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Conversation between Eugene Istomin and Isaac Stern about the development of musical talent
One must not fear being too strongly influenced by other great musicians. It is the best way to learn and grow as an artist. According to Socrates, learning is mainly the recollection of knowledge which already exists within us. For Stern and Istomin, meeting Casals actually reinforced what they already believed in and were trying to accomplish.
Filmed in Jerusalem on August 20, 1973
Filmed in Jerusalem on August 20, 1973
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Відео
Mendelssohn Song without words Op 62, 1
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Eugene Istomin often played this piece as an encore, here at the Montreux Festival in 1989.
Schubert. Impromptus OP 90 N°3 and 2
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Eugene Istomin plays Schubert's Impromptus Opus 90 N° 3 & 2. Filmed at Montreux Festival 1989
Istomin, Stern and Rose play an excerpt of Beethoven's Archduke Trio
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Eugene Istomin, Isaac Stern and Leonard Rose. Beethoven, Archduke Trio, first movement. Filmed in 1970
Istomin, Stern and Rose play Beethoven's Triple Concerto under Casals
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May 31, 1970. Casals Festival in Puerto Rico. Beethoven, Triple Concerto in C major Opus 56, first movement. Eugene Istomin, piano ; Isaac Stern, violin ; Leonard Rose, cello. Casals Festival Orchestra, Pablo Casals.
Bach, Triple Concerto BWV 1064. Horszowski, Serkin, Istomin, Casals 1971
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Mieczyslaw Horszowski, Eugene Istomin et Rudolf Serkin play Bach's Triple Concerto BWV 1064 under Pablo Casals in 1971.
Schumann, Piano Concerto Op 54. Istomin, Schneider
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Eugene Istomin plays Schumann's Piano Concerto with the Casals Festival Orchestra. Puerto Rico. May 1, 1959.
Schubert, Sonate D. 850, third movement. Eugene Istomin
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Eugene Istomin plays Schubert's Sonata in D major D. 850. part of the third movement. 1974
Eugene Istomin plays Debussy's Prelude : General Lavine-eccentric
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Debussy, Prelude "General Lavine-eccentric". Encore played by Eugene Istomin at Montreux Festival. September 27, 1989.
Chopin, Scherzo n°1 opus 20. Eugene Istomin
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Eugene Istomin plays Chopin's Scherzo n° 1 in B minor opus 20. Festival de Montreux, 27 septembre 1989.
Mozart, Piano Concerto K. 271, the end. Eugene Istomin
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Eugene Istomin plays the finale of Mozart's Piano Concerto K. 271 with the Chamber Orchestra of the ORTF conducted by Alexander Schneider. Janvier 1972 (studio ORTF)
Brahms. Handel Variations, the end. Eugene Istomin
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Eugene Istomin plays the end of Brahms' Handel Variations. 1974
Beethoven. Fantasia in G major op. 77. Eugene Istomin
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Recorded and filmed at Montreux Festival on September 29, 1989.
j, gm b
He looks so young. I never heard him play this.
The grand fugue . . 1:58
If they had the piano lids down instead of off this would sound nicer. Three full-sized concert grands are Too Much for this music.
A dream team and some great moments
Entirely different from the so-called "correct" way that Bach is played today, that is little more than an opinion as to how baroque music should be played. But listen to the extreme sensitivity and Deep emotion and lyricism of Serkin's Bach playing....this towering artist finds yet another aspect of the diverse and multi-faceted genius of Bach.
Casals et tous les musiciens qu'il dirige, par son impulsion, ne joue pas Casals, Serkin ..., ils jouent la musique
Haaaaaaaa. My.....mine.....schubert istomin.....thank you really thank you♡T.T
Thank you thank you really veryvery much thank you♡ ㅜ.ㅜ
Awesome footage
Very intellegent technique for achieving the right sound in this music even in the most challenging passages. Great to hear and see this!
There is no hurry up to Bach, tempos are fantastic
Yes, not rushed for the most part. So much more enjoyable.
Perfection
I like the tempi. Very exquisite performance.
This is Amazing!!! Never thought I would find a video of Casals infamous conducting, truely a treasure to see
何や最初の和音は!もっとそっと叩いてくれ。しかし古い指使いやな。今のピアニストとは全然違う。これが合理的な今の指使いや。ua-cam.com/video/wjdaNEqWWHo/v-deo.html わしは歳を取ったから、ショパンの曲は聴かん。マズルカ以外はうるさい。あんたの演奏は雑いしうるさい。小林愛美さんの演奏は聴ける。モーツァルトのピアノ協奏曲も買うん止めた。
I love many of Istomin's recordings. I regret this one isn't a very good performance.
