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Auburn Amplifiers
Приєднався 10 сер 2016
Auburn Amplifiers' Rob Robson shares tips and info for musicians, listeners and techs who want to gain some insights into the nuts and bolts of electric musical instruments and vacuum tube amplifiers. Auburn Amplifiers builds semi-custom vacuum tube musical instrument and playback amplifiers. Auburn Amplifiers are carefully made by hand using top-quality components and materials. On the other hand, the videos on this channel are unabashedly low-tech and were usually dreamed up a few minutes before hitting 'record'. If you have a topic you'd like Rob to cover or a music gear myth you'd like to see blown to little bits, just send us a message and we'll do our best to get to it. In the meantime, we wish you a day full of music.
My Pat Metheny story
Sorry about the focus - i wasn't wearing my glasses. And I'm sure the audio will get compromised by the intervening algorithms. But the point is that @auburnamplifiers1786 is very honored to have two of its creations in the endlessly skilled hands of Pat Metheny, whom I'm guessing has never injured a finger or thumb doing something around the house he could've just paid someone else to do. That kind of faux pas is for the rest of us. But I digress. This little tale is about how Pat happily bought a one-of-a-kind tube combo amp back in 2017 - a design that had to wait over seven years before being reissued as the Auburn Ten-Fifteen, one of a trio of tube and hybrid amplifiers in compact tilt-back cabinets. Then we thought: what the hey - let's give him one of our Solitaire tube DI's to commemorate his 50 years of recorded output and 70 years on this planet. Judging by the stunning sound quality of his recordings (especially the full-fidelity versions you actually buy), we share a similar philosophy and strive for the same level of integrity. From what we've seen, the more developed a musician is, the more likely they are to rely on a small number of core instruments and a mindfully streamlined selection of gear. Auburn designs its amps to deliver engaging, musical sound, and builds them carefully by hand to ensure that they deliver the goods, show after show, session after session. It''s about the same investment as buying a small number of mediocre amps, but without having to have any mediocre amps.
Переглядів: 214
Відео
Sing Better Today - 3 Easy Tips
Переглядів 978 місяців тому
Here are three easy tips to improve your singing - from an amplifier designer. Sounds crazy, no? If you've been frustrated by the exercises and terminology found in many singing videos and you just want some simple tasks to help you become a better singer quickly, set aside a few minutes for this one. Rob from @Auburn Amplifiers weaves a characteristically meandering tale about how he went from...
Making a tube DI that sounds like an amp - the Auburn Solitaire
Переглядів 2319 місяців тому
What do you do when you have to go direct at a gig? How do you get a sound from a DI that's as musically satisfying as playing through an amp? The secret is to use a DI that's designed like a classic tube amp, but without the hum, crackle or weight. Here's a look at the Auburn Solitaire, which packs a beautiful one-watt push-pull amp into a hand sized package with an audiophile grade DI transfo...
Recapping and Retubing - when to do it
Переглядів 1,5 тис.10 місяців тому
Recapping and retubing are two major service operations that come up when discussing vacuum tube audio amplifiers for musical instruments (guitar, bass, harmonica, keyboards, steel guitar, fiddle, mandolin, etc.) or audio playback (speakers or headphones for home or studio). In this video, Rob from Auburn Amplifiers talks about if, when, and how to go about replacing the capacitors and tubes (v...
The big skinny on rolling output tubes
Переглядів 177Рік тому
Want to try a different type of output tubes in your amp? Whoa, Nelly! One mistake could be disastrous for your amp and your budget - not to mention your next of kin. This video guides you to the info you need to devise an informed strategy for changing output tubes in pursuit of your sonic goals. A more detailed look at this topic is available on the Auburn Amps website.
Intro to Auburn Amps
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Due to growing curiosity about Auburn Amplifiers, here's an off-the-cuff rundown of the hand wired tube amps we make and our philosophy. Filmed inside a 1952 Chevrolet sedan, just because. We build amplifiers for musicians and music enthusiasts that get the most from vacuum tube technology through the judicious application of more recent design techniques. This allows us to offer tube amplifier...
Tube rolling preamp tubes - tips, tricks and caveats
Переглядів 602Рік тому
Swapping 9-pin dual triodes in musical instrument amplifiers is one of the easiest mods you can do to try to get the sound you're after - or just to discover something new. This video gives you a solid understanding of what's really going in inside an amp when you experiment with preamp tube rolling. The requisite blah-blah-blah is followed by a series of informal lab tests of numerous new and ...
Gear Acquisition Syndrome
Переглядів 7 тис.Рік тому
Addicted to buying music gear? This one's for you.
