Відео

By far the best version of this incredible piece!

Mvt 1 - 00:16 Mvt 2 - 19:03 Mvt 3 - 25:19

Und ich dachte, meinen Schosta gut zu kennen. Nein. Diese 6. ist eine echte Entdeckung. Eine Sinfonie für viele Solo- Bläser mit Streicherbegleitung koennte man sie nennen. Wunderbar

Somptueuse œuvre. Le meme Sibelius nous a laissé des poemes symphoniques et autres symphonies aussi majestueux. Je trouve qu on ne le joue pas assez en France. Dommage

Awesome performance! Clearly all were having a good time!

I wonder what this piano is. The camera never changed angles to see

Beautiful ❤❤❤❤❤

0:15

Música de dioses , lastima que ya no hayan compositores de ese nivel

Esta música es de dioses

Magnífico!!

I hate Greenpeace!!

❤🎉 2:42

Very interesting language.

Sound is slightly behind, quite disturbing especially in the third movement.

It took me a long time to come around to this conductor, but I have to say, I have never heard him perform anything that I disapprove of. Altogether, really a wonderful conductor, in my view. He is always steady and under control and really gets a great sound out of every conductor he conducts, despite looking like Putin...poor fellow!

En hommage aux victimes de l'attaque terroriste de Nice, le 14 juillet 2016. 86 morts et des centaines de blessés. Merci pour la minute de silence finale. Hommage à toutes les victimes du terrorisme aveugle.

Very dramatic ending. Perhaps a bit overdone in the fast section before the end ... but top marks for doing something different with an amazing piece of music.

Quelle merveille! Cette version de la 6ème est d'une telle intensité, l'orchestre nous emmène au coeur de l'oeuvre avec un tel mélange de sincérité et de joie ( les sourires des musiciens, le plaisir de jouer la partirion...) qu'on n'a qu'une seule envie: reprendre au début et recomencer le voyage. Merci pour cet extraordinaire moment de grâce, à vous tous.

13:30

Qui peut traduire ce qu'il dit ?

I think this is the happiest Shostakovich symphony (the finale is truly happy, unlike in the 5th for example). What a great performance

7:17 11:01

Fall of Eagles closing theme!

最終楽章はテンポはほぼ一定のはず。演奏しやすく、一部テンポ落としてるのかな？

28:40 ここのフルート😊 28:50ここのティンパニー😊 29:42 ここもティンパニー😮 がカッコイイです!! 指揮もオーケストラも最高に素晴らしいですね❤ ありがとうございます😊 パーヴォのCDも持っていますが、この演奏の方が好きです。

17:42 delicious

Brilliant.

15:29 | 21:43 somber trumpet | 26:15 light-hearted transition |

This music just leaves me in a puddle. It's so beautiful.

I heard this played at my university by one of the student bands in 2016 and I still can’t get over this beautiful piece

Эстонцы, похоже, впервые в жизни услышали Сибелиуса. Даже не знают, где произведение заканчивается.

Wow, what a wonderful performance 👏 ❤

Amazing 👏 ❤

The principal flautist also works with the Frankfurt Symphony. I think she does Shostakovich & Mahler particularly well with great & joyous intent and enthusiasm, has helped me realize how much Shostakovich uses the flute to carry his symphonies to such heights of delight, and is Very Cute... 🎉 ❤ 😘

Fine orchestra! I especially like the principal oboist.

Epic

My fav passage 14:10

8:37 |

It's moments like these that make me appreciate that we are brother peoples. Though in the last few centuries the lot of Eesti has been even harder than that of the Finns.

Magnificent! ♥♥♥♥

I attended a performance of this sympony yesterday performed by the Münchner Philharmoniker conducted by Tugan Sokhiev. It was a beautiful evening, contrasted by Mahler's 4th Symphony. Both can be felt as "spring symphonies", one written by one who found his place, happy - the other emontionally torn, threatened in his very existence. I thoroughly enjoyed listening to this recording, too. What a great piece of music!

Very. dramatic the. a'pice !

Bravo 🙏🙏🙏

How wonderfully vigorous compared to the 4th or 5th!

10:58

Those with keen ears will detect that the opening bars were unconsciously borrowed from mahlers unfinished 10th

I can't add anything that hasn't been said better below, except to note that this is the first Shostakovich symphony to reveal the influence of Mahler. As for this performance: it's a cracker, isn't it? Much though I revere Kurt Sanderling, for me the second movement needs to be more like a prancing horse, with articulation of the crispest kind - and here, it is. (If you want to hear a truly wonky interpretation, try Leonard Bernstein, also on UA-cam; it's as "off" as his Elgar.) PS I wondered if Paavo were the son of Neeme Järvi, whose Shostakovich was also splendid - and it seems that yes, he is. 👏👏

28:40 flute fail