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Dimitar Ivanov
Switzerland
Приєднався 16 чер 2015
This channel is dedicated to the 10-string classical guitar performance in solo or together with other instruments. It exposes new techniques of playing, original compositions and arrangements for the multi-string guitar. Other guitar music is also available.
The Broken Balkan Polyrhythmic Etude - Dimitar Ivanov
The Broken Balkan Polyrhythmic Etude
Composition and performance: Dimitar Ivanov
Publisher : Les Productions d'Oz :
productionsdoz.com/product/8859-the-broken-balkan-polyrhythmic-etude
And a short critique from Chris Dumigan concerning the Etude :
To say that this Bulgarian composer has written one of the most difficult pieces I have ever come across, might give you an idea as to this piece’s content. The first thing you find is the three pages of Introduction in which the composer advises the player that before deciphering the piece, it is important to understand , achieve and apply on the guitar several smaller polyrhythmic goals in order to be able to cope with the piece you are about to play. You might think at first glance that this is a going too far, until you then see the score. Written in 10, 11, 13 /8 and 3/4 and marked As Fast as Possible you are then faced with 94 bars full of the most complex music where the numerous parts are consistently so rhythmically diverse as to bring nearly every player who attempts it , without doing the warm- ups as advised in the introduction, to a complete stop.
After four bars of a solo line where there are almost as many rests as notes, it repeats but this time with triplets and quadruplets as a lower line. After a couple of repeats where the lower part gets even more complex, chords are introduced into the top melody, still accompanied by the triplets and quadruplets, and still almost constantly off the beat and full of their own portion of rests. Then a Piú Mosso section in 10/8 (which in itself begs the question as to how you can go faster than ‘As Fast as Possible’) continues these ideas with two voices both a mixture of triplets, duplets and straight quavers, and eventually semiquavers, before the music returns to the opening section, almost where it left off with block chords in 11/8 above a hugely complex lower part. There are also moments of two staves where the composer tries to help the player with the multi rhythmic lines above, whilst playing some further open notes. In the final section the music reaches a climax in some of the most diverse and complex music I have ever seen.
To say that this piece is only for the very advanced player is putting it mildly, and in all honesty I wonder just how many players will want to, or be able to, play this very individual piece. But, if you fancy your chances then this is most certainly a piece to try!
Links:
dimitarivanov.org/
Dimitar.Ivanov.Music
dimitar.ivanov.music
Composition and performance: Dimitar Ivanov
Publisher : Les Productions d'Oz :
productionsdoz.com/product/8859-the-broken-balkan-polyrhythmic-etude
And a short critique from Chris Dumigan concerning the Etude :
To say that this Bulgarian composer has written one of the most difficult pieces I have ever come across, might give you an idea as to this piece’s content. The first thing you find is the three pages of Introduction in which the composer advises the player that before deciphering the piece, it is important to understand , achieve and apply on the guitar several smaller polyrhythmic goals in order to be able to cope with the piece you are about to play. You might think at first glance that this is a going too far, until you then see the score. Written in 10, 11, 13 /8 and 3/4 and marked As Fast as Possible you are then faced with 94 bars full of the most complex music where the numerous parts are consistently so rhythmically diverse as to bring nearly every player who attempts it , without doing the warm- ups as advised in the introduction, to a complete stop.
After four bars of a solo line where there are almost as many rests as notes, it repeats but this time with triplets and quadruplets as a lower line. After a couple of repeats where the lower part gets even more complex, chords are introduced into the top melody, still accompanied by the triplets and quadruplets, and still almost constantly off the beat and full of their own portion of rests. Then a Piú Mosso section in 10/8 (which in itself begs the question as to how you can go faster than ‘As Fast as Possible’) continues these ideas with two voices both a mixture of triplets, duplets and straight quavers, and eventually semiquavers, before the music returns to the opening section, almost where it left off with block chords in 11/8 above a hugely complex lower part. There are also moments of two staves where the composer tries to help the player with the multi rhythmic lines above, whilst playing some further open notes. In the final section the music reaches a climax in some of the most diverse and complex music I have ever seen.
To say that this piece is only for the very advanced player is putting it mildly, and in all honesty I wonder just how many players will want to, or be able to, play this very individual piece. But, if you fancy your chances then this is most certainly a piece to try!
