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Micha Weinst
Israel
Приєднався 7 вер 2016
Hi, I'm Michael. I upload to this channel certain recordings of certain music, usually unknown classical music. I do not own anything and the credits and rights all go to the respective artists and labels.
Cassadó: Cello Suite (Kliegel)
Gaspar Cassadó: Suite for unaccompanied cello (1926)
0:00 - 1. Preludio-Fantasia: Andante - Poco piu mosso
6:27 - 2. Sardana (Danza): Allegro giusto
9:45 - 3. Intermezzo e Danza Finale: Lento ma non troppo - Allegretto tranquillo - Allegro marcato - Molto meno allegro - Allegro risoluto
Cello: Maria Kliegel
Recording Producer and Engineer: Günter Appenheimer
Recorded at the Clara Wieck Auditorium, Heidelberg, 3, 4 May 1993
Naxos
0:00 - 1. Preludio-Fantasia: Andante - Poco piu mosso
6:27 - 2. Sardana (Danza): Allegro giusto
9:45 - 3. Intermezzo e Danza Finale: Lento ma non troppo - Allegretto tranquillo - Allegro marcato - Molto meno allegro - Allegro risoluto
Cello: Maria Kliegel
Recording Producer and Engineer: Günter Appenheimer
Recorded at the Clara Wieck Auditorium, Heidelberg, 3, 4 May 1993
Naxos
Переглядів: 179
Відео
Satie: En habit de cheval (orch.) (Plasson)
Переглядів 2752 роки тому
Erik Satie: En habit de cheval, for piano 4-hands (1911; orchestrated, 1911) 0:00 - 1. Choral 0:48 - 2. Fugue litanique 3:39 - 3. Autre choral 4:34 - 4. Fugue de papier Orchestre du Capitole de Toulouse Conductor: Michel Plasson Recording Producer: Alain Lanceron Recording Engineer: Daniel Michel Recorded at the Halles-aux-Grains, Toulouse, 8-10, 15 June 1988 EMI/Warner/Erato
Ellerby: Paris Sketches (Rundell)
Переглядів 4602 роки тому
Martin Ellerby: Paris Sketches, homages for wind band (1994) 0:00 - 1. Saint Germain-des-Prés: Andante 3:30 - 2. Pigalle: Alla marcia 6:47 - 3. Père Lachaise: Lent et triste (quasi gymnopedie) 10:46 - 4. Les Halles: Allegro molto - Allegro moderato - Relaxed - A tempo I - Maestoso Royal Northern College of Music Wind Orchestra Conductor: Clark Rundell Recording Producer and Engineer: Chris Thor...
Cage: Sonatas and Interludes (Vandré)
Переглядів 2662 роки тому
John Cage: Sonatas and Interludes, for prepared piano (1946-1948) 0:00 - Sonata I 3:04 - Sonata II 5:10 - Sonata III 7:47 - Sonata IV 9:49 - Interlude 1 13:33 - Sonata V 15:32 - Sonata VI 18:19 - Sonata VII 20:35 - Sonata VIII 23:56 - Interlude 2 28:27 - Interlude 3 31:04 - Sonata IX 35:24 - Sonata X 38:28 - Sonata XI 42:38 - Sonata XII 46:03 - Interlude 4 48:41 - Sonata XIII 52:49 - Sonatas XI...
Schoenberg: The Book of the Hanging Gardens (Bryn-Julson, Oppens)
Переглядів 5032 роки тому
Arnold Schoenberg: Das Buch der Hängenden Gärden [The Book of the Hanging Gardens], song cycle for voice and piano, Op. 15 (1908-1909; poems: Stefan George) 0:00 - 1. Unterm Schutz von dichten Blättergründen [Under the protection of dense depths of leaves] 2:36 - 2. Hain in diesen Paradiesen [Groves in these paradises] 4:04 - 3. Als Neuling trat ich ein in dein Gehege [As a neophyte I entered y...
