Відео

Thank you so much

Absolute pleasure!

Thank you so much for your insightful comment! I'm glad you enjoyed the interview and noticed the changes in cinematography in episode 6 of the show. It's fascinating how a simple adjustment in framing can have a significant impact on the viewer's experience. The decision to use closer and more intimate framing during the dialogue scenes in episode 6 was a deliberate choice made by the cinematographer and director. By bringing the camera closer to the characters, they were able to create a sense of intimacy and emotional connection between Joel and Ellie. It allows the audience to feel more immersed in their conversation and enhances the overall impact of their relationship. It's wonderful to hear that this change in framing had such a powerful effect on you. Moments like these, when a subtle cinematographic choice can evoke strong emotions and enhance storytelling, are what make filmmaking such a captivating art form.

Hi there. Thank you for the comment. Within today's cinema landscape the techniques used to achieve the stylistic approach we call Cinema Verite is completely integrated in modern filmmaking. 🎬 In regards to "truth". The purpose of these techniques were to make the viewer feel present as a participant in the story, as if they are witnesses. This is why it has roots in reconstructions in documentaries. Ultimately, even with these approaches a film is still "made" by people or a person who have a subjective view on the subject, even when they try to be as objective as possible this bias finds its way into the construction of the media. Etc etc. 😪 Hard to fit everything into a youtube short. 😂🤣😹

​@@WildShadowsZA Thank you!! Actually you did a better job in a few seconds than the two 10 minute long dissections of Cinema Veritae I watched. They seemed to not even know themselves! You've helped me a lot. My confusion started when Werner Herzog said he "hated" cinema veritae but then totally (imo) partakes in the practice, as opposed to direct cinema. I think this must be one of the most incorrectly used terms in all of filmmaking from the way people throw it around without tying it to their "definition"! Even the Film school article I read seemed lost haha😅

Thats a great compliment. Im here to help. My suspicion is that Werner Herzog's objection was actually more about being grouped in with his contemporaries who pioneered the style of Cinema Verite. He wanted to stand apart, but still not miss out of the advantages and opportunities new technologies brought to the medium. These technologies then enabled the style to emerge.

Agreed

Noticeable difference? Why they make it smaller?

There is a place in the market for both, no doubt. Having shot on both I must say I prefer the FX30.

@@WildShadowsZA May I ask why? I'm definitely considering the FX30, so I'm curious about your reasoning. It's definitely the more convenient pick!

@@botbot3698 The BMPCC is a great option, but I find it to be an awkward camera to operate and not entirely reliable. Both with the battery life and the camera's OS. The FX30 has the bit depth I need and a much nicer to camera to operate, even when shooting solo. The reliability is a big deal to me.

I wouldn't be worried. I believe the trick is understanding how the FX30 specifically performs at certain ISO levels. The low-light performace is best in class.

@@WildShadowsZA but the fx 3 tho 👀

@@Orangeme I agree but at double the price.

@@WildShadowsZA but 12800 second base iso 👀

So true that and wow that DR is amazing! Camera of the year in my opinion

I've got my hands on one and can't wait to stress test its dynamic range. Are those 14 stops perceivable in real-world conditions or are they "lab" stops? This is what I want to know. Regardless of the results: the DR at the price is an incredible deal. 📽

Totally. I think as soon as people spend the time to learn how to use Focus Mapping it's going to be a massive selling point. Incredibly useful on smaller screens. 👽 I'm glad you spotted my tips. :) Hope you found them useful.

@@WildShadowsZA I totally agree too and never thought that your small screens idea, but come to think of it, that's where it'll really shine and cheers much and sure did When I've got enough money I'll get one I never thought I'd ever get an apsc but this is just too good to pass for the money lol

😆 Even I was tempted

I know what you mean. The company has such a rich and interesting place in the history of cameras. The X2D will regardless be one that's spoken about. 😉

Glad it was helpful!

Hi Kay. Very happy you found it useful. Which part was most valuable to you?

Very happy you found it useful. 👽

Great to hear! 😆 dankie!

You can use ALMOST any fixture at its lowest intensity and use distance to adjust the size of the glint in the eye. (Obviously doesn't apply to very large size sources) Recently I've been using a 6inch LED tube at 1% and blacking out the sides until it's giving me the desired effect.

Haha. That's right. Season 5, episode 20...poor George.

That is awesome. Thank you for the comment. Check out the talk with Art Adams if you are interested in lenses. Very insightful.

Thank you, Your comment is much appreciate. Very glad you found it of value.

No argument here! She is amazing and her work keeps blowing minds.

Hi there! We are very glad you enjoyed. Jill is a pioneer in the field and it was a honour to spend some time with her.

Thank you, Richard!

@@WildShadowsZA pleasure, keep up the great content!!!

Thank you, Richard. Enjoy the films.

Yes. 100 percent. One of the many techniques Sam Esmail uses to lock the viewer into the hyper reality of Eliot's perception of the story world. Esmail is particularly deliberate with this.

@@WildShadowsZA he surely had me locked in. Thanks Taiteezy💪🏽

You are so welcome

You are very kind.

Awesome. Filmic Pro is a great to unlock the potential of a small sensor. Glad you found it useful. Please share if you know someone who would also find it of value.

Glad you liked it!