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Thespis7635
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"AMICA" Pietro Mascagni-Netherlands Radio Symphony Orchestra & Choir-Complete Opera (2 Acts) - LIVE.
Recorded 26 October 1984-Kees BAKELS conducting/Lynne STROW PICCOLO (Amica)/Michael NEWMAN (Rinaldo)/Vincenzo PUMA (Giorgio)/Henk SMIT (Camoine)/Rachel-Ann MORGAN (Maddalena)/Choir Master: Peter SERPENTI. "Amica (Dramatic Poem)" premiered at the Opera du Casino de Monte Carlo (Monaco) 16 march 1905, in French, with Geraldine Farrar and a few months later at the Teatro Costanzi in Rome, in Italian. Amica became so popular on stages around the world that a film director named Enrico Guazzone made a silent movie with Leda Gys, an Italian movie star, in the title role (several silent movies were made in that period from operas and Leda Gys starred also in La Boheme by Puccini).
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Відео
Il Mulatto(The barrier)Finale Act I-by Jan Meyerowitz&Langston Hughes, translated by Fedele D'Amico
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Thomas Norwood: Carlo Cava; Cora Lewis: Lynne Strow Piccolo; Robert (Bert): John van Zelst; William: Guido Mazzini; Conductor: Maurizio Arena. "Il Mulatto" (Italian version of "The barrier", 1950) is a contemporary American opera by Jan Meyerowitz, libretto by Langston Hughes, translated in Italian by Fedele D'Amico. Teatro Massimo di Palermo, Apr/May 1976. The libretto had been adapted by Lang...
Una donna!... Chi sei?... Act II "NERONE" Pietro Mascagni-Lynne Strow Piccolo/Rosanna Didone',1986.
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Recorded live at the Muziekcentrum Vredenburg, Utrecht, on November 1986. Nerone: Georgi Tcholakov; Atte: Lynne Strow Piccolo; Egloge: Rosanna Didone'. "Nerone" is the last opera composed by Mascagni, with libretto by Giovanni Targioni Tozzetti from Pietro Cossa's play.
Vicino a te...Act IV "Andrea Chenier" by Umberto Giordano / Lynne Strow Piccolo & Mario Muraro.
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Badishe Staatsoper, Karlsruhe, 1980-Bruno Pola as Gerard - Libretto by Luigi Illica who loosely based the plot on the life of the French poet Andre Marie de Chenier. In the final scene Andrea Chenier is in prison, waiting to be carried to the guillotine. Maddalena, helped by a remorseful Gerard, the architect of Chenier's ruin, disguised as Idia Legray, a maiden who has been condemned to death,...
Tardi negli anni e tremulo "Attila" by Giuseppe Verdi - Jose van Dam/John Rawnsley, 1985.
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Attila, # 8 in the list of Verdi's operas, is based on the German play "Attila, Konig der Hunnus" by Zacharias Werner.
O nube che lieve...Nella pace del mesto riposo "MARIA STUARDA" Donizetti - Lynne Strow Piccolo,1977.
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"Maria Stuarda" is an opera composed by Gaetano Donizetti with lyrics by Giuseppe Bardari. It was meant for the San Carlo (Naples) stage but the censors refused approval of the subject. After many vicissitudes it was re-elaborated and presented under the name of "Buondelmonte" in 1834. The first performance of the work with the original name was held at La Scala in 1835 in a re-elaborated version.
Dagli immortali vertici...E' gettata la mia sorte - "Attila" by Giuseppe Verdi - John Rawnsley, 1985
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Solera's plot must be taken "cum grano salis". The Roman General Flavius Aetius (Ezio) was in real life a valiant warrior. In Solera's plot he looks sort of a traitor who offers a deal to Attila: "take the rest of the world provided that Italy is left to me". In reality he was one of the last Roman leaders to attempt to preserve the integrity of the Western Roman Empire. At the head of a coalit...
"Attila" Santo di patria indefinito amor...Da te questo or m'e' concesso.-Lynne Strow Piccolo, 1985.
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Jose van Dam as Attila. "Attila" is a Giuseppe Verdi's Opera in a Prologue and three Acts. Temistocle Solera wrote the libretto with additions made by Francesco Maria Piave. The first performance was held in 1846 at La Fenice in Venice.
Credo in un Dio crudel - "OTELLO" by Giuseppe Verdi-Bernd Weikl-Munich, 1981.
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In this aria, masterly written by Verdi and Boito, Iago explains in details his malicious philosophy: "I believe in a cruel God who created me in his image and who in fury I name...", a perversion of the creed recited during the Catholic mass.
"Vieni t'affretta! Or tutti sorgete ministri infernali" Verdi's "MACBETH"-Lynne Strow Piccolo, 1985.
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"Macbeth" is an opera composed by Giuseppe Verdi, with lyrics by Francesco Maria Piave (Andrea Maffei collaborated to the text), based on William Shakespeare's play by the same name. The first performance was held in 1847 at the Teatro della Pergola in Florence. The score was revised by Verdi in 1865.
"O tu che in seno agli angeli" from Verdi's "La forza del destino" - Juan Lloveras, tenor.
