godowski etudes?
Nice idea! I'll try
Oh my gosh, I actually started my Chopin Etudes with Op. 25 no. 9 😂
Well, it's not one of the hardest, but I believe it's difficulty is underappreciated.
Hahah me too!
Anytime anyone says "definitive ranking", they lose credibility. But this is reasonable list, I've seen list where someone ranks waterfall as easiest saying "it's just arpeggios"... Different people find different things difficult. They may even understand the word "difficulty" differently. To me, difficulty means how hopeless I am when I practice it. So I'm gonna go 25/6, 10/2, and then all the rest. Yes winter wind, waterfall are hard, but I know I can get it, I just need to grind the hours, days and months. Whereas those two just make me depressed.
Thanks for the comment! Yes, the term deffinitive is not really appropiate.
For me the list of the hardest 25 no 6 10 no 2 25 no 11 25 no 8 10 no 1 10 no 4
That's a good order actually.
This is the same for me as well.
6, 3, 5, 14, 24, 9, 8, 19, 13, 10, 11, 12, 16, 4, 17, 15, 7, 20, 21, 1, 2, 18, 22, 23
17 over 16 and 4? Op 25 no 8 is so hard, even legendary pianists seem to have so much trouble with it.
@@Alla-Marcia I maybe overestimated the difficulty of op 25 no 5. I ranked op. 25 no 8 (20) as the 7th most difficult, you ranked 6th.
@@josephmathmusic my mistake, I thought 20 was ranked lower, sorry!
The only reason Op. 10 No. 6 is "easy" is because it's played at nearly half the tempo Chopin intended.
Not easy in my opinion, just a bit easier than the others.
It's not particularly difficult at 100% speed. Just need a bit of stamina.
This video helped me thank you
Nice to hear. Thanks!
Great list! This is quite accurate! For me, Op. 25/11 is #1 and Op. 10/2 is #2. Thank you for the upload!
Thanks! Op 25 no 11 is absolutely up there.
very personnal your list no for a pianist , the first study for me was " Revolutionary worked with two years of piano and j played it with four y-piano ; all studies CHOPIN are difficult but the easier is op10-12 for a young same level that mvt 3 of Clair de Lune Beethoven Sonata ; your list is more a lover-music than a pianist ex me
I'm also a pianist myself and have played most of them.
@@Alla-Marcia it all depends on how we are playing them ; my friend after stop piano during 44 years start playing the piano again j have listened her with op25-2 tempo one minute 90 seconde with a good legato without pedal without a false note j have recorded her ; me j worked op10-12 with three work-years piano j have eight y old ; so j don't agree 100-100 with studies in the tempo of Chopin ; j don't known you understand what j mean : my friend 60 y old play very well " Fantaisie Chromatique ' J S Bach easier than studies Chopin !!
@@Alla-Marcia don 't mixe work a study and play a study in tempo of Chopin
I would put 25/11 as n1 … but I guess it’s very subjective
difficult here is not subjectif but the reality of rhe technic
@@alainspiteri502 Actually I don't agree ... for example, it depends on the physical characteristics of the pianist .. for example, I have medium-size hands ... for me playing 25/6 or 10/2 is not a big problem, but playing 25/11 or 10/1 is a bigger problem due to the fact that the span required is much larger ... I have very good octaves .. so also 25/10 is not a problem ...but for somebody else fast octaves may be a problem ... so, there is not a single metric for difficulty
@@martinopipino don't understand what you mean because 10-1 or op25-11 there are not one octave ; op10-1 is a displacemrnt of the hand ; no octaves in 25-11 but in french ( accords brisés ) also octave with lateral displacement of the hand so no problème with size of fingers and the hand ; to play 1/10 znd 25 / 11 it's necessary ten work hours a day and 8-10 years of piano it's the end of Paris-Conservatory with sonata op35-2 movt 1 or Faure " Thème et variations Czerny Toccata op-92 etc etc ...
