Відео

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Is there any tool that reduce from the real time For example i like to watch reels on instagram without the music background that appear in some of them

Love it Appreciator rules

Hi, you should write in your title that you test Ripx DAW PRO and not Ripx DAW.

There are so many effects in any DAW... you have to be patient when learning.

Cracking wee episode Marc

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а разве атака у 1176 не 1 должна быть? или 2 мс, слишком сильно задавили

doesnt work with autotune vocals , doesnt sound nice at all with raw vocal 2

Guys the biggest question that nobody is talking about is what can Ai mastering do for re mastering old music, great music that wasn’t recorded well or mastered well or mono what about all that music that was recorded for decades with increased volume, what about Vinyl recording with all the pops and skips, could Ai re vitalise Audiophiles and give new life to some of the best music ever created but poorly finished?

bro export time how much buffer size for logic pro x and i export my wav filer after export audio some cracle and noise come with audio, please tell me how to fix this problem

Great interview and guest .. 👍

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Id clip gain those transients a bit first. The compressors will respond even better if the waveform is a little more consistent . I set it opposite with the Attack and release. I'm halfway through the video do we hear it in context? I used an 1176 and two LA-2As on a Chicago tune I did and it sounded amazing. The vocals just grabbed you in that tune. Subbed and Liked

Thank you! That was very helpful

What a idiot..

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i’ve been using Logic 11 for a while now and hadn’t known you could even do this. i’ve been needing it, thank you sm Marc ! 🙏🏽✨

I've set up Felt Tip's Sound Studio as my external audio editor in Logic Pro. For a vocal performance like this, I'll just open the track in that software and edit the envelopes of words or whole phrases using the "Fade Special" tool. Very fast to work with and no worry about attack and release times. In "the old days", we'd ride the fader on a vocal or instrument track, it was just part of the mix "performance". There is compression already on this vocalist's long held note, you can see it in the wave form. They may have overloaded the signal chain while recording. To focus on further compression of that section, to my ears, just accentuates the sound of the compression more. I found that riding overall gain worked better for this track, rather than using any compression or limiting. One could then apply just enough compression to keep nuances heard while sitting within the overall mix. At the time compressors and limiters were first used, they were an automated way to manage overall level on program material being broadcast. In the 60s, these tools began to be used creatively in producing recordings, but the ones used for controlling program material for broadcast were still designed to be as transparent as possible, over a wide variety of program material. Today, I may use a compressor or limiter during recording, as I can't ride the signal fast enough to compensate during that task. Once the track is recorded, I prefer using the method I describe above before reaching for a compressor/limiter - it's easy to edit the volume over time on the computer. I'd suggest doing that, along with adjusting eq, prior to using a compressor/limiter.

Wow just did a comparison of Strawberry fields on Apple Music with Dolby Atmos and Qobuz it’s night and day, very cool

same old stuff lol

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Thank you.

If you use next time real vocals instead of AI, would be nice. Thanks

Melodyne is my go to for this

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Hi Marc and Lij, Fab podcast episode 👍 Thanks for covering my query so thoroughly. I particularly liked the idea of separating the mix process into setup and mixing - great tip! Best wishes

What’s wrong with my hearing? I can’t hear ANY difference with or without …

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Just perfect! Thanks a lot Marc for this tutorial!!!

Using the same 1176 and LA-2A chain here, getting her 2,5Khz slam on the ears out of the way I put a TDR Nova before compression and notch out that horrible frequencie with the Nova dynamic EQ.. Makes life easier and less tweaking with the compression chain. Makes the mix feel more dynamic instead of compressing it to ..........TDR Nova is free and there's a paid version with side-chain.

I don't even have that - open using rosetta icon, where the hell is that??

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He spoke for 1 minute and showed nothing!

Sound good in fact. Would be curious to hear A/B with the original track

mine says locked not opn using rosetta. Any tips

Manually adjusting single peaks of the waveform first (both up and down) using your ears and eyes will vastly improve the process. Both compressors have to work way to hard now. If time is limited you could use something like Waves Vocal Rider to do it automatically but manual adjustment preserves the human touch. Hopefully soon you will discover the Tube-Tech CL-1B as well. Cheers

this was almost exactly what i was looking for lmfaoo

Background music in unnecessary

Thank you so much for not showing what it sounds like. Im not gunna spend my time copying all of this to find out if I like it or not.

Print that then run it through a la2a in limit mode again. You're welcome. ;) :)

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My favourite video !!! Great tune and epic dance moves 😂

Guys like this who never used la2a with an 1176 and dont know gain automation are on youtube teaching these.

This is bad. Use gain automation guys.

it won't let me download it

I would automate the gain before sending it to the compressor.

I'm in the camp that uses these two in the opposite order. I record into the real analog ones. I use the optical first at 3:1 (Limit, on an LA-2A is 10:1 actually.) Since the Optical is slower, I use it first to smooth out the signal. Then I hit the 1176 actually at 20:1 to nail down the peaks that escape the Optical. You can see it in action here: ua-cam.com/video/EwLoVdAOgaA/v-deo.htmlsi=tZ6_x6eARr-R4d9H