Відео

good!

Cuando cuando el concierto familiar

Lindo¡

Excelente. Bendiciones.

It goes against all the "rules" of baroque counter point... But it sounds good to me, it's got its own style. You're actually using heterophony rather than polyphony here, which is common in a lot of folk music

Muy hermoso. Mucho talento.Dios lo siga iluminando.

I think ur trying to go for a baroque-like style... If that's the case id suggest u to avoid parallel 5ths :)

Hermoso. Dios te siga iluminando.

Excelente Dios te bendiga

👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻 congratulations🥰

Que paz me da. Gracias.

Complètement vide. No comment.

Jerome Jersey-Passcailga Op. 6 No. 1

Ohhh que hermoso¡¡¡El Señor le siga regalando dones y sabiduría.❤

Out of all the music I've heard from you, this one is my favorite.

Toca hacer un concierto para la familia

Muy bonito.

Suena más a un capricho que a otra cosa, al estilo de Handel.

I loved it, we have a similar way to compose. Congratulations, i wanna play it in my keyboard.

Me encanta su música. Dios lo bendiga.

Excelente composición, maravillosa!!

Good job mate,

Hermoso. Me encanta.❤

Cheverisimo. Lindo ❤

Lindo lindo¡❤

Excelente. FELICITACIONES¡

Very good! Are you self-taught? I'm also trying to study counterpoint, but I don't have any musical education. Could you and I try to exchange experiences? I would be very pleased, thank you, Newvivach!

Bella pieza

very touching! keep working on your compositions)

This is a good start, it doesn’t follow the rules of a sonata, so I would be hesitant to call it that, for instance, the tonal center of a minor sonata should shift to the relative major or a fifth away, which this piece does not do. If you want to write in a Baroque style, start by writing counterpoint snd apply that to your compositions

Great composition. I'm glad to see fellow "junior" neo-baroque composers :) You literally inspired me to upload my own composition on UA-cam, so yeah, you may check on that (not insisting tho). A little feedback from me (disclaimer, I'm a junior composer): You did a really good job. The motives flow smoothly and diverse. Perhaps you can add some modulations on your composition. I hope to listen to more of your upcoming compositions and improvements. I just subscribed :) Cheers

Hey, if you're writing music with only two voices (as it is displayed in this composition) I would advise you trying not to attack fifths or octaves simultaneously (the only exceptions being right at the beginning and end of phrases, idealy those notes being the tonic in different octaves). When that happens the perception of two voices is lost and for a moment we percieve emptiness of sound. That does not mean that a note can't be resonating simultaneously to it's relative same notes (octaves) or fifths, but the attack of the two notes must not coincide in order to keep the integrity of the two voices. Some tips would be keeping in mind what harmony you're using, and taking advantages of disonances such as appoggiaturas (search it up if you don't know what it is). There are also some exceptions to these rules but at first try to follow them. Or you can attack those fifths or octaves on purpose if you want, everything is possible, this is just some advice :) In this composition for example, this effect is really noticible in the idea you show in the beginning (first bar). Although one might not percieve that emptiness right away, you follow this idea with sections that are really full of sound and the moment you suddently go back to that initial idea that emptiness hits you really hard and it is because everytime the base line hits a note the melody is hitting the exact same one (octaves). Great work!

what a shit!

it sounds not very Baroque...