Відео

0:36

Electro: Why Are You Looking at me like that

Cue title: 3M24 Sandman In Dump Truck (Insert). Other _bootleg_ titles: - Dump Truck. Release Status: Unreleased. Differences: Original cue ends at 0:46, before transitioning into a variation of the “Responsibility” leitmotif, possibly meant originally for 1M1 Main Titles, ending off with 2M16 Spider-Man Saves Gwen. Notes: Insert from an alternate version of the cue.

Cue title: 3M23 DL Keys To The City (Alt.) Other official titles: - N/A. Release Status: Unreleased. Differences: Alternate take on original 3M23 cue. Notes: Was most likely intended to be featured as apart of another cue or in a deleted scene from the original script.

Cue title: 3M22 MJ Gets Fired (Theatrical Edit). Other official titles: - N/A. Release Status: Unreleased. Differences: Tracked-In 2M10 Draggin’ from Spider-Man 2 (2004). Notes: Featured in the Theatrical Cut.

Cue title: 3M18 Harry Comes Home (Theatrical Edit). Other _bootleg_ titles: - Harry Returns Home. - Humbled & Humiliated. Release Status: Unreleased. Differences: Tracked-in and shorten version of 3M4 Alone from Spider-Man (2002). Notes: Featured in the Theatrical Cut.

Cue title: 2M16 Spider-Man Saves Gwen (Alt. Excerpt) Other official & _bootleg_ titles: - Spiderman Saves Gwen. - Gwen Stacy, Damsel in Distress. - Crane Disaster/Gwen on the Phone. Release Status: Unreleased. Differences: Excerpt from original cue, being shorten down significantly. Notes: Material from 6M59rev2 alongside 6M60rev are featured within this excerpt alongside the original 2M16 cue.

Cue title: 2M16 Spider-Man Saves Gwen. Other official & _bootleg_ titles: - Spiderman Saves Gwen. - Gwen Stacy, Damsel in Distress. - Crane Disaster/Gwen on the Phone. Release Status: Unreleased. Differences: Cut down version of the original cue, missing choir from 0:20 to 0:34, as well as from 0:54 to 1:19. Notes: N/A.

Let’s Get Some Lunch Some Evening

1:15 transition to harry 🔥🔥

I hunch

Este soundtrack te hace sentir poderoso

And so begins one of the greatest superhero movies of all time.

0:33

Let’s Some Lunch Some Evening

Give me rent

That Video So Cool & Thomas Haden Church’s Birthday Yesterday As Sandman

Hellou mr spider-man

I love this song.🎵🎶🇺🇲🇬🇧🏴󠁧󠁢󠁥󠁮󠁧󠁿

I think the the first part of this score was for the deleted scene of Peter going to Oscorp

Love it 🕷

2:30-3:10

I always think off this soundtrack when iam reading the comics with his every love ones Betty gwan Mary and the black cat .sweet soundtrack.

Good

Good

Good

I dig how in the movie, Peter's bond with the Spider DNA which gives him his powers is immediately followed with a smash cut to Oscorp and Osborn's mutation into the Green Goblin. It's like two different people were born at that time in an act of destiny.

Interesting part i was a total loser in my school everbody hated me and no one liked me until the hottest girl in school came up to me and she admitted she is in love with me she kissed me we are still together we have been together for 3 years and i still can't believe she fell for a loser like me lots of people were shocked when we kissed also when she kissed this part of the song played in my head 2:11 it was the best day

Cue title: 2M14 Peter Leaves MJ Alone in Apartment (Theatrical Edit). Other _bootleg_ titles: - Abandoned MJ. Release Status: Unreleased. Differences: Revised Elfman material tracked in for the beginning of Young’s original material until 0:30, the rest being used in both cuts. Notes: Heard in the Theatrical Cut.

Cue title: 2M13 Birth of Sandman. Other _bootleg_ titles: - Birth Of The Sandman. Release Status: Unreleased. Differences: Young’s original material for the cue. Slightly different string ensemble & piano use. Notes: N/A.

Cue title: 2M12 Peter Sees Harry in Hospital (Theatrical Version). Other official titles: - N/A. Release Status: Unreleased. Differences: Tracked-In original 3M1 A Phone Call from Spider-Man 2 (2004). Notes: Featured in the Theatrical Cut.

