Alon Goldstein
Alon Goldstein
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Відео

Schumann Piano Concerto (2nd and 3rd mvt) - Alon Goldstein
Переглядів 3022 місяці тому
George Enescu Filarmonia Yoav Talmi, conductor Alon Goldstein, piano
Schumann Piano Concerto in A minor (1st mvt) - Alon Goldstein
Переглядів 5302 місяці тому
George Enescu Filarmonia Yoav Talmi, conductor Alon Goldstein, piano
Mozart Piano Concerto No. 21 in C Major, K. 467 (3rd mov.) - Alon Goldstein
Переглядів 2282 місяці тому
Mozart Piano Concerto No. 21 Filarmonica “George Enescu” Alon Goldstein, piano Mark Laycock, conductor Bucharest, Romania
Mozart Piano Concerto No. 21 in C Major, K. 467 (1st mov.) - Alon Goldstein
Переглядів 3432 місяці тому
Mozart Piano Concerto No. 21 Filarmonica “George Enescu” Alon Goldstein, piano Mark Laycock, conductor Bucharest, Romania
Mozart Piano Concerto No. 21 in C Major, K. 467 (2nd mov.) - Alon Goldstein
Переглядів 4132 місяці тому
Mozart Piano Concerto No. 21 Filarmonica “George Enescu” Alon Goldstein, piano Mark Laycock, conductor Bucharest, Romania
Chen Yi: Variations on Awariguli
Переглядів 1292 місяці тому
Chen Yi: Variations on Awariguli
"Ravel’s Une Barque Sur L’Ocean: Creating a Magical Opening"
Переглядів 5044 місяці тому
🎶 Unlock the Magic of Ravel’s Une Barque Sur L’Ocean 🎶 This short video gives an idea on how to create a magical opening in Maurice Ravel’s masterpiece, "Une Barque Sur L’Ocean." Follow More Shorts: Instagram: @alongoldstein.piano #classicalmusic #music #piano #pianotutorial #classical #ravel #masterclass #pianolessons
Achieve Perfect Pianississimo in Ravel’s Miroirs: Step-By-Step Guide!
Переглядів 2775 місяців тому
In this short piano masterclass, we dive into Maurice Ravel's "Oiseaux Tristes" from his suite Miroirs, focusing on mastering the delicate art of pianississimo. Discover the step-by-step guidance from my teacher, Leon Fleisher, to achieve the perfect pianississimo, bringing out the subtle beauty of this exquisite piece. Whether you're an advanced pianist or looking to refine your touch, this vi...
Unveiling the Genius: the Dotted Rhythm behind Schumann’s music
Переглядів 2,4 тис.5 місяців тому
Discover the fascinating world of Robert Schumann's dotted rhythms and how they contribute to his unique musical genius! In this video, we delve into the intricacies of Schumann's Sonata No. 1, exploring how his use of dotted rhythms, and the different timings add depth and emotion to his music. Whether you're a pianist looking to improve your understanding or a classical music enthusiast eager...
Florence Price: Andante from Sonata in E minor [Alon Goldstein, piano]
Переглядів 2285 місяців тому
Florence Price's Andante movement from her Sonata in E minor is a beautifully introspective and lyrical piece that highlights her unique compositional voice. The movement embodies a blend of European classical traditions and African-American musical idioms, showcasing her ability to infuse traditional forms with rich, emotional depth. The Andante features a serene, flowing melody that unfolds o...
The Madness of Schumann!! Exploring the Composer's Turbulent Mind and Emotions
Переглядів 1696 місяців тому
This short lecture discusses about Schumann’s mental instability that integrates in his music; from Triumphant, Begging, Hugging, Passionate, and HUGE contrasts in different small sections of the music. Piece discussed: Schumann Sonata No.1 in F# minor
"Discovering Rachmaninoff's Magical Universe: A Symphony of Sensation"
Переглядів 1827 місяців тому
"Discovering Rachmaninoff's Magical Universe: A Symphony of Sensation"
Debussy vs. Rachmaninoff: Musical Rivals or Kindred Spirits?
Переглядів 3708 місяців тому
Debussy vs. Rachmaninoff: Musical Rivals or Kindred Spirits?
Chopin doesn’t like STEINWAY?
Переглядів 9 тис.8 місяців тому
Chopin doesn’t like STEINWAY?
Don’t get LOST with Chopin!
Переглядів 1,3 тис.8 місяців тому
Don’t get LOST with Chopin!
“When Alon Talks” Debussy: La soirée dans Grenade (from Estampes)
Переглядів 1369 місяців тому
“When Alon Talks” Debussy: La soirée dans Grenade (from Estampes)
Debussy being a GENIUS! How?!
Переглядів 1,2 тис.9 місяців тому
Debussy being a GENIUS! How?!
Being an “illusionist” as a pianist
Переглядів 3549 місяців тому
Being an “illusionist” as a pianist
Beethoven’s Language (Musical Marking)
Переглядів 1539 місяців тому
Beethoven’s Language (Musical Marking)
“When Alon Talks” - Debussy: Pagodas (from Estampes)
Переглядів 15610 місяців тому
“When Alon Talks” - Debussy: Pagodas (from Estampes)
S. Prokofiev Piano Concerto No. 3, Op. 26 (3rd mov.) - Alon Goldstein
Переглядів 23110 місяців тому
S. Prokofiev Piano Concerto No. 3, Op. 26 (3rd mov.) - Alon Goldstein
S. Prokofiev Piano Concerto No. 3, Op. 26 (1st and 2nd mov.) - Alon Goldstein
Переглядів 31310 місяців тому
S. Prokofiev Piano Concerto No. 3, Op. 26 (1st and 2nd mov.) - Alon Goldstein
Philip Glass: Etude No. 6 [Alon Goldstein]
Переглядів 25 тис.10 місяців тому
Philip Glass: Etude No. 6 [Alon Goldstein]
Musical fingering VS Comfortable fingering?
Переглядів 36310 місяців тому
Musical fingering VS Comfortable fingering?
Relationship of Tempo Markings
Переглядів 20911 місяців тому
Relationship of Tempo Markings
How to ASK the right question? - Part 2
Переглядів 8311 місяців тому
How to ASK the right question? - Part 2
How to ASK the right question? - Part 1
Переглядів 12311 місяців тому
How to ASK the right question? - Part 1
F. Chopin: Scherzo No.1 in B minor, Op. 20 [Alon Goldstein]
Переглядів 35711 місяців тому
F. Chopin: Scherzo No.1 in B minor, Op. 20 [Alon Goldstein]
I. Albéniz: Asturias (Leyenda)
Переглядів 532Рік тому
I. Albéniz: Asturias (Leyenda)