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Munich, 1982.
Qual cor tradisti, qual cor perdesti-Final Aria Act 2 "Norma"-Lynne Strow Piccolo/Bruno Ruffo, 1983.
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The characters are: a Roman (Proconsul of Gaul), his friend and Celtic people (Druids, Priestesses and Warriors). The plot is placed in 'Gallia (Gaul)', today's France, at the time of the Roman occupation. Nino Bonavolonta' conducts the Massimo Bellini Theater's Orchestra and Choir. "Norma" is an opera in two acts by Vincenzo Bellini, with lyrics by Felice Romani
Canzone del salice (Willow Song) - Verdi's "OTELLO" - Lynne Strow Piccolo, 1986.
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"Otello", music by Giuseppe Verdi, lyrics by Arrigo Boito from William Shakespeare's play "Othello".
La fatal pietra sovra me si chiuse...O terra addio "AIDA"-Lynne Strow Piccolo/Giorgio Lamberti. 1983
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Livia Budai as Amneris. Music by Giuseppe Verdi, lyrics by Antonio Ghislanzoni. Citations from Charles Osborne's book "Verdi".
"Ave Maria (Hail Mary)" Verdi's "Otello" - Lynne Strow Piccolo, 1986
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"Otello (Othello)", Opera in four Acts by Giuseppe Verdi, lyrics by Arrigo Boito.
"Mira o Norma...Si, fino all' ore estreme" Lynne Strow Piccolo/Giuseppina Dalle Molle, 1986.
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"Mira o Norma...Si, fino all' ore estreme" Lynne Strow Piccolo/Giuseppina Dalle Molle, 1986.
"NORMA" Finale Act I "Oh non tremare, o perfido" - Lynne Strow Piccolo/Gianfranco Cecchele, 1986.
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"NORMA" Finale Act I "Oh non tremare, o perfido" - Lynne Strow Piccolo/Gianfranco Cecchele, 1986.
"ZAZA'" by Leoncavallo-Finale Atto IV-Lynne Strow Piccolo/Luciano Saldari/Maurizio Arena conductor.
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"ZAZA'" by Leoncavallo-Finale Atto IV-Lynne Strow Piccolo/Luciano Saldari/Maurizio Arena conductor.
Bernd Weikl "Eri tu" from Verdi's "Un ballo in maschera".
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Bernd Weikl "Eri tu" from Verdi's "Un ballo in maschera".
"Ah! perfido...Per pieta', non dirmi addio" Beethoven, Lynne Strow Piccolo, Alberto Zedda conductor.
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"Ah! perfido...Per pieta', non dirmi addio" Beethoven, Lynne Strow Piccolo, Alberto Zedda conductor.
Gluck's "Ifigenia in Tauride" Act 2 Excerpts-Paolo Barbacini (Pylades)/Lajos Miller (Orestes), 1976.
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Gluck's "Ifigenia in Tauride" Act 2 Excerpts-Paolo Barbacini (Pylades)/Lajos Miller (Orestes), 1976.
Lynne Strow Piccolo "O tu che in tua pieta' crudel"("O toi qui prolongeas mes jours")by Gluck, 1976.
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Lynne Strow Piccolo "O tu che in tua pieta' crudel"("O toi qui prolongeas mes jours")by Gluck, 1976.
Lynne Strow Piccolo "O sventurata Ifigenia" ("O malheureuse Iphigenie")by C.W. Gluck,1976.
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Lynne Strow Piccolo "O sventurata Ifigenia" ("O malheureuse Iphigenie")by C.W. Gluck,1976.
Bernd Weikl in "Nemico della patria" from Umberto Giordano's "Andrea Chenier" Live.
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Bernd Weikl in "Nemico della patria" from Umberto Giordano's "Andrea Chenier" Live.
Juan Lloveras/Sherrill Milnes "Col sangue sol cancellasi" from "La forza del destino", 1980
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Juan Lloveras/Sherrill Milnes "Col sangue sol cancellasi" from "La forza del destino", 1980
Stefania Toczyska in Verdi's RATAPLAN from "La forza del destino", 1980.
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Stefania Toczyska in Verdi's RATAPLAN from "La forza del destino", 1980.
" Piu tranquilla l'alma sento...E' fermo il voto?" Lynne Strow Piccolo/Ruggero Raimondi. 1980.
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" Piu tranquilla l'alma sento...E' fermo il voto?" Lynne Strow Piccolo/Ruggero Raimondi. 1980.
"Questo mio bianco manto" from "Isabeau" - Lynne Strow Piccolo - Utrecht 1982.
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"Questo mio bianco manto" from "Isabeau" - Lynne Strow Piccolo - Utrecht 1982.
Gaetano Scano and Nicola Martinucci renditions of Verdi's "Celeste Aida", Munich 81/82 Season.
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Gaetano Scano and Nicola Martinucci renditions of Verdi's "Celeste Aida", Munich 81/82 Season.
"Teco io sto...son la vittima che geme" "Un Ballo in Maschera"Lynne Strow Piccolo/Ottavio Garaventa.
