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Mario Alberto PERRONE RUBEN
Приєднався 15 бер 2007
Graciela Alperyn: "La regata veneziana" - Rossini-Raimund See(piano)
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use"[color]
Переглядів: 95
Відео
Graciela Alperyn: Canción al arbol del olvido. A. Ginastera-Raimund See(piano)
Переглядів 1442 роки тому
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use"[color]
Graciela Alperyn:-Rachmaninov-Raimund See(piano)
Переглядів 962 роки тому
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use"[color].
Graciela Alperyn: "Près des remparts de Séville"; CARMEN; Georges Bizet-Raimund See(piano)
Переглядів 632 роки тому
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use"[color].
Graciela Alperyn- Il Trovatore - Stride la vampa-Raimund See(piano)
Переглядів 1222 роки тому
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use"[color].
Graciela Alperyn; "L'amour est un oiseaux rebelle"; CARMEN; Georges Bizet-Raimund See(piano)
Переглядів 892 роки тому
Graciela Alperyn; "L'amour est un oiseaux rebelle"; CARMEN; Georges Bizet-Raimund See(piano)
Montserrat Caballé apertura Juegos Olímpicos de Barcelona 1992
Переглядів 30 тис.3 роки тому
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use"[color].
Nabucco Verdi (Bordoni, ADELAIDA NEGRI , Maresca, Gusmeroli, La Ferla, Giuliano) Opera completa
Переглядів 3764 роки тому
Nabucco Verdi (Bordoni, ADELAIDA NEGRI , Maresca, Gusmeroli, La Ferla, Giuliano) Opera completa
VIRGINIA TOLA Oh, s'io potessi.. Col sorriso d'innocenza... O sole. (Mad scene)Bellini: Il pirata
Переглядів 1,4 тис.4 роки тому
Virginia Tola, . Coro Lírico Pía Malagoli (Director: Rubén Coria. Orquesta Sinfónica Provincial de Rosario. Director: Federico García Vigil
BELLINI: NORMA: Adelaide Negri- Maruyama-Ortiz-Rigacci-Liceu de Barcelona-1980-3
Переглядів 4825 років тому
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use"[color].
BELLINI: NORMA: Adelaide Negri- Maruyama-Ortiz-Rigacci-Liceu de Barcelona-1980-2
Переглядів 4845 років тому
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use"[color].
BELLINI: NORMA: Adelaide Negri- Maruyama-Ortiz-Rigacci-Liceu de Barcelona-1980-1
Переглядів 6195 років тому
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use"[color].
Verdi: AIDA: Alicia Del Valle, soprano
Переглядів 1665 років тому
Alicia del Valle : Aida, Coro y Orquesta dirigidos por Maestro Guillermo Bonnet Muller
Pace Pace mio Dio, Verdi: María Castillo De Lima
Переглядів 9 тис.5 років тому
Pace Pace mio Dio, Verdi: María Castillo De Lima
MONTSERRAT CABALLÉ: Un compilado de reportajes MARAVILLOSOS
Переглядів 2066 років тому
MONTSERRAT CABALLÉ: Un compilado de reportajes MARAVILLOSOS
La última entrevista a LA SUPERBA CABALLÉ.
Переглядів 3186 років тому
La última entrevista a LA SUPERBA CABALLÉ.