Links:
dimitarivanov.org/
Dimitar.Ivanov.Music
dimitar.ivanov.music
Переглядів: 189
Відео
East Winds - Balkan Moods - Live from Jazz Club Moods - Zürich, Switzerland
Переглядів 6982 місяці тому
East Winds - Balkan Moods - Live from Jazz Club Moods - Zürich, Switzerland Kaval: Theodosii Spassov @theodosiispassov5356 Classical guitar (left): Atanas Ourkouzounov @ourkouzounov Classical guitar (right): George Vassilev @georgevassilev601 Double bass: Irina-Kalina Goudeva @ikanainfo Composition and 10-string guitar: Dimitar Ivanov @dimitar.ivanov Audio Mix Broadcast: Willy Strehler Audio Mi...
Balkanska Igra - Igra Ensemble
Переглядів 3832 місяці тому
Balkanska Igra - Igra Ensemble Elles tournent… Elles virevoltent… Je dis « elles » parce que je ne vois pas bien et que j’ai mes préjugés mais maintenant qu’ils se rapprochent, je vois bien qu’ils sont « iels », mélangés, de tous les coins des Balkans. Ils dansent le Kolo, se tiennent en cercle par la main, les couleurs flamboyantes des robes des filles allumées par le vent qui flirte sous les ...
J.S.Bach: Prélude from Cello Suite No.1 in G Major on 10-string guitar
Переглядів 6745 місяців тому
Composition: J.S.Bach: Prélude from Cello Suite No.1 in G Major Performance: Dimitar Ivanov Cameras: Angela Kleger and Dimitar Ivanov Audio/Video recording editing: Dimitar Ivanov Thanks to the association of the Reform Church St. Michael and All Angels in Caux, Switzerland for their kind autorisation for this recording. Make a donation and improve the quality of Dimitar's next release : www.pa...
Medley from "Homage to Egberto Gismonti" live at H95 Basel
Переглядів 1136 місяців тому
"Homage to Egberto Gismonti" live at Raum für Kultur H95, Basel Violin : @MarioForteViolin 10-string guitar : Dimitar Ivanov Double bass : Mihail Ivanov @noiselinguistix June 7th, 2024 #10stringguitar #egbertogismonti #trio #jazz #classical #brazilianmusic
Fantasie No. 1 "Mécanique" - Dimitar Ivanov
Переглядів 1,3 тис.11 місяців тому
During the 1810s the main activity of the population of the Swiss town Sainte-Croix becomes the construction of music boxes and automatons. Even today some of the world’s finest automaton builders are living and working in this town. A small collection of ancient mechanics is preserved in working conditions in an atelier in the town today. After the death of its establisher - Dr Jürg Wyss, the ...
O.D. on 10-string guitar @Polyphia
Переглядів 80 тис.11 місяців тому
CREDITS Original Composition by @Polyphia - www.www.polyphia.com AUDIO Performance: Dimitar Ivanov - www.dimitarivanov.org Sound Recording : Dimitar Ivanov VIDEO Director/Producer : Dimitar Ivanov Cameras : Angela Kleger 10-string guitar maker : Dieter Müller Strings : Hannabach 1869 "the Carbon/Gold Anniversary String" MHT set Bass strings: Hannabach SHT Silver Special LINKS Make a donation an...
Koyunbaba - Carlo Domeniconi
Переглядів 563Рік тому
Koyunbaba Op. 19 00:00 Moderato 03:23 Mosso 05:03 Cantabile 09:20 Presto CREDITS Composition : Carlo Domeniconi Performance : Dimitar Ivanov Acoustic Guitar Luthier : Boyan Matev LINKS www.dimitarivanov.org ivanov.dimitar.ivanov/ dimitar.ivanov.music #acoustic #acousticguitar #performance #classicalmusic #chillmusic #interpretation #nativeinstruments #guitarrig
Playing God on 10-string guitar @Polyphia
Переглядів 205 тис.Рік тому
Make a donation and improve the quality of Dimitar's next release : www.paypal.com/paypalme/dimitarivanovart It is very challenging to play this piece as a technical étude, because of the innovative characters inside, the use of new and inhabituel combinations of techniques. The way of the integration of the compositional tools on a guitar is an interesting approach as well. The main theme of ”...
