Ted Allen Pickell
Ted Allen Pickell
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Відео

Voila donc la terrible cite - Ted Pickell, Baritone
Переглядів 134 місяці тому
Voila donc la terrible cite - Ted Pickell, Baritone
O du mein holder Abendstern "Tannhäuser" // Ted Allen Pickell, Baritone
Переглядів 1063 роки тому
Loren Zachary Competition 2021 Finals Producer : Matthew Ian Welch Pianist: Brent McMunn Singer: Ted Allen Pickell, Baritone
Hai gia vinta la causa! "Le Nozze di Figaro" // Ted Allen Pickell, Baritone
Переглядів 1983 роки тому
Loren Zachary Competition 2021 Finals Producer : Matthew Ian Welch Pianist: Brent McMunn Singer: Ted Allen Pickell, Baritone
“Vanne… Credo in un Dio” Otello G. Verdi // Ted Allen Pickell, Baritone
Переглядів 783 роки тому
Ted Allen Pickell, Baritone Sky Lee, Pianist 6.09.2021
"A Guide to Britten" Swann // Ted Allen Pickell, Baritone
Переглядів 1353 роки тому
A guide to Britten by Flanders and Swann Pianist: Ines Irawati Singer: Ted Allen Pickell, Baritone La Jolla Community Center 5.13.2021
"O Carlos Ascolta" Don Carlos // Ted Allen Pickell Baritone
Переглядів 2053 роки тому
O Carlos Ascolta " Don Carlos" Verdi Baritone: Ted Allen Pickell Pianist: Ines Irawati La Jolla Community Center San Diego, CA 5.13.2021
Come master... In youth the panting slave... Ted Allen Pickell Bass-Baritone
Переглядів 1313 роки тому
Ted Allen Pickell: Bass-Baritone Clara Stosch: Pianist Nick Shadows first aria from “The Rakes Progress” By Igor Stravinsky Recorded August 26 2020
Madamina, il catalogo è questo- Ted Allen Pickell Bass-Baritone
Переглядів 3743 роки тому
Singer: Ted Allen Pickell Bass-Baritone Pianist Clara Stosch The Catalogue aria from Mozart's "Don Giovanni" Recorded August 26 2020
Votre Toast (Toreador Song) Carmen - Ted Allen Pickell Bass-Baritone
Переглядів 4493 роки тому
Bass-Baritone Ted Allen Pickell Pianist Timothy Cheung Conduit Studios recording of one of the famous arias from Bizet's masterpiece "Carmen"
O beauty... O handsomeness... (Claggart's Aria) Bass-Baritone- Ted Pickell
Переглядів 6236 років тому
Bass-Baritone Ted Allen Pickell and Pianist Ines Irawati perform the haunting soliloquy of Claggart from Benjamin Britten's masterpiece Billy Budd
The Rake's Progress- Graveyard Scene
Переглядів 6137 років тому
Des Moines Metro Opera Scenes Progam #6 2017 Ted Pickell- Nick Shadow Quinn Bernegger- Tom Rakewell Bryn Holdsworth- Anne Truelove

КОМЕНТАРІ

  • @lornafrank2741
    @lornafrank2741 2 роки тому

    Good start; you're a musician ahead of others your age. You have youth as a strength; I'm 71, still working on the voice to keep it preserved, until..... A singer's vowel monitoring must continue on, not merely for non-German singers. I listened to your Credo, Votre Toast, Madamina, also. In my opinion, having studied with a voice builder in Cincinnati (and eventually doing solo work at the State Department, Elijah in D.C., and other major roles, Scarpia, as well must not be shouted through, but actually sung on buoyant air). I have to say with all confidence that if a singer's Italianate awe vowel is not emerging from a pure Italian u (oo), then there's a weakness of generated high frequency sound needed to carry over an orchestra. Please don't be fooled by the buzziness in the middle and upper middle; it's of the French school and is okay for many today, but I feel that too much air allowed into the nasopharynx does delimit vocal comprehensiveness in breadth of use. This current approach can be helpfully altered through concentrated work on trying to have that pure, closed Italian u (oo) coming from a deep space of the pharyngeal tissues (avoiding any engagement of external neck muscles, which can grossly be seen). When you find the proper tongue posture and spacing within [and not having to force pursed lips to produce that squillo u (oo)] you are on your way to being able to sing the end of the Wagner phrases ("O du mein holder...) with a legitimate operatic, carrying sound, rather than the dreaded superficial vocal soundings. I learned that piano (ie, softer) vocalizations legitimately arrive (and are solidly established ) because they've emerged from the already well established vowels that are governed by guess what?--the pure , deep, legitimate Italian u (oo) that is of a clear/dark nature. I apologize if I have irritated you, and I wish you all the best. P.S. the u (oo) when it doesn't get away from you (and giving it the space it needs for your higher tessitura) should enable you to pop out Gs with ease, and as your head voice is stronger, perhaps a solid A, or higher (you're obviously not a tenor).

  • @breeelauren
    @breeelauren 3 роки тому

    Beautiful, Ted!!

  • @caninbar
    @caninbar 6 років тому

    That's one tall pickell!

  • @projecttrap1775
    @projecttrap1775 7 років тому

    Good! Keep it up!