Mitterer: Nine in One
Переглядів 1602 роки тому
Wolfgang Mitterer: Nine in One (2006-2018) 0:00 - Beethoven: Schicksal 4:36 - 9in1: Satz 1 10:14 - Beethoven: Tristesse 14:52 - 9in1: Satz 2 21:18 - 9in1: Satz 3 28:20 - Beethoven: Intermezzo 31:57 - 9in1: Satz 1 2 43:39 - 9in1: Satz 3 4 49:45 - 9in1: Satz 4 Original source performers: The Haydn Orchestra of Bolzano and Trento (conductor: Gustav Kuhn) Composer, arranger, mixer, producer and edi...
Shostakovich (arr. Rachlevsky): Requiem for Strings (Rachlevsky)
Переглядів 5612 роки тому
Dmitri Shostakovich: String Quartet No. 15 in E-flat minor, Op. 144 (1974) [arrangement for string orchestra: Misha Rachlevsky as Requiem for Strings, Op. 144a (1994)] 0:00 - 1. Elegy: Adagio - 10:41 - 2. Serenade: Adagio - 16:31 - 3. Intermezzo: Adagio - 18:21 - 4. Nocturne: Adagio - 23:10 - 5. Funeral March: Adagio molto - 28:00 - 6. Epilogue: Adagio Kremlin Chamber Orchestra Conductor: Misha...
Elgar: Cello Concerto (Pešek, Fukačová)
Переглядів 1182 роки тому
Edward Elgar: Cello Concerto in E minor, Op. 85 (1919) 0:00 - 1. Adagio - Moderato - 7:52 - 2. Lento - Allegro molto 12:09 - 3. Adagio 17:47 - 4. Allegro - Moderato - Allegro, ma non troppo - Poco piu lento - Allegro molto Cello: Michaela Fukačová Brno Philharmonic Orchestra Conductor: Libor Pešek Recording Producer: Ales Podrail Recording Engineer: Martin Kusák Recorded at the Stadion Studio, ...
Schoenberg: Pierrot lunaire (Boulez, Schäfer)
Переглядів 1,2 тис.2 роки тому
Arnold Schoenberg: Pierrot lunaire, melodrama for sprechstimme reciter and chamber ensemble, Op. 21 (1912) (original French texts: Albert Giraud; German translation: Otto Erich Hartleben) Part 1 0:00 - 1. Mondestrunken [Drunk with moonlight] - 1:39 - 2. Colombine - 3:17 - 3. Der Dandy [The Dandy] - 4:28 - 4. Eine blasse Wäscherin [A pallid washerwoman] - 5:52 - 5. Valse de Chopin - 7:09 - 6. Ma...
Sibelius: Orchestral Works (Maazel, Vienna)
Переглядів 3062 роки тому
Jean Sibelius: Orchestral Works 0:00 - Karelia Suite, orchestral suite from Karelia Music, Op. 11 (1893, revised for the suite in 1894)* 0:00 - 1. Intermezzo: Moderato - Piu moderato 3:37 - 2. Ballade: Tempo di menuetto - Un poco piu lento 10:06 - 3. Alla marcia: Moderato 14:16 - Tapiola, orchestral tone poem, Op. 112 (1926) 14:16 - Largamente - Allegro moderato - 29:37 - Allegro - Allegro mode...
Schoenberg: Theme and Variations (Tien)
Переглядів 1182 роки тому
Arnold Schoenberg: Theme and Variations in G minor, for wind band, Op. 43a (1943) 0:00 - Theme: Poco allegro - 1:01 - Variation No. 1 - 1:49 - Variation No. 2: Allegro molto - 3:13 - Variation No. 3: Poco adagio - 4:42 - Variation No. 4: Tempo di Valzer [sic] - 5:37 - Variation No. 5: Molto moderato - 6:59 - Variation No. 6: Allegro - 7:36 - Variation No. 7: Moderato - 9:09 - Finale: Moderato -...
