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Alon Goldstein
Приєднався 22 жов 2008
IG: alongoldstein.piano
www.alongoldstein.com
www.alongoldstein.com
Chopin Prelude No. 13, encore [Alon Goldstein]
Chopin Prelude No. 13, encore [Alon Goldstein]
Переглядів: 396
Відео
Schumann Piano Concerto (2nd and 3rd mvt) - Alon Goldstein
Переглядів 3022 місяці тому
George Enescu Filarmonia Yoav Talmi, conductor Alon Goldstein, piano
Schumann Piano Concerto in A minor (1st mvt) - Alon Goldstein
Переглядів 5302 місяці тому
George Enescu Filarmonia Yoav Talmi, conductor Alon Goldstein, piano
Mozart Piano Concerto No. 21 in C Major, K. 467 (3rd mov.) - Alon Goldstein
Переглядів 2282 місяці тому
Mozart Piano Concerto No. 21 Filarmonica “George Enescu” Alon Goldstein, piano Mark Laycock, conductor Bucharest, Romania
Mozart Piano Concerto No. 21 in C Major, K. 467 (1st mov.) - Alon Goldstein
Переглядів 3432 місяці тому
Mozart Piano Concerto No. 21 Filarmonica “George Enescu” Alon Goldstein, piano Mark Laycock, conductor Bucharest, Romania
Mozart Piano Concerto No. 21 in C Major, K. 467 (2nd mov.) - Alon Goldstein
Переглядів 4132 місяці тому
Mozart Piano Concerto No. 21 Filarmonica “George Enescu” Alon Goldstein, piano Mark Laycock, conductor Bucharest, Romania
"Ravel’s Une Barque Sur L’Ocean: Creating a Magical Opening"
Переглядів 5044 місяці тому
🎶 Unlock the Magic of Ravel’s Une Barque Sur L’Ocean 🎶 This short video gives an idea on how to create a magical opening in Maurice Ravel’s masterpiece, "Une Barque Sur L’Ocean." Follow More Shorts: Instagram: @alongoldstein.piano #classicalmusic #music #piano #pianotutorial #classical #ravel #masterclass #pianolessons
Achieve Perfect Pianississimo in Ravel’s Miroirs: Step-By-Step Guide!
Переглядів 2775 місяців тому
In this short piano masterclass, we dive into Maurice Ravel's "Oiseaux Tristes" from his suite Miroirs, focusing on mastering the delicate art of pianississimo. Discover the step-by-step guidance from my teacher, Leon Fleisher, to achieve the perfect pianississimo, bringing out the subtle beauty of this exquisite piece. Whether you're an advanced pianist or looking to refine your touch, this vi...
Unveiling the Genius: the Dotted Rhythm behind Schumann’s music
Переглядів 2,4 тис.5 місяців тому
Discover the fascinating world of Robert Schumann's dotted rhythms and how they contribute to his unique musical genius! In this video, we delve into the intricacies of Schumann's Sonata No. 1, exploring how his use of dotted rhythms, and the different timings add depth and emotion to his music. Whether you're a pianist looking to improve your understanding or a classical music enthusiast eager...
Florence Price: Andante from Sonata in E minor [Alon Goldstein, piano]
Переглядів 2285 місяців тому
Florence Price's Andante movement from her Sonata in E minor is a beautifully introspective and lyrical piece that highlights her unique compositional voice. The movement embodies a blend of European classical traditions and African-American musical idioms, showcasing her ability to infuse traditional forms with rich, emotional depth. The Andante features a serene, flowing melody that unfolds o...
The Madness of Schumann!! Exploring the Composer's Turbulent Mind and Emotions
Переглядів 1696 місяців тому
This short lecture discusses about Schumann’s mental instability that integrates in his music; from Triumphant, Begging, Hugging, Passionate, and HUGE contrasts in different small sections of the music. Piece discussed: Schumann Sonata No.1 in F# minor
"Discovering Rachmaninoff's Magical Universe: A Symphony of Sensation"
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"Discovering Rachmaninoff's Magical Universe: A Symphony of Sensation"
Debussy vs. Rachmaninoff: Musical Rivals or Kindred Spirits?
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Debussy vs. Rachmaninoff: Musical Rivals or Kindred Spirits?
“When Alon Talks” Debussy: La soirée dans Grenade (from Estampes)
Переглядів 1369 місяців тому
“When Alon Talks” Debussy: La soirée dans Grenade (from Estampes)
Beethoven’s Language (Musical Marking)
Переглядів 1539 місяців тому
Beethoven’s Language (Musical Marking)
“When Alon Talks” - Debussy: Pagodas (from Estampes)
Переглядів 15610 місяців тому
“When Alon Talks” - Debussy: Pagodas (from Estampes)
S. Prokofiev Piano Concerto No. 3, Op. 26 (3rd mov.) - Alon Goldstein
Переглядів 23110 місяців тому
S. Prokofiev Piano Concerto No. 3, Op. 26 (3rd mov.) - Alon Goldstein
S. Prokofiev Piano Concerto No. 3, Op. 26 (1st and 2nd mov.) - Alon Goldstein
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S. Prokofiev Piano Concerto No. 3, Op. 26 (1st and 2nd mov.) - Alon Goldstein
Philip Glass: Etude No. 6 [Alon Goldstein]
Переглядів 25 тис.10 місяців тому
Philip Glass: Etude No. 6 [Alon Goldstein]
Musical fingering VS Comfortable fingering?
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Musical fingering VS Comfortable fingering?
