Відео

Pierre Moerlen & Joe Blocker I think are some of the most underestimated drummers that have been

It’s not 11/16, it’s a bar of 3/4. There’s a steady quarter note pulse during the whole intro, until you get to the third time the riff is played. The last hit of the riff (the first two times it’s played) lands on the last 16th note of the bar of 3, followed immediately by the downbeat of 1 on the next bar. If you count the last hit of the riff as the downbeat of 1, the measure would be 11/16. The third time is totally different.

First class breakdown for a mediocre guitarist who just wanted to know what was going on.....thankyou.

great cover!

AS a Genesis fan since 1971, when I first heard Trespass I bought each Genesis album on day of release . I was 22 when 'And then there were three' was released. It took some getting used to with yet another member leaving but the opening track certainly had quite an immediate impact on me. Thank you for your analysis of the structure of this very hard hitting opening track.

Was so good had me expecting Phil to start singing lmao

And he was 20-21 yo

The first Genesis LP I bought way way back in 75 and .. the music of these incredible musicians has lived with me ever since . Thanks for this excellent breakdown ..

It is truly wonderful. I was 10 in 1973. I put a record on my brother had borrowed, with this weird fox on the cover and heard this. Hooked ever since. I will never forget that moment.

I felt nothing wrong....sir: u may pass.

Awesome

Cool

No idea what this is about or why this was recommended to me but It was an interesting watch. Keep up the good work.

Not first not last , came here to watch this masterpiece 🔥

15 myself in '78. And Then There Were Three was a phenomenal album.

beautiful!

Thanks Johan, what a lovely passage

Nice!

hi Johan, as a big genesis-fan i must say: great explanation and play of this timeless and wonderful epic intro, thanks and congratulation! greetings from beat

Thank you very much Johan !! 👍I fan of Genesis since 1970. Pure and emotional sound for me: old man living in Swizerland in Geneva. Thanks again for the old beginner that i am♥

Watch Stephen Prutsman play it on piano. Mind blowing.

Joe blocker. Goddam legend and genius

Wayyyyy better than these horrible remixes in here! Good job!

This time signature has always confused me too. It's a really weird feel.

👍

Das zweite Album von U.K. erinnert mich immer noch an Alben von EL&P, weil die Hammond B3/4 sehr dominant ist - völlig ok! An dem Titelsong Danger Money fasziniert mich die Dramaturgie, die der Song enthält. Und das mit diesen unglaublichen Themen-, Takt- und Rhythmuswechseln .... fantastisch!

Ich habe die Deluxe Version der LiveCD 'Night after night' von U.K. aus 2019 worauf auch Danger Money, The Only Thing She Needs und Carrying No Cross enthalten sind. Die Aufnahmen sind alle 1979 im Nakazano Plaza in Tokyo aufgenommen und enthalten keine overdubs. Diese drei brillanten Musiker spielen die Songs wie auf den Studioversionen ... großartig!

1979/80 versuchte Phil Collins seine erste Ehe mit Andrea zu retten. Während diese Zeit hatte er sehr viel getrunken, weshalb seine Stimme auf DUKE leicht brüchig klang. Und gerade diese Stimmfarbe passte hervorragend zu GUIDE VOCAL ...

Hallo, Johan! Ich schreibe aus Deutschland und habe deine Clips erst heute entdeckt. Als ich 1974 GENESIS entdeckte, schaue ich immer wieder auf UA-cam nach neuen Informationen. Dabei sah ich auf deinem Kanal, wie du einige Intros von Genesis songs geradezu seziert hast, großartig! So etwas kenne ich nur von Rick Beato, den du ja bereits erwähnt hast ... mach weiter so, ich habe dich abonniert. Liebe Grüße aus Deutschland... Thomas

Jobson knew how to exploit the unique features and attributes of the Yamaha CS-80. This poly-synth was cutting edge in '78 when Jobson made the first IK album. This big machine weighed 220 lbs and had 160 lbs of circuitrty. It had both proessure and velocity sensitity. /A unique two-foot long pich bending ribbon controller . Coupled with the Hammond and mini-moog... Yamaha electric grand was simply the best electric piano of the era. Eddie didn't need a Mellotron. Didn't need an Arp 2600 or Arp Oddysey or Arp pro coloist. His rig made him a one-man-band. And what a great fiddler!

Listen to "The cuckoo in the depths of the woods" from Le carnival des animaux by Saint-Saëns. Wilson must have known. If not, this is one of the most wildly random coincidences of somber pieces of music featuring birds associated with death.

Very nice! :) Lovely vocals and production.

Fantastic ,Johan . I love this piece. its really a work of art. \

Modern day is so different from what it was like over 50 years ago. Much like today, anybody can take advantage of a multitude of gadgets and devices developed over 50-60 years of invention. But 50-60 years ago people had to invent from scratch many of the things we take for granted that are instantly available today in your pocket on your phone. My point is, 50 years ago nobody showed me anything. I spent years in my bedroom listening to records over and over, slowly figuring out time signatures on my own. There were no instructional videos on anything like this. It was a different time. I do thank you for your love of Genesis, one suggestion would be the time signatures of "the battle of epping forest" from Selling England. years later Phil would point to this one as a little excessive. One note. When i saw The Lamb tour in '75, they got off a bit and flubbed the dramatic instrumental break in "Anyway", with it's bombastic accents. They quickly got back on track, but even Genesis could have a moment of confusion.

At 2:00 it's Bb four times, not Bb Bb C C

and your third intro chord seems to be missing a note

Yeah it's the guy who called you out on the "Watcher of the Skies" counting.

"It never deviates from that". Here we go again. In the first place, you state that the song never changes from 5/4. Well it clearly goes to 4/4 in the "right between the eyes" section. But how do you come up with your counting of the keyboard intro? What makes you think it is in 5/4, and what makes you think the chords play on the "2"? What makes you think the keyboard, playing by itself with nothing else is being counted at all, much less in 5/4? To me he is softly and slowly playing with no real specific tempo, just playing. How in the world do you come up with 5/4 and playing on the "2" for the intro keyboard playing by itself?

Do you think that Collins and Rutherford looked at each other and said "hey lets do something in 13/8 but only for 4 bars"? Ive seen interveiws with Rutherford where he say that they come up with "bit" and only later go wow thats a weird time signature

Initialt som en kännedom om gamla Genesis. Sedan fortsätter du att överraska, och du för det så bra👍

Mellotron worse Instrument I ever played( but it sounds great 🤣) You can play a note for max 8 seconds because it works with tapes ,after 8 seconds the tape stops and go into rewind modus 😂 So you really have to think about what you are playing and count the seconds 🤣 And it’s full mechanically

Everything I heard from you so far, Sir, has been fantastic!! Looking forward to what you will bring in the future. Best wishes and thank you for sharing!

I really enjoyed this song and album I fairly listen to it regularly I love the live version The Drop D adds its depth The band really shows it strength here It Toto...would not expect anything less

What a terrific song…the lady’s voice took me to paradise!!

Magnicent!!!

Close. It's Mellotron strings and brass with a French accordion playing the bass.

I admire you for going for it and making your dreams land in reality. Hats off to you, and great video, wow super professionnal, and I'm a really critical musician myself. And great song...

I love it!

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Drivel.