- 19
- 16 665
ewan grnc
France
Приєднався 20 жов 2013
i kinda like music
Jean Cras - Poèmes Intimes : No. 4. "Recueillement" (1904)
Perfomer : Jean-Pierre Ferey (2013)
Jean Émile Paul Cras (1879-1932) was a 20th-century French composer and career naval officer. His musical compositions were inspired by his native Brittany, his travels to Africa, and most of all, by his sea voyages. As a naval commander he served with distinction in the Adriatic Campaign during World War I.
Cras was born and died in Brest. His father was naval medical officer. He was accepted into the navy at the age of 17. As a midshipman cadet on the Iphigénie, he travelled in the Americas, the West Indies and Senegal. His mathematical skills led to his proposing a number of innovations in technical practices which were adopted by the navy, including a navigational plotter protractor known as Règle Cras (Cras ruler).
In 1931 he was appointed Major General of the Port of Brest and promoted to rear admiral. He occupied this position when he died after a short illness.
His daughter, Colette Cras, a concert pianist for whom he wrote his piano concerto, married the Polish-French composer Alexandre Tansman.
Cras met the composer Henri Duparc early in his career and the two became lifelong friends. Duparc called Cras "the son of my soul". Though Cras's duties in the French navy left him little time to devote to his musical work, he continued to compose throughout his life, mainly writing chamber music and songs.
Although most of his output dates from after the war, much of his most ambitious work, the opera Polyphème, was written and orchestrated during the war. It was acclaimed at its premiere in 1922, giving Cras a burst of notoriety in the French press. The music is impressionistic, restless, and highly chromatic, in the spirit of Chausson and Duparc.
Cras's later work developed a more acerbic style comparable to that of Béla Bartók, though formally close to César Franck. He considered chamber music to be his forte, writing that "this refined musical form has become for me the most essential". His String Trio integrates a wide range of styles - including North African influences - and his Trio for Strings and Piano blends African and Eastern melodic patterns with Breton musical traditions into a coherent whole. The critic Michel Fleury compares his work to the Japonist style of the artist Henri Rivière revealing "a stylised Breton land, as though it had been passed through the sieve of his varied experiences gained in the four quarters of the globe."
At the request of his publisher, Jean Cras assembled in 1912 five pieces designed separately and published them under the title "Poèmes intimes" :
1. En Islande
2. Preludio con fughetta
3. Au fil de l’eau
4. Recueillement
5. La maison du matin
The first two date from his stay in Iceland (1902), the fourth from his stay in Bizerte in Tunisia (1904), while the third and fifth were written in Brest. The pieces, each dedicated to a different person (Mme Benedicktson, Henri Duparc, Ricardo Viñes, the composer’s wife and the pianist Marthe Dron) were created by Viñes at the National Music Society in 1918.
The fourth piece owe its title and its climate to the poem by Baudelaire "Recueillement", of which Cras places the first verse at the top of the piece (”Be wise, oh my Pain, and keep still”) and the last verse at the very end (“Hear, my dear, hear the sweet Night Walking…”)
Sources :
en.wikipedia.org/wiki/Jean_Cras
www.bruzanemediabase.com/fre/OEuvres/Poemes-intimes-pour-piano-Jean-Cras
Charles BAUDELAIRE (1821-1867)
Recueillement
Sois sage, ô ma Douleur, et tiens-toi plus tranquille.
Tu réclamais le Soir ; il descend ; le voici :
Une atmosphère obscure enveloppe la ville,
Aux uns portant la paix, aux autres le souci.
Pendant que des mortels la multitude vile,
Sous le fouet du Plaisir, ce bourreau sans merci,
Va cueillir des remords dans la fête servile,
Ma douleur, donne-moi la main ; viens par ici,
Loin d'eux. Vois se pencher les défuntes Années,
Sur les balcons du ciel, en robes surannées ;
Surgir du fond des eaux le Regret souriant ;
Le Soleil moribond s'endormir sous une arche,
Et, comme un long linceul traînant à l'Orient,
Entends, ma chère, entends la douce Nuit qui marche.
Original audio :
ua-cam.com/video/BMjGuBG8SCY/v-deo.html&ab_channel=Jean-PierreFerey-Topic
Sheet music :
s9.imslp.org/files/imglnks/usimg/8/81/IMSLP29203-PMLP64791-Recueillement.pdf
You can listen to the music I make on Soundcloud
soundcloud.com/ewan_grnc
Jean Émile Paul Cras (1879-1932) was a 20th-century French composer and career naval officer. His musical compositions were inspired by his native Brittany, his travels to Africa, and most of all, by his sea voyages. As a naval commander he served with distinction in the Adriatic Campaign during World War I.
