Відео

A great discovery to learn that we have a new project with this new composer.

.. .and so I have landed at 'Wir Christenleut' and find, to my delight, that this was an episode I didn't know. There was much fascinating discussion on phrasing and articulation. Food for thought as always. Btw I find that repeat entirely convincing. Being also a user of Novello/Emery it came as something of a surprise but it is surely a refrain befitting the joyous, volkstuemlich, irrepressible character of the piece, as if the preacher shouts out to the organist, "Give us that chorus again!" (I have actually heard this happen...) I note that Jellema for the Netherlands Bach Society also does the repeat.

By the way, do check out my new book on www.thegreatbritishbookshop.co.uk/products/organist-at-your-service

By the way, do check out my new book on www.thegreatbritishbookshop.co.uk/products/organist-at-your-service

By the way, do check out my new book on www.thegreatbritishbookshop.co.uk/products/organist-at-your-service

By the way, do check out my new book on www.thegreatbritishbookshop.co.uk/products/organist-at-your-service

By the way, do check out my new book on www.thegreatbritishbookshop.co.uk/products/organist-at-your-service

By the way, do check out my new book on www.thegreatbritishbookshop.co.uk/products/organist-at-your-service

By the way, do check out my new book on www.thegreatbritishbookshop.co.uk/products/organist-at-your-service

Other "mystery pieces", see ua-cam.com/play/PLABcWksVExXvxC7tUrbVg2kfqxyJGdrgX.html By the way, do check out my new book on www.thegreatbritishbookshop.co.uk/products/organist-at-your-service

When you discuss how Bach built on Buxtehude's model, I'm reminded of Nadia Boulanger's maxim about how one achieved originality by 'unwitting infidelity' to a model. I got over a bout of writer's block by following this idea - I started writing pieces by using a model to spark my imagination. I've just learned Dutch Adams Fall, which is why I'm watching this video. The pedal line is a lot of fun! I can't wait to break it out some time this Advent 😀

I don’t know this piece’s name nor its composer

Thank you for your interesting an knowledgeable comments and enjoyable performance. I like the ebb and flow and biting harmonic line of the prelude. I was interested that you often omit 16` in fugues and will take that on board.

Hi, My dears, who are reading me. I looked for the very last composed piece of music by Brahms. And I guess, I found it. I wanted to see how Brahms 'developed' at the end of his life. I'm convinced there has been a development. I'm so amazed about this piece of music----I listened to it four times----and the whole interwoven harmonic and melodic, the great realm of Brahms musical ideas opened up to me!!! A magic moment and experience!!

I did not know the piece. I had thought of Walther or others of his time. Enjoyed it.

What I can do is .... say "Beautifully played Tim!" 😃

Buxtehude?

I got it easily. Very characteristic of his style.

I guessed wrongly (but closely, I daresay) that it was Pachelbel. On the basis of being similar in figuration and harmonic idiom to Bach, but slightly earlier. On reflection, a more Pachelbelian structure would have been to have a lengthy section of fantasia for manuals followed by a long-note statement in the pedals with climactic figuration above. Another fine video, much enjoyed!

I agree, a wonderful work and a great performance

First class explanation and insight into this piece of Bach, including the playing! Thank you.

Sublime.

Thank you very much for this interesting video! Sometimes I played the prelude myself and I'm positive surprised, that I'm not far away from your approach with my modest skills. But I also heared it played very, very slow and with full organ, sounds like a funeral march. Do you think, it is an option too?

End of the 18th century sometime? Same sort of time as that Vierling? Gorgeous organ, anyway.

The harmonic language and texture enabled me to guess the era easily, but I didn't know the composer. I did, however, immediately clock that you were playing a Bernard Aubertin organ. I worked at Newcastle University, and we have one there-a marvellous instrument.

I rather like the rhapsodic aspect of the prelude, and its harmonic structure. I was thinking whether the pedal entry in the fugue could be bolder, but that might not fit the light dance-like style of the movement.

Other "mystery pieces", see ua-cam.com/play/PLABcWksVExXvxC7tUrbVg2kfqxyJGdrgX.html

Impressive single handed page turning, registration by hand and everything. And great sounds from the Aubertin-Organ. 😊

Lovely work. Section 3 confused me terribly for a moment, and then I remembered "Sturm und Drang" and it all seemed to fall into place. Couldn't work out the plot, though, until you related it. I do love this series with its constantly new challenges.

It reminds me of some if the vocal lines from Faure’s Cantique de Jeane Racine, but I’m fairly sure it isn’t that!

Beautiful music on a wonderful organ. Thank you, Tim, for giving me five minutes of peace and pleasure in the middle of a work day.

Beautiful

It is ” Cemetery ” , of John Depressed !

interesting that the organ has no reeds.

This is so boring I'm losing the will to live.

Beats me,, 😢

I didnt hear much counterpoint nor a well-structured phrasing, but the melody was not very attractive to ears, so decided it should be late romantic rather than barouqe or classical. Smetana came into mind at first, then Grieg, coz the vibe feels like Peer Gynt to me.

Gorgeous! Thank you.

Can I get the sheet of music somewhere?

Other "mystery pieces", see ua-cam.com/play/PLABcWksVExXvxC7tUrbVg2kfqxyJGdrgX.html

Well i thought film music from 1930s but in actuality film music from 1970s

Do I get a reward for saying that it is not by Pierre Boulez

this one got me stumped. Something rather modern. Early 20th century?

I thought it sounded like film or TV music, but I just couldn't place it. I was wondering whether it could be Finzi, but ruled him out because it was supposed to be someone not known for that type of music.

Sorry, but the view of the graveyard tells all.

Italian? IDK! 🤭

Unfortunately, I couldn't identify the composer ... But it sounds very beautiful.

No idea at all. But it's really lovely.

There is another argument as to why playing the pedals with toes in 18th century music or older: old pedal board often show that the keys are not positioned horizontally, but that the highes point of each key is situated under the manual(s) and the lowest part is under the bench. This makes using heels uncomfortably, if not almost impossible, certainly in the middle of the pedal board

I really appreciate this video. Thank you! I played this this morning in church, but I have struggled with figuring out how exactly to interpret all these slurs.