Alegrinho
Переглядів 1,1 тис.2 роки тому
Alegrinho is original composition from Egberto Gismonti. Performed by Dimitar Ivanov. This performance is a part of the new solo album of Dimitar Ivanov entitled "Homage to Egberto Gismonti" with included 9 tracks. You can purchase it here : dimitarivanov.bandcamp.com/album/homage-to-egberto-gismonti CREDITS © Editions Gismonti Cameras : Angela Kleger Sound and Video: Dimitar Ivanov LINKS faceb...
Água e Vinho
Переглядів 1,1 тис.2 роки тому
Água e Vinho is original composition from Egberto Gismonti. Arranged by Daniel Murray. Arranged and perfomed by Dimitar Ivanov This performance is a part of the new solo album of Dimitar Ivanov entitled "Homage to Egberto Gismonti" with included 9 tracks. You can purchase it here : dimitarivanov.bandcamp.com/album/homage-to-egberto-gismonti CREDITS © Editions Gismonti Filmed in @la_carree - sa...
Palhaço
Переглядів 2,3 тис.2 роки тому
Palaço is original composition from Egberto Gismonti. Arranged by Sérgio Assad. Performed by Dimitar Ivanov. This performance is a part of the new solo album of Dimitar Ivanov entitled "Homage to Egberto Gismonti" with included 9 tracks. You can purchase it here : dimitarivanov.bandcamp.com/album/homage-to-egberto-gismonti CREDITS © Editions Gismonti Filmed in @la_carree - salle de spectacles, ...
Salvador
Переглядів 1 тис.2 роки тому
Salvador is original composition from Baden Powell and Egberto Gismonti. Introduction scored by Juliano Camara. Arranged and performed by Dimitar Ivanov. This performance is a part of the new solo album of Dimitar Ivanov entitled "Homage to Egberto Gismonti" with included 9 tracks. You can purchase it here : dimitarivanov.bandcamp.com/album/homage-to-egberto-gismonti CREDITS © Editions Gismonti...
Bianca
Переглядів 5882 роки тому
Bianca is original composition from Egberto Gismonti. Arranged and performed by Dimitar Ivanov This performance is a part of the new solo album of Dimitar Ivanov entitled "Homage to Egberto Gismonti" with included 9 tracks. You can purchase it here : dimitarivanov.bandcamp.com/album/homage-to-egberto-gismonti CREDITS © Editions Gismonti Filmed in @la_carree - salle de spectacles, St-Maurice, Sw...
Dança das Cabeças
Переглядів 7572 роки тому
Dança das Cabeças is original composition from Egberto Gismonti. Perfomed by Dimitar Ivanov This performance is a part of the new solo album of Dimitar Ivanov entitled "Homage to Egberto Gismonti" with included 9 tracks. You can purchase it here : dimitarivanov.bandcamp.com/album/homage-to-egberto-gismonti CREDITS © Editions Gismonti Filmed in @la_carree - salle de spectacles, St-Maurice, Swi...
Águas Luminosas / Celebração de Núpcias
Переглядів 1,1 тис.2 роки тому
Águas Luminosas / Celebração de Núpcias
Byzantine theme and variations - Variation III
Переглядів 3122 роки тому
Byzantine theme and variations - Variation III
Three Guitars - Three Continents - Derek Gripper - Alexandre Gismonti - Dimitar Ivanov
Переглядів 6472 роки тому
Three Guitars - Three Continents - Derek Gripper - Alexandre Gismonti - Dimitar Ivanov
Kalajdzisko Oro - Miroslav Tadic / arr. Braunov Duo
Переглядів 6148 років тому
Kalajdzisko Oro - Miroslav Tadic / arr. Braunov Duo
final boss
Wunderbare Musik! Schön arrangiert und gut gespielt, danke!
This is. Crazy.
Impossible. Crazy. Mind blowing.
Interesting gift from the UA-cam home page
I cant get used to the 7th string on one of my guitars
How much did the cold affect your playing? haha, excellent job (again)
Such an outstanding and excellent performance. Congratulations!!! 👏👏👏
The best version of this piece I ever heard. 👏🎶
just realised he's playing the damn bassline too!
i prefer the original, too much work here for little payoff, haha. then again i might do this if i didnt have pain issues also, but such was my life, i could barely sit down. not to say its not very well done. very well done. love and blessings
Do you know FreeEnergy?
No
@@dimitar.ivanov Thank you
The cleanliness is insane, especially considering a classical guitar, no matter how good it is, can never have touch action as short as a what you have on an electric guitar or a semi accoustic guitar like the one Time Henson plays on. Also, making hear every single note, stopping open strings from resonating and avoid buzzes, squeaks nail clicks is insanely hard to do at those speeds. Hats off to you sir.