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"Teco io sto...son la vittima che geme" "Un Ballo in Maschera"Lynne Strow Piccolo/Ottavio Garaventa.
Any new posts featuring Eugene Holmes, Verdi baritone extraordinaire, are always welcome!
I heard her in 8th grade and will never forget the power of that one 13 year old pal!
Brava!!!
Such a flawless beautiful interpretation! What a beautiful voice, Lynn! I’m in awe!
BRAVO! Well done.
One of the Greatest Voices That I have ever Heard !
Magic 📣📣📣📣
The star of my first opera, New Orleans Opera, 1977. She was magnificent and with a dream cast: Mauro, Chookasian, Elvira, Donnie Ray Albert. Great first time experience!
Bravissima! Sublime!❤
She is magnificent ❤❤
2幕は女性二人が圧巻。このアッテのアリアはマスカーニが燃えている❗
Ripresa e incisa da Bakels con la orchestra della Radio Olandese nel 1986,questa opera ha rivelato pagine di grande interesse musicale..Speriamo in una ripresa anche in teatro ,ma almeno qui in Italia le speranze sono scarse.Mascagni continua ad essere considerato solo come il compositore di una sola opera "Cavalleria rusticana"
Conoscevo questa opera nella versione francese (Amica’, con l’ accento sulla a finale). Poco rappresentata ma interessante. Cantata in francese ,che fra l’altro dovrebbe essere la versione originale, la trovo più efficace e meno verista. Complimenti comunque per averla caricata.
wonderful singer heard her at the Antwerp opera ages ago, hasn't her un ballo (with lazaro) from that theatre been preserved,
Sorry to disappoint you but Lazaro ended his carrier in 1950, when Lynne Strow was still an infant. She sang in the seventies and eighties as reported on Wikipedia.
hahahaha, she sang Chenier with Lazaro, i heard her do it myself.....FRANCISCO LAZARO !!!!
Good Lord. Never heard even her name.
brava
Magnificent as always!
Weikl sings this difficult aria so effortlessly, really impressive! Thank you for posting
Afro Poli commented on this rendition : "Absolutely beautiful. I love her voice."
In the Corelli time there were no way to mediocrities that infest theatres today. Only good ones. Bello is a surprisingly good singer that now could be an embelishment to all great performances.
Grazie, mi fa piacere che ci sono ancora le persone che si intendono di voci!
❤Вечная,светлая память выдающимся певцам оперы.❤
❤Дует звучит очень красиво,очень гармонично,идеально для зрителя,слушателя Брависсимо ооо.❤❤
❤❤❤❤❤❤❤❤❤❤❤❤💘💘💘💘💘💘💘💘💘💘💖💖💖💖💖💖💖💖💔💔💔💔💔💔💔💔💔
Merveilleuse!...
She’s good
I find this very good indeed. Nice surprise, what did she sing elsewhere?
Shahrdad comment on this rendition :"What a magnificent Verdian soprano !"
Beautiful, a perfect match!
Gorgeous!
Magnificent voice, a true Verdian soprano, but I think it's better suited to later Verdi operas than this true bel canto opera. She was able to trill beautifully, but her technique isn't up to producing the rapid-fire trills Verdi wrote for this cabaletta. She must have been a magnificent Aida, Forza Leonora, Amelia, Desdemona, etc. What a great voice!
I agree. She manages the coloratura like most singers who attempt it. I love her vocal heft and control. I don't know why she isn't more well know. I think she retired for personal reasons... Brilliant and beautiful. I'm so grateful I came across Lynne Strow Piccolo.
Why haven't we heard of this magnificent voice before??? I just discovered her this morning, and I think she's one of the greatest spinto sopranos I've ever heard. I still think her coloratura technique falls a bit short for the demands of a true bel canto role like Norma, but I still enjoyed this. And she could also sing a beautiful trill!!
Record companies and opera directors only pursue the money. Making a few the big stars and other equally talented or even more talented suffer the politics.
Meravigliosa !!!
Gorgeous rendition of Suicidio. Feminine and powerful.
Lynne us magnificent!!
Perfection!
Wow, that was terrific!
Thank you so much for sharing this and other excerpts featuring the wonderful Lynne Strow Piccolo. By any chance, do you have a complete NORMA recording with her?
This opera is not unknown: like Iris, it's never been out of the repertoire in Italy, there are several complete recordings available, and it's been performed outside of Italy several times in the last 30 years: Ireland, New York, Holland and other venues.
Its all relative, it unfortunately not quite as often performed as La Boheme or the Magic flute!
A very dark and beautiful tone. Gorgeous.
Brava!
Such a marvelous sound!
Grande Lynne!
It is great to hear so many recordings of your beautiful voice on your Facebook! Best wishes!
E sempre un piacere!.. sentire ancora la tua bella voce! brava Lynne.
There were simply too many great sopranos in the 1970s and 80s overshadowed by Caballé and others pushed by the record industry. Strow Piccolo was insanely good. She deserves more fame.
What a thrilling performance... thanks for posting.
Voce e carattere! Complimenti!
She was magnificent. Totally, criminally underrated. Thanks for posting these recordings!
Wonderful!
Sublime!!!