What's it like to play a short scale guitar?
Переглядів 330Рік тому
How to get an accurate sense of what it feels like to play a short-scale guitar like a Gibson Byrdland without actually buying, borrowing or stealing one. If you enjoy my low-budget, off-the-cuff videos about techie aspects of mostly guitar-related musical gear, please like or subscribe or do whatever it is that people do with these things. Or send glowing praise, blunt accusations, or comments...
Construction methods in tube instrument amps
Переглядів 19 тис.2 роки тому
A quick survey of the four main types of tube musical instrument amplifier construction methods (point-to-point, eyelet board, turret board, PCB). Rob from Auburn Amps discusses the pros and cons of each technique as they relate to manufacturers and hobbyists/small builders.
What is tone, and where does it come from?
Переглядів 5315 років тому
The word "tone" crops up everywhere in the electric guitar world, but what does it really mean? Are guitarists seeking tone in the right places? Leave your biases at the door - the guitar tone you want may be less elusive than you think.
Everything You Never Wanted to Know About Tube Filaments
Переглядів 8636 років тому
This cinematic masterpiece looks at the filaments in a tube guitar amp what they do, how to power them, a few design tips, and inexplicable footage of traffic in Hanoi.
Yep - more about output transformers.
Переглядів 1 тис.6 років тому
Just when you thought there was nothing more to say about guitar amplifier output transformers, along comes this out of-focus lecturettte with some tips for simulating an OPT with an oddball primary impedance.
stripping myth and mystery from guitar amp output transformers
Переглядів 1,6 тис.7 років тому
Knowing how output transformers work can get you closer to the tone you're after while saving you time and money. The video might even bust a myth or two along the way. Please feel free to comment below, keeping in mind that opinions based on facts are much more helpful.
The Correct Way to Use a Standby Switch
Переглядів 57 тис.8 років тому
Here's a quick rundown on the proper way to use a standby switch on a tube guitar amp. Comments below are more than welcome. The amp used in this video was the very first prototype of the Auburn Troublemaker, so that's why it looks like, well, a prototype.
The Facts about Compound Radius Fretboards
Переглядів 52 тис.8 років тому
The Facts about Compound Radius Fretboards
When you think you suddenly need a new amp, guitar, pedal, etc., go back and learn all the notes on the fretboard, that will do more for you playing than any piece of gear. If you already know all the notes, well done!
Leaving the Standby Switch turns ON give the filter capacitors a PATH to ground to drain off the stored charge? I'm not sure if all standby switches are wired up like this for various amplifiers brands and models. The Standby Switch was so that the Biasing Circuit was stabilized BEFORE you applied the HV plate voltage and also the standby switch is to make the output tubes have a long lifespan when cool down and warm up cycles.
Thanks, very clear!
My question sir is that.Will recapping improve the sound of an old amp?
Thank you for pointing out that this might be a bad habit, a consequential one. Needed this, thanks a lot for your honest and direct words! Appreciate it!
Musicians and Gear Pragmatism are like Oil and Water. One thing I've learnt from playing the same guitar for 4 years straight, was that once you make it versatile with pickups wiring, if it plays well, and hopefully the guitar neck fits your hand (which mine doesn't but I have no choice, being broke and from a country that has rather weak currency), that's all that really matters. Same with amps, I only use one amp sim suite from Neural DSP (which has 3 amp emulations). I'm so used to it after more than 2 years of usage, I could dial them to taste, and have them fits what I'm jamming to, for the most part. If anyone remembers the whole Digitech Bad Monkey situation, that has proven the point on how silly we guitarists could get at times. Josh Scott had shown us that an overdrive with clever EQ-ing, one could get most tones that we could ever need out of an overdrive style pedal. They might not "feel" the same, due to compression, but it's still an overdrive pedal in the end of the day. Gear advertisements, for the most part, are weaponised "Fear of Missing Out".
Thanks very much for your very insightful and well-written comment.
Most of my purchases were to find my preferences. Now, I only buy pedals if they do something unique or at least something i don't have. I like using the whole box of crayons. My guitar buying got completely out of hand. I realize I'm being bombarded with targeted ads that reinforce buying any items which caught my eye. That realization helped slow things down. It's certainly an argument for always using a VPN.
I will definitely not share this with my spouse.... it actually sounds exactly like everything my spouse would say🤣
Fantastic advice.
I have too many guitars, because my wife says... and I quote "I love to see your face when you open a new guitar!" all I have to do is make sure the magazine is open on the right page on the right table at the right time.. or god forbid she might choose the guitar too.. which have me playing a Hello Kitty in pink sparkle..