2:07 playing two parts at once 😮💨
Vraiment magnifique cette petite video avec la composition qui viens avec !
Hello Dimitar, very good, bravo! I subscribe, greetings, Ramón.
Bravo Dimitar. Génial.
imagine tuning this thing
If you've ever tuned a 12 string, it doesn't seem so bad any more 😅
Best arrangement I've seen for guitar. It helps that you have as many strings as Egberto
Polyfias music is a challenge even for classical players.
No it's not.
Apparently even spelling their name is a challenge for internet people.
Pity that such talents and masterpieces do not get more attention and respect.
Because this sounds like a cacophonic mess. This party trick doesn’t distinguish you as a player with a specific sound - if someone were to play this exact note for note _ you wouldn’t be able to tell the difference of player.
@@litledevel15 Haha, you're such a bigot ..
@@litledevel15 "cacophonic mess" is how the works of many of the greats before us were once described, by small-minded and unremarkable people best left to the sands of time rather than be taken seriously. Or, instead of getting left behind you may consider broadening your understanding of music. This piece really is quite logical and (subjectively) easy to follow, and while I agree that there's limited room between notes for the player to inject their own flavor, Dimitar's rendition here is most definitely not without character. It's quite distinctive. If you can't tell what makes this rendition unique, I kindly suggest you work on that "you problem" in private rather than here.
Need beat please
I found you from your polyphia vids and you do not disappoint
daaaaamnnn hahahahahah so clean fuck
interesting performance' as well as an interesitng choice to play it on aukoustic guitar. I wonder why the preformer had chosen to play it in a different key than the original composition. Make no mistake. I like it, but very different from what I am used to hear.
Mostly because of the tension of the metal strings.. it suited better on that guitar ;)
Incredible Video!
Fantastic. How is it tuned? You are a great musician.
1st-5th as a normal guitar, 6th-D, 7th-C#, 8th-B, 9th-F#, 10th-E#(F)
given the technical difficulty of any such arrangement, this is done quite well
but does it djent?
It does
Any sheet music / tabs for your arrangement for the 10 string?
There are no scores available of this arrangement. I've made it from the Polyphia's original scores of the guitars and bass
@@dimitar.ivanovthanks for the response. What tuning do you use for the lowest 4 strings? And if I didn't say it before, nice performance! I've been listening to you rendition over and over.
from 7th to 10th C-B-A-E
Is it Magic?
Tf I just heard/watched
Wow, incredible talent and impressive skill!
Hi Dimitar Ivanov i have two questions. Is that an electroacustic guitar? All strings are metal or the first are nylon?
Hi, this is classical guitar, 10 nylon strings
The sight of those strings bouncing is hallucinating
Димон красавчик!
I liked everything, the production of the video, the concept and the work. The mechanistic view of the world and automatons were related to music in the 17th and 18th centuries, especially composing machines (Johann Froberger is said to have used them eventually). The work is interesting, congratulations. 25 years ago it was unthinkable to make films in the world of classical guitar.
Does anybody know what O.D. means?
...overdose?
Overdrive?
...OneDrive?
overdose
"Oculus Dexter" = Right eye.
this deserves millions of views ..
This really highlights how perfect the TOD10N os for just this song.
That was punk!
Incredible well done, really caputuring the Gismonti spirit.
Amazing! Great artwork, Dimitar! You've got a new follower 🙌🏻🎶
Why so many hate comments 😂
Where
jealous
0:44 I love the way you combine both Tim and Scott part here. Absolutely nailed it!
That part had me going back a few times 😂
Try doing a barre cord on it
lmfao
this is top comment material
Ik you're joking but as someone who owns an 8 string classical you just barre the notes you need and be careful which strings you strum and which ones you don't
bro cooked
We don't serve your kind here
Лучшее исполнение Remembering
Lost tempo half the time but nice try
lets see you play playing god on a 10 string bud
more talent in this guys pinky finger than both your hands
@@cappu1881 my entire body actually But that doesn’t make me wrong lol
@@LotusIsnt next time a chef at a restaurant serves you steak raw, you complain to him "bro it's not cooked", does he ask you "lets see your professional cooking experience". What a dumbfuck comment.
but amazing try* your not wrong tho lol he did really good especially for such a hard piece i would struggle playing marry had a little lamb on that thing 💀