Відео

Katasrofa

Backing track? Nah, live orchestra. The big shows / TV stations had house orchestras back then.

They gave me a limited copyright claim at my edit because a song that's not even of them, now its banned in Russia and Belarus

CD > vinyl 😺😺😺

Gardenias is one of the best songs ever written and Palimpsest is my favourite album of all time :)

He wasn't singing to a track, there was an abbreviated orchestra. In those days (I saw this when it aired on TV) tracks weren't used unless the performer was going to be lip syncing to the record. On the Andy Williams show the performances were always live, no track. For a rock band the musicians would be playing live too. After this performance, the song belonged to Bobby. Nobody has ever matched him. Interestingly, he was a bit nervous because his mom was in the audience.

Good video, Im also a RME user (MADIface Pro). Totalmix is very flexible and has allowed me to use my interface for live playback on tours, home studio sessions and for the past year, using it to live engineer some small events. I only have access to the onboard 3 band EQ’s, so I have sometime passed audio through Ableton or Apples AU Lab which is a VST host. In terms of input reordering, would using the “layout presets” in Totalmix help you? While you won’t be able to reorder you can create a “drums” layout, for example to just see your drum inputs, and a “vocals” layout or anything else you may need. You can have up to 6 layouts per workspace. You can also extend that to the remote app for you clients by only having the channels showing for their mix. If I remember correctly I think synthax UK did a video on this in one of their videos. Hopefully that can help. I’m glad I got the RME interface as it’s versatile and being able to use it for live work, has been great. Having the MADI connection means I could add the 12 mic for extra inputs and MADI is also a good interface to the digital networking protocols. I do wish I had the dynamics and room eq on my interface, so maybe an upgrade/addition will happen Also, in one of the RME livestreams during lockdown, it was mentioned Totalmix remote can be used on android using Wine. I have no idea what that is as I’m an iOS user, but that may be another thing to check out

Honestly, it doesn't really match Lexicon, at least not the higher end range. Sounds very metallic. Maybe the recording is just a bit too wet?

Your explanations were great. The use of TotalMix goes exactly as you described it, and that took me a while to learn. The software section can do the route reassignments, as this is set up in the DAW, so I wonder if you have an aversion to setting up your DAW session with the channels routed where you want them. I know input monitoring is more precise and latency free, and that’s why most people are adamant about working from inputs. But I do almost everything in the DAW anyway. So my channels are moved side by side, although the inputs are coming from all over the place. I don’t have clients to cater to, and I have a much smaller total channel count from a Fire face UC and UFX, the original editions. No need to send submixes to various headphones. No room correction going on. No ProTools either, it’s FL Studio that does my I/O. So for my much more simplistic needs, my only complaint is keeping the WDM, and Windows to use my Speakers as the default audio channel. Many times Windows boots up with no sound, because the speakers are suddenly assigned to a different channel. That’s it for me. 💪😜

I'd much rather deal with the actual developers being cold (or simply just not explaining ad nauseum why certain things aren't possible or will take years to rewrite) than deal with talking heads that just yes you to death and not follow through. If you can't handle the realness, then pick up the phone and call Synthax Audio and speak to a support person there. Otherwise, great video - the title alone is enough to perpetuate a false belief that TotalMix is bad. 👏

i have a thing whit the cable conection to mi mixer i need help sorry

Vinyl is a way to experience art. To me, it feels like literal magic. It's a crack that makes music. It's also nice to have big artwork of the albums.

Great video! I love your setup. I’m curious how you record your ATEM mini multi cam footage while connected to OBS? Another question, how did you mount your touch screen displays into your desks?

You sure like listening to yourself 😮

He was sick at this time with a cold. That accounted for him taking a breath where he normally wouldn’t. He was also nervous because his mom was there in the audience, seeing him perform live for the first time. Note his little smile after hitting that last high C. He knew he nailed it ❤

Bobby also had a cold! AND THIS WAS A LIVE PERFORMANCE!! Back in the great 60’s era!! I was fortunate to grow up with these AMAZING SINGERS WHO TRULY HAD TALENTS.

Wish you fast and full recovery!

Live performance, of course, there is gonna be a little wobble,...pfttt

Absolutley magnificent. The musical arrangement is so special.

You could have talked AFTER the great Bobby Hatfield’s performance rather than interrupting him.

Tool the Grudge next

He had a cold that night. He was a counter tenor.

Incredible

This is a live performance and they didnt have the technology then that we have now.

He had a bad cold and he still killed it. Stop analyzing his voice.

It was played on the movie Ghost.

Краткость сестра таланта.

Density mkIii is my most favorite! Try out mid-side compression! Its fantastic❤

I don’t believe it. You’re a sound engineer?!! Everyone knows that there was a live orchestra playing on the Andy Williams show!!! If you are going to evaluate a song perhaps you should familiarize yourself with how the music was done in each era.