Sabrina Cirera: "Inflammatus et accensus" Stabat Mater Rossini
Переглядів 7756 років тому
Sabrina Cirera: "Inflammatus et accensus" Stabat Mater Rossini
Virginia Tola: Verdi - Requiem, 'Libera me
Переглядів 7366 років тому
Virginia Tola: Verdi - Requiem, 'Libera me
GUADALUPE BARRIENTOS: “Ohimè, morir mi sento”, Judgment Scene, Aida
Переглядів 5 тис.6 років тому
GUADALUPE BARRIENTOS: “Ohimè, morir mi sento”, Judgment Scene, Aida
Mascagni: Cavalleria Rusticana - Regina Coeli Laetare
Переглядів 1,9 тис.6 років тому
Mascagni: Cavalleria Rusticana - Regina Coeli Laetare
Banda sonora de la obra de teatro "Aquella noche de corpus..."I
Переглядів 1198 років тому
Banda sonora de la obra de teatro "Aquella noche de corpus..."I
Banda sonora de la obra de teatro "Aquella noche de corpus..."II
Переглядів 1328 років тому
Banda sonora de la obra de teatro "Aquella noche de corpus..."II
Mercedes Robledo- "Aquella noche de corpus..." IV
Переглядів 608 років тому
Mercedes Robledo- "Aquella noche de corpus..." IV
Mercedes Robledo- "Aquella noche de corpus..." III
Переглядів 988 років тому
Mercedes Robledo- "Aquella noche de corpus..." III
Mercedes Robledo- "Aquella noche de corpus..." II
Переглядів 408 років тому
Mercedes Robledo- "Aquella noche de corpus..." II
Mercedes Robledo- "Aquella noche de corpus..." I
Переглядів 738 років тому
Mercedes Robledo- "Aquella noche de corpus..." I
I’m always surprised Caballé isn’t mentioned when people talk of the Four Last Songs. She is a consummate Strauss singer (having sung Salome, Arabella, the Marschallin) and has the perfect voice for his music. This is a brilliant rendition.
I’m always surprised Caballe is not mentioned often when people talk of the Four Last Songs. Caballé is a consummate Strauss singer (having sung Salome, Arabella, the Marschallin) and has the perfect voice for his music. This is a brilliant rendition.
Si elle est belle, comme une grande. 🌞
MARAVILLOSA
We love you Montse
W,Toscanini had a big problem with her narcissistic Vader. Because the man who was great but not a God what he was thinking . And LA DIVINA who was the only one who not Bow. And because of that Wally impressed very impressed by LA DIVINA and love her for that !!
This is just dreadful. How can anyone equate this with what others have certainly done much better?!
Buy a pair of new ears.
@@robert111k My ears don’t lie. And so this rendition remains what it is: garbage.
Gorgeously sung. LOVE MC! But personally, still obsessed with Lucia Popp's interpretation. At this level its hair splitting for sure. RIP ladies... irreplaceable talents 🙏🏼❤️✝️
❤❤❤
So exquisite, she also looked devine ❤❤❤❤❤❤
This Norma, Negri, is a miracle!!!!!
What a Norma!!!!!!!
Que vuelvan las verdaderas mezzosopranos verdianas como la gran Graciela Alperyn
Malgré les commentaires négatifs , je trouve Callas émouvante , et Simionato tres respectieuse et prévenatante , en fait c est surtout l' enregistrement qui est abominable , à comparer avec la Macbeth de 1952 , honte aux maisons de disques
ce sont des enregistrements pirates faits par des amateurs dans la salle avec des magnétophones à bande ....mais je partage votre avis concernant EMI qui a été en dessous de tout , en n' enregistrant aucun live , ou elle était bien meilleure qu' en studio , et en lui proposant Carmen en toute fin de carrière ....même problème , encore pire avec Leyla Gencer , quasiment jamais enregistrée en studio et portant quelle voix !
Strauss was one of her favourite composers! She sang an almost perfect Salomé , Ariadne auf Naxos, Rosenkavalier !
❤❤❤
Heard her do these and Salome Schlusszene in Alice Tully Hall. Unforgettable experience.....
Do you or anyone have the first part? This is fantastic!
Busque en mi canal están los tres videos con toda la ópera y una entrevista
What a singer! Her repertoire was amazing. Here we see her singing her favourite composer. She adored Salome, Elektra, Arabella, Ariadne auf Naxos, and Der Rosenkavalier.
Que Mezzosoprano tan buena!!! Quién es ella ??
She is superb in this last scene on a level with Caballe and Gencer at their best.
Frühling, September, Beim Schlafengehen, Im Abendrot
Maravillosa María Castillo!
Why do people cough at Concerts?