If you keep getting new guitars, one of them is bound to be a Hello Kitty. It's just a matter of time. :)
@@auburnamplifiers1786 It happened in a guitar shop.. she marched over to me with a Hello Kitty in hand and declared "You need this!!" I talked her down to an Avril Levigne Signature telecaster (Not a bad guitar to be fair!) and then while she was confused I walked her right out the door....
Sorry everyone for the substandard audio. It sounds fine before uploading, but something happens to it thereafter. Pat Metheny's music deserves to be heard in full fidelity, so as always we recommend using online services only to find something you like, then ordering the real McCoy to enjoy it fully - and to support the artist.
Hi Rob, always great to hear from you. Cool video!
Thanks very much for your continued support!
Qual a marca, modelo e características daqueles potenciômetros mostrados no minuto 6:06 ?
This is a very well presented video
Thanks for this great video. Videos like this are changing the way I think about life in a better way
Your positive comment has made my day. Many thanks.
I guess I've got your point, sort of, I may disagree on some things, such as 3:19 or 3:24, and I have difficulty imagining the slacking lights or whatever. I think I will make one for myself and see how far I can bend the string before it stars buzzing. I can compensate the likely better playability of a curved fretboard at the slight expense of either bending or of strumming by varying the ratio of radii at nut and saddle, so I will sacrifice some bending, and see if my playing improves. My guitar is about 100 years old, has about 10 or 12 mm action and shouldn't be too hard to beat using digital technology. Thanks!
I love the insights and the "real talk". Cheers!
enjoyable watch
Another superb, no-nonsense gem from Mr. Rob. (I don't know you). You remind me of one of my (triplet) brothers - a top anaesthesiologist, but boy could he cut through the bullshit in medical practise.
Thanks very much for your kindness. I played in a band once whose bassist was a triplet - the only ones I'd met. All the best to you and your family, and I wish you a day full of music.
Don't buy - play. Sounds simple but every guitar player I know is a gear junkie. Spend the money on (online) lessons instead.
Good video, but you lost me on the comparison between the burner and the Christmas tree. I thought that was stupid. I don’t understand that example at all.
I'm sorry the analogy didn't work for you. At least the bottom line came through: there's a legitimate justification for compound fretboards. Have a great day full of music!
@@auburnamplifiers1786 thanks man!
I’ve really enjoyed all of your videos. It’s so refreshing to hear someone speaking honestly about these topics rather than marketing the latest guitar gear. Thank you.
Thanks very much for your positive comment. Our goal is to encourage musicians to just focus on enjoying making music.
65DRRI new tubes... new reverb tank.... new rca jk cables' no reverb until turned up to 8 and then is very faint?
This man speaks so much TRUTH.
Better had the value in touchable stuff than $ or a Dig coin, they turn breaker off, you can still have fun with it, enjoy the ride dude.
Thank you for this video
Thanks for the videos Rob. As i'm getting more into the repair world these are very helpful!
what a truthful, heartfelt, wonderful video from someone who could only benefit from people that have this issue. Thank you for making this video. I am over my GAS but now this video makes me want to buy an Auburn amplifier ....
Thanks very much for your very kind comment. At Auburn we're very conscious of the risk of feeding GAS, so we tend to weed out requests for amplifiers we suspect won't actually get used for making music. Maybe that makes us lousy business people, but we're not really in it for the money. We just like building amps that will be enjoyed and appreciated.
Question: I just inherited my dads old Gretsch 1961 Playboy amp that hasnt been on in at least 25 years! Its bone stock and saw regular service at least once a month for its first roughly 40 years of its life while my dad was still able to play guitar. Then his arthritis got so bad he didnt enjoy playing and so his rig just sat. Now, I'm taking care of it and only having had solid state amps my whole life, im not sure how to start this up without doing the caps or tubes undue stress or strain! Any suggestions please? Thank you very much!
1. Congratulations! 2. Don't turn it on - have the filter caps replaced first! This will save you money, time and heartache. Consult with a qualified tech for the proper steps to take, or better still, take it to one. Enjoy!
Hi, this is random, but my amp doesn't work and only shows E3 when i turn it on. Any ideas what i need to do?
All I can suggest is searching online for the error codes for your model of amp. "Error 3" doesn't have a generic meaning, unfortunately. Our own amplifiers don't have error codes.
These two presentations were fantastic, Thank You for imparting such thoughtful analysis. You have me wondering about the Watkins Dominator now. On the primaries they used resistance. Can we tone shape here or even attenuate some ? I would be curious, and the math would also help. I would like to try some of these ideas. You have really opened my mind here, Thanks again!