I've always hated vinyl records, even when I was a kid, that is why I tried to make a tape recorder in the fourth grade, I didn't succeed obviously, but at least I tried! The ticks, and pops, plus surface noise, and the eccentricity of vinyl records drove me (when I had enough money), to purchase a used teak A1500U, reel-to-reel tape recorder, but I could easily still hear the difference between "source and tape", the dreaded tape hiss. In 1978 as an engineering consultant for the "Great American Sound Co., I traveled to Japan to visit GAS dealers and the Tokyo Electronics Show. In the Sony booth at that show, I saw for the first time, a model PCM-1, 12-bit digital processor playing music from the video track displaying thousands of black and white, undulating bits on the monitor, from the same SL-8200 Beta max VCR I had at home, I had to own one of these! In 1983 I attended an AES meeting featuring Marshall Buck who was presenting his new "coaxial two-way" loudspeaker he had designed for Cerwin-Vega! In his demonstration he was utilizing a "vocal-only" recording of a female singer that sounded fantastic with an incredible "dynamic range" and no background hiss. Immediately after Marshall's demonstration, I walked up and asked him what equipment was playing back his recording of this singer? He pointed to this diminutive silver box, and said I'm using a Sony PCM-F1, 16-bit Digital Audio Processor and a VCR. I said how much for the PCM-F1. He said $1,500.00, and I said sold! I built a portable recording rig that included the PCM-F1 and other custom-made equipment that I utilized for various musical performance recordings made on location and I won an Emmy for an outdoor performance of the opera Faust! I've been a digital advocate ever since, if you wish to learn more about my current endeavors, search UA-cam with the following: "JBL SYNTHESIS CREATOR", and ALSO: "HOWTOHOMELIFE". If you have questions, feel-free to call me @ 818-314-7275 Pacific time. David Riddle

I actually never expect live events to Sound like the record (and j am very suprised when they do)... But i am so frustrated by having to guess what song is played at the Moment because everything is just basically white noise while the bass trying to CPR me... Now that you mention it i see some of the reasons that make it challenging to get live music Sound right, but still I wonder: can't you just turn the bass drum a little less loud so i can hear the damn guitar solo?

My favorite from SOPHIE🎉🎉

Why does everyone cut that part out it because a lot of people don’t know how they got there name and the funny part of it

very nicely analyzed. Modest. Like Bobby was. good job

Your channel so your call, but when you pause one of if not the best live performance on record in the middle of a run or line, I would so appreciate you backing up just a tad before resuming. Maybe just me but the way the pausing was done really ruined the whole thing for me sorry to say.

My younger brother is the redheaded guy in the beginning of the video, he owns the studio.

Can you react to mine? It’s called traumatized By YoungT7

Thanks for acknowledging this. It's an absolutely ridiculous and upsetting situation, and one of those sad, nonsensical, supposed "norms". It would make much more sense for appropriate sound levels to be used, than to have to wear ear plugs. None of the music events I went to before 2019 were too loud, in 2019 I went to one that was too loud and two that weren't, but the music events I went to in 2021 and 2023 were both too loud. Could it be the case that my perception of what's too loud has changed. or has the situation just been more of a thing recently?

With your self-gripped opinions...I'd have thought you knew the final note bobby sang.

Amen. Because it was (and can be) fun!

vinyl are overraterd

love these

I would go as far as saying it's a Poorman's Eventide. I bought mine for $149 15 years ago brand new, and my only criticism is I didn't buy 2. *It's also a bit extreme for some needs as well where you need a delay, a modulation or a reverb, but you don't need 20 parameters to adjust.* For this reason, I bought 2 Virtualizer Pros, and they have moderate parameter controls, and are ideal for using on a guitar amp's effects loop or when you don't want to spend an hour programming a reverb or modulation for some vocals or an acoustic guitar. I greatly see the Rev2496 as a piece of studio gear to put on your mixing board's loop, mastering through your board or pursuing a commercial quality recording. *With all that said, PC's and even Android tablets provide so much now that a $100 tablet can genuinely replace the powerhouse rack units still on the market today.* Even 20 years ago I talked to a lot of other musicians online that constantly used the phrase, "just mouse it", meaning add your effects with your DAW after the fact.

The idea is that the signal can be decoded using DSP and HRTF to earbuds. If that's the case you can make an equal argument you can do a pretty good simulation with some nice headphones. I would rather buy some nice headphones than add a silly load of speakers around my studio.

Absolutely NOT! Atmos is a dead parrot! Good riddance!

I fully agree with you. Feels more like a marketing campaign. I don’t see it taking over stereo anytime soon. This also bumps the cost up for consumers and engineers.

CONGRATULATIONS Marc, looking GREAT! 😀❤️❤️✊

Pro Tools 👌🏿👌🏿

Nice

Yeaa bro! Looking nice