Schubert: Piano Quintet (Kocsis, Takács-Nagy, Ormal, Fejér, Csontos)
Переглядів 1542 роки тому
Franz Schubert: Quintet for piano, violin, viola, cello and bass in A major, D. 667 (The Trout, Op. 114) (1819) 0:00 - 1. Allegro vivace 12:44 - 2. Andante 21:02 - 3. Scherzo: Presto - Trio 24:51 - 4. Thema [Theme]: Andantino - 5 Variations - Allegretto [based after the lied Die Forelle (The Trout), D. 550] 32:57 - 5. Allegro giusto Piano: Zoltán Kocsis Violin: Gábor Takács-Nagy Viola: Gábor Or...
Schubert (orch. Mahler): String Quartet No. 14 (Markiz)
Переглядів 4242 роки тому
Franz Schubert: String Quartet No. 14 in D minor, D. 810 (Death and the Maiden) (1824; orchestration for string orchestra: Gustav Mahler, 1894; edition prepared by Donald Mitchell and David Matthews) 0:00 - 1. Allegro 15:21 - 2. Andante con moto 28:39 - 3. Scherzo: Allegro molto - Trio 32:30 - 4. Presto - Prestissimo Nieuw Sinfonietta Amsterdam Conductor: Lev Markiz Recording Producer and Engin...
Bogod: Old City Fairy Tales (Mazuz)
Переглядів 852 роки тому
Oleg Bogod: Old City Fairy Tales, for wind orchestra (2022; orchestrations: Amit Weiner and Sean Fattal) Jerusalem Conservatory Hassadna Senior Wind Orchestra Conductor: Sagit Mazuz Artistic Director: Ronit Berman Flutes: Ya'ara Ronen, Avigail Moyal-Reu'el, Guy Greenfeld, Noga Solomon, Yael Elinn, Nurit Eliahu, Hila Ben Shalom Piccolo: Amalya Shapira Oboe: Noga Abbo Clarinets: Naor Equba, Ella ...
Sibelius: 4 Pieces from Kuolema (N. Järvi, 1985)
Переглядів 7432 роки тому
Sibelius: 4 Pieces from Kuolema (N. Järvi, 1985)
Rautavaara: String Quintet No. 1 (Sibelius, Gustafsson)
Переглядів 9802 роки тому
Rautavaara: String Quintet No. 1 (Sibelius, Gustafsson)
Schubert: Fantasie (Kremer, Afanassiev)
Переглядів 3,6 тис.2 роки тому
Schubert: Fantasie (Kremer, Afanassiev)
Satie: 3 Mélodies sans paroles (Gedda, Ciccolini)
Переглядів 3382 роки тому
Satie: 3 Mélodies sans paroles (Gedda, Ciccolini)
Kagel: 10 Marches to Miss the Victory (Rundell)
Переглядів 1,1 тис.2 роки тому
Kagel: 10 Marches to Miss the Victory (Rundell)
Saint-Saëns: The Carnival of the Animals (Argerich, Freire, et al)
Переглядів 2,2 тис.2 роки тому
Saint-Saëns: The Carnival of the Animals (Argerich, Freire, et al)
Mahler: Lieder eines fahrenden Gesellen (Kubelik, Fischer-Dieskau)
Переглядів 8732 роки тому
Mahler: Lieder eines fahrenden Gesellen (Kubelik, Fischer-Dieskau)
Mussorgsky: The Nursery (Söderström, Ashkenazy)
Переглядів 1,1 тис.2 роки тому
Mussorgsky: The Nursery (Söderström, Ashkenazy)
Tchaikovsky: Rococo Variations (Fischer, Perényi)
Переглядів 2502 роки тому
Tchaikovsky: Rococo Variations (Fischer, Perényi)
7:59 10:00 24:05
Our choral society will sing it on 16 November 2024. It is difficult to sing for an amateur choir, but we have enjoyed using this recording to help us. The first words we sing (in Hebrew) are Psalm 108, vs. 2 'Awake psaltery and harp! I will rouse the dawn'. The listener cannot help but be moved by those first few bars.