Thanks very much for your positive comments. I'm not aware of the Watkins Dominator having series resistors on the OPT primary, but I doubt that a manufacturer would use that method to affect the load impedance on the output tubes; they'd probably just spec a different transformer and maximize power. This doesn't mean that you can't play around with this, however. Just be very careful around high voltages, as always.
Looks like a beauty!
Thanks very much!
Fantastic video and honestly put.
Thanks very much for your kind comment.
It is very pleasant to listen to someone with a good vocabulary, and the ability to cogently structure each sentence into an excellent extemporaneous lecture.
Thanks very much for your kind comment, Ian. I'll happily accept 'extemporaneous' as a euphemism for 'completely devoid of planning' :)
Hi Rob. It seems like a new product for you so early days yet, but a good audio demo would go a long way to help sell this. I can’t help but think a 1U/2U rack unit might be more appealing to some folk (myself included). Maybe something to consider in the future if all goes well. Good luck!
Thanks very much for your comment and interesting suggestion. A rackmount version of the Solitaire wouldn't be too challenging at all - we just hadn't considered that there'd be much of a market for it, but you've got us thinking. Someone else suggested a version for modular synth rigs, which would be a little trickier, but far from impossible. What applications do you envision for a rackmount version? Reamping? Studio preamp? Curious to know.
Great video !!! It's great to hear some honest 'No BS' information for a change. Keep up the good work. It would be good to here more of your advice on preferred manufacturers of capacitors etc. I would always prefer to spend a bit more for quality but in my experience price does not always guarantee quality as there is 'BS' everywhere. Would you be prepared to offer your preferred makes? Keep up the great videos!!!
Thanks very much for your positive comment, David. The subject of capacitors is indeed a can of worms - the answer would fill a book. In general, be cautious about caps that are being marketed directly to music gear enthusiasts as being of a special grade - it's not always the case. Definitely don't let price be your only guide. Good caps do cost more, but an overpriced rebranded or resold cap is not the answer. You're best to work alongside someone who regularly uses a professional components distributor (Mouser, Digi-Key, Newark/Farnell, etc.) and make your searches on those websites based on actual specifications, not colorful descriptions. You may have to buy a few extra pieces of a cap you need, but you'll still come out ahead, especially if you know someone in the same boat. Good luck to you! And be safe!
Having worked in Aerospace I am well aware of Farnell, Digikey and Mouser but cannot always find the values I need. I have a 1965 Fender Vibro Champ which is all original except for one resistor. It still works fine, but obviously the filter capacitor should probably be replaced. I have been looking at the CE Manufacturing version which is expensive but would you say worth it rather than something like a JJ ? @@auburnamplifiers1786
For a great product with an interesting spiel from a nice guy who obviously knows what he’s talking about, you need a much better quality of video production! Current standard lets you down!
Thanks very much for your kind words and your insightful comment, Andrew. I agree with you to a large extent that there's a massive gap between the quality of Auburn's designs and the production values of my videos. If I had better video skills and tools, I would definitely apply them. Our approach as an organization is that we put EVERYTHING into our amplifiers to make them accessible to as many musicians as possible. We don't devote any overhead to dealer networks, magazine ads, NAMM booths, etc. We also won't pay for online reviews or celebrity endorsements because these would add to the cost of our amps, and we don't think it's fair to make our customers pay for all that. But you've got me thinking that if someone were to come along and offer to help us make videos of a better standard, we would consider compensating them with an Auburn amp.
In your opinion sir , what do you think the actual cost of parts to construct a 50 watt rms tube amp would be ? What tubes would you use and what design would be the easiest / simplest and less likely to have problems ? Was Hartley PEAVEY on the right track with his earlier classic series ?
Hi, Ben. Thanks for your question. There's no one answer unfortunately, as it all comes down to what features you'd want and how resourceful and skilled you are. You can go a long way in building an one-off musical instrument amp cost effectively if you can repurpose an existing chassis and/or transformers. If you'll be buying output tubes, check the prices of the various types before making your final choice; their costs range considerably and will have an impact on your project cost. An isolation transformer with a voltage doubler can often make an acceptable plate supply, and a 12V LED power supply can serve as filament supply. Some hobbyists can put an amp together from things they have lying around, which can be a fun challenge. Repairing a non-functional used amp can be an affordable solution. Kits aren't as cheap as they used to be, but they can also be good value. The important thing to keep in mind is that tube amplifier voltages can injure or even kill you, so it's best for you and your family if you don't tackle anything beyond your skill and knowledge level. Re the early Peavey Classics: yes, good amps, good platform, and a respectable alternative to the usual suspects. Good luck with your quest!