How to ASK the right question? - Part 2
Переглядів 8311 місяців тому
How to ASK the right question? - Part 2
How to ASK the right question? - Part 1
Переглядів 12311 місяців тому
How to ASK the right question? - Part 1
F. Chopin: Scherzo No.1 in B minor, Op. 20 [Alon Goldstein]
Переглядів 35711 місяців тому
F. Chopin: Scherzo No.1 in B minor, Op. 20 [Alon Goldstein]
👍👍👍
Congratulazioni!!!!👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏
shame on the genocidal IDF
I'm currently practicing this Etude, and I find this performance both very informative and highly motivating. Of course, it's fantastic as well. It's never easy, but I will not give up and am determined to finish it.
Played as an encore. What a beautiful treat for the audience.
i'm learning these babies
nice
Wow Fantastic Awesome Bravo Amazing Excellent Magnificent Wonderful Fabulous Marvellous
Glorious. We will not receive any new romantic brilliance created by Schumann, Chopin, Beethoven etc because that culture no longer exists. 😢 But: at least musicians, orchestras, conductors now keep it alive. If I’m anxious or depleted by the end of the day, I am privileged to have access to Classical music from many countries worldwide; from the mid Twentieth Century onwards - and opera houses from Argentina to Russia, Japan …
Bravo!!! Bellísima interpretación! El pianista un poema, una caricia al alma y los oídos! 👏 👏 👏 👏 👏 👏 ❤
This great playing retrieves this concerto from the list of hackneyed works and moves it to “fresh and exciting”. Who is the conductor and orchestra? Where/when was it recorded?
@@briankopinsky816 sorry just uploaded and updated the description! Filarmonica “George Enescu” Alon Goldstein, piano Mark Laycock, conductor Bucharest, Romania November 2019
I was lucky to witness this peace of art live today in Colombia, Alon Goldstein is a genius, there’s no other word to describe his work, he took this piece by Phillip Glass but make no mistake, he makes it his own and I dare to say that is even better than the original, the way he flows and contrast the notes is just beyond words 🔥
Same here! What a marvelous performance in Teatro Mayor Julio Mario Santodomingo today
i've met him! amazing. x
I was wondering... why this piece isn't played by Philip Glass?! Did he retire?
Considering his age, I do understand it.
how did you make this video with subtitles?
Bravoooo!!!!
Realmente, divino ❤
Very useful teaching!
Bravo!
Beautiful!!
WOWOWOWOWOWOWOW SWOON
This is well played. Far better than most. Slightly bangy in the louder section. I feel the first bass note is too harsh. It's shockingly loud, and startling A little more subtly might be in order. to match what over all is a very smooth performance.
That three on two combination makes it sound like there are more notes than are on the page.
The first time that I heard a Philip Glass piece that wasn't repetitive arpeggios it wasn't Philip Glass.
Sehr gut! 👏👏 Vielen Dank!!🥰
Philip Glass is the Greatest Composer of our Time.
I agree but... it's a low bar. Most of the composers of our time have been pretty damn awful.
Terry Riley is far superior.
I got really a fantastic opportunity to listen to this piece live and got smashed by this song. I really like Alon said. Quote: music is for listening.
Music on another level, superb performance.
Eloquently stated
Nice to see people reacting. What seems obvious to me, apparently is not to everyone. Was the first Steinway made after Chopin died - of course. Would Chopin like Steinway or not - that is not the point. The point is to understand that each composer has his own sound. A piano should not sound like a harpsichord if you play Bach, but imagining the sound of a harpsichord might give you some clues to find a specific sound for Bach. I think hearing the sound of the piano that Chopin wrote for and played on, can help with finding your “Chopin sound”. Afterwords go and play it on a Steinway, Fazioli or Bösendorfer. All can make a compelling performance, depending on the artist.
Steinway was started 4 years after Chopin died.
Totally makes sense. That brighter tone brings out the character of Scherzo clearly!
chopin died before steinway started making pianos, delete this
That was my first thought too
I think you missed the point. It’s exactly because of that, that you have to imagine on what piano he did play it. Just like you would when playing Mozart
Unbelievably subtle; shows up the technical deficiencies of so many younger performers
Absolutly the best i have seen!!
Here is speaking truth to power (of heavy bass notes). Let's hear the follow up in a future lesson.
Excellent observation.
I was one of those curious little boys that encountered, and fell in love with, a “Square Grand” Piano. It was at the Metropolitan Museum of Art that this object of man made beauty of human creation resides. I was lucky to have been able to buy a refurbished Weber-Steinway Grand years ago . Steinway bought up Weber in order to acquire their artisans. Steinway kept the piano the same for a while until they phased out these ornate beauties that were too costly to make. The sound of these pianos were delicate because of the two strings per note. You are spot on Liszt liked the three strings per note juggernauts that we have today. Franz Liszt once said, “ With these ten fingers I can reproduce the sounds of a HUNDRED MEN”. Chopin liked the intimate sound - Stage Fright. Great video! Check out Liszt “William Tell Overture” if you don’t believe me.
Yep. It's not a matter of piano brand. Chopin was a true poet and certainly it did not like to be viewed like a "saltimbanco", a way Liszt described himself 🙂
Thank you so much for your amazing performance!Beautiful quality finger work and culture of tone and sound.Enjoyed it so much!Bravo!🎉🎉🎉🎉
Masterpiece!!!
Great interpretations and explanation. Change the jarring score transitions though.
4k setting on phone
Mic too far from mouth.
Well done Alon.
Pro tip: watch this at 0.75x speed for propper tempo
heh, i love debussy
סרטון מדהים!
I believe I heard someone we both know said Brahms' dolce is also "deep", rather than just "sweet".
Searched the net up and down. Paul Barton's take is my second favourite interpretation to make the repetitions sound fluid. Alon makes this piece shine beyond imagination of the very composer.
I know about white keys and black keys but what are those red notes?
Thank you for your note. Perhaps the “red notes” you refer to is where you see the Felt in the piano?