Відео

Yes, it very likely messes with the cardioid pattern. As I mentioned in the video, I usually only have the Kii’s setup for mastering, but if I’m tracking or mixing, I sometimes set them all up. I probably should have taken the additional speakers down when I made this video. Thanks for checking it out!

@@mparkmixingmastering8511 I love mine too, they are my dream speakers still after 5 years

It has both D/A and A/D conversion.

On the Maselec console, the “Mains” are the Kii3’s and the “Aux” gets sent to an external switcher with three speaker selects.

HEDD Quantum

Dorrough 40-C2. I believe there's a plug in version but I really like having analog meters.

@@mparkmixingmastering8511 thank you! great setup!

It Varies. Usually I go out of Protools via AES to the Crane Song D/A, then after analog processing it goes back into the Crane Song A/D side, then into the ADI via AES, then through the ADI into the capture computer via USB. Sometimes A/D directly into the ADI, then into the Capture computer. There are other configurations as well, it just depends... Thanks for watching!

@@mparkmixingmastering8511 Thanks for the response

And the speaker boundary interference (SBIR) they cause to each other must sound real good :P

@@Deerob that’s why I only have one set. All the diffraction that happens, the imaging will be affected

Yes, I record a new stereo audio file into Reaper, through my D/A converter.

@@mparkmixingmastering8511 thanks for the answer

These comparisons are hard to articulate. They aren't as dramatic as one might think. I'd say the biggest difference is that the Head Quantum has the DSP, which can really set it apart as far as sound options.

@@mparkmixingmastering8511 I understand. Thank you!

It's a ADI-2 Pro Black Edition. Yeah, its annoying they don't make rack ears for these. I ended up buying a MOTU Ultralite MK5 Half Rack Ear Kit. I then had to do some customization to get it to work. If you remove the outer shell of the converter, you can drill holes to match the rack ear mounting holes. This model converter had plenty of room to fit the screw heads (from the inside) then I added washers and nuts on the outside. Once the rack ears are mounted on the outer shell, you can put it back together. Neal

@@mparkmixingmastering8511 Thanks a lot Neal and what a shame to RME that they dont even provide screw holes. Pretty smart solution from you.

@@mparkmixingmastering8511 one more question about your mesh rack panels. Are these 1/2 U panels order-able, or did you saw them up ? Can't find any nice panels in 1/2 U format for ages. There are some, haven't found anything with this kind of mesh grid. Thanks again.

@@mattymenck Yes, I bought them as 1/2 rack panels. I think they might have been off of eBay. You might try looking on audiorax.com or pennelcomonline.com ~Neal

RME sells a 19" rack conversion that mount to the side screw holes of the normal adi-2/pro/fs etc. The black editions dont have side screw holes so they only fit the unirack made for two units that mountsfrom the bottom using the feet screw holes. i used a piece of rubber to sandwich my black edition in the rack kit made for the silver because i didnt want an opoen space next to it.

You can absolutely get professional results just using plug-ins. There are some situations where I master tracks only using plug-ins. It just depends on what is needed for the specific track. All of my plug-in and hardware options are just different tools. You use each tool for a specific task. It's definitely nice to have the option of great analog hardware, which often does sound different/better than the plug-in equivalent, but you can still get good results in the box. If you are doing sample rate conversion during mastering, then I do think it's better to convert through the analog path with high end DA/AD, as I mentioned in the video. Neal