КОМЕНТАРІ

  • @myhumbleopinion1036
    @myhumbleopinion1036 4 дні тому

    👍👍👍

  • @bettyghidons2991
    @bettyghidons2991 7 днів тому

    Congratulazioni!!!!👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏

  • @weakboson7813
    @weakboson7813 14 днів тому

    shame on the genocidal IDF

  • @banana_GGG
    @banana_GGG 24 дні тому

    I'm currently practicing this Etude, and I find this performance both very informative and highly motivating. Of course, it's fantastic as well. It's never easy, but I will not give up and am determined to finish it.

  • @kellypaws
    @kellypaws Місяць тому

    Played as an encore. What a beautiful treat for the audience.

  • @militaryandemergencyservic3286
    @militaryandemergencyservic3286 Місяць тому

    i'm learning these babies

  • @militaryandemergencyservic3286
    @militaryandemergencyservic3286 Місяць тому

    nice

  • @rullysiswanto4583
    @rullysiswanto4583 Місяць тому

    Wow Fantastic Awesome Bravo Amazing Excellent Magnificent Wonderful Fabulous Marvellous

  • @helenmalinowski4482
    @helenmalinowski4482 2 місяці тому

    Glorious. We will not receive any new romantic brilliance created by Schumann, Chopin, Beethoven etc because that culture no longer exists. 😢 But: at least musicians, orchestras, conductors now keep it alive. If I’m anxious or depleted by the end of the day, I am privileged to have access to Classical music from many countries worldwide; from the mid Twentieth Century onwards - and opera houses from Argentina to Russia, Japan …

  • @lorenatomassoni2656
    @lorenatomassoni2656 2 місяці тому

    Bravo!!! Bellísima interpretación! El pianista un poema, una caricia al alma y los oídos! 👏 👏 👏 👏 👏 👏 ❤

  • @briankopinsky816
    @briankopinsky816 2 місяці тому

    This great playing retrieves this concerto from the list of hackneyed works and moves it to “fresh and exciting”. Who is the conductor and orchestra? Where/when was it recorded?