Cue title: 1M8 Aunt May Lectures Peter (Theatrical Edit). Other official & _bootleg_ titles: - Aunt May's Ring. - Aunt May Gives Peter Ring. Release Status: Released (Spider-Man 2 [Original Motion Picture Score]). Differences: Tracked-in material of original 5M9-10 cue from Spider-Man 2 (2004). Notes: Featured in the Theatrical Cut.

Cue title: 1M5a DL Goblin - Stargazing (Alt. 2) Other official & _bootleg_ titles: - Web - Lab - Meteor - New York In The Morning. Release Status: Unreleased. Differences: Deborah Lurie's demo track for the cue (this being the third of three alternates made). Quieter brass & string ensemble than the previous two. Notes: Contains reprises of 4M09r Spectre of the Goblin & 3M04 Alone from Spider-Man (2002) as well as Elfman's "Love" leitmotif.

Cue title: 1M5a DL Web - Lab - Meteor (Alt.) Other _bootleg_ titles: - New York In The Morning. Release Status: Unreleased. Differences: Deborah Lurie's demo track for the cue (this being the second of three alternates made). Slightly different arrangement of string ensemble & brass. Notes: Contains reprises of 4M09r Spectre of the Goblin & 3M04 Alone from Spider-Man (2002) as well as Elfman's "Love" leitmotif.

huh whuuuuuu????

This is the first time I've heard this soundtrack in high quality, for some reason many uploads of this one had a very poor quality in particular.

thank you venom for bringing in the bully Maguire version of spiderman

0:35

ive been waiting YEARS for this to be available, thank you!!!!!

Harry: She’s in love with Peter. Norman: Parker? Harry: Yeah. Norman: And how does he feel about her? Harry: Well, he’s loved her since the fourth grade. He pretends like he doesn’t, but there’s no one Peter cares for more. Norman: I’m so sorry. I haven’t always been there for you, have I? Harry: You’re busy. You’re an important man. I understand. Norman: That’s no excuse. I’m proud of you. And I’ve sight of that somewhere, but I’m gonna make it up to you, Harry. I’m going to rectify certain inequities.

Cue title: 1M5a Harry In Lab/Web/Meteor (Edit.) Other semi-official & _bootleg_ titles: - Backstage - Romantic Night. - New York In The Morning. Release Status: Unreleased. Differences: Mix of Young’s & Debney's material done for 1M5a, with 0:00 to 0:08, as well as 0:44 to 2:00 being Debney’s inserted material. The rest is from Young’s original sessions. Notes: Featured in the Theatrical Cut mostly (albeit with revised material replacing the original score from 2:06 onwards.)

1:05

Isn't this almost the same (if not the same) as Final Confrontation from first movie?

Cue title: 1M4 Peter And Harry After Play. Other _semi-official_ titles: - Peter Stops Harry After Play. Release Status: Unreleased. Differences: N/A. Notes: Tracked-in material of the revised 1M6a cue from Spider-Man 2 (2004). Featured in the Theatrical Cut.

Cue title: 1M3s They Say It’s Wonderful/Harry Reveal. Other official titles: - They Say It’s Wonderful/Harry at Theater. Release Status: Unreleased. Differences: N/A. Notes: Full source cue of Dunst’s performance alongside 1M3 Harry In Theater.

Cue title: 1M2 DL Engagement Ring - Broadway Marquee (Alt. 2) Other official titles: - Opening Montage. Release Status: Unreleased. Differences: Different session than the previous two with different arrangements. Notes: Deborah Lurie’s third insert done for the cue.

Cue title: 1M2 DL Broadway Marquee. Other official titles: - Opening Montage. Release Status: Unreleased. Differences: Different string ensemble from 0:14 to 0:19 than the original. Notes: Lurie’s second insert done for 1M2.

Cue title: 1M2 Opening Montage. Other official titles: - Broadway Marquee. Release Status: Unreleased. Differences: Christopher Young's original material for this cue from 1:17 to 1:59 is replaced with the insert done by Deborah Lurie. Notes: Featured in the Theatrical Cut.

Cue title: 1M1 Main Titles (Promo Mix). Other _Bootleg_ titles: - Main Web. Release Status: Unreleased. Differences: Missing main precussion from 1:20 to 2:33. Notes: Featured on certain promo albums for the film within circulation, hence the naming prefix.