@@martinopipino in the piano-technic the hand accompagnies the fingers by a lateral movement
@@alainspiteri502 you don’t get the meaning of what I said. The octave is just an example referred to 25-10 .. of course in 10-1 and 25-11 there is no octave technique. I was just saying that difficulty is subjective, and I presented as an example the case of 25-10 which for me is easy but for somebody else is difficult, as well as 10-1 or 25-11 that for me are difficult but maybe for somebody else are easy
All are soooo difficult for me...but so beautifull also that make the learning and practising enjoyable. Op10 no 1,2,3 and Op 25 no 1,2,5 are my daily regimen now. Nice list anyway.
Thanks! Appreciate it
you are a good piznist to play op10-1
what kind of hand do you have? do you have big hands? Small hands? are your fingers long? it will depend on the type of hand how difficult a Chopin etude is. speed is not everything, and here you demonstrate it very well! you did not put op 25 no 7, op 10 no 3 and op 10 no 6 in the lowest positions and followed only by necessity. good video, but for me it is not feasible
I assumed "standard" hands, as mine are (I have quite short fingers but I can reach a 10th or even a 11th). It is true that small hand could increase the difficulty of some etudes.
@@Alla-Marcia Small hands, like that of mine, increase some difficulties much more than others. I played 10-1 two years ago, but I cannot play 10-4 even now. Because of small hands.
The better your technique is, the more you realize that they are all equally difficult. To play them completely relaxed and in a musical way respecting the writing. Like one that you classify as easy op 25 no 2 which is often played in eighth and quarter notes instead of the triplet which should be against the triplet of the bass with extreme lightness and in much greater speed. Op 25 no 4 should be played subtly by making the 2/2 feel and by highlighting the melodies of the bass and the upper voice. I'll stop here, as there would be too many comments to make. Also try to play op 10 no 12 in 2/2 as written, without overpowering the notes.
You are right. It was just an attempt of classifying the etudes based on their techniques. Obviously, achieving perfection is almost equally hard on all of them. Anyway, I don't think making sound triplets right in op 25 no 2 is a big deal if you have a decent technique and musicality. I agree that op 25 no 4 is a really difficult one, as you can see in the list.
I agree on your comments. This list addresses the difficulty to learn them which I totally agree, but to master them is totally different issue. Some people criticize Chopin for dedicating his life only to composing for the piano, I would love to know his reasons. I think you can get some partial answers once you learn his preludes and etudes. The basis of most, if not all, the piano technique is gathered in those pieces.
Biggest surprise to me was op. 25 no.12 being in the middle, i thought it was one of the hardest
It's obviouslly subjective, but the arpeggios pattern is always the same and not that difficult in my opinion. Like in any other one, playing it really fast and without any mistakes is a challenge. Also making it sound clear enough and with a strong base is hard.
M K j agree op25-12 is difficult , eight y of work piano -eight ten hours a day only student in superior classe in the tempo at Paris Conservatory . the easier for me was op10-12 *( four y work piano six hours a day ; it's no subjectif but reality of keyboard technic
A M no op25-12 can not be clair its imposdible to keep the first bass note j stop write here sorry
I tried to play it and it was much harder for me than op 25 no 6 and op 10 no 2
@@DavitMinasyan-rn3fv And can you play those two without trouble?
I don't think it's definitive but most will agree, I think the Top 3 is interchangable but it really doesn't matter.
Thaks for the comment!
Good list, but it is also important to notice that some of these studies become more or less difficult as we vary our interpretative vision about them...for example Number Op 25 n 2 is not so simple if we play it really Presto ( as the marking requires) and with a real jeu perlé ( here partially absent, because the great Francois wanted to underline the melodic line, instead...). All these studies are really difficult, and It would be more correct to compare those based on similar techniques, or having similar purposes...
Comparing them based on similar techniques would be a great idea as well, maybe I could try to make a video. Thanks!
This is subjetive, in my opinion op 10 n 12, op 25 no 12 and op 10 no 4 are more difficult and the op 10 no 8 is more easy but its depend of the person, but the op 25 no 6 is more difficult then the op 10 no 2
Yes, it depends on the person. For me op 10 no 8 is really hard, with a difficult left hand as well, but the ones you mention are also really challeging.