Відео

Amazing, we're glad you enjoyed it. The 80s sound is truly iconic. What would you like Tim and us to hash out next?

The top left "direct" button and any voice that is panned to the centre.

That's great! We're glad that you enjoyed it. There are lots more interviews to come 😁

Agreed, thanks for the kind words :) Here's a follow-up video demonstrating the use of automation: ua-cam.com/video/qekdewQRkvg/v-deo.html

We're glad that you enjoyed it!

It could be improved

I've never used OpenVino but I'm intrigued. I like this workflow as it demonstrates a creative use of stem splitting. Have you got any other interesting use cases? Thanks for sharing :)

@MarcMatthewsProducer OpenVino also has a super resolution feature that works well enhancing tracks for some clarity. It was designed for images but works well with audio in Audacity. It has a music generation feature, too, that I haven't tried yet. It is open source by Intel and available for Audacity. I haven't used it for anything else yet, but I wish it could extract guitar tracks. As a guitarist, it would be nice to be able to isolate guitar tracks from my AI works, rip them out and replace them with my playing 😀

I just got home and testing the music generation feature. It seems very basic and allows for prompting but we'll see how the finished results are. You can define track length and rgenerate using a seed. It looks like it has a function that allows for extending an existing track also. I don't have an NVIDIA GPU so its CPU bound on my machine, so it is slow going hehe

Meh, just as I thought very basic and so repetitive it was near annoying. That could change in the future I guess. The OpenVino noise suppression tool is awesome too. You don't need to select a bit of noise in a track for reference, you can run it on an entire track. It works well for spoken audio, but I'm not sure about music. I do have a sample song I can try it on that was over produced/enhanced and has some noise in places as a result.

It's a no on the noise suppression for music hehe. It also has a transcription feature so I tested it as well and not too bad. It had a few words wrong, but overall it did an acceptable job since the song I tested it on is fairly up tempo with lots of intended noise (but I call that the sweet sound of distorted electric guitars! hehe)

This is a great move. Thanks for sharing 👍

@ You’re welcome.

I didn't know that until it was shown in the bounce window. We're always learning 😁

Thanks for sharing. The Cloud Lifter does provide more recording flexibility.

You're welcome, friend 🤜🤛

You're welcome, my friend. I'm glad it helped.

There's the challenge. Let me know when you solve it.

🤜🤛

I know, right? I should be fired and stripped of my teacher status.

@ lol next time show the steps or just don’t post it😂

​@BEATZ_BY_LEE, consider it done

Glad you like it!

Agreed! Subsynth is a beast of a plugin as you say, I regularly use it on synth-bass. A great shout 👍

No apologies, necessary. Thanks for sharing your opinion 👍

The reason is because the extra sub added on the kick overloads the limiter which reduces the level and transient information. To maintain perceived punch some other things need to be done, but it can be done.The thing is that there is way too much sub on the kick and all it actually needed was just a tiny +1 or 2db boost on the sub that was already there in the kick. Some other EQing would be helpful too, cutting some stuff from the low mids and the mids. But that's a story for another day. Bottom line, too much sub will mess everything up.

@@madsonit lots to agree with here, thanks for sharing

@@madsonit exactly..the excess of low end is what makes it weaker.. I personally don't believe in "magic" plug ins.. a well thought through use of eq and comp will always rule.. 😉

@ sure, but sometimes you might want to just add a sinewave sub underneath with a certain amp envelope. Yeah, you could technically do it with extreme eq and clip gaining but it’s not ideal.

A great recommendation. I've added it to my list, watch this space...

@ where?

@@lepagenirvelli5522 I've not created the video yet, but will do soon

What's your workflow in this scenario? My initial thought process is to reach for an enveloper or transient shaper to manipulate the attack portion of the kick.

@@jakobole the only golden rule is to find the right kick with enough low end and punch to begin with and trying it in the song.. what eq efx or comp you might apply afterwards don't matter, trust me.. in italy we say.. you don't get pears from an apple tree 😉

🫡

It's a great little plugin - Tim saved the day!

You're welcome 👍

Whilst it is free to download. Publishing royalties/copywrite is owned by John Carpenter.

Thanks, mate, and thanks for sharing your win with us! We've decided on a monthly version of this format 🤜🤛

Thanks, dude. It's great that you're using a similar process. Loving your releases in 2024. Long may it continue in 2025!

@@MarcMatthewsProducerthanks Marc

I’m sure you’re doing plenty right. And keeping up releasing, putting loads of new material out which is fantastic.

@@opusrecordingstudios thanks Tim

Thanks, buddy! I haven't experienced phasing issues in mono with Doubler. I think Doubler could be considered a stereo imager, as it allows you to manipulate the stereo placement of a duplicated audio signal, effectively widening the stereo image of a track.

You're welcome 👍

Check out this official UAD 1176 blog post: "Note that the Attack and Release controls of the 1176 work in the opposite direction of many other compressors (i.e. turning the knobs toward their higher values actually shortens attack and release times)" www.uaudio.com/blog/1176-collection-tips/ What are your thoughts?

You really should stay out of it if you don't know what your talking about.. and especially if this offends you. lol

Great to hear!

What are you trying to optimise? Sample start/end, key mapping, pitch, volume, etc..?

You're so welcome!

I haven't used Fadr... tell me more

I'm not aware of such a tool but if you find one, I would love to know.

🙌👍

Thank you 👍

This is true 👍

Thanks, mate. I'm glad you enjoyed it. It's a great little trick that I had to share - thank you, Splice!

An attack of 1 is the slowest attack and would let the initial transient through. Here I wanted to catch the loud peaks with a fast attack (all the way right).

You win some, you lose some - it's really a chorus effect. Try the Waves or Izotope Doubler.

A very valid point and great topic of conversation. As AI improves and it will continue to do so, it's going to open up a wealth of possibilities and could reinvigorate archive audio.