Magnificent. She was in her artistic prime in 1977 and has just the right kind of voice for the Four Last Songs: silvery and lyrical, soaring effortlessly in the high passages with enough volume in the lower notes. Her fraseggio is more Italianate than Germanic but oh my goodness that endless respiratory reserve, long lines of elegant cantilena! At 20:12 for the line "So tief im Abendrot" she sustains a 20-second phrase on a single breath. This is comparable to the very finest recorded renditions by Gundula Janowitz, Jessye Norman, Kiri Te Kanawa and Cheryl Studer (sorry Schwarzkopf leaves me cold). Brava divina Montserrat!
in the studio recording she made it even longer (24 sec)... some critics dislike the tempo she used in this performance (they think it's too slow and too long) but i thought it fits the meaning very well.
Hermoso comentario. Gracias. Pero sin duda sumaria a la gran referente de estas canciones Lucia Popp, si no la has disfrutado, házlo pq es una BELLEZA también.)
Great music and singer
Excelente, un alto nivel canoro el de esta querida compatriota, en este rol difícil. Brava!
Very interesting and rare! Thank you. :)
Cómo se extraña a tantos talentos fallecidos !!! Una excelente versión de esta última obra de Strauss, octogenario ya a la hora de componerla....gracias por compartirla.
Il canto di questa grande interprete che ha spaziato in ogni Repertorio musicale....qui in Strauss è in un momento di Grazia...e avendo interpretato già Salomè in maniera sublime...sceglie una linea molto lunare che non è facile tenere in Teatro...ma il maestro Lombard le tiene spago...in maniera salda e precisa....alla fine ....si è rapiti da questa capolavoro ...cosi crepuscolare e splendente di ogni possibile valore che il crepuscolo possa dare; dopo una giornata indimenticabile...dove Luce e Ombra diventano il significato della sfida tra la vita e la morte. Vero momento epico.
Ella es la música
Bravissima
In diesem Jahr hatte ihr Mann eine Herzattacke 1977!!!!Aber er hat sie sogar noch überlebt!!!!Montserrat hat immer für alle gesorgt und bis zum Schluss war Sie immer für Alle da!!!!!!💟💟💟💟💟💟💟💟👍👍👍👍👍👍👍👍😘😘😘😘😘😘
Parabéns!!!
CALLAS - SIMIONATO, NORMA - ADALGISA: Ineguagliabili !!
Due voci inconfondibili, splendide, ineguagliabili...!
Prefer a voice with more weight here.
I love Caballe but she's coasting and half-singing for long passages here.
@@ian1856 Thank you for your illuminating response.
Guadalupe Barrientos ES AMNERIS. Y listo.
What a top - WOW!
She sang Straus better than almost anyone else - anything her wrote.
Estupenda AMNERIS!
Maravilloso
Aún no se por qué me duele tanto la muerte de esta mujer,,, si nunca la conocí en persona...
Imagínate lo que nos duele a los que tuvimos el privilegio de verla infinidad de veces! Pero es logico que te duela, hay muchos cantantes a los que nunca vi en persona y a los que encuentro a faltar!!
Bravissima!!!!!!!
Die Jahrhundertaufnahmen der "Vier letzte Lieder" von Richard Strauss, geschrieben in Montreux am Genfersee in der Schweiz, stammen von meinen geliebten Lehrerinnen, Dame Elisabeth Schwarzkopf und Kammersängerin Gundula Janowitz! La Stupenda, die grosse Montserrat Caballé singt diese als nicht Deutsche Muttersprachlerin jedoch HERVORRAGEND, mit ihrer unnachahmlichen vokalen Schönheit und gesanglicher Linie, die den Vergleich zu Obigen keinesfalls zu scheuen braucht! Das Dirigat ist kalt, wie Eis, aber La Stupenda lässt ihre Seele nicht dadurch entzaubern! Graçias Montse! RIP
"La Stupenda" is NOT Montserrat Caballé but Dame Joan Sutherland. You mean "La Superba"!
Maravillosa Guada !!
Great operatic singers!! Bravi tutti!!
Diva simplesmente...
Callas , Caballe' e poi il vuoto.
Callas y luego el vacio. Caballé tiene un voz bellísima pero no habita el Olimpo de la suprema Callas.