Cras was born and died in Brest. His father was naval medical officer. He was accepted into the navy at the age of 17. As a midshipman cadet on the Iphigénie, he travelled in the Americas, the West Indies and Senegal. His mathematical skills led to his proposing a number of innovations in technical practices which were adopted by the navy, including a navigational plotter protractor known as Règle Cras (Cras ruler).
In 1931 he was appointed Major General of the Port of Brest and promoted to rear admiral. He occupied this position when he died after a short illness.
His daughter, Colette Cras, a concert pianist for whom he wrote his piano concerto, married the Polish-French composer Alexandre Tansman.
Cras met the composer Henri Duparc early in his career and the two became lifelong friends. Duparc called Cras "the son of my soul". Though Cras's duties in the French navy left him little time to devote to his musical work, he continued to compose throughout his life, mainly writing chamber music and songs.
Although most of his output dates from after the war, much of his most ambitious work, the opera Polyphème, was written and orchestrated during the war. It was acclaimed at its premiere in 1922, giving Cras a burst of notoriety in the French press. The music is impressionistic, restless, and highly chromatic, in the spirit of Chausson and Duparc.
Cras's later work developed a more acerbic style comparable to that of Béla Bartók, though formally close to César Franck. He considered chamber music to be his forte, writing that "this refined musical form has become for me the most essential". His String Trio integrates a wide range of styles - including North African influences - and his Trio for Strings and Piano blends African and Eastern melodic patterns with Breton musical traditions into a coherent whole. The critic Michel Fleury compares his work to the Japonist style of the artist Henri Rivière revealing "a stylised Breton land, as though it had been passed through the sieve of his varied experiences gained in the four quarters of the globe."
At the request of his publisher, Jean Cras assembled in 1912 five pieces designed separately and published them under the title "Poèmes intimes" :
1. En Islande
2. Preludio con fughetta
3. Au fil de l’eau
4. Recueillement
5. La maison du matin
The first two date from his stay in Iceland (1902), the fourth from his stay in Bizerte in Tunisia (1904), while the third and fifth were written in Brest. The pieces, each dedicated to a different person (Mme Benedicktson, Henri Duparc, Ricardo Viñes, the composer’s wife and the pianist Marthe Dron) were created by Viñes at the National Music Society in 1918.
The fourth piece owe its title and its climate to the poem by Baudelaire "Recueillement", of which Cras places the first verse at the top of the piece (”Be wise, oh my Pain, and keep still”) and the last verse at the very end (“Hear, my dear, hear the sweet Night Walking…”)
Sources :
en.wikipedia.org/wiki/Jean_Cras
www.bruzanemediabase.com/fre/OEuvres/Poemes-intimes-pour-piano-Jean-Cras
Charles BAUDELAIRE (1821-1867)
Recueillement
Sois sage, ô ma Douleur, et tiens-toi plus tranquille.
Tu réclamais le Soir ; il descend ; le voici :
Une atmosphère obscure enveloppe la ville,
Aux uns portant la paix, aux autres le souci.
Pendant que des mortels la multitude vile,
Sous le fouet du Plaisir, ce bourreau sans merci,
Va cueillir des remords dans la fête servile,
Ma douleur, donne-moi la main ; viens par ici,
Loin d'eux. Vois se pencher les défuntes Années,
Sur les balcons du ciel, en robes surannées ;
Surgir du fond des eaux le Regret souriant ;
Le Soleil moribond s'endormir sous une arche,
Et, comme un long linceul traînant à l'Orient,
Entends, ma chère, entends la douce Nuit qui marche.
Original audio :
ua-cam.com/video/BMjGuBG8SCY/v-deo.html&ab_channel=Jean-PierreFerey-Topic
Sheet music :
s9.imslp.org/files/imglnks/usimg/8/81/IMSLP29203-PMLP64791-Recueillement.pdf
You can listen to the music I make on Soundcloud
soundcloud.com/ewan_grnc
Переглядів: 11 469
Відео
Paul Ladmirault - Variations sur des airs de biniou
Переглядів 3882 роки тому
New-York Philharmonic conducted by Dimitri Mitropoulos (live recording 03/04/1950) original audio : ua-cam.com/video/_U9UKAGUh2Y/v-deo.html Paul Émile Ladmirault (1877-1944) was a French composer and music critic whose music expressed his devotion to Brittany. Claude Debussy wrote that his work possessed a "fine dreamy musicality", commenting on its characteristically hesitant character by sugg...
