Відео

so many people in these comments feel the need to point out how boring the piece sounds, and idk why because it sounds pretty cool to me

Where did you find the cocchia recording?

黃燕ㄉㄟ要去幫 奧羅憲政路餐廳 買奶油巧克力吃

Wow! ♥️this. Haven’t heard this version before and will definitely learn this.

Действительно исполнитель Ашкенази?

Props to whoever wrote the description - very good!

The piano is way too loud

Thank you. These would be two favourite interpreters for this beautiful piece seeing we cannot actually hear the composer himself. They are very clear and project nice dynamics for both, a delicious sense of decadence.

Cocchia 🔥🔥

¿Alguien más oye mucho de "tarantella" en las voces medias del 24 y en todo el 37? Czerny es INMORTAL. Gracias a Dios y a sus geniales intérpretes hoy tiene la relevancia que merece. ¡Lo adoro! erpretes

Тяжело....трудица у поте лица....нудно,-скушно и без усяких изюминок...

Book III No. 24 reminds me of Chopin's Black Key Study Etude from op 10.

ちゃんとスタッカートを付けてください

And it goes into Allegro MODERATO, not presto. Like Yuja, Ax understands that, while it totally eludes the minds of less musical pianists!

This is brilliant. The fact that it has no dislikes is a testament to how good it is!

I just noticed something: on a couple of occasions, Yo-Yo Ma pauses very slightly to give Ax a chance to catch up. No such charity from Capucon to Wang. That’s because Yuja never needs it; she is, IMO, one of the very greatest recorded pianists. She’s up there with the greatest of all time. Of course, who are the greatest is a matter of opinion, with certain exceptions: I think that Dinu Lipatti remains the greatest recorded pianist who has ever lived, and that is even allowing for the fact that the old recordings do not expose the details of technical demands imposed on the pianist by Rachmaninov. Incidentally, it is obvious, when confronting certain very difficult portions of Rachmaninov, that he was a masterful pianist. My problem is very small hands, his being probably very large. His scoring is so rich and round, however, that little guys like me (and Rubinstein, for example) are able to leave out the odd note when we simply can’t get to it. I was in the front row of the Albert Hall when Rubinstein did a concert for the students of the University of London? I didn’t get lucky: I was the secretary of the music society so I grabbed two of the front seats for myself and my girlfriend. She was a very good poet, but her musical inclinations were more towards the Beatles and Stones, which was great when I had designs on her during discos, but not for the purpose of sharing exhilaration with Rubinstein at the Albert Hall. Ah shxt: you can’t have everything in life. But Rubinstein was clever: he knew that the majority of his U of L student audience was not inclined to appreciate anything more advanced than Fur Elise, so he kept it simple until his last offering (there was no predetermined program, so he played whatever he wanted, or heard a student shout a request for). He finished up with a blistering 3rd movement of the Appassionata, which really surprised me because Rubinstein used to avoid the tougher Beethoven works in his later years for obvious reasons. This is all happening in 1972, by which time he was in his mid-80s, I think. He was still very energetic, and I think he was very motivated by the raucous encouragement he got from what he knew was a Philistine, yet wonderfully enthusiastic audience, most of whom regarded music as an atmospheric prop when making a conquest at a disco! Rubinstein was magnificent and after the interval he walked back onto the stage with a cigar, for which ridiculous act he got a massive response from his newly initiated (pop n’ rock) students of music! Looking back on it, Rubinstein’s wonderful, unpretentious character and unaffected personality really shone through that day. I just looked it up: he was playing for us just 4 years before his final concert; and he only retired because of blindness, without which he would have continued, no doubt, because he still had another ten years of life to go after he played for us. What a guy!

