Відео

Nice. Yeah sorry, this series is not really beginner friendly

Thank you very much, glad they are useful

Thank you very much, really appreciate it

Thanks a lot, mostly Blender

Glad it was helpful!

What's the problem?

Oh wow, thank you so much for these kind words. Motivates me too soon make more videos

Hello, if you go to the render properties tab there is a panel called curves. In there you can increase the curve subdivision

@@stefanmayr1983 wonderful thank you so much for the reply you are amazing!!!!!!

Hello, if i understand it right, it probably has to do with the UV. You need to tell the interpolate hair curves the name of the uv set otherwise you'll have to use the auto generated uv of the hairs themselves, which is called "surface_uv_coordinate"

@@stefanmayr1983 Thanks, I have solved this problem now, because of the bug produced by different language versions of blender. Again, could you tell me the specific way to obtain the resample_hair_TL tool under hari tools used in the video? I want to apply the resample_hair_tl command, but I don't know how to obtain it. I tried a few things, but nothing worked

@恒远-v8w hello, glad you got it working. So weird it being a language based bug. The resample tool is a custom geo nodes tool i made. It literally just uses the resample curve node so i can increase or decrease the point density when needed

Thank you very much for these kind words. Hmm as far as the eyebrows are concerned, if they are a separate particle hair they should have nothing to do with the hair curves. Maybe you can't grow them both from the same emitter? Just a random guess. Need to try that out

@@stefanmayr1983 Thanks for the reply - yeah I found that odd too. it looks as if (when selected) they turned to points.. no bother though, I can just replace for hair curves

Wow, thank you so much for these nice words, i really appreciate it

@@stefanmayr1983 my pleasure, I think you did the raccoon on your UA-cam profile photo. That would be nice and very helpful if you could break down the process of how to do the fur for such an animal or so. Thanks again

unfortunately I didn't do the raccoon, just found it years and years online and found it super cool, ha.. However I am working on a short right now, featuring a furry animal,, once this is done, I am considering of doing a furry creature process series ;)

@@stefanmayr1983 haha sorry my bad. I thought you did it since you have the skills. Again I couldn’t find anyone braking down how to make fur for animals that’s why I ask you for it. Thanks again for repaying and I am eagerly waiting for your upcoming work.

Ha thanks a lot, really appreciate it.

Hey, that's a really good question actually. After all you don't need the "bangs" boolean attribute as such, you can also separate them by using a mask. If you want to continue with the workflow in the video, you could split up you hair for the to create bangs and main hair guides (by duplicating and using the attribute for deletion), then add more guides to your bangs and combine those 2 hair objects again. This seems a bit more tedious than using a mask instead really. Geometry nodes no gave us so many ways of dealing with a situation and my approach from the video is really just how I initially attacked it. Probably nowadays I would stick with using masks instead ;)

@@stefanmayr1983 Thanks for the reply. I was thinking that I could just use masks. It's just a little annoying that we need to jump into the shader editor to visualise where the masks are when we start to do some live editing and maths on them to create cutouts.

Hello, you don't need to change to the shader editor as such. If your mask image node is selected (yes, this needs to be done in shader editor) it will show in the viewport if you change the display to texture

Thank you very much for your nice comment. Yeah, there was supposed to come one final video with extra baby hair around the edges and shading,, however life kicked in and I've gotten really busy.. No sooooo long after the initial videos, I almost feel it's too late for that

@@stefanmayr1983 thank you so much sir for the beautiful work you have done and I love your explanation on how to work it out 🙏❤️❤️

@@stefanmayr1983 I understand, but it would be really nice to see how you approach doing some edging like this. I'm guesing that you just draw a mask on your main mas and populate that with smaller length hairs all facing the direction of the growth. Maybe I'm overthinking it, but could the growth direction be controlled with the normals of the mesh somehow? Maybe using the cross product and adding some kind of swirl noise to it or something like that? Maybe hand-painting would just give you better control and a more natural feeling. Just throwing out some ideas.