That slow trio in the middle of the scherzo is just sublime.
Una composición profundamente espiritual!!!!!
7:00 The Sharks & Jets from "West Side Story" 🤗
I like the tempo-of course the performance too. It shows less showmanship.so,with my capability I can get closer to a personal performance. Berman is great across the board, Richter too.
I never could say anything but just the best comments on this masterpiece
such a magnificent piece played with the consummate artistry of Maestro Kremer and virtuoso pianist Afanassief! Along with the Bruch Scottish Fantasy( only rarely played with a piano part, as was done in the 19th Century), and the Schumann C Major (rarely played in general this collaboration of a virtuoso violinist and pianist handling a extremely challenging keyboard part, shows off the best of each instrument, and last but not least-the melodic and harmonic genius of Franz Schubert! Thanks to Mischa Weinst for posting!
Thank you for sharing!
Derivative from an observant genius is so great!
Despite all the controversy about the worth of Bernstein's compositional output, this work is definitely going to be one of the enduring works of the choral repertory, because performers - especially the singers - are able to sense the deep feelings that Lenny was trying to convey. They will be singing this in 2075 (assuming anyone is still alive).
Sono estasiato!!!!
Excelente
Ahh isn’t this Shostakovich ? But living not under the Red Terror but the Red white and Blue terror ( which is no Terror at all)
I have deep sympathy with Jeremiah By the way yesterday was special day for Israel Of course it is the foundation day of the state of Israël May God bless Israel forever! Glory be to God ! Glory be to God of Israel forever ! Amen ! Hallelujah!
隠れた名演。
One of the best Pettersson Symphonies after 5, 6 and 7!
Блестящий ансамбль! ❤🦄🗝️
Thanks for sharing ❤❤❤ Sound for NOW
What's all the fuss about? Bleak, yes... but this is great stuff.
Thanks for posting this! Mind only: it's written 'Penesroso', instead of 'Penseroso'. And also: 'du Dante' (instead of 'de Dante') is truer to the original. ☺
David Guion The Water Goblin Water goblin. Dvorak tone poems Image by Oberholster Venita from Pixabay A young girl decides to wash clothes in a lake where the Water Goblin lives, despite her mother’s warning. Just as she dips the first garment in the water, the bridge she stands on collapses. The Water Goblin captures her and forcefully marries her. She bears him a son, whom she loves, but after a year, begs to be able to visit her mother. The Goblin makes her promise not to take the baby with her and return to the lake before the Vespers bell. The mother, however, refuses to let her return to the lake. The enraged Goblin calls up a storm. When mother and daughter come out of the house, they find the child’s beheaded corpse. The Noon Witch The Noonday Witch gets her name from the fact that she is active only one hour per day, just before noon. A young mother, exasperated with her misbehaving son, threatens to call the Witch to come and get him. That threat is all the Witch needs to try to steal the boy. The mother fights valiantly and, as soon as the noon bell rings, the Witch leaves. The father comes home later that day and finds his wife and son unconscious. He manages to revive her, but she had so closely clutched her son that she had smothered him to death. The Golden Spinning Wheel Golden spinning wheel. Dvorak tone poems Marte Ødegaard via Flickr A young king meets a peasant girl, Dornička, at her spinning wheel and falls in love with her. When he returns to marry her, her stepmother murders and dismembers her and sends her own daughter to marry the king. The stepsister keeps the body parts. As the king goes off to war, an old man discovers Dornička’s body and decides to bring her back to life. He persuades the queen to exchange the body parts for parts of a golden spinning wheel. The king returns in triumph, and the spinning wheel portrays a song that describes the crimes of his queen and her mother. The king races to the forest to find his rightful bride and throws the murderers to the wolves. The piece ends with their joyful wedding. The Wild Dove A woman has secretly poisoned her husband. Her theme is a funeral march as she accompanies his body to the cemetery, feigning grief. She remarries in a flamboyant wedding, but the daily cooing of a dove over her first husband’s grave reminds her of her crime and drives her insane. She drowns herself, and the dove gets the last word.