Absolutely gorgeous and at what I regard as the perfect tempo. Beach’s keyboard virtuosity is on full display. Too bad we have no such talent these days.
Klasse, diese Musikfreude! Die können´s! Toll, die alte Herren noch einmal live zu sehen! Danke!
What a great event, such prominent artists!
Concerto for three pianos and string-orchestra (No Triple Concerto for three different soloists, like the only actually Concerto for violin, flute and piano in A by Bach - BWV 1044 - or the only Triple Concerto for piano, violin and violoncello in C, op. 56 by Beethoven)
Or Brandenburg no. 5.
@@Twentythousandlps Absolutly indeed!!! thx!!! <3
Just to see the great unbridled JOY on Casals's face is an intense experience, as is seeing him embrace each of the wonderful soloists and each of them kissing him in turn! Casals had about two more years to live but he managed to LIVE all of it in so fulsome a way that it makes the rest of us seem a little remiss. In the context of the entire occasion (including the fact of its taking place about 50 years ago), to remark on the page turners and to count the number of women on stage (as two comment-writers do) seems beside the point, even a trifle boorish.
Casals was 95 years old ?
Maestro's birthday was, I believe in December, so more likely to have been 94 for this concert at the UN.
This is the first time, I ever hear this Fantasy. Thank you for this treat!
wonderful performance Here is one of the greatest violin Piano Sonatas written by Puerto Rican composer Luis Rosalebron
この映像をテレビで見て、私の人生は変わったのでした。
Bellissimo... Grazie x la pubblicazione
Wonderful music-making. Hoomeyow!!
I do spy a few women in the orchestra.
I think he's good, but I think solo is a bit messy. I think chamber music is better for him because the expression is moderately suppressed.
Horszowski was 79 years young here. Seen against his actual life-span, he was practically middle-aged.
Actually Mr. Horszowski played even better in his 90's than he did in his 70's. As the last pianist standing so to speak, he finally became a star (of sorts), and gained a place that in a less commercial world would have been his a lot earlier. Celebrity seemed miraculously to have buoyed him!!
슈베르트
No smoking.
Thank you !
Rudy sure looks like he's enjoying himself. Don't know if he's vocalizing or just mouthing, but he seems to want to sing along!
He would mouth… Loved RS. A Marlboro alum.
Wow! Thanks for this. I love Serkin and the Other Guy. Don't hate me for the Seinfeld reference!
15:43 flying hands
Magnificent playing
Do you have the full interview?
Yes. I have also put also two short excerpts on Eugene Istomin's website that I have just completed. Here is the link with the specific article www.eugeneistomin.com/the-musician/interpretation/ . KInd regards.
@@hellene5246 Thank you so much for making a site about Eugene Istomin! A page about Siloti is truly breathtaking. There is also one more record of A.I.Siloti playing here ua-cam.com/video/1YNg99UuIFo/v-deo.html How many months or years Eugene Istomin studied with Siloti?
1st movement NEEDS to be 1.25 times faster. Apart from that, legandary interpretation!!
Lol!! The look on Istomins face at 3:53 when the horn enters too early is precious!!
Just before, you see concert master Alexander Schneider lean forward and start to conduct a little with his bow. Probably because Maestro Casals - one of the greatest cellists of all time, but never a great conductor - was getting a bit vague. The poor horn player didn't know who to follow. The result was...well, one of those moments. Funny in retrospect, but horrible while it's happening.
Casals was 95 , amazing
😂😂😂😂😂😂
Actually 93, still amazing.@@cellomoore
I saw him play this concerto live at SPAC back in 1974 with Ormandy and the Philadelphia Orchestra. I was sitting in row six1 It was amazing! Afterwards, I went backstage(in those days you actually could!!!) and approached him and got his autograph!! His playing had a clear directness of phrase that is sorely missing these days. He was a razor sharp pianist.
He used a lot of wrist. I wonder where he learned that from.
手首はぐにゃぐにゃ使ったらあかん。
An underrated piano genius...
Brilliant ,masterful great pianist...and musician !!!
Bravo Maestro.
Thank you for this rare treat!
One of the best talents of his generation. Greatly inspiring performance.
Many thanks for this document!!
Beautiful concert God Bless the Artistes Thanks please