Stockhausen on Kreuzspiel
Переглядів 1,7 тис.2 роки тому
lecture on "musical forming" given in 1972 at the Institute of Contemporary Arts in London. ua-cam.com/video/NMvpb8b06H4/v-deo.html musical excerpt (at 2:48) performed by the Ives Ensemble ua-cam.com/video/tImv2Oxls58/v-deo.html I don't own anything in this video. You can listen to the music I make on Soundcloud soundcloud.com/ewan_grnc
Steve Reich meets Olivier Messiaen in a microtonal mess of industrial noise
Переглядів 2652 роки тому
erratum at 0:04 the note in the scale is A 1/2 sharp (not 3/4 sharp) This track is in 24 EDO and loosely follows an ABA form. The A section contains quotes of Reich and Messiaen while the B section features some kind of 12 tone row. All the melodic and harmonic material is presented in the video. The initial 12 tone row was inspired by a child singing just the first 3 notes. I used them as a mo...
Leconte De Lisle - Les Clairs De Lune (TW flashing lights)
Переглядів 212 роки тому
starts at 1:00 read by Yvon Jean original recording on youtube : ua-cam.com/video/NUQmShz2xxo/v-deo.html C’est un monde difforme, abrupt, lourd et livide, Le spectre monstrueux d’un univers détruit Jeté comme une épave à l’Océan du vide, Enfer pétrifié, sans flammes et sans bruit, Flottant et tournoyant dans l’impassible nuit. Autrefois, revêtu de sa grâce première, Globe heureux d’où montait l...
help ! i tried to be creative again
Переглядів 432 роки тому
enjoy this high quality video with its weird music, unreadable sheet music and some ai-generated clouds You can listen to the music I make on Soundcloud soundcloud.com/ewan_grnc
Alfred Schnittke - Symphony No. 1 : II. Allegretto
Переглядів 1 тис.4 роки тому
Year of recording : 1987 Conductor : Gennadi Rozhdestvensky Orchestra : USSR Ministry of Culture Symphony Orchestra Schnittke completed his graduate work in composition at the Moscow Conservatory in 1961 and taught orchestration there from 1962 to 1972. He composed for stage and cinema (until 1984), wrote essays on contemporary music and lectured on twentieth-century composers such as Bartók, B...
Schnittke - Symphony No. 1 (excerpt)
Переглядів 1414 роки тому
This is an excerpt from the first movement (Senza Tempo, Moderato) of Alfred Schnittke's Symphony No. 1 (not his first symphony ! there is a Symphony No. 0). Recording : Year : 1987 Conductor : Rozhdestvensky Orchestra : USSR Ministry of Culture Symphony Orchestra Painting : Hieronymus Bosch - The Garden of Earthly Delights (Hell) I don't own anything in this video.
I Love You
Переглядів 184 роки тому
found the audio file on an old flash drive and couldn't remember where it came from... My Soundcloud : soundcloud.com/ewangouronnec
E minor tune
Переглядів 414 роки тому
Arpeggios ! Arpeggios everywhere ! My Soundcloud : soundcloud.com/ewangouronnec
Composing at the piano
Переглядів 484 роки тому
I actually wrote the chords in physics class (so without the piano), but everything else has been decided sitting at the piano. My Soundcloud : soundcloud.com/ewangouronnec
Harmonized row
Переглядів 1414 роки тому
Based on the harmonization (with tonal harmony) of a twelve tone row and its permutations. My Soundcloud : soundcloud.com/ewangouronnec
Louis Vierne - Cinq Poèmes de Baudelaire, Op. 45 : No. 5. "Les Hiboux"
Переглядів 5285 років тому
sheet music : imslp.org/wiki/5_Poèmes_de_Charles_Baudelaire,_Op.45_(Vierne,_Louis) Mireille Delunsch (soprano) François Kerdoncuff (piano)
Butterflies
Переглядів 195 років тому
Picture is "Circle Limit with Butterflies" by Escher (Music is mine) My Soundcloud : soundcloud.com/ewangouronnec
Chopin - Etude Op.10 No.12 "Revolutionary"
Переглядів 185 років тому
Chopin - Etude Op.10 No.12 "Revolutionary"
👍
Absolument sublime. Quelle belle decouverte !
Beautiful.
Wonderful music and very nicely played.
Lovely piece. Please recommend more composers like Jean and piano pieces like this one.
Wow. Very beautiful. I saw 1904 and expected a different sound, especially having never heard of this composer before. It makes sense now that I think about it, but it was a pleasant surprise.
What a piece! Thank you for sharing❤
Garbage
4:16 what’s with the courtesy accidentals?
i have no idea o_o
Love this!
I can't tell if it's harp or piano
its piano
Love this one
Excellent compositeur mais l'homme est piètre : pétainiste, collabo, antisémite ... tout cela est bien caché car rien dans sa notice wikipédia , comme trop souvent !
merci je ne savais pas tout ça :/
Omg! I've just found your channel and subscribed immediately! What a sublime piece of music! So elegant, fluid and gloomy! Thank you so much!
I feel like I gain an IQ point every minute I listen to the maestro K Stockhausen
What a find !!! Thanks for sharing !!!
This is amazing!
Incredible! Love that Reich riff haha
hurts my ears lol