Відео

4:00 for example , Ludus Tonalis of Hindemith is about Bach’s WTC. The album Thick as Brick is an satire of progressive rock. While the song oops i did it again - supposedly of Britney Spears ? - is about doing that thing many times

Blind Guardian coverart. I like that.

This was super informative, thank you 💕

The foundation to discuss AI blablablaabl and the solution to uploading no stop cliches to youtube ist to sit down and do a basic general study of Kant or at very least Plato before opening the mouth about beauty and art. And by basic i mean being able to relate philosophy to reality. Composers are NOT required to be philosophers. But if you discuss philosophical themes and influence 2M people, you have the intellectual duty to know the foundations of the thought you are promoting. The thing is that the TOOLS to be able to understand AI and think it, can´t be achieved in ONE day or one YEAR. You have to go slowly in a big amount of small issues related to the foundation of aesthetics and then you can start thinking about the complexity of AI. I reuploaded again one of my most important lessons, and the most disliked. Here I handle something way more scary than AI vs Not AI: the lack of joy in the beauty. ua-cam.com/video/Tj8zjLZFCSM/v-deo.htmlsi=NrxBXFbLDNkG8eoY

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Interesting. The flute comes exactly when de trumpet plays the punctuated figure. Both times

The piccolo flute is more linked to the flute than the trumpet (and the trombone). Also don't forget the strings

Some composers are “networked from birth ” , and others are just super charismatic and own OTHER type of valuable resources and services to exchange that have NOTHING to do with composing and skill…If you are not these, don’t be DISTRACTED by socials (either negative or positive!) before you build a musical substance (probably starting by your composition number 20 aligning with a clear vision about music, and a sense of composing for deadline) if it is not for you. But you can network a lot as a pianist accompanist, and this is only very good.

you cant believe how much Ive struggled with these, i was very frustrated and thinking in giving up a major work comission until Ive stumbled upon your contenet, thank you so much for all the wonderful content you share, greetings from México

lmao, thats true, sad to see many conservatories outright cutting off counterpoint lessons down to history without practice, wheres my palestrinian counterpont😢 and canon writing exercises

Are you from Brazil ? Sounds like it. I do agree with in the matter you brought in this video, thanks for sharing it.

I used to be in both worlds, can say that classical direction gives you a clear and rock solid ground for ways of thinking about the musical material and how to develop it properly, as where in film score everything is subordinated to the visual, so technically it is applied classical music with specifics, and yes classical composers have freedom to make their sonatas, chamber music and symphonies as long as they need, in film score you have to have compromises

In this age of short attention spans, starting your video chewing and swallowing food is not a good idea. That said, the words are correct.

look up Taneev's Convertible counterpoint, I used to study palestrinian counterpoint based on that there's also Liviu Comez & Rotaru's books on applied counterpoint, but taneev is the best one so far

Which chord did i play ? 😊

ua-cam.com/video/rL65-3XO4c8/v-deo.htmlsi=FbaW4Y6vLa2FmITq

I realized this recently. I was a daily user of a ear training website, but as I was studying, making exercises and signing counterpoint and 4-part harmony, I found out that pure ear training is unnecessary.

You are so on point it’s shocking, I dunno if you’ve ever heard the compositions of Gran out of Miami, it’s Afro Cuban madness, they are all so different, lemme get you a link incase you’re curious cause I can never spell his name right ua-cam.com/video/qJpGCoZ4dts/v-deo.htmlsi=JOqtUSG07_GxVKdr CC is in English, hope you enjoy, and thank you for sharing this much needed message in our day and age!

The right questions are backed by music theory, but need to consider the aesthetic problems and challenges of creativity that (1.a beautiful or 2.influential )composition tend to solve. This is not philosophical fluff: follow my analysis lessons and you see how this can work concretely. I still don’t do it perfectly (also because sometimes the goal is to teach only one concept of music) but this principle regulates the goal of my analysis in general and observation of the music i learn and hear.

quality advice as usual

great talk bro!

The dislikes prove I am right. Otherwise explain below how music theory is not prescriptive:

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If the tonality is C major and the chord in the base form is A flat, C, E flat, G, then it is a VI flat with a major seventh?

Thanks!!!!!!!! 🎉🎉🎉

What book is that?

www.patreon.com/kompositorium?

cool ! thanks for showing

But this is not all. Here is The problem… ua-cam.com/video/RCrw9YtAgC4/v-deo.htmlsi=QNitCbTHnl7LmreA

Very smart perspective.

A 6/5 chord on scale degree ① and then descend to 6/3 chord on scale ⑦. Reminds me of the descending lament bass which begin with 5-6 on scale degree ① but this one hit the 5th and 6th simultaneously

FOOTNOTE: it does not matter which VST is on input Well, if you have to hear all in your head, why this app? It shows evidence to my statement on the video of 2021: these apps are engraving apps, not composing apps. Perhaps Dorico gets closer, but i am skeptic. Observing this flaw Tantacrul could at least prevent users of moving to Notion6. If I did a mistake, please tell me how to overcome the issue. Anyways: the solution should be evident for someone like me?

ua-cam.com/video/RCrw9YtAgC4/v-deo.htmlsi=H1xK2wa09U_bzGKs

ua-cam.com/video/RCrw9YtAgC4/v-deo.html

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Stravinski's book is short and great, I learned a lot from it.

Sorry, I have to say, please be more prepared before recording a new video.