Very cool. I see the passion put into that as a tube amp builder myself
Thanks very much for your positive comment, which means even more coming from a fellow builder. It's so gratifying when people in this field support and encourage one another. Best wishes to you.
As a (non-biased) wife I have to tell you guys that Rob worked a lot - means literally years - on this tube DI. He put all of his knowledge, expertise, creativity, and consciousness into this little, smart, and versatile kit. I am very-very proud of him! Go Solitaire, gooo!
Genius! Pure Genius!
A very well thought out peace of kit 😊
Thanks very much. We worked very hard on the Solitaire, so we're grateful that it shows.
I generally agree with what Rob has stated, but to the best of my knowledge and limited testing (older original tubes vs NOS tubes) if the tube emissions are getting low the power output will drop and continue to do so. I think Rob meant to say/explain, that if your amp is working fine or if the sound volume (power and possibly sound quality) from the amp is just marginally down its probably not worth considering replacing tubes just for sake of it... Lastly, within reason (specification, especially in regards to tube rectifiers) I don't think it would necessarily hurt to increase the filter cap capacitance on some cheaper older (the smallest value cap/cost they could get away with) etc Hi-Fi Tube Amplifiers/radios. But like Rob eluded to, due to distortion, sag etc. being part of the sound characteristic of a Guitar Amp you wouldn't want to change the filter cap values on them, even if there is rectifier headroom... unless you purposely want to change the sound signature.
Thanks very much for your insightful comment and support. You're quite correct that tube emissions become reduced as the tube ages. What's perhaps a little counterintuitive is that those emissions won't all fall off at the same rate, even if the tubes are the same age and have seen the same number of hours. This is why it's important to actually check the tubes and replace only the ones that either no longer meet their specs OR fail to provide satisfactory performance (which is not the same thing). It's not like changing the light bulbs on a suspension bridge, where the labor costs might justify changing them all at once. I just don't like seeing people needlessly paying to change their reverb driver or the preamp tubes in a channel they never use as part of a retubing job. Regarding filter cap size in amps with tube rectifiers, I should have mentioned that the tube's spec sheet usually indicates what the maximum safe filter cap size is. I've seen situations where an excessively large cap was installed in an (unsuccessful) attempt to reduce the hum in a single-ended amp, which of course is not being canceled the way it is in a push-pull amp.
@@auburnamplifiers1786 Thanks for the detailed reply Rob, thanks for the extra details on emissions, while I didn't suspect a linear decline you've added a bit of insight into typical emission modes of decline... while I have started "playing" (no playing @ ~400volts) around with tube (hi-fi) electronics I have no personal long term experience (usage) of tube(s) aging . building my own 7868 PP amp but its sadly been on pause for year now...
Great job, your explanation was spot on Rob. It's nice to hear others that actually know what they're talking about.
Very much appreciated. Just don't ask me anything about cooking. My daughters will politely taste a few mouthfulls before asking what time their mother will be home.
The military still uses vacuum tubes for some applications. I've been looking for a part time job soldering eyelet boards, and there is still some work out there.
Good post . I would have liked to hear more on what are the risks of not replacing old electrolytic caps.
Thanks for your very good question. In a nutshell, a failure in an electrolytic capacitor - which can happen quickly - in the worst case can lead to the hasty destruction of much more expensive amplifier components, including tubes, transformers, chokes - even speakers in extreme cases. What's more likely is that your amp's hum will become unbearable and you'll switch it off before anything else is damaged. This could happen in the middle of a gig or a session. This is why it can be false economy to put off a recapping job for too long. This doesn't apply to museum pieces of course - just amplifiers that are actually being used.
Thanks. I collected Kustom Amps (still have *3) and have been using them on an off over the years. Id visually inspected and checked uF readings in spec on electrolytics w/ a meter. The big Pwr Caps avg 30 to 60$ a pop and as I don't use the amps much anymore its not worth it to me to sink in the cash. I power them on every 3 months as I'd heard that it helps. Fingers crossed. *I had (3) all Red Kustoms w/ Altec's I sold to the TV show 'GLEE' as they had red ones in their band room.
This is great, SO much information presented in a concise, direct way.
Thank you kindly.
Thank you for sharing your experience and sensible, practical information. So much nonsense floating around out there.
You're very welcome.
I see way too many people replacing tubes especially preamp tubes when they dont need to.
Exactly.
Sound stuff but didn’t mention the significant of band make end no the paper wax capacitors😊
Do you mean the outside foil connection, and how it should always go toward the circuit point with the lowest impedance to ground?
@@auburnamplifiers1786 yep that’s exactly what I mean ☺️