Man I love this piece
Stein , Klemperer and Keilberth, these are my favorites, but steins performance might be the best one.
A little too fast in many sections
Not as fast as Elgar's performance!
I don’t think the tempi are too fast. Elgar’s 2nd symphony, like the 2nd of Rachmaninov, needs real momentum to fully appreciate the greatness of the work. Mackerras was one of the finest conductors of his era without any doubt and never disappoints.
4:08 Wow so this is where the main theme of 1st movt. of Mahler's 1st Symphony came from 😮
Stunning ❤
22:13
In a time of barbarism we must endure. It is works like this that help us.
I know Mahler preferred a male vocalist, but I like a female voice, but if I could only have a male singer then it would be this one as it is more than tolerable.
Absolutely wonderful, overall probably the finest performance I’ve yet heard and that includes Petrenko’s great version with the RLPO recorded at the RAH some years ago. The organ was briefly too prominent in the finale but that doesn’t negate the excellence of Mackerras’ vision of this magnificent symphony.
I wouldn't have said the organ was too prominent. It's barely audible IMO.
Composition magistrale! interprétée par un immense musicien. La version de Georges Cziffra est également d'un autre monde. C'est génial!!! merci pour le partage.
One of the most beautifully and extraordinary performance of this exquisitely sensual music !! ❤
A superb performance.
Love the 7/8 meter in the first movement
7 = 3 + 1 + 3 crucifixion
Yikes Speedy Gonzales 😢
All for the good as well...
I agree. Most performances sound like a funeral march. @@bloodgrss
sublime
Such a beautiful rendition
The Scherzo is marked Allegretto (with a trio, Moderato); the finale is marked Vivace.
Hard to find, thanks!
Mackerras really understands this somewhat complex work and is served by a good recording which does not lose the quieter undertow found in the percussion. His tempi are quite close to in Elgar's own recording but the incredible orchestration can really be appreciated here. Obviously, the composer's version is from a time when the colours of instruments was often lost. In order to follow the many thematic and harmonic 'clues' to an implied narrative in this great work one must pay close attention. Boult recorded the 2nd three times and all have their merits as well as authority but in very late life performed the work live in London and these versions are better than the studio ones. The grand old man was on fire. I have tapes of two of these and I hope that the BBC will see fit to release material from their archives before too long. Elgar's symphony No 2 is truly one of the greatest works of the late Romantic period yet seldom performed.
Apparently Mackerras took note not just of Elgar’s own tempi but the LSO’s use of portamenti.
@@colinlambert882 Elgar's version takes a brisk 14 minutes for the first movement - faster than Mackerras. Personally I'm not too keen on the use of portamenti, but it's fairly restrained here. I would say this is the best modern version I've heard.
How can anyone with clear conscience (except for advertisers who have no conscience) continually interrupt this tragic work with jaunty, crass commercial promotions?
Your complaint is completely justified, and I have no interest in doing so myself. Unfortunately it is forced upon this video, so it is the fault of the copyright police, who indeed have no conscience in many cases.
@@michaweinst3774 It's not about copyrights, but about moral ethos. Who is to "police" that?
Use Brave as webbrouwser. You have no advertisement and you can listen undisturbed till the end.
22:13
Oso azkar!
This is the one you want!
As far as I am concerned this is the greatest recording of anything of all time. Every soundwave is deliberated and delivered to perfection. Reinbert de Leeuw and the NCC rock!
Very beautiful and deeply heartfelt music. Incredible great performance.
This is his Op. 46. The key is G Major.
Aaaah, a master sings the music of THE Master. So close to perfection, only Dieskau again singing THE ABSCHIED (Das Lied Von Der Erde). Danke.
Easy to grasp why Pettersson has not made an international break thru. Music is well written but it has no goal but wanders in a rhapsodic way. Colors more important than logics of the work.
And that is exactly what makes his music attractive.