Divya Bhat Prabhath
Divya Bhat Prabhath
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An ode to Vanita in Bharatanatyam
An ode to Vanita - celebrating womanhood, the attributes and innate qualities of femininity. This was presented as part of “Vanita”, an Usha RK presentation exploring the four qualities of Viveka, Vinaya, Veera and Vichara through eight female characters from our puranas, epics and history.
An invocatory composition calling the rasikas to look beyond the physical grace of womanhood and celebrate the great qualities she embodies!
Concept and production - Usha RK
Lyrics - Sharat R Prabhath
Music - Rohit Bhat
Choreography- Divya Prabhath
Vocals - Vasudha Balakrishna
Nattuvanga- Sharat T S
Mridanga - Balakrishna
Flute - Raghunandan
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Відео

Divya Prabhath - Bharatanatyam Devaranama | Aadidano Ranga
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A composition of Purandara Dasaru painting the episode of Kalinga mardana Krishna on the banks of Yamuna river. An exploration of Krishna dancing on the hood of Kalinga is depicted in the sanchari. Choreography, audio and produced by Guru Vidyashree Radhakrishna Copyrights reserved ​@vidyashreegna Gaana Nritya Academy #bharatanatyam #classicalmusic #dance #krishna #devotional
Divya Bhat | Bharatanatyam performance
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Snippets from a Bharatanatyam margam performed for the first season of Kala Praveena Pratiyogita hosted by the reputed foundation of ABHAI at Chennai. The compositions performed are briefly summarized for viewers' understanding. 1. Swaranjali - An invocatory composition where the musical notes are offered as flowers at the feet of the dancing Lord Nataraja. This has been composed wonderfully by...
Divya Bhat | Bharatanatyam | Charukeshi Varnam
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This composition brings to life the lament of the Nayika yearning for Krishna's company. She asks him if it is fair to behave as if he cannot understand her heart.. She then tells the lotus eyed Lord that she knows all his plays of deceit.. In the charana she asks him to play his melodious flute and alleviate her pain.. This Varnam is a composition of Sri Lalgudi J Jayaraman set to Raaga Charuk...
Bharatanatyam | Javali by Divya Bhat | Disciple of Guru Vidyashree Radhakrishna
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This particular Jaavali is beautifully composed in a manner that the Nayika’s sakhi (or dear friend) who is concerned and bothered by seeing the Nayika in distress, goes to Lord Brihadishwara to request him to pay heed to his lover’s despair. In the charanas, the Nayika’s account of Lord Shiva’s behavior is depicted. The Nayika questions if it is fair to ignore her love and goes on to say how s...
Divya Bhat | Bharatanatyam devaranama | Gummana kareyadire
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In this video, you will watch excerpts of devaranama titled 'Gummana kareyadire', a composition of Dasavarenya Purandaradasa. Maa Yashoda threatens little Krishna that, if he does not stop his mischief, she will call Gumma (child friendly way of addressing a ghost to make the kids yield). Thereafter the composition is beautifully woven around Krishna trying to convince his mother not to call Gu...
Chinnajiru kiliye Padam in Kannada - Muddu putta giliye - Divya Bhat
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This padam was originally composed in Tamil by the renowned and revered Sri Subramania Bharati. It is filled with various emotions of a mother whose life revolves around her little daughter. With immense gratitude and respect to Sri Bharathiyar, this was translated into Kannada by my Guru, Vid. Vidyashree Radhakrishna in an attempt to bring it closer to the audiences in our region. I also exten...
Divya Bhat - Thillana - Bharatanatyam dance
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Margam based Bharatanatyam repertoire ends with a brisk and refreshing Thillana. Presenting this popular Thillana composed by Sri K N Dandayudhapani Pillai, set to ragamalika and aditala. Contact me at divya.bhat17@gmail.com Instagram @divya.bhat17
Divya Bhat - excerpts of Bharatanatyam performance
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A budding Bharatanatyam artiste from Bengaluru, India showcasing her years of training through this video. Glimpses of Padavarnam, Padam and Devaranama are portrayed here. In the padavarnam, the struggles of a Nayika who loves Krishna dearly, but hates the way he behaves are presented. Padam circles around the emotions of a mother to whom her daughter is the apple of her eye, her life and her e...