    • @alongoldstein13
      @alongoldstein13 2 місяці тому

      @@briankopinsky816 sorry just uploaded and updated the description! Filarmonica “George Enescu” Alon Goldstein, piano Mark Laycock, conductor Bucharest, Romania November 2019

  • @felipefierro6132
    @felipefierro6132 2 місяці тому

    I was lucky to witness this peace of art live today in Colombia, Alon Goldstein is a genius, there’s no other word to describe his work, he took this piece by Phillip Glass but make no mistake, he makes it his own and I dare to say that is even better than the original, the way he flows and contrast the notes is just beyond words 🔥

    • @jorgelarios2498
      @jorgelarios2498 2 місяці тому

      Same here! What a marvelous performance in Teatro Mayor Julio Mario Santodomingo today

  • @emmastacedarling
    @emmastacedarling 2 місяці тому

    i've met him! amazing. x

  • @francescoalessandromattia75
    @francescoalessandromattia75 4 місяці тому

    I was wondering... why this piece isn't played by Philip Glass?! Did he retire?

    •  2 місяці тому

      Considering his age, I do understand it.

  • @miquelsola828
    @miquelsola828 4 місяці тому

    how did you make this video with subtitles?

  • @Francisco63
    @Francisco63 5 місяців тому

    Bravoooo!!!!

  • @ilelaaz
    @ilelaaz 5 місяців тому

    Realmente, divino ❤

  • @andysleeper1283
    @andysleeper1283 5 місяців тому

    Very useful teaching!

  • @claytondavis4939
    @claytondavis4939 6 місяців тому

    Bravo!

  • @CharlesAndSounds
    @CharlesAndSounds 6 місяців тому

    Beautiful!!

  • @inaperfectworldfilm
    @inaperfectworldfilm 6 місяців тому

    WOWOWOWOWOWOWOW SWOON

  • @JoeLinux2000
    @JoeLinux2000 6 місяців тому

    This is well played. Far better than most. Slightly bangy in the louder section. I feel the first bass note is too harsh. It's shockingly loud, and startling A little more subtly might be in order. to match what over all is a very smooth performance.

  • @rabidbuddha4328
    @rabidbuddha4328 6 місяців тому

    That three on two combination makes it sound like there are more notes than are on the page.

  • @darkpatches
    @darkpatches 7 місяців тому

    The first time that I heard a Philip Glass piece that wasn't repetitive arpeggios it wasn't Philip Glass.

  • @sunny-bp5jq
    @sunny-bp5jq 7 місяців тому

    Sehr gut! 👏👏 Vielen Dank!!🥰

  • @ИгорьДымченко-к9л
    @ИгорьДымченко-к9л 7 місяців тому

    Philip Glass is the Greatest Composer of our Time.

    • @robcat2075
      @robcat2075 6 місяців тому

      I agree but... it's a low bar. Most of the composers of our time have been pretty damn awful.

    • @m.a.g.3920
      @m.a.g.3920 14 днів тому

      Terry Riley is far superior.

  • @joeygong8432
    @joeygong8432 8 місяців тому

    I got really a fantastic opportunity to listen to this piece live and got smashed by this song. I really like Alon said. Quote: music is for listening.

  • @789armstrong
    @789armstrong 8 місяців тому

    Music on another level, superb performance.

  • @SpontaneityJD
    @SpontaneityJD 8 місяців тому

    Eloquently stated

  • @alongoldstein13
    @alongoldstein13 8 місяців тому

    Nice to see people reacting. What seems obvious to me, apparently is not to everyone. Was the first Steinway made after Chopin died - of course. Would Chopin like Steinway or not - that is not the point. The point is to understand that each composer has his own sound. A piano should not sound like a harpsichord if you play Bach, but imagining the sound of a harpsichord might give you some clues to find a specific sound for Bach. I think hearing the sound of the piano that Chopin wrote for and played on, can help with finding your “Chopin sound”. Afterwords go and play it on a Steinway, Fazioli or Bösendorfer. All can make a compelling performance, depending on the artist.