A while ago, I got a call from an old school friend who plays cello (as an amateur) and asked me to do the Rach sonata with him. Medical school and a lifetime of practice (medical, that is) does not equip you to play the piano part of the Rach cello sonata. Fortunately, I knew that well from my stereo and IPAD score and was therefore forewarned and able to refuse with an unavailability excuse. He said, “Don’t be such a pxxxy. Where do you think I am on this?” My answer to that was “Have a heart, man; the cello part is a little bit easier, to say the least”. We had incredible times at home for some time trying to put it together. Sooner or later, I’m going to get a call inviting me to make a fool of myself on a concert stage somewhere. It would have been a breeze when I was 17, but it is now a fxxxing nightmare even contemplating it. And I mean that: the nightmare woke me up in the middle of the night with someone of 6’ 4” with huge hands standing up from inside the piano and yelling at me to get the notes right. I assume it was Rach, so I am determined to get back into shape and make this happen. Being primarily a pianist (the violin being my other instrument) and having done the concertos at school, I figured this was doable …. but it isn’t any mor; it’s just too tough! I have a feeling that if I could talk to the great maestro, he would tell me that his cello sonata is his greatest masterpiece. Perhaps I’ve heard (and struggled with) the concertos too many times, I don’t know. But I think this cello sonata is absolutely gorgeous and, having played it quite a few times over nearly 60 years, whenever I can twist the arm (well, a leg at least) of a cellist friend to take a stab at it, it never grows the slightest bit stale on me. Yes, I have that feeling of it being his greatest work. It makes me a believer: thank you, almighty G-d, for giving us Rachmaninov!

I heard this sonata shortly after hearing the Tchaikovsky Piano trio. I can't help but feel that Rachmaninoff was influenced by the Tchaikovsky. They both contain some of the most beautiful (and heart breaking) melodies I have ever heard.

25:00

When Debussy writes ff you know the things have gone too far...

the work is massive and i kind of prefer his piano version to the organ . Liszt manages more variety in textures, or at least they are more visible. It is a feat to stick to the 4 notes motif throughout the entire piece and Liszt used every tool he knew in effects, harmony etc. It may not be to everyone's liking but i consider it a great work and Brendel give it justice.

まだ広告や動画嫌がらせくるよ。廃人版甘くない？めちゃはっちゃけたのを送ってください！

お外で赤ん坊が泣いてる。食え。食え。美味しいよ。

美容外科医皆捕虜。ただで働かせて。

クズって生きてるだけで重罪なのに、寄ってくる？ケツ当ててくる？100乗でやり返すから。

僕がやってって言う事はやって下さい。僕は早いから。早すぎて皆さんにはわからないかもだけど 、じゃあ僕がいる意味なに？

Thannk G-d he doesn't smother everything in pedal! Crisp, clear, neo-classical, top-notch playing1

Best performance!0

He makes more of those staccato marks in the Fugue than I'm used to hearing, and it's so revealing! It really adds texture to a piece that can sometimes sound a bit recessive. I also like his détaché phrasing of the closing notes of the Minuet theme. Overall, one of the best performances I've heard. Faithful to Ravel both in style and detail--and idiomatically French.

Mükemmel !!!

Black metal in 1913.

This is very interesting!

Delightful!

This piece is exhausting, and it's frustrating that the hardest looking part is ACTUALLY the hardest part for once, especially getting it up to as fast as Kissen or Kocsis

wow ... i didnt know Rachmaninoffs Cadenza ...in all ... breath taking ...thanks for uploading

Tame NL er😅

What energy! We have ample recorded evidence that Gershwin played his fast tempi *really* fast. Donohoe captures his virtuosity in fast transcriptions, particularly in the accompaniments. From these rhythmic displacements, he creates contrapuntal lines from the broken chords, rather than a series of offbeat harmonizations. There's also a clear deliniation between the accompaniments and melody that can be lost. With all of the great playing, several of the slower songs are simply too fast, in particular "Somebody Loves Me" and "The Man I Love."

Ravel aimait tellement les chats qu'il semble en avoir mis dans sa musique tant elle est féline...Merci infiniment. ❤

When I was a teenager learning to play the piano, I never liked Czerny, I just found it so boring. Now, more than 35 years later, I had started discovering these etudes and they are so beautiful. I wish I had studied when when I was younger. Many passages have so many similarities with the Chopin Etudes, I wonder who inspired whom.

To play these kinds of Czerny Etudes (school of velocity, finger dexterity, etc) one has to be an accomplished pianist already.

No. 24 is one of my favorite Czerny etudes now.

Браво виконавцю-віртуозу!❤❤❤

no offense but I don't think this was yo-yo ma?

Crazy Interpretation, sadly he chose the busoni edition, which is horrible compared to the original

Кто же этот гений,который исполнил эти шедевральные композиции без ошибок?!!! Я завидую такой технике исполнения🎉

No. 37 has a bit of the spirit of mazeppa

Meraviglioso! Che pianista splendido musicale

5:11 wow

good👏👏

❤❤❤❤❤