  • @ritafarthington7582
    @ritafarthington7582 8 місяців тому

    Steinway was started 4 years after Chopin died.

  • @rexy7399
    @rexy7399 8 місяців тому

    Totally makes sense. That brighter tone brings out the character of Scherzo clearly!

  • @alex0589
    @alex0589 8 місяців тому

    chopin died before steinway started making pianos, delete this

    • @raymondgood6555
      @raymondgood6555 8 місяців тому

      That was my first thought too

    • @NafthaliHananja
      @NafthaliHananja 8 місяців тому

      I think you missed the point. It’s exactly because of that, that you have to imagine on what piano he did play it. Just like you would when playing Mozart

  • @davidmacnab5213
    @davidmacnab5213 8 місяців тому

    Unbelievably subtle; shows up the technical deficiencies of so many younger performers

  • @ralphMantel
    @ralphMantel 8 місяців тому

    Absolutly the best i have seen!!

  • @anatoly.larkin
    @anatoly.larkin 8 місяців тому

    Here is speaking truth to power (of heavy bass notes). Let's hear the follow up in a future lesson.

  • @anthonydecarvalho652
    @anthonydecarvalho652 8 місяців тому

    Excellent observation.

  • @derrickadams160
    @derrickadams160 8 місяців тому

    I was one of those curious little boys that encountered, and fell in love with, a “Square Grand” Piano. It was at the Metropolitan Museum of Art that this object of man made beauty of human creation resides. I was lucky to have been able to buy a refurbished Weber-Steinway Grand years ago . Steinway bought up Weber in order to acquire their artisans. Steinway kept the piano the same for a while until they phased out these ornate beauties that were too costly to make. The sound of these pianos were delicate because of the two strings per note. You are spot on Liszt liked the three strings per note juggernauts that we have today. Franz Liszt once said, “ With these ten fingers I can reproduce the sounds of a HUNDRED MEN”. Chopin liked the intimate sound - Stage Fright. Great video! Check out Liszt “William Tell Overture” if you don’t believe me.

    • @W-HealthPianoExercises
      @W-HealthPianoExercises 7 місяців тому

      Yep. It's not a matter of piano brand. Chopin was a true poet and certainly it did not like to be viewed like a "saltimbanco", a way Liszt described himself 🙂

  • @liudmilageyer4691
    @liudmilageyer4691 8 місяців тому

    Thank you so much for your amazing performance!Beautiful quality finger work and culture of tone and sound.Enjoyed it so much!Bravo!🎉🎉🎉🎉

  • @ludmilakosovich4831
    @ludmilakosovich4831 8 місяців тому

    Masterpiece!!!

  • @reev9759
    @reev9759 9 місяців тому

    Great interpretations and explanation. Change the jarring score transitions though.

  • @Teslafaninsight
    @Teslafaninsight 9 місяців тому

    4k setting on phone

  • @Teslafaninsight
    @Teslafaninsight 9 місяців тому

    Mic too far from mouth.

  • @Teslafaninsight
    @Teslafaninsight 9 місяців тому

    Well done Alon.

  • @danutswhatever
    @danutswhatever 9 місяців тому

    Pro tip: watch this at 0.75x speed for propper tempo

  • @ryanpullinger9732
    @ryanpullinger9732 9 місяців тому

    heh, i love debussy

  • @giladeilat6134
    @giladeilat6134 9 місяців тому

    סרטון מדהים!

  • @anatoly.larkin
    @anatoly.larkin 9 місяців тому

    I believe I heard someone we both know said Brahms' dolce is also "deep", rather than just "sweet".

  • @ludwigkopp8130
    @ludwigkopp8130 10 місяців тому

    Searched the net up and down. Paul Barton's take is my second favourite interpretation to make the repetitions sound fluid. Alon makes this piece shine beyond imagination of the very composer.

  • @markharder3676
    @markharder3676 10 місяців тому

    I know about white keys and black keys but what are those red notes?

    • @alongoldstein13
      @alongoldstein13 10 місяців тому

      Thank you for your note. Perhaps the “red notes” you refer